Univa Nova is a beautiful minimalist typeface with masterclass design and outstanding usability features. The typeface is inspired by some of the original Swiss design-based branding projects. Univa Nova is a perfect choice for graphic design, text presentation, web design, print and display use. The typeface can be an amazing option for beautiful branding, logo / logotype design projects, marketing graphics, banners, posters, signage, corporate identities as well as editorial design. Adding extra letter-spacing for the Caps will make this font perfect for minimal headlines and logotypes as shown in promo images here. The typeface is specially handmade with great OpenType features in mind, each weight includes extended language support including Western European & Central European sets. A total of 306 glyphs are included. Univa Nova typeface comes with a total of 16 fonts having 8 weights (Hairline / Thin / Light / Regular / Medium / SemiBold / Bold / Heavy as well as Italic versions of each weights.

Homage to 70s phototype typography in 3 styles The AW Conqueror typeface family is a nod to the spirit of phototype typefaces and transfer lettering from the early 70’s. Founded by Ed Rondthaler, Photo-lettering catalogs swarmed with more daring typefaces than the others. Both transfer letter and phototitling have liberated the principle of letter-to-letter spacing, previously impossible with metal type. Phototype allowed operators to position millimeters, on the fly, letter after letter: words, sentences according to the specifications of the art director. AW Conqueror superfamily AW Conqueror Didot is part of a larger family, who include 4 others subfamilies with great potential: They’re but based on same structure, with some connection between them (width for example), to offer a great & easy titling toolbox to any designers, from skilful to beginner. Each of the members try their best to be different from the others because of their features. They should work harmoniously in contrast. Club des directeurs artistiques Prix 2010 European Design Awards 2011

Charcuterie is a collection of ten distinct yet related typefaces, and three ornamental typefaces. Used individually or blended with other fonts from this large family, elements of Charcuterie are well suited for headlines, titling, logos, display, packaging, signage, or advertising. The entire collection lends itself to experimentation, acting as a complete and complex toolbox, enabling you to work in extraordinarily varied ways. Each Charcuterie typeface has different, yet complementary features. Engraved features 135 swash alternates and Cursive boasts 275. Frames offers a broad and endless approach to creating frames of any proportion and style. Catchwords features nine different styles for a total of 82 glyphs. 100 Ornaments include a vast array of arrows, brackets, rules, icons, ribbons and more. See what’s included! http://bit.ly/2c5OzoK *NOTE* Basic versions DO NOT include swashes, alternates or ornaments These fonts have been specially coded for access of all the swashes, alternates and ornaments without the need for professional design software! Info and instructions here: http://lauraworthingtontype.com/faqs/

HEYLOVA SCRIPT is a vintage script typeface with a groovy retro look. HEYLOVA SCRIPT is ready and Perfectly fit for your logo designs, music projects & social media posts, event poster, brand imagery, product packaging, handwritten quotes, merchandise, etc. More importantly, please don't hesitate to drop me a message if you have any issues or queries. Feel free to comment & contact me at atasistudio@gmail.com for more information. Thanks for purchasing and have fun! I really hope you enjoy it !

The typewriter font Olympia was developed by Hell Design Studio and is available in one weight. A typical characteristic of a typewriter face is that it is monospaced, meaning all characters take up the same amount of space, whether a relatively wide m or a relatively narrow i. Typewriters have all but disappeared from the workplace and such faces have lost their original, practical use, but their style and effect has kept them alive and well, especially in advertisements.

Apres is a clear and comfortable typeface from David Berlow, originally designed for the Palm Pre smart phone. This humanist geometric design projects a friendly and forthright familiarity, without being static or mechanical. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

At home, we don’t drink soft drinks at all. Maybe sometimes, when one of the kids has a birthday party, but we normally don’t have a stash of the stuff. We have cordial, or, as wel call it in Holland: limonadesiroop (‘Lemonade Syrup’). There you go, another font name xplained! Today Syrup was made with a marker pen and a lot of paper! It comes with a frizzy, sticky goodness to give your designs that extra kick.

Tex Writer is a custom handmade / handwritten Serif typeface with a simple and casual personality making it perfect for text typography, logotypes, marketing graphics, branding, package and advertisement design and anything in between. Extended Character Sets Along with the basic Latin character set, we have added Western European, Central European, South Eastern European character sets for your convenience. What You Get This typeface comes with 14 fonts having 7 weights + 7 italics (Light / Regular / Medium / SemiBold / Bold / ExtraBold / Heavy).

