"Kangen Serif " is a powerful neoclassical font family designed for a variety of uses — from editorial and corporate design to web, interaction, and product design. It's a contemporary look with high-contrast typography that never goes out of style — defined by elegance, tradition, and timelessness. Although "Kangen Serif " seems like a display font at first glance, its proportions and design convey hard work and strong character.

"Cursed Parade" Has hard strokes and a signature styles that speak to instant scared sensations,it was inspired by horror and thriller movie “IT”. "Cursed Parade" will help you to create special and touching typographical design for your horror and dark projects, for branding, labeling, clothing, movie title, album cover, logos and many more. It is really universal and modern font. The owner of endless possibilities!

This typeface is inspired from the old display fonts that used to decorate the world around us, but just because we don't see such beautiful signage these days, doesn't mean we should lose the great typefaces used. Foreman is a condensed serif display typeface, with hard geometric lines inspired from fonts used in the 1930s and 1940s, and very much used by the American Art Deco movement.

Flowa typeface is designed to make a difference in your work with its strong and contrasting stance that contain in itself soft and hard lines simultaneously. Flowa is suitable for branding, album cover designs, posters designs, packaging and editorial. It can be used for websites and digital media. It is an excellent choice for short sentences, big hero titles, unique logo fonts, in particular.

This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?

Here is another design by jewelry designer Max Joseph Gradl. Zier is a verb, meaning to decorate, adorn or ornament; zierlich means decorative, elegant, fine, neat. Schrift means type. Zierschrift, therefore, means decorative type. Gradl Zierschriften is a decorative type in the Art Nouveau style, rather than the more ornate Victorian style. Very modern, very young, with an elegant simplicity of form. Maria Makela, in her book The Munich Secession (Princeton 1990) suggests that the frequent use of simple, flowing, organic forms that was so characteristic of Art Nouveau was a reaction against the growing complexity and rapid urbanization that resulted from 19th century industrialization. In keeping with that reaction is the hand-drawn quality that intentionally rejects a mechanistic mathematic precision of line rendering. Gradl Zierschriften preserves that hand-drawn quality. Designed with upper case only, this face was obviously intended for short headlines only and is best set at 18 points or larger. However, I don't think you really get to experience the grace of this design until you get to 36 points or more. In the larger sizes, it is simply stunning. Please note that while most of the uppercase letterforms are repeated in the lower case for convenience, the ‘F’,‘L’ and ‘T’ are rendered a little narrower than in the uppercase to provide for visual variety. The font also includes a generous supply of ligatures for just the right fit ... and just for the fun of using them. Three common ways of inserting a ligature, accented letter or other special character are: 1) Key in “ALT”+“0”+[ascii #]; for example ALT+0233 for the e-acute, 2) From within your application program, go to the INSERT menu and look for something like “Insert Symbol,” (this function is NOT available in all application programs) & 3) Cut & Paste from the CHARACTER MAP display that has been supplied by every generation of Windows Operating System that I can recall (All Programs>Accessories>System Tools). Isn't it amazing what you can do? Don't be afraid to experiment. If you back up your work, you have very little to lose and a lot to gain. Not only do you acquire a new tool, but by the very process you have learned how to continually expand your knowledge and skill base.

