Tenebrous is modern family of Display sans serif fonts. Koumon has 9 families font, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites, etc.

Gheamarker is a Natural Handwritten font with a relaxed theme, featuring a lovely style. No matter the topic, this font will be an incredibly asset to your fonts’ library, as it has the potential to elevate any creation.

Brohemyan is a vintage-modern serif typeface. It has vintage, modern, classic & elegant. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also it works great for other projects.

TOTEM is simple and geometric, strong and modern. Previously it was designed for our logo and next we made the rest of the alphabet, including multi-language coverage and numbers. Totem has a nice set of ornaments too.

Dustine script is an extraordinary and bold script, suitable for a large number of designs. This font has two styles, Regular and Italic. With two styles, you can choose according to the project that you are working on.

Based on a few examples of an Art Nouveau-inspired wood type, Nouveau Sans JNL has an interesting mix of angles, curves and general letter shapes that are reminiscent of the period preceding the Art Deco streamline movement.

Darkspear is handwritten script font. It has vintage, elegant, old school, classy, and cool. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects.

This is close to insane! My Breakfast font has got 8 (yes EIGHT!) different versions using contextual alternates! They cycle nice and easy AS you type! How cool is that?! Ofcourse, the font is also loaded with diacritics!

Veltro was originally designed in 1931 for Nebiolo in Torino. The typeface has been redesigned, digitized, completed and expanded as OpenType Pro in the profonts studio. Both styles cover the complete character set for Western and Eastern Europe.

You can't take anything for granted when it comes to the Party Mush font - every single letter has got its own personality...and madness! This is a font that will definately kick those party invitations the right way!

Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Available in four weights (with italics), it has a healthy compliment of OpenType Features and the character set covers most Roman-based letterforms and Cyrillic.

Mono Square is a monospaced font, each glyph has the same width. It is based on 25 rectangles so the are some glyphs that needs some effort to read.The font set contains most punctuation marks for normal use.

A serif modern and classic typeface that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Feragie is a unique and modern family of sans-serif fonts. Feragie has 9 families, starting from the small thin to the largest black. This typeface is versatile and can be used successfully in magazines, posters, branding, websites,

Introducing Alibabe Authentic Display Font, Inspired by Food Logo style and combination with Cute Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language.

Great Dunker Graffiti Font is a free style font that has the characteristics of street art that shows freedom and is filled with unique characters Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) Outline

This is the Intellecta’s digitization of the fantastic heritage by Charles Derriey. Besides the original ornaments and fleurons, our collection has new interpretations and new designs based in the original work. A tour-de-force by Iza W.

Andora Ardelion is a stylish and elegant new calligraphy font, suitable for designs that need both a touch of elegance and modernity. This font has a lot of swashes that can help anchor your projects in ornamental glamour.

With all the features of its wider relative, Rehn Condensed has been specifically designed for those situations where space is a premium. Rehn and Rehn Condensed together offer a complete package suitable for a wide range typographic applications.

Cintra font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a sans serif, bold, geometric typeface with subtle rounded angles, which provides a soft, pleasent appearence. Cintra consists of 8 styles.

Tschicholina is inspired by a project by Jan Tschichold dating back to 1929. It is a unicase "universal" font which has always been considered to have very little future; this is why we have it in our catalogue.

A Sans serif design that follows a continental style with design characteristics that combine condensed and open counters. The lowercase has tall ascenders. Family includes common capitals and alternate lowercase characters. FreeZone requires subjective display kerning and compensation.

This is a modern Sans Serif font. There are 12 letters This font is for logos, covers and small texts and children books This font has the modern Hebrew punctuation: Shevana, Kamatz Katan, Dagesh Hazak, and Cholam Chaser.

The long-awaited sentence-case version of Blambot's Ready for Anything comic book dialogue font has arrived! Are you...Ready for More? This typeface includes double-letter autoligatures, contextual alternate barred-I correction, and tons of diacritical glyphs.

Twigglee was inspired by the hand lettering on the plates in a 19th century book on ornaments by Owen Jones. It has no lower-case letters; the upper-case letters are simply repeated on the lower-case keys.

This is a geometric font suitable for modern designs. designed according to strict geometry. It's geometric, but it has also humanly rough styles. and added various alternative glyphs. includes ligatures and alternate characters inspired by famous geometric fonts.

This sanserif has 18 faces from Light to the Black Italic. Conqueror Sans keeps the vigorous design peculiar to all members of this family, but at the same time it is more neutral, than its having serifs relatives.

