This font draws its inspiration from handwriting, in order to maintain a certain dynamism and irregularity. It's a serifless font, with small capital characters, always readable at any dimension, despite a tight tracking.

Designed at ParaType (ParaGraph) in 1995 by Tagir Safayev. Based on informal pen handwriting. For use in advertising and display typography. A set of Western characters was added in 2011 by Gennady Fridman.

From the designers of ECLYPSE and CUBA presents another brand new idea to the 21st century. A typical handwriting font, inspired by one of my friends. I digitized it and called it RAVAN.

The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and on Metro typeface of Mergenthaler Linotype, 1929 by William A. Dwiggins. A sans serif of geometric style. For use for text and display typography. In 2014 designer Olexa Volochay made some corrections in original digital data and extended character set. The family was rereleased in ParaType in 2014.

German Designer Klaus Sutter digitized Mustang, a brush script typeface from the 1950s originally drawn by Imre Reiner (1900-1987) and published in 1956 by D. Stempel AG. Mustang is a right slanted brush type drawn with simple and strong strokes. It has a dynamic character, and could be perfectly applied for emphasis in headlines. Mustang has the character of Imre Reiner's handriting. Imre Reiner was a prominent book illustrator, painter, and typographer during the 1950s.

introducing by Essentials Studio Weaver Birds Is a A Playfull Handwriting Font Weaver Birds is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Clothe is a vintage handwriting typeface. The genuine calligraphic style gives any project a handmade feeling.. Drawn and put together by Måns Grebäck, this font supports hundreds of languages. Use [ ] { } for swashes. Example: Clothe[

Altra Mano is based on the designer’s second style of handwriting, one that is more refined and controlled. Altra Mano is a decorative display typeface ideal for headlines, logotypes, magazines, posters and short text.

An imperfect handwriting and retro style font. Informal, authentic and very versatile. Lover of adventure travel, alternative sports, and home cooking. It feels more comfortable in large sizes but also can tell little stories.

A dotted font perfect for teaching penmanship to students. With handwriting lines and without, perfect for making worksheets and projects for classrooms. This style matches KG Primary Penmanship, a solid version of this font.

Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva. The fonts were based on Cyrillic version of Excelsior that was developed in 1936 in Moscow by professor Michael Shchelkunov, Nikolay Kudryashev et al., that in its turn was based on Excelcior by Chauncey H. Griffith, 1931, Mergenthaler Linotype. Digital version was developed in ParaGraph (ParaType) in 1991. In 2012–13 designer Natalia Vasilyeva made some corrections in original digital data, extended character set and add bold italic style. The family was rereleased in ParaType in 2013.

Tritto is what happens after you give up a pencil and start using a mouse. It's some wild handwriting that you definitely didn't learn in school. Fun with attitude, great for all sorts of things.

Oaklinn is a handwriting script font. It allows you to create stunning and easy hand-lettering in an instant. Ideal for the logo, quotes, product label/packaging, fashion, letter, advertising, poster, merchandise, greeting cards, etc

Happy Birthday Ryan is a fun handwriting font that comes with 451 glyphs. This font has OpenType features for custom design work. Use of Contextual Alternates and double letters of this font will appear differently.

Zurdo is a handwriting font with a unique, left-handed flavor. It can be used large for display purposes, and it also scales down to small sizes beautifully. Put some singular character into your designs!

Deeney is a handwritten style font. The natural form will make your work look more natural, like normal handwriting. This font is perfect for you to use in art, invitation, video, children's books and more.

Monthier is a modern and original handwritten font perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects that need handwriting taste.

Chiara Script has a very simple origin. It's a highly stylized interpretation of Greater Albion's chief designer's handwriting! It combines legibility and cursive characters in a distinctive blend and includes a range of OpenType features.

This font is based on the handwriting of an elderly gentleman who hand-copied the Bible twice in his lifetime. His neat, fluid penmanship leaves a written legacy of love for his family and God.

Desiring to create a scrapbooking font, I based Sweet Pea loosely on my own handwriting. The characters don't sit on the baseline but tend to rise above or below it, giving a casual, handwritten appearance.

Milk Child is an organic, energetic, dynamic and modern handwriting script that can be used for various purposes, such as with titles, correspondence, wedding invitations, letterheads, signage, labels, signature newsletters, logos, posters, badges, and more.

INTRODUCE COCLENG HANDWRITING FONTS. Cocleng is a natural brushed font with a dirty textures. This font will give you a fresh and edgy looking design and will look beautiful with offers, fashion magazines, logos & more.

Aetherline is a captivating vintage monoline script font that gracefully marries the nostalgia of the past with the sleekness of modern design. With its carefully crafted, unbroken strokes, Aetherline evokes the essence of classic handwriting.

Rebecca bundle is two fonts, one print and one script. You'll get both in one package. Both fonts are updated with smoother curves and support for more languages. Enjoy this bundle of beautiful handwriting fonts!

This typically handwritten script fonts are based on my own handwriting. First release of the Hybi4-Script was back in 1999. Now it’s renewed and completed with many more special characters and a bold style.