Paralucent is versatile all-purpose modern sans. Available in seven weights, from Thin to Heavy, and in two widths each with corresponding italics, it avoids some of the more eccentric calligraphic quirks of Akzidenz or Helvetica or the cool precision of Univers for an elegant, functional, yet warm design. There are two additions to the core 28-weight family: a three-weight stencil set, and a four weight text family. The text weights have been adjusted for use at small point sizes, and feature more open character shapes, looser inter-letter spacing for improved readability, and lining numerals for use in listings and tables. Several core ideas inform Paralucent’s design. Prime attention has given to the negative space between characters, giving a more even “colour”, especially in text. For example, the J, L and T have shorter arms than comparable sans typefaces, while the M and W are wider. The A has a lower bar, opening up the interior counter. An unusually high lower-case x-height again helps to give a more even colour and improve legibility. Care has been taken to rationalise repeated elements like the tails on lower-case letters, or the Q and the “ear” of the g. Typographic design solutions that are consistent across all these features add more stylistic cohesion. ‘Ink traps’ are exaggerated incisions used to open up a letter's narrower internal angles, which can become clogged with ink, especially in small point sizes. Now largely redundant due to the high quality of modern print, they are still sometimes used as a stylistic quirk or design feature. Now that digital fonts are often reversed or outlined, or enlarged to enormous sizes, these can also lead to unexpected or obtrusive results. Paralucent takes these inevitable digital manipulations into account, and adds optical corrections without resort to ink traps. The family has been picked up by many UK and US publishers, featuring heavily in magazines like Loaded, Heat and TV Quick, as well as high-end coffee-table photography books and gallery websites. A perennial Device bestseller.

The name Captiva is derived from the word captivate, meaning 'enchanting' or 'capturing the heart'. Captiva is a geometric sans serif font with a harmonious blend of clean shapes and straight lines, diagonal lines, and curves. The simple yet sophisticated design shows a soft yet hard, hard yet beautiful appearance. It has a total of 9 thickness levels, and the edges and strokes are rounded to give the user a peaceful impression. The non-decorated form gives the user a comfortable reading of the text, and the high height value and wide inner space make it stand out from other fonts. In addition, it provides comfortable readability in various digital media as well as in general printing environments. Captiva has the following features: 9 thickness levels (from thin to heavy) extended latin 450+ glyphs fixed width numbers The Latin extension offers more than 130 languages with extensive multilingual Latin support for Western, Central, and Southeastern Europe.

Periódico (newspaper in Spanish), was originally commissioned by the Spanish daily newspaper ABC. Inspired by old Spanish typographic engravings, mostly from the second half of the 18th Century, we picked out the most relevant details of Spanish typography as the source of that inspiration, and instead of making a revival or an interpretation of these models, we started from scratch to create a truly original font family. The goal was to achieve a very distinctive family, functional and versatile at the same time, and reminiscent of old Spanish typography. Although we have borrowed many details from the old Spanish typography, like the nail, which is present in the letters U, G, or J, which we worked and evolved in order to be applied on other letters, we have also left behind several others. One example is the tilde of the ñ engraved by Gerónimo Gil, a very distinctive element of Spanish typography that was intentionally omitted for being too atypical to be used in a contemporary font.  The letters a and g are probably the most distinctive of the Periódico family. The shape of the bowl in the letter a, with the top arch in diagonal position, is very characteristic of old Spanish types. In Periódico, we emphasized this detail by applying it to many other letters (such as g, j, and t) up to a point that it became the leitmotiv of this family. The formal finish of serifs and terminals is something that gives great personality to any typeface, so we came up with plenty of alternatives in order to find the exact shape we wanted: sober, elegant, and contemporary. Even though the serifs are geometric, the upper terminals have a curve with a dynamic very similar to the arch in the a or the notch in the j. The terminals in the capitals follow the same style, but, in this case, the inspiration comes from Pradell’s Missal, which on the other hand has been influenced by the types engraved by Johann Michael Fleischman in the Netherlands. Eighteenth-Century types were mostly used for printing books. Therefore, they had very generous proportions (large ascendents and descendants) and high contrast, but today, these characteristics do not work well in newspapers because of the worldwide demand for more space-saving fonts. The adaptation of the type’s proportions to be used for a newspaper was one of the most interesting parts of the project, specially the time taken to find the perfect balance between the x height\ and legibility. Periódico is presented in 30 different styles, for a total of 30 fonts—10 for text (from Light to Bold) and 20 for display sizes (from Thin to Ultra Black); this family results in an extensive system capable of solving all the needs of a large publication.

