CoolKids was inspired by the song “Signs of Life” by Arcade Fire. Since the lyrics talk about some cool kids we wondered what a typeface with the name cool kids would look like. We immediately knew it had to be laid back yet bold and to stand out from the crowd. After designing the bold script we decided to include a light, regular and medium weight to offer you more options for your designs. It comes with initial and final alternates, that show up automatically, to make it feel more natural and similar to handwriting. Every character was carefully drawn and connections are real smooth. This casual font-family speaks most Latin languages, both in their basic and alternate forms. CoolKids is great for creating logos, packaging, posters and much more. More important than to create a font is to use it… so now it’s up to you to create something awesome with it. Feel free to share your designs with us via email to hi@seventype.com We would love to see and share them with the world!

Introducing The Lamontrush, a playful and elegant classic typeface. It has a unique and different style and will give your design a classic touch. The Lamontrush is perfect for logos & branding, photography, watermark, social media posts, advertisements, invitation, product designs, label, stationery, wedding designs, product packaging, special events or anything that need handwriting taste. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

A personalized cursive written with the pointed brush The strange name of this font means nothing other than ”brush,“ but only the Dutch understand it. The typeface is spirited, amusing and flashy. I made the handwritten original of DeBorstel Brush quickly and without interruption with a pointed brush. In the capitals, DeBorstel Brush appears to be almost too balanced for handwriting. In contrast, the lower case letters are intentionally very individual and uneven. A bit more life is added to the typeface with ligatures activated which are constructed with alternative letter forms — and as a result, a number of problematic letter-combinations are improved. And if this typeface is still not lively enough for you, the additional alternative character forms a e g i j l n o s t u z are available with the Open Type-Function ”Discretional Ligatures“. DeBorstel Brush is suitable for all European languages. It includes ”Unicode Latin Extended-A,“ for Central and Eastern Europe incl. Turkish, and even Cyrillic and Greek, too.

Introducing my new font Kampiun Samgor!!! A casual script font and combination with Hand Lettering style which gives a more personal touch and makes the font looks being customized. This font is suitable to use as a logotype, product designs, label, watermark, social media posts, apparel, invitation, signboard, sports club, motor/car, special events or anything that need handwriting taste. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Astrum is a very decorative script font using elegant caligraphic handwritten letters that are all mutually interconnected, creating a unique look & feel of a personalized human handwritting. Its clean and prefined lines makes Astrum very appealing and modern, although being very classical in its core essence. The idea for the creation of this font had originally came up from the need to create a beautiful design for Weddings, wedding occasions, etc., but none of the existing fonts were satisfactory - so I decided to create a new and unique typeface to fill this need. Letters and other characters are recognizeable by prefined ornaments, incorporated in a very subtle way. Whitespace between capital letters, lower-case letters, numbers and other characters are done in a way to minimize the need for kerning. The font Astrum, besides being a celebration of class and exclusivity, is a very luxurious and elegant handwritten font perfectly suited for Wedding cards. The character set for this font contains all western, central-european latin and cyrillic characters.

Carlyle Honi Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font. Carlyle Honi Script is equipped with 475 glyphs and 83 ligatures. And by having many of these glyphs there will be able to choose the letters according to your likes, lots of variations and options for each letter, so you can customize on your design choices. To use a variety of flying machines, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing :-)

Braylen is a modern script with handwriting, decorative characters, designed to perfectly combine informal, romantic, sassy, sweet scripts. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, logos, web design and editorial, prints, invitations, crafts, quotes, and more. Braylen includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Braylen is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Kompakt is one of the early typefaces of type designer Hermann Zapf, whose Palatino has long been a standard in almost every area of application. Kompakt consists of a single weight and was designed in 1952, two years after Palatino. It was produced by the foundry D. Stempel AG in Frankfurt am Main, Germany, where Zapf was at the time in the artistic department. The figures of this extremely strong and heavy typeface are decidedly those of a broad tipped pen. When enlarged, the sharp outlines of the characters can be clearly seen. The unique dynamic of the alphabet is a result of its strong serifs, which on the lower case letters almost connect the letters in a line. Together with the slight slant to the right, this gives Kompakt the character of handwriting, making it look like it is always striving to go forward. Kompakt is an excellent choice for advertisements, especially for posters which should display a hint of nostalgia, and should be used only in headlines.

