Welcome to the world of Luckywish Sans-Serif Handmade Font, a special offering born from hands full of creativity and love. Combining the art of handwriting with the simplicity of a sans-serif, Luckywish font offers a magical script that fulfills all your wishes. Luckywish is a symbol of hope that shines through every stroke found in each character. Crafted with heartfelt dedication, this font showcases the natural beauty of handwriting, bringing warmth and joy to every design composition. Armed with a pen and imagination, Luckywish exudes a unique charm. Its relaxed and delicately intertwined style brings a friendly and inviting ambiance to every formed sentence. When used, this font will infuse happiness and a fresh spirit into every project you undertake. Luckywish is more than just a font; it's a loyal partner to designers, writers, and creators alike. With its sans-serif characteristics, this font is easy to use and suitable for a variety of creative projects, from logo designs to posters, from wedding invitations to company branding. In the palm of your hand, Luckywish offers a perfect balance between boldness and delightful gentleness. Each character is meticulously crafted to provide unparalleled harmony in every usage. It's time to let your hopes and imagination flourish with Luckywish. Let this font bring joy and inspiration into your design world. Get ready to witness your words and messages transform into mesmerizing works of art that capture hearts. Be part of this magical journey with Luckywish. Get the font now and enjoy limitless creativity with an unmatched personal touch.

Ability is a family of stylish and contemporary handwriting fonts that combine the vigor of hand-drawn fonts such as Affable with the elegance of fonts such as Blythe. What is unusual about Ability is that it enables a word to be formed from a group of letters in a variety of ways: not only the conventional linking of letters as in a cursive script or the placing of letters close to each other on a common baseline, but it uses the overlapping of the swashes and swirls that contribute to the individuality of the characters to integrate the letters into a single word. Ability comes in a number of styles: Legacy - Regular (medium weighted and the basic type of the other styles); - Black (a vigorous and dramatic version of Regular); - Condensed Medium - Condensed Light - Linear 45 (medium-weight font made from a mono-width line) - Linear 25 (light-weight font made from a mono-width line) Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty products media - lingerie tags - women’s magazine pages - classical music media - award certificates - magazine pages The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). It has all the accented characters used in the major European languages.

CHARACTERISTICS A state-of-the-art OpenType-Feature (like Contextual Alternates (calt) and Stylistic Alternates (salt)) of “Hand Scribble Sketch Times” is, that each uppercase and each lowercase letter has automatically alternated two variations to bring humanly-random characteristics of handwriting to life. The cha­rac­ter of the rough, ruggend and raw hand­written classic serif type­face is a very uni­que warmly atmosphere. An pro-version of the font “Hand TIMES”. APPLICATION AREA warmth, love, handmade. For support of human warmth. Of cooking recipes, menus in the restaurant across party flyer, music cover Art to logo (word marks), headings in magazines and websites. TECHNICAL SPECIFICATIONS ? Font Name: Hand Scribble Sketch Times ? Font Weights: Regu­lar, Rough, Invert ? Font Cate­gory: Grunge Serif Dis­play for Head­line Size ? Font For­mat: OTF (Open­Type Font for Mac + Win) ? Glyph cover­age: 601 ? Lan­guage Sup­port: Basic Latin/English let­ters, Cen­tral Europe, West Euro­pean diacri­tics, Bal­tic, Roma­nian, Tur­kish ? Spe­cials: Alter­na­tive let­ters, Standard & Discretionary Ligatures, extras like sym­bols, ding­bats, Old-style Digits, Lining Figures, accents & €, incl. OpenType-Features like Con­text­ual Alter­na­tes (calt), Glyph Composition/Decomposition (ccmp), Dis­cre­tio­nary Liga­tures (dlig), Kerning (kern), Stan­dard Liga­tures (liga), Nume­ra­tors (onum), Ordi­nals (ordn), Sty­listic Alter­na­tes (salt), Stylistic Set 01 (ss01), Stylistic Set 02 (ss02), Stylistic Set 03 (ss03), Slas­hed Zero (zero), Lining Figures (lnum), Tabular Figures (tnum), Old Style Figures (onum), Proportional Figures (pnum) ? Design Date: 2013 ? Type Desi­gner: Manuel Vier­gutz

Blinkstar Font Duo is a playful script containing many choices of alternative characters to choose from as well as ligatures that look natural to add to the authenticity of letters. A collection of strange and initial swash tips is also included to add finishing touches or fill the design space in your type design. Blinkstar scripts are calligraphy handwriting fonts, loaded with awesome opentype features, and full alternative upper and lower case character sets. make custom letters a dream thanks to all the extra decorative choices you can enter for beautiful and unique customizations - swash, endings, alternative letters and ligatures all make it the prettiest little thing since tutus and tiara. Designed to work harmoniously, this duo font consists of super fine and casual signature scripts and a complete and clean set of all sans serif letters. Sans Serif fonts consist of two outline fonts of different weights, and a regular version. Layer them with different colors and turbidity to get a million different views. This font is perfect for branding, logos, web and editorial design, branding, prints, invitations, crafts, quotes, and more. Including Files: • Blinkstar Script • Blinkstar Sans Regular • Blinkstar Sans Outline Need help? If you need help or advice, please contact me by e-mail "Greatstudio92@gmail.com" Thank you for your purchase! Cheers, Great Studio

