JH Diwani simplified black is an advanced Arabic font simulating the Diwani Calligraphy with its finest details. Its typical usage: Wedding / greeting cards , headlines, poetry, and books. Please note that Arabic Kashida is not available for this font.

Blue Note is a simple and neat handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

The opening title card for 1940's "Two Girls on Broadway" was the basis for Ticket Booth JNL. A typical Art Deco typeface, its features include a squared letter shape with rounded corners and a thin character weight.

JH Diwani Simplified Light is an advanced Arabic font simulating the Diwani Calligraphy with its finest details. Its typical usage: Wedding / greeting cards, headlines, poetry, and books. Please note that Arabic Kashida is not available for this font.

Belinday is a Monoline Script Font with Retro Vintage Style. This font is perfect for fashion brand, apparel, shoes company, wedding invitation, business card, logo brand, clothing, and also business brand name like barber shop or taylor. Thanks.

Inspired by hand lettering on a 1940s toy game spotted on ebay called "Let's Go Shopping", Jeff Levine created "Bal Harbour JNL" and named it after a South Florida community famous for its luxury homes and trendy stores.

Parquillian is a calligraphic display face with good legibility. It is based on a hand using elements of Italic, Gothic and Fraktur, developed for creating wedding certificates. It has numerous ligatures and alternates with subtle yet elegant swashes.

This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Dead Meal is a cute hand made font made for pixel art style. Yes a mix of handmade pixel font style. Say like that is weird but trust me, it's simple useable for print works and web works.

Handy Casual Condensed is an informal non-linking brush script that was inspired by hand lettering from 60's posters. This font combines a unique character with tons of Open Type features including ligatures, catchwords, stylistic alternates etc.

Somewhat retro, somewhat amusing, somewhat handsome, totally handy! This hand-drawn family counts 4 fonts plus a whimsical set of ornaments. Suitable for both display and text sizes, it will bring an extra charming feel to your creations.

December is an easy to use script, suitable for greeting cards, logos, watermarks, and more. It is made with a light and elegant drawing style, as a reminder of a quieter season at the end of the year.

Sonita is an elegant serif display font designed with lovely circle tails to create a classy feeling. It perfectly represents a classic yet modern style. This font is perfect for elegant logo design, packaging or invitation cards. Enjoy!

Selitta is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and a wide variety of projects!

Inspired by the hand-lettered address for the publisher of some 1920s sheet music, Nouveau Yorke JNL is a throwback to a simpler period in time when sheet music and piano rolls were the mainstay of parlor entertainment.

Solastion is a signature style font that looks both bold and sheer. An elegant looking font and lots of unique characters like natural hand strokes. – Font feature Uppercase, Lowercase, Numerals & Punctuations, Stylistic Alt, Stylistic Set, Swash Ligature, Multilanguage

Bubblez – Fun Craft font that will make your designs look unique and fun. It’s perfect for labels, quotes, posters, DIY projects, branding, packaging, greeting cards, websites, photos, photography overlays, signs, window art, scrapbooking, tags and so much more!

This typeface reproduces letters written with a broad-nib pen casually by hand. The pen direction is close to vertical. Designed to create captions for illustrations, especially children's books, as well as for inscriptions in balloons of comics.

All-cap titling typeface, Epos, comes in three widths and includes a range of decorative ligs & alts – as well as both Latin & Cyrillic scripts. It reminds of hand-lettered book covers from the early and mid 20th century.

The hand lettered song title on the sheet music for 1918’s ‘N’ Everything (from the Al Jolson show “Sinbad”) was the inspiration and model for Westfield Nouveau JNL, which is available in both regular and oblique versions.

Turlock JNL is a more traditional-looking slab-serif Western Font along the line of Brogado JNL. With its hand-drawn, old-time look and feel, Turlock JNL is perfect for anything with a Western or cowboy motif.

Qailbert is a fancy elegant typeface/font designed with carefully handcrafted. This perfectly made to be applied in logo, stationery, books, packaging, fashion, magazines, t-shirt, greeting or wedding cards, vintage design, novels, labels and many advertising purposes.

Face Your Fears was created using a brush, paint and ink and a lot of paper. Due to the horror-like nature of Face Your Fears, the font looks great on websites, games and - of course - halloween cards.

Jeff Levine Fonts offers its interpretation of Tea Chest, an Art Deco serif stencil font originally designed in 1939 by Robert Harling for the Stephenson-Blake type foundry. Pekoe JNL is available in both regular and oblique versions.

Mortadella is a hand drawn, burly looking OpenType sans-serif font with just the right rough edges and simple stylistic alternatives . Designed as a display font Mortadella works great for identity design and publication headers and sub-headers.

A bittersweet hand-drawn face, pleasing and assertive. Available in two weights, both all caps, with alternates for each letter. Comes with some ​ligatures and ​handy swash alternates to sweeten things up every now and again. Starting… Now!

Bowman is an informal slab-serif face written by hand with a marker. Its live and playful nature makes it suitable for comic books, illustrations, informal advertising and package design. Designer Alexandra Korolkova. Released by ParaType in 2010.