UUeirdie is weird. The Condensed-Light style was derived from the star-serifed font Asterx by replacing the star serifs with a rounded flare serif. Widening that style resulted in UUeirdie-Regular and the bold was then constructed to complement it. The warped version was a result of play with a font distortion program. Although the glyphs have sharp corners, they do not have straight lines. The UUeirdie faces are rough, irregular, and maybe a bit creepy.

Spilled Ink is a handwritten typeface designed to complement illustrations. Inspired by the idea of spilled ink that spreads and fills the shape of letters. Therefore, the symbols do not have sharp corners and looks smooth, soft and cute. Spilled Ink is intended for use in headlines, so lowercase have the same height as uppercase, allowing them to be used as alternates. Make your stories fabulous with Spilled Ink! Scripts: Latin, Greek, Cyrillic, Hebrew Language count: 480+

The Bariyet is an organic hand drawn script. This script typeface gives a feel of vintage, classic, old, handmade looked like.This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Kabouter (kaːˈbɑu̯.tər) means ‘gnome’ in Dutch. I have no particular love for gnomes (even though I have a font called Garden Gnome…), but this font had a fairytale feeling to it and the name looked good. Kabouter is a happy display font. It is fun, bouncy and quirky. Use it for your book covers, toy-packaging and home made apple sauce labels. Besides that, you now know how to say gnome in Dutch, which will leave your friends astounded! ;-)

The LifeAfterCollege family began as a set of four fonts based on two styles of Ranger, which are slab-serif, geometric fonts with no curves. Two of the four are outlines with hollow insides, and two have-filled insides. The two fonts that are outlined have been taken apart and made into three typeface that can be layered. This allows one color for the inside, another for the middle ring, and a third for the outside outline.

Gelly Script is a modern calligraphy script . Inspired by the modern calligraphy lettering and watercolor brush. This fonts have 2 version Regular and Stipple also dancing baseline to ensure that is modern calligraphy lettering style. The basic principle of creation is striping of thick and thin lines. This fonts is also have alternative characters, contextual alternates, when meets the same letter. Those all will make you work easily to create : Posters, Logos, Print, Quotes, Headers, Clothing, etc.

Fancy Font Family is a font that I have been working on since 2012 and I have been trying to complete it for a long time. Thanks to its wide lines, you can use it easily in your paragraphs and poster designs. In fact, the purpose of using a font is entirely related to your imagination and your originality. The Fancy Font Family adapts to any design format you need and does not let you down.

This clean looking (all caps) font has characters made of gaps, which form the stencil divisions, spaced evenly along the strokes. The letterforms have a well-proportioned constructional appearance. The characters look like they have been built from interlocking bricks, the stencil gaps give them both rhythm and texture. The sans serif typeface also has a sense of movement because of the way the stencil gaps follow the horizontal, vertical or curved direction of the stroke.

The slab serif Waterloo Bold was designed by Alan Meeks. He chose unique and individual forms to give this alphabet its unmistakable character. The cross strokes of the capitals are not in the optical center, the serifs have light furrows, and the figures have a slight slant tot he right, giving this font a dynamic, flowing look. Waterloo Bold is reminiscent of cigars, whiskey and the 1930s and should be used only in headlines in large point sizes.

Frizzy is a classic look vintage style font with a big set of additional characters. Lowercase letters have 4 stylistic sets with different shapes. Uppercase letter has two additional glyphs with upper and lower swashes. All those features can be found in the OpenType panel. Five extra swashes are available in the glyphs panel. When combining all of this features, you can create an interesting and unique lettering compositions. Thank you and have a nice day!

The Royalheat is a organic display typeface inspired by vintage type with handdrawn feel. Comes with regular, stamp, slanted and slanted stamp styles. This typefaces is perfect for people looking for vintage aesthetic. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Warheim is a organic display typeface with handdrawn feel. Comes with regular, stamp, spurs and spurs stamp styles. This typefaces is perfect for people looking for vintage aesthetic and organic feel. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

Presenting… a Western style alphabet from the 1960 edition of Samuel Welo’s “Studio Handbook for Artists and Advertisers”… Extra bold, featuring slab serifs and concave corners, this type style could easily have been found on building signage in the Old West… but in redrawing it digitally, it’s been named Modern West JNL because at one time, this would have been considered a modern style of lettering. Modern West JNL is available in both regular and oblique versions.

TypeAddiction presents “Gaufre de Bruxelles”, a playful handmade uppercase font. Lowercase letters have filled letters (A, B, D, O etc) and the uppercase letters have unfilled letters. "Gaufre de Bruxelles" means a Brussels waffle in English. The Brussels waffle is a rectangular-shaped waffle and is a Belgian culinary speciality. The characters of the font were inspired by the waffle dough and more specifically the shape that the dough takes when it is poured into the waffle iron.