Kuschelfraktur is a unique, eye-catching take on the theme of blackletter that replaces the broad nib with a brush pen and achieves stroke modulation through stencil-like gaps. It combines the texture and dignity of blackletter with the human warmth of informal handwriting. Kuschelfraktur offers five separate sets of capital letters and several additional customization option via stylistic alternates. The degree of ornamentation in the blackletter capitals can be increased (SS02) or decreased (SS07), while SS04 and SS05 offer two simpler approaches to capital letters that bridge from blackletter to Roman letters (Antiqua). The default single-storey �a� can be replaced with a two-storey version in SS01, and SS08 offers a single-storey capital �A� for the simple capitals. Finally, SS03 restores some of the more unique letter shapes of the Fraktur style of blackletter. The old-style figures can be replaced with lining and/or tabular figures. All these stylistic sets are accessible via OpenType from the main font, Kuschelfraktur, whereas the spin-off fonts (Traditional, Verziert, Text, Schlicht, Antiqua) offer convenient access to those sets even in environments without OpenType support. I am grateful to the helpful souls on the TypeDrawers and Typographie.info forums for encouragement and constructive feedback, and to the Glyphs team for their fantastic type editor. Kuschelfraktur is dedicated to my son Marius.

Specimen VI is a refined hand by artist Aileen Fretz of Plume Calligraphy: thoroughly modern yet absolutely timeless. We have our sights set on this one becoming an instant classic. OBSERVATIONS Specimen VI takes its inspiration from the old world, while remaining thoroughly contemporary. It is unique while maintaining legibility. DEFINING CHARACTERISTICS At 2,580 characters, we dare say it is one of the most robust script fonts on the market today. The font includes extensive Opentype programming that authentically replicates Aileen’s unique handwriting pattern. As you type, watch the letters automatically adjust between connected and disconnected forms. Specimen VI also features formal titles, prepositions, social media wordart, and web navigation wordart, serif and sans serif Roman numerals, in and out-stroked letterforms at beginning and end of words, multiple alternate lowercase t cross-strokes, realistic double-letter ligatures, seamlessly connecting calligraphic letters, multiple styles of alternate capital letters, including swashes, and basic Latin encoding. Specimen VI is a typesetters’ dream. POTENTIAL SIGHTINGS In the pages of your favorite wedding tome; the signage, robe embroidery, and dinner menus of that coveted boutique hotel on the Italian Riviera, the labels of an artisanal hand-poured candle line, your new favorite Rosé, hand-crafted Belgium chocolate truffles, the indie cosmetic line fit for royalty, in any instance that you may be in need of a refined modern script.

Salt&Spices Mono is the mono lined version of Salt & Spices Pro. Where Salt & Spices Pro has the rough contours and high contrast that is typical for dip pen calligraphy, Salt & Spices Mono has clean crisp smooth letterforms that result in a totally different look and feel. Great for creating neon effects. Fun features like connecting spaces and long swashes for customization of words and phrases are preserved in Salt & Spices Mono. This versatile 10 font family, consisting of 4 casual script styles: Regular, Bold, Shadow and Bold Shadow offers great flexibility. For instance: the appearance of initial and terminal letters can be customized using the glyph pallet. Contextual alternates, Swashes and Stylistic sets give you the ability to replace spaces by 3 alternate connecting spaces or add swashes to initial/terminal letters. Double letter ligatures help sustain the natural flow of handwriting. In addition to the 4 script styles 3 SmallCaps Sans styles and 3 SmallCaps Serif styles were added, all mono lined. They add great variation to your designs and supplement and support each other perfectly. Add exceptional language support to all that and you have the perfect ingredient to spice up even the most demanding design project. You'll need an Open Type savvy application to get the most out of Salt & Spices Mono.

Now check this, Underware’s blockbuster type, Bello. Bello Pro is a brush typeface for headline point sizes - it’s big & beautiful. Bello has lots of ligatures and start and ending swashes. They are automatic in Bello Script Pro, which is a cross-platform OpenType font with many OpenType features. Bello has Underware’s world-dominating Latin Plus character set, supporting a total of 219 languages (Latin 1 + 2 and beyond). After a period of hand sketching and lettering, Bello got two main styles: Script and Caps. These two fonts create a strong typographic contrast - while Bello Script Pro is flourished and flowing, Bello Caps Pro provides upright and sturdy capital lettering. As sturdy as brush lettering allows, of course. Careful spacing and kerning ensures* that Bello appears like fluently written handwriting. However, that’s not enough for a hand-lettered feel. Therefore Bello comes with a set of 64 ligatures. Some of them are typographic, some made simply to create a more intimate, natural impression. For the same reasons we have added a few ornaments and a set of snap-on beginning and ending swashes which attach to the lowercase letters of Bello. With Bello Words Pro you can add some two-color words in your text by the pre-designed word logotypes. Trust the brush! *So take care: use ‘metrics’, not ‘optical’ as a spacing setting in layout apps.