Artificial Intelligence is a computer generated typeface, in a brush handwriting style. As the world's first public and commercially available AI typeface, Artifical Intelligence celebrates the interaction between humanity and technology, in an attempt to blur the lines between hard data and interpretation. Based on 400 of Mans Greback's typefaces, this machine learning is bold and expressive, with a touch of retro while keeping it hip. It is provided in an all-caps uppercase style, Artificial Intelligence Caps, as well as the Regular style with lowercase lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Discover Daniella Megan, a captivating modern signature handwriting font that effortlessly combines elegance with a contemporary twist. This exquisite font is designed to bring a touch of sophistication and uniqueness to your creative projects. With its seamless integration of uppercase and lowercase letterforms, Daniella Megan offers versatility and creative possibilities for various design applications. Whether you're working on branding materials, logos, invitations, or any project that demands a modern and stylish look, Daniella Megan will make a lasting impression. Featuring an extensive range of numbers and punctuations, Daniella Megan ensures easy incorporation of numerical data into your designs without compromising on aesthetics. Additionally, its multilingual support enables effective communication across different languages and cultures, making it a versatile choice for global projects. Daniella Megan has equipped with PUA (Private Use Area) encoding, granting access to special characters, ligatures, and alternate letterforms. This empowers you to personalize and customize your typography, giving your designs a distinctive and handcrafted feel.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. For instance, in the Arabic variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. In the case of the Latin a part from having an entire alternate basic alphabet, there are also different letterforms for characters with diacritics, this way variability becomes even greater. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, in the Arabic, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. This is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The Arabic has a wide range of ligatures that enhance movement and fluidity in text making look text alive, while the Latin achieves this same effect via contextual alternates.

Nawin is an informal Arabic typeface inspired by handwriting. The idea behind this design is to create a type family attractive and ownable for children but at the same time a design that keeps excellent letter recognition for reading. Handwriting has been a great source of inspiration in this particular typeface. By emulating the movements of the pen, we have obtained letter shapes that express spontaneity. A bright group of letters create a lively and beautiful paragraph of text. To get closer to handwriting and the variety of letter shapes that we draw while writing, this typeface offers a large number of alternative characters, which differ slightly from the default ones. Because we have programed the «Contextual Alternate» feature in the fonts, these alternate characters appear automatically as you set a text on your computer. For instance, in the Arabic variability on vertical proportions between letters Alef and initial Lam, create movement in text and avoid the cold mechanical feel of repetition. In the case of the Latin a part from having an entire alternate basic alphabet, there are also different letterforms for characters with diacritics, this way variability becomes even greater. Nawin is quirky and elegant at the same time. Letter recognition is relevant when reading continuous text. For this reason, in the Arabic, we have added another contextual alternate feature with alternate characters that help to avoid confusion when letters with similar or the same shape repeat inside one word. This is the case of medial «beh and Yeh» repeated three times continuously in the same word. The alternate characters change in shape and length, facilitating distinction to the reader. Since this typeface is inspired by handwriting and the free movement of the hand while writing, we considered ligatures a good asset for this design. The Arabic has a wide range of ligatures that enhance movement and fluidity in text making look text alive, while the Latin achieves this same effect via contextual alternates.

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Typefaces developed to meet demand for letters that can be used to produce pupil material for reading as well as handwriting. Regular and Bold typefaces covering pan-European languages: 9 Latin, 6 Cyrillic, Greek, Turkish, 13 Baltic, 8 Rusyn, 6 Nordic, Vietnamese. How to access Stylistic Sets of alternative letters in these fonts Cyrillic Stylistic Sets examples Greek Stylistic Sets examples Vietnamese Stylistic Sets examples

The name “Parchemin” is derived from the word in old English for “parchment.” Our modern word “parchment” changed its spelling to conform with French spelling practices during the French occupation of England. The font was created to suggest an informal but antique form of handwriting written on parchment with a quill pen. The scratchiness of the old quill pen is conveyed in the roughness of the characters. The font was loosely based on the font Queen. Use this font whenever you want to suggest rough informality or antique handwriting. The characters have been letter-spaced and kerned in such a way that they join perfectly with one another giving a completely convincing imitation of genuine handwriting. The font is fully professional in terms of its character set. It contains more than 235 characters — (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). In fact, it has all the accented characters used in the major European languages.

ITC Johann Sparkling is the work of Austrian designer Viktor Solt, a perfect imitation of the handwriting of an educated person of the 18th century. ITC Johann Sparkling is intended to close the gap between highly formal copperplate scripts and the scribbled look of 'true' handwriting," says Solt. "I am not very interested in highly formal and perfect calligraphy, but rather in quick, personal-looking scripts. Usually I start with some historical samples in mind, but I do not try to copy these sources. Instead, I incorporate them into my own handwriting. It takes up to two weeks, and many sheet of paper, before the respective script becomes my own. Of course, this would not be an economic approach for individual lettering jobs, but I can conserve the custom script for future use by digitizing it." ITC Johann Sparkling should be used in fairly large point sizes and its capitals only as initials.