CoffeeMug has letters on coffee mugs. Upper-case letters have the handles to the left and lower-case characters have the handles to the right. The letters on the mugs are from the typeface InsideLetters. The typeface contains characters that will add color to letters. There are two ways to do this. One uses layers and the other a combination of characters, some with zero-width. A file in the gallery explains the ways that this can be done.

Terrorista is a homage to everyone who fought against the Millitary Regime in Brazil from 1964 to 1985. The Terrorista Marighella features generous inktraps, fits perfect for small sizes. Terrorista Dilma has the same design as the Marighella, but without inktraps, made for display. The last typeface from the package is Terrorista Lamarca, stencil version, all three weights have the same metrics, making it easier to use them together. Have a look at the Terrorista Specimen.

The Norse Gods of Asgard, the Titans of Olympus and the Elders of Middle Earth have spoken! Their pronouncements have been carved in the solid rock across the mountains of Midgard and their Legend will now be known to many... 'cause JG --- our very own Mr Fontastic -- signed a license for comicbookfonts.com to make the typestyles of the gods commercially available. No really, he made a deal with Loki. Dipped his pen in his own blood and everything.

Proudly introducing, Victoria Rogers! Victoria Rogers is a special font that crafted carefully with heart and aimed to achieve the purpose of this font to be used as an elegant editorial font, but you can use it for anything you want! This font is special because the uppercase and lowercase have different style, uppercase with feminine feel with swash, and lowercase with thin and crips elegant display serif, mix them both and voila, you have an elegant design instantly!

Introducing our New Collection, she is really pretty and sweet. Let's call Rosiecated, she's a stylish modern calligraphy with casual chic flair. She's perfect for packaging, wedding invites and cards, and branding. She will show you with a full set of lower & uppercase letters, a large range of punctuation, numerals, and multilingual support. What she have : Web Font PUA encode Multilingual support If you have any question please do not hesitate to contact me. Thank You!

Lunokhod type family (four weights) was designed by Oleg Karpinsky for ParaType in 2005. Lunokhod is an original wide sans serif with square shapes of oval glyphs. Several Cyrillic glyphs such as Í, Ó, ×, ã, ä, ò have alternate letterforms. For example capital H has two shapes: Latin one with diagonal central stroke and traditional Cyrillic with horisontal bar. Capital Ó and × have symmetrical and asymmetrical shapes. For use in display typography and for short text passages.

Miranda Wright is a captivating serif font designed in an exquisite and elegant style. Each letter is meticulously crafted with fine details, evoking a sense of sophistication and grace. What sets Miranda Wright apart are the last few letters, which feature graceful circular swings that add a touch of charm and uniqueness to the font.. The circular swings at the end of certain letters infuse this serif with a delightful flair. These subtle and graceful details add an air of playfulness and individuality to the font, setting it apart from conventional serif typefaces. The circular swings give the font a distinctive personality, making it ideal for creative projects that seek to stand out. Its legible and elegant letterforms make it suitable for both body text and headings, while the circular swings add a touch of character that enhances the overall visual appeal. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Miranda Wright fits in headlines, logos, posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Finding a perfect font for your project which always looks good in different display types can be a complicated task. Furthermore, the right font choice determines the success and the failure of your project. Unfortunately, if you fail to find the perfect one, you will waste your time, money and energy. Therefore, we would like to introduce you to Jelly Ball, a perfect font for any different display types without decreasing the legibility. Jelly Ball is a display font in round shapes on the letters’ edges to produce different effects on different applications. Generally, such a display font shows amazing, fresh, modern expressions to highlight important messages, to attract readers’ attention, and to beautify the display as well. The letters’ forms and proportions are relatively consistent enough to be legible. An extra bonus given is the clipart. You can also enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Jelly Ball fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