Working on a Star Wars project? This font is in Aurebesh, the main written language of the Star Wars universe. In this case I designed a font that looks like it has been scratched into a wall. All the additional letters from the Aurebesh character set are includes, as well as numbers and symbols.

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Koberger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures.

Highbrow Cafetorium JNL is a very "minimalist" font in the sense that there's only the basic lower case characters and essential punctuation. The lettering is based on a neon-and-bulb wall sign for a long-closed cafeteria on Lincoln Road in Miami Beach, Florida. The 'b', 'd', 'k' and 'l' have unusually high verticals.

German type designer Gerd Wippich created this script FontFont in 1996. The family has 7 weights, ranging from Regular to Bold (including italics) and is ideally suited for festive occasions and editorial and publishing. FF Layout provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

The Buckboard family uses the OpenType ligature feature to substitute a unique pair of distressed characters when any upper or lower case letter is keyed twice in a row. The Buckboard Shadow font can be overlapped with Buckboard Regular to color the drop shadow separately. All fonts also support Eastern European Latin and Baltic languages.

Reminicent of mid-19th century antique type and Victorian cast-iron signage, Coldharbour Gothic lovingly preserves all the eroded and rusted textures in digital form. Characters have been selected to have cleaner and rougher counterparts - by flipping between cases, the user can customise the result and achieve the degree of decay or preservation they desire.

Madisonian has been found in a catalogue of the New York Bruce type-foundry, dated 1859. The lower cases have the feeling of a Bodoni Italic and the initials have a "spencerian" touch. This font did exist originaly in a single weight. The family has been extended with a bold and an engraved version.

A modern geometric typeface with precise radius detailing. Each character has it’s own unique subtleties and style variations, with careful adjustment you can create dynamic page layouts. The elegant curves are best demonstrated using the lighter weight at large scale. Details include 5 weights, a complete character set, manually edited kerning and Euro symbol.

Erliga is a handcrafted and athletic impact sans serif font with an elegant, beautiful and modern look. Erliga comes in regular and italic versions, also includes upper and lower case letters, as well as symbols and punctuation. Suitable for company branding, film titles, book covers, magazines, logos, also for team sports and many others.

This bitmap font is made of 97 icons to use to express this time of the year... You will find christmas tree, Santa, cake, stars, gobelin, and a lot more. They work well for background tiling, just as symbols, or for anything else. We hope you like them ! Best size in bitmap is 20pt.

Public Beat is full of fun and party! Look how the letters jumps and bounces while you type your text - well, that's the Contextual Alternates that are having a party! Each lower-case letter has 4 different versions, that automatically cycles when you type. A great trick to make your text look scrambled and realistic

Sincere Valentine is a modern handwritten font made with sincerity and care to produce a font filled with love. Celebrate Valentine’s Day with Sincere Valentine, and make your day full of love with your loved ones! This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Tabor Sinfonia is a blackletter typeface that marries the historic beauty of Gothic script with the rhythm and harmony of music. This decorative font is perfect for logotypes, artistic projects, and designs that require a touch of vintage elegance. The inspiration for Tabor Sinfonia came from a fascinating combination of medieval manuscripts and musical compositions.

The Applewood family uses the OpenType ligature feature to substitute a unique pairing of characters when any upper or lower case letter is keyed twice in a row. The Applewood Shadow font can be overlapped with Applewood Alternate to color the drop shadow separately. All fonts also support Eastern European Latin, Baltic, Greek and Turkish.

In old Latin language Lineam mean line and that what Lineam is: a line based Sans Serif Display font. Lineam is a simple and clean looking font family and can be used for a range of cases. It is a modern sans serif font with geometric feeling and comes with 8 weights and matching italics.

Accent Graphic was developed as the corporate typeface for a London design consultancy in 1997. The starting point was the word ‘accent’ in lower case. It is essentially a sans typeface with the thick/thin contrast of a serif and is the only family in the G-Type collection that was designed for a client.