Benalla is a beautiful, elegant, yet casual and simple font script featuring a natural look & feel. It has beautiful swashes and ligatures and it’s perfect for logos, wedding invitations, posters, social media posts, signatures, quotes and much more!

Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornaments. It can be used for text as well as for titling applications.

Aery is a Typeface designed by Daily Studio. This font is a slim type font. Every letter has its design, so it makes your projects look professional and outstanding. Aery contains full uppercase, lowercase, punctuation, and multilingual letters.

Crassified is a modern display font inspired by blackletter typefaces. The typeface has a strong effect that adds a certain elegance and class to both digital and print designs. It’s ideal for crafting logos, posters, covers, and more.

Kids Line is a cute and friendly handwritten font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Looking for sharp-looking characters in ferocious action? Then look no further than this font, originally designed by Senior Comicraftsman John Roshell for GHOST RIDER 2099. Adamantium has also been featured in WOLVERINE and THE UNCANNY X-MEN.

Attractype presents Shogi, a beautiful modern serif font, which has sharp shapes and high contrast. Suitable for easy-to-read text or attractive displays. Shogi comes with some beautiful ligatures that make your letter projects even more special.

Winter Cold is a sweet and adorable display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion!

Economica Pro is a font specially developed for printing complex situations. It has been tested successfully in very small sizes without losing legibility. It's ink traps ensure its smooth operation even in low quality papers. Ideal for newspapers.

A serif modern and classic typeface that has its own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more.

Compendium is a sequel to my Burgues font from 2007. Actually it is more like a prequel to Burgues. Before Louis Madarasz awed the American Southeast with his disciplined corners and wild hairlines, Platt Rogers Spencer, up in Ohio, had laid down a style all his own, a style that would eventually become the groundwork for the veering calligraphic method that was later defined and developed by Madarasz. After I wrote the above paragraph, I was so surprised by it, particularly by the first two sentences, that I stopped and had to think about it for a week. Why a sequel/prequel? Am I subconsciously joining the ranks of typeface-as-brand designers? Are the tools I build finally taking control of me? Am I having to resort to “milking it” now? Not exactly. Even though the current trend of extending older popular typefaces can play tricks with a type designer’s mind, and maybe even send him into strange directions of planning, my purpose is not the extension of something popular. My purpose is presenting a more comprehensive picture as I keep coming to terms with my obsession with 19th century American penmanship. Those who already know my work probably have an idea about how obsessive I can be about presenting a complete and detailed image of the past through today’s eyes. So it is not hard to understand my need to expand on the Burgues concept in order to reach a fuller picture of how American calligraphy evolved in the 19th century. Burgues was really all about Madarasz, so much so that it bypasses the genius of those who came before him. Compendium seeks to put Madarasz’s work in a better chronological perspective, to show the rounds that led to the sharps, so to speak. And it is nearly criminal to ignore Spencer’s work, simply because it had a much wider influence on the scope of calligraphy in general. While Madarasz’s work managed to survive only through a handful of his students, Spencer’s work was disseminated throughout America by his children after he died in 1867. The Spencer sons were taught by their father and were great calligraphers themselves. They would pass the elegant Spencerian method on to thousands of American penmen and sign painters. Though Compendium has a naturally more normalized, Spencerian flow, its elegance, expressiveness, movement and precision are no less adventurous than Burgues. Nearing 700 glyphs, its character set contains plenty of variation in each letter, and many ornaments for letter beginnings, endings, and some that can even serve to envelope entire words with swashy calligraphic wonder. Those who love to explore typefaces in detail will be rewarded, thanks to OpenType. I am so in love with the technology now that it’s becoming harder for me to let go of a typeface and call it finished. You probably have noticed by now that my fascination with old calligraphy has not excluded my being influenced by modern design trends. This booklet is an example of this fusion of influences. I am living 150 years after the Spencers, so different contextualization and usage perspectives are inevitable. Here the photography of Gonzalo Aguilar join the digital branchings of Compendium to form visuals that dance and wave like the arms of humanity have been doing since time eternal. I hope you like Compendium and find it useful. I'm all Spencered out for now, but at one point, for history’s sake, I will make this a trilogy. When the hairline-and-swash bug visits me again, you will be the first to know. The PDF specimen was designed with the wonderful photography of Gonzalo Aguilar from Mexico. Please download it here http://new.myfonts.com/artwork?id=47049&subdir=original