First March is a captivating display serif font designed with elegance and a touch of modernity. This typeface combines classic serif elements with a contemporary twist, offering a unique and refined look to your creative projects. The elegant letterforms with clean lines and balanced proportions adding a sense of sophistication and grace to your typography. The serif details provide a timeless appeal, while the modern twist brings a fresh and current vibe to the font. This combination creates a harmonious balance between tradition and innovation. What sets First March apart are its swinging endings in select letters. These graceful and subtle flourishes add a touch of dynamism and playfulness to the font, creating an engaging visual experience. The swinging endings bring a sense of movement and fluidity to the letterforms, enhancing the overall elegance of the typeface. Because of its legibility you can use this font in a variation of text sizes. Enjoy the available features here. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations First March fits in headlines, logos, posters, titles, invitations, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sticky Melody is a charming display font that combines cuteness with a bold and prominent style. With its thick weight, rounded shapes, and distinct contrast, this typeface is designed to capture attention and infuse your designs with a playful and lively energy. The thick weight of Sticky Melody gives each letter a robust and substantial presence, making it stand out effortlessly. The rounded shapes add a touch of softness and friendliness, creating an endearing and approachable feel. The font's unique feature lies in its prominent contrast, which accentuates the curves and contours of each character, elevating the overall visual impact. Let the thick weight, rounded shapes, and prominent contrast of this font bring your creative visions to life, ensuring that your message stands out in the most charming and captivating way possible. You can use it in big text sizes to be greatly legible and enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Sticky Melody fits in children's books, toy packaging, posters, headlines, logos, social media designs, and any design project that require a touch of delightful playfulness. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Coestral is a captivating capital serif font designed with elegance and a touch of interconnected charm. Each letter is meticulously crafted to exude sophistication without being overly heavy, creating a harmonious and visually pleasing appearance. The capitalized letterforms of this font showcase clean lines and refined serifs, striking the perfect balance between elegance and readability. The font's moderate weight ensures a versatile and adaptable design, making it suitable for a wide range of creative projects. What sets Coestral apart is its subtle yet delightful feature of connected letters. Some letters are gracefully linked, creating a seamless and flowing look that adds a touch of uniqueness and artistic flair. This interconnected style adds a sense of continuity and grace to the font, enhancing its overall elegance. On the other hand, its legibility and graceful appearance ensure that it makes a bold statement without overwhelming the viewer. Enjoy the available features here. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Coestral fits in headlines, logos, posters, flyers, invitations, greeting cards, branding materials, print media, editorial layouts, website headers, and many more. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Digital designs seldom show personal touches to make them stand out and to give unique displays. Generic fonts are no longer enough to do so. You need something special to make great impacts on your work. Therefore, a handwritten font can be the perfect solution to such a necessity. This is the Mightiest Autograph. Mightiest Autograph is a handwritten font in a signature looking style to add elegant, personal nuances on your designs. The curves and wipes in the swinging ends of the letters are the main characters. Like the other cursive fonts, each letter is connected to one another to make the font legible. The letters’ proportions are made different for a more artistic looking style applicable for such romantic texts. You can apply this font for any text sizes due to its great legibility. Additionally, you can enjoy the available features here. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Mightiest Autograph fits best for various design projects, such as brandings, posters, banners, invitations, greeting cards, magazine covers, quotes, printed products, merchandise, logos, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

L-O-L-A Like the subject of the Kinks’ song, FS Lola is a little bit of both – a font with a rare combination of masculine and feminine. The font was inspired by the song, which itself was inspired by the night the Kinks’ manager spent dancing drunkenly in a Soho club with a beautiful woman... Or so he’d thought, until her stubble started to show halfway through the evening. Masculine/feminin Phil Garnham’s experience in designing FS Lola was similar to the one related by Ray Davies. Setting out to create a sans serif font, he realised along the way that he was actually dealing with a semi-serif. He went with it, though, and produced a font with the best masculine and feminine qualities: hard edges and corners tempered by shapes of softness and generosity, the outcome of what Phil calls an “organic” design process. “Initially, my designs were very graphic and hard but not very distinctive. By printing and redrawing the letters in pencil I achieved a softer and friendlier alphabet with a strong personality.” Broad Lola, as you’d expect, is very broad-minded. Available in five weights with italics – and fluent in central European languages – FS Lola offers a confident combination of feminine softness and male steeliness to any kind of design. As the song says, “It’s a mixed-up, muddled-up, shook-up world... except for Lola.

Creepy Tales is a spine-chilling display font that will send shivers down your spine. With its big letters and bold weight, this font demands attention and exudes fear. The horror theme is brought to life with meticulously crafted dripping ink details on each letter, adding a nightmarish and eerie touch to the font. Each letter in this font is bold and impactful, making a powerful statement in your designs. The large size of the letters further intensifies the font's haunting presence. The dripping ink details in this font give the font an organic and unsettling appearance, as if the letters are oozing with dread. These haunting details add a sense of macabre and create an atmosphere of suspense, immersing the viewer into a world of dark and chilling horrors. For the best legibility you can use this font in the bigger text sizes. Enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Creepy Tales fits in headlines, logos, movie posters, flyers, invitations, branding materials, print media, editorial layouts, headers, and any project that requires a terrifying touch. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.