HT Neon shines as if to invite us.This rounded and monoline font is very striking. But it is readable because the characters are arranged naturally when they are typed. HT Neon is great to use on your design projects such as Shop Sign,Packaging, Logotype and more.When you type the character “µ”, it becomes a electrical cord! Holiday Type Project offers retro hand drawing scripts. Inspired by retro script on shopfront lettering, wall paint advertisements in Italy around 1950s. Check out the script fonts from Holiday Type!

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, lower case missing but not always designed for this type of face.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

A collection of fonts by the type foundry Intellecta Design. Distressed and antique, use these fonts in display purposes for a stylized type design. Contains a limited amount of letter designs.

HWT Brylski is a typeface by Nick Sherman, named for retired wood type cutter Norb Brylski and designed to be cut as wood type at the Hamilton Wood Type & Printing Museum. This font is the digital counterpart to the wood type made as part of the Hamilton Legacy Project . It incorporates several themes that were common in 19th-century type design, including split tuscan serifs with angled mansard-style sides, heavy weight placement at the top and bottom of letters (traditionally referred to as French or Italian/Italienne, regardless of any actual relation to those countries), and an extended overall width. This digital version contains over 400 glyphs for full European language coverage.

The design of the first "Fat Face" is credited to Robert Thorne just after 1800 in England. It is considered to be the first type style designed specifically for display or jobbing, rather than for book work. The first instance of Fat Face in wood type is found in the first wood type specimen book ever produced: Darius Wells, Letter Cutter 1828. This style was produced by all early wood type manufacturers. The style is derived from the high contrast, thick and thin Modern style of Bodoni and Didot developed only decades previously. The extended variation makes the face even more of a display type and not at all suitable for text. This type of display type was used to compete with the new Lithographic process which allowed for the development of the poster as an artform unto itself. This new digitization by Jim Lyles most closely follows the Wm Page cut. The crisp outlines hold up at the largest point sizes you can imagine. This font contains a full CE character set.

Deco Geometric Stencil JNL was inspired by an example of a vintage Art Deco stencil type design seen in the Steven Heller-Louise Fili book "Stencil Type" (published by Thames and Hudson).

Stradivarius, sometimes known as Symphonie was designed by Hungarian born Imre Reiner (1900-1987). Reiner was not only a type designer, he was a fine artist. He enjoyed sculpture, painting, graphic and industrial design. In 1921, F. H. Ernst Schneidler, (Schneidler Initials) introduced Reiner to type design. Stradivarius was designed and first released by the Bauer Type Foundry in 1938.

In 1931, Morris Fuller Benton created the Stymie typeface for the American Type Founders (ATF). Stymie is a reworking of a slab serif type that was popular in Europe at that time, Memphis. For the past one hundred fifty years, slab serif types (sometimes called Egyptian or Egyptienne-style faces) have been a popular choice for headline text in newspapers, magazines, and advertising.

Horror/Metal/Punk upper case only font with varied double letters (open type feature). Open type Latin Pro with alternate upper case using the lower case, and varied double letters for an even more genuine handwritten look. (Open type feature.) Ink on paper, carefully and meticulously touched up digitally so that all letters will look good printed in bigger sizes.

Ridtype Pro is a custom font for our brand, and later this font will work in all roles in the type of brand we use. both in units of typography, printing, and type texting. This font is equipped with a modern semi-classic category type, so this font can work in all lines of business, both for supporters of implementation in modern and classic business. This font has been designed as best as possible, both in terms of letter design and the type of weight that is made to be compatible in all roles.

Museum Borders and Ornaments is part of a typographical treasure, the Norstedts type collection in Sweden. Type designer Torbjörn Olsson has painstakingly translated the original 34 Ornament matrices in the collection to Open Type. Among them are several of Granjon's arabesques, as well as symbols from both Swedish and Danish typefoundries. The signs were cut in the 16th, 17th and 18th centuries. The old Swedish name for these "type trademarks" were "rössjor". Museum Borders and Ornaments is an OpenType creation, for both PC and Mac. Swedish type foundry T4 premiere new fonts every month. Museum Borders and Ornaments is our tenth introduction. Museum Borders and Ornaments is part of the growing Museum type family. Museum also includes Museum Tertia Cursive, an exquisite 1700's typeface with modern additions, and Museum Fournier, a set of Rococo capitals designed by Pierre Simon Fournier le Jeune circa 1760.

Experimental type with striped elements.

from american wood type heritage

Glosilla Castellana is a classic font design remastered by the type foundry Intellecta Design. The letter forms of this traditional Roman type style make it ideal wherever a refined, classical appearance is desired.

An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.

A large update of a successful type face: Oklahoma. There is a new style (Oklahoma Pro Marshal) and a cool Open Type Feature. Alternate characters and an effect - we call it “dancing baseline”.

Strong Stencil JNL derives its name from its visual appeal. Strong, rugged, all-purpose; this type design (modeled from a set of brass stencils) can take on the toughest type chores and deliver.