Homogenic is a new casual modern script font. This font describes about girly, feminist, elegant, dynamic, humanist, easy to use and will bring a good harmony when the letters are connected and paired each other. FEATURES - Support Opentype Features - Support Ligatures - Automatic stylistic alternates bb dd ee ff gg hh ii kk ll mm nn oo pp rr ss tt zz ah ak al am an ar ba bh bl br bt cl ch eh ek el em en gh ght gl gn gr gt ie ih ik il im in ir jt lt nt oh ok ol om on or or ov ow se sh sk sl sn sp sr st ue uh uk ul um un ur ve we wi wo yl yn yt Sl Sh Sk - Uppercase - Lowercase - Numbering and Punctuations - Multilingual Support - Works on PC or Mac USE Homogenic works great in any branding, logos, magazines, apparel, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery and any projects that need handwriting taste.

White Lotus is a beautifully wild handwriting typeface. This thin script font will give any project the attention it deserves. Use it for a vivid logotype or cute headline to give your work that extravagant look. Use underscore _ to make an underline swash. Example: Love_letter Use asterisk * to make a flower. Example: White*Lotus Use multiple underscores and asterisks to make different underlines and flowers. Hand______writer*** The White Lotus family consists of the styles Regular as well as two Alternate styles. It comes in the weights Regular and Black, and each font as Italic. Together making up a package of 12 high-quality fonts. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Ladies Style is a modern script with handwriting, decorative characters, and dancing baselines! Very suitable in use Like blog header, branding, t-shirt, wedding, social media, product design, stationery, advertising, clothing, book cover, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Ladies Style features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Ladies Style is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

The font Marcel is named in honor of Marcel Heuzé, a Frenchman who was conscripted into labor during World War II. During the months Marcel was in Germany, he wrote letters to his beloved wife and daughters back home in rural France. Marcel’s letters contain rare first-person testimony of day-to-day survival within a labor camp, along with the most beautiful expressions of love imaginable. The letters — stained and scarred with censor marks — were the original source documents used by designer Carolyn Porter to create a script font that retains the expressive character of Marcel Heuzé’s original handwriting. The result of years of research and design work, P22 Marcel Script features more than 1300 glyphs. The font is a highly readable running script that includes textural details that capture the look of ink on paper. The font Marcel Caps is a hand-lettered titling face intended as a companion to the Script. Marcel EuroPost One and Two each feature more than 200 postmarks, cancellation and censor marks, and other embellishments found on historical letters and documents.

Proudly Present Thrasher Head - Raw Type, created by ikiiko Thrasher Head is distinctive handwriting and encapsulates the essence of street style. It gives every design project an urban vibe with its rugged and raw characteristics. This font is the perfect choice for people looking for a strong and influential typeface inspired by the rebellious spirit of street culture and graffiti. This font is designed to be versatile, making it suitable for a wide range of creative projects. Whether you're working on a skateboard deck design, streetwear stuff, or a poster for an underground event, this font will infuse your work with an urban attitude and a raw, handcrafted feel. The uppercase characters in Thrasher Head are bold and impactful, while the lowercase letters exhibit a slightly more refined style, providing a balanced mix of legibility and street-inspired aesthetics. This typeface is perfect for a poster event, movie title, streetwear stuff, magazine layout, fashion brand, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Bonus: Swashes & Ligature Multilingual Support Works on PC & Mac

Bandung Pro from Majestype was made to capture the natural movement of a brush script infused with the elegance of copperplate hand. With 6 months in the making, we want to make sure that the character set connects each other as natural and seamless as handwriting would be. We give you vast amounts of glyph options(700+) added with lots of swashes and flourishes to give you an authentic look of hand-made brush letters. Aceserif Pro is an all-caps serif font inspired by traditional serif and art deco design. Equipped with 220 Glyphs and has the current OpenType features. We made the uppercase letters slightly larger than the lowercase letters to give a good impression when used in designs that don’t require a lot of words, such as headlines or headers. You can try it like this, “HeadlineS” - Capital letters are at the beginning and end of a word. Bandung Pro & Aceserif Pro is suitable for a wine label, photography, invitation, ID card, tattoo, poster, logo, title, tees, branding, etc.

Austine Script Inspired by Retro style and combination with Handwriting style. Austine has many alternative swash and features like stylistic alternative, stylistic set, ligature and swash so you can mix and match as you wish. Austine Script comes with open type features such as alternative styles, style sets & great features for logos, posters, badges, book covers, t-shirt designs, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Austine Scripts are coded with PUA Unicode, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows to attach to your favorite text editor / application. Thank you very much and please let me know if you have questions.

Gorgeous Girl is our newest script font created with sweet and sweet hand strokes, with subtle touches and dramatic curves making this font unique. This bold calligraphy font is designed with a relaxed but elegant background, while still paying attention to the beauty of each letter, there are alternate options for lowercase letters, so that it automatically beautifies the visual appearance in your design project. besides that, this font also offers harmoniously beautiful abstract typography for your various design projects. This font is also perfect for wedding invitations, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, signatures, and any design that requires handwriting. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases and several variations on each character including multi-language. ================================================== This font is best suited for open type friendly applications. How to get alternative glyphs from open type fonts: http://adobe.ly/1m1fn4Y PUA Character Code - Fully accessible without additional design software. we hope you enjoy this font. Feel free to send whatever message you want to convey.

Hey Maylinda is a modern script with handwriting, decorative characters, and dancing baselines! It's very suitable in use like blog headers, t-shirts, and for weddings, social media, product design, stationery, advertising, clothing, book covers, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more. Hey Maylinda features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Hey Maylinda is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Thank you!

I would like to present a font that I named after "Amily's Diary". This font was inspired by the handwriting in a beautiful woman's diary. So don't hesitate to use this font for a loving design! Diary Amily Script is perfect for branding, wedding invitations, magazines, mugs, business cards, quotes, posters, and many more that you can use on your big project will be very beautiful. Diary Amily Script is equipped with the OpenType features and has many glyphs. With so many glyphs, you will be able to choose letters to your liking. There are lots of variations and choices for each letter, so you can customize your design choices and also support other languages. This font is very suitable for use with programs that support OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign, and Corel Draw and many more programs that support OpenType. If you have any questions, don't hesitate to contact me via email: hello.mrletters@gmail.com

Bonspire Script is a dynamic and creative script typeface. Brimming with lively swashes and optimistic flair, Bonspire Script embodies the essence of movement and creativity. Its swirly strokes lend it an air of playful sophistication, making it equally suitable for heartfelt love letters or eye-catching advertisements. Its handwriting-inspired design gives it an approachable and personal feel. The typeface dances across the page, infusing any text with a sense of joy and possibility. Use underscore _ anywhere in a word for swashes. Example: Love_rose Use multiple underscore for different swashes. Example: Wonder________woman Use Bonspire Script's built-in swashes and stylistic alternates to fully express your creativity. Its OpenType functionality ensures top-notch quality and customizability. The typeface offers extensive lingual support, covering all Latin-based languages, and includes all the characters and symbols you'll ever need. The creative force behind Bonspire Script is Mans Greback. Renowned for his ability to evoke emotion through typography, Greback has outdone himself with this lighthearted yet intricate design. His extensive portfolio showcases a knack for blending practicality with artistic flair, making each font a unique masterpiece.

Hey guys! Meet our new font "Luxe Atelier" which is inspired by a bit quirky but still lovely handwriting. When we launched our font "Lolita" in 2019 many liked the way we replaced some uppercase letters with lowercase ones. The response was overwhelmingly positive. The feedback we received inspired us to refine the idea of the lowercase signature style and we created "Luxe Atelier" with a lot more lowercase letters that give an uppercase look. However, some uppercase letters simply cannot be written as lowercase due to their nature: they would just lose their primary sound. For example, when we tried writing lowercase 'e' in the uppercase style it more resembled lowercase 'l' and affected the legibility of the font. Therefore some letters in this font remained as is. When it comes to other letters, we tried maximally to keep the lowercase style. This playful, non-standard signature font with slightly rough edges includes 37 ligatures which will definitely add realistic handwritten character to your designs. It is perfect for branding, signatures, weddings and so much more.

Robert Hunster Script is a modern calligraphy font with the current handwriting style, this font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try first if you want to buy this font. Robert Hunster Script is equipped with 369 glyphs. and by having many of these glyphs there will be able to choose the letters according to your liking, lots of variations and options for each letter, so you can customize on your design choices. With pleasure and happiness, in this font package you will get: - Robert Hunster Script OTF To use a variety of letters, you need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you do not have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing :-)

Go back to a time when the Mediterranean coastline was truly glamorous, when stylish women and men in wire-framed glasses listened to Domenico Modugno songs on the radio while sipping wine in sidewalk cafes. A relaxing summer’s day, a gentle sea breeze, taking the time to write a postcard to your loved ones in your best handwriting. The 1950’s may have come and gone, but the elegance and simplicity of that classic style has not, Mina keeps the feel of calligraphy, the long connections between letters is elastic, the clean, thin lines, it is a relaxed cursive ideal for logotypes, titles, and lettering. There are eleven Mina font styles and many loops to choose from to customize any letter. Bring the seaside glamour of a bygone era to your projects of today with Mina. Ranging from light to heavy, Mina Calligraphic, and Mina Shadow, this family of fonts work perfectly separately but you can also achieve beautiful results when combining them. Check out also Mina Chic We recommend to combine Mina with: PestoFresco Turquoise

Mairy font family is a modern sans serif font family. Featuring 9 separate weights each followed by own true italics Mairy is positioned somewhere between rounded sans with humanist touch. In fact the humanist presence in Mairy is a little bit more than the usual doze adding more calligraphic elements mostly noticeable in italic weights but also very important in regulars. This symbiosis of Grotesk geometry with handwriting is well balanced regarding contrast and legibility so that at the end we have a highly usable font family. Light weights are very tender and elegant while the old and blacks are soft, friendly and full of vitality. The mid weights are just perfect with their medium contrast and excellent legibility. Mairy is very fresh font family and is surprisingly flexible when it comes to screen or print use – it is optimized for both even if the conditions are poor. Use it with OpenType compatible software and explore its true potential by accessing additional set of ligatures, alternates and multilingual support.

Ermis Pro – handwritten, multilingual, natural Ermis Pro is a cross between a perfectly finished, comprehensive, classically cut old face type and handwriting. It combines the slightly irregular contours you see in very small letter sizes caused by the flow of ink on paper with the elegant look and feel of a serif font. This makes Ermis Pro the perfect choice for stylish printed materials with a personal touch, doubtlessly winning fans in the worlds of fiction and fantasy alike. Ermis Pro is robust and easy to read in both display and body copy. With its comprehensive character set, it is suitable for a wide range of typographical uses. Besides the standard Latin, the character set includes the Greek and Cyrillic alphabets as well as extended Latin with pan-African letters and the complete International Phonetic Alphabet (IPA). Ermis Pro also comes with numerous OpenType features such as discretionary ligatures, small capitals and nine number variants. The typeface features upright and italic fonts in three weights: Light, Regular and Bold.

Relato has a low contrast and “a muscular” structure that makes it useful for setting longer text. In display sizes it has a variety of details that lends it a unique and personal expression. The formal principle of the serif, the variety of terminal strokes and the combination of curves and semi-straight lines gives the Relato a more “human” flavor. The inspiration for the design comes from different traditional calligraphic styles. The upper case letter, for example, is based on roman capitals from the Rennaissance, whereas the lower case relates to humanist handwriting. Even so, Relato is a decidedly contemporary typeface, proposing individual ideas on the design of type. The italic has a distinct typographic color thanks to the construction principle of broken lines. The bold weights have an increased contrast in the union of the strokes which helps improve legibility in small sizes and reinforce their personality in display sizes. The family consists of a Regular version, Italic, Small caps, Semibold and Bold. For a sans serif version of Relato, please see Relato