French type designer Eddie Baret created this script FontFont in 2001. The font is ideally suited for festive occasions, poster and billboards as well as software and gaming. FF Eddie provides advanced typographical support with features such as ligatures, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with proportional lining figures.

Italian type designer Alessio Leonardi created this display FontFont in 1996. The family has 12 weights, ranging from Regular to Bold (including italics) and is ideally suited for festive occasions and poster and billboards. FF Matto provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.

Brainstroke is a collection of twelve variations on a typeface. This release was supposed to be a much larger set, but due to a medical issue, where I recently suffered a stroke, I am releasing only those that I managed to complete. The name is a reminder to me to take care of my health.

In the 19th century typefaces with star-like serifs developed from the medieval type styles, retaining the sharp corners and peaks of some of the blackletter types but losing the flourishes on the upper-case letters. Asterx is in that tradition of star-footed typefaces, though it is not modeled on any particular one.

Versals is based on Lombardic style letters which are sufficiently broad to allow for decorated piercing and flourishes. They may also form the basis of illuminated capitals. The face is presented as capitals with reduced copies in the lower case locations. It is a full latin set with, uniquely, a set of roman numerals.

Monster Party is an illustrated display face with a lot of character for any haunting occasions. It comes in two styles, Monsters and Bones for whichever your situation calls for. Monsters features two unique sets of upper case creatures for appropriately spooky headline variation. Great for Friday the 13th, Halloween or wherever whimsy is needed.

Artime is a dynamic display font based on strong graphic elements with rectilinear forms. Artime came in two style forms; a solid one called Flat and a decorative form with crisscrossed of vertical lines called Deco. Artime comes with Open Type features and interesting ligatures. Both forms are ideal for creating logos and headlines.

German type designer Manfred Klein created this blackletter FontFont in 1991. The font is ideally suited for film and tv, poster and billboards as well as software and gaming. FF Schoensperger provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures.

OpenType users benefit from alternate lowercase characters, crossbar ligatures for common letter pairings, case sensitive quotes and smart apostrophes. Other goodies include optional old style numerals and a few clip-on swash elements, accessible by keyboard or supporting application’s OpenType glyph menu. Meritage Pro extends the character set to support Eastern European and Baltic languages.

A misprinted sans serif loosely based on Phillip Cavette’s 1999 font 4990810, but with re-drawn outlines, more distress marks, a neater vertical aspect and no baseline irregularity. Unlike its inspiration, Sans Culottes is a complete font which includes a lower case, accented characters and as many dingbats as you can shake a stick at.

Green is the work of British designer Timothy Donaldson, known for his experimentation with letter forms. This typeface features a sharp stroke contrast and eccentric lower case letters, giving it a vital, clean-cut style. Green is perfect in both large display sizes and small text sizes and gives any work a fresh, new look.

Kittle Round is a robust display font, with a strong, pared down look based on bold geometric forms. Loaded with personality, Kittle Round features a full upper and lower case character set and an extended set of accented characters for Central European languages. It is also available as Kittle Rough, with a time-worn look.

Simpo Sans is a family of ten sans serif fonts. It's my second font design project. It's safe to say Simpo Sans has quite different features compare to my last work CHAOS . Right from the start, my ambition was to take the rounded corner elements into characters & glyph and use them to make something smooth.

Darling, you don’t just look GOOD, you look FANTASTIC! IRRESISTIBLE! IMMACULATE! Those soft curves, those sharp lines, those INLINES... that MAGNIFICENT symmetry. This is a face that could launch a thousand spaceships, a face that doesn’t care if you feel good, because Heavens to Betsy, you LOOK good. Just utter those magic words: Simply Marvelous.

German type designer Thomas Marecki created this display and script FontFont in 1994. The family contains 2 weights: Skinny and Fat and is ideally suited for music and nightlife. FF Tag Team Marker provides advanced typographical support with features such as swashes, ligatures, alternate characters, and case-sensitive forms. It comes with proportional oldstyle figures.