Electrasonic is a neon linking script in fine, X fine and XX fine weights that whispers slyly of louche backstreet glamour and medicinally strong day-glo cocktails. Use with a cosmopolitan to hand and Suede on the ipod.

Sophia Modern Calligraphy Font is a stylish handwritten font that inspires friendliness and elegance. It is perfect to use for any of your wonderful creations such as branding projects, logos, brochures, business cards, wedding invitations, and many others.

Milano is definitely in the upper echelon of display typography with its superb, engraved chromium style, italic lowercase and extravagant initials. The lowercase is designed to be closely set. From the talented hand of British designer David Quay.

Shalleh is a bold script font, featuring Arabic Style. Designed expertly to make your project or work more modern, this font can be used for various projects such as: greeting cards, branding, logos, screen printing, and many others.

Kids Line is a cute and friendly handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Fancy Kingdom is elegant serif font family wich great for wedding invitation, greeting cards, book covers or any fairy design. This kit includes 3 typefaces: - Regular - without curls; - Decorative - uppercase and lowercase with curls; - Combined - uppercase with curls.

HU Big Round is handwritten font yet very neat and well organized. The X-height is particularly tall, emphasizing the round form of it. It is very attractive to use is various media such as card and subtitle.

Poison Ivy is a messy, scrawled font. It looks like the glyphs have been etched by an unsteady hand. Poison Ivy is ideal for use in books, albums and posters. Comes with a witches' kettle full of diacritics.

In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

Whimsical, charming and undeniably cute: Bittle Birdy is, as the name suggests, the perfect font for making any kid’s or baby-themed project stand out! This font is perfect for elegant logo design, packaging or invitation cards. Enjoy!

Winter Cold is a sweet and adorable display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Made in Germany, Referenz Grotesk is a typeface full of references referring to the type design history of Stuttgart State Academy of Art and Design. Its typographic history holds a broad spectrum of shapes and characters, including F.H. Ernst Schneidler (1882–1956), Imre Reiner (1900–1987), Walter Brudi (1907–1987), Kurt Weidemann (1922–2011) and Frank Heine (1964–2003). During extensive research phases for Referenz Grotesk included collection and analysis. This led to further research in the Academy’s collection and archive where the majority of Weidemann’s estate is housed next to works of other designers and professors like F.H. Ernst Schneidler and Walter Brudi. Another place of research was the typesetting workshop where Schneidler had previously taught and worked. Some of his freshly cast fonts were tested and used there for the first time and are still stored in several of the type cases. Regarding the more recent history, for instance about the Emigre designer Frank Heine, former colleagues and professors have been consulted. These studies resulted in the new font Referenz Grotesk that includes traces of Kurt Weidemann’s Corporate as well as calligraphic hints that link to Schneidler’s Stuttgarter Schule (Stuttgart School) where writing played an important role during the form finding process. For the regular text fonts these features are integrated in a subtle manner whereas several alternative glyphs pick up more expressive forms. The final sans serif type family has a clarity and contemporary straightness that becomes more characteristic in its heavier weights. Additionally more than 60 alternative glyphs per weight allow for individual combinations that can be tailored specifically for each application and context. They open up a broad range of visual expressions, from subtle to playful and eccentric characteristics. Referenz Grotesk is available in six weights: Light, Regular, Medium, Bold, Extra Bold and Black, plus italics. In addition, the family includes multiple OpenType functions such as Stylistic Sets, Tabular Figures and Case Sensitive forms. Variable version of the font is included when you license the full pack.

When Candy Script was officially released and in the hands of a few designers, I was in the middle of a three-week trip in North America. After returning to Buenos Aires, I found a few reactions to the font in my inbox. Alongside the congratulatory notes, flattering samples of the face in use, and the inevitable three or four “How do I use it?” emails, one interesting note asked me to consider an italic counterpart. 

I had experimented with a few different angles during the initial brainstorming of the concept but never really thought of Candy Script as an upright italic character set. A few trials confirmed to me that an italic Candy Script would be a bad idea. However, some of these trials showed conceptual promise of their own, so I decided to pursue them and see where they would go. Initially, it seemed a few changes to the Candy Script forms would work well at angles ranging from 18 to 24 degrees, but as the typeface evolved, I realized all the forms had to be modified considerably for a typeface of this style to work as both a digital font and a true emulation of real hand-lettering. Those were the pre-birth contractions of the idea for this font. I called it Sugar Pie because it has a sweet taste similar to Candy Script, mostly due to its round-to-sharp terminal concept. This in turn echoes the concept of the clean brush scripts found in the different film type processes of late 1960s and early 1970s.
 
While Candy Script’s main visual appeal counts on the loops, swashes, and stroke extensions working within a concept of casual form variation, Sugar Pie is artistically a straightforward packaging typeface. Its many ligatures and alternates are just as visually effective as Candy Script’s but in a subtler and less pronounced fashion. The alternates and ligatures in Sugar Pie offer many nice variations on the main character set. Use them to achieve the right degree of softness you desire for your design. Take a look of the How to use PDF file in our gallery section for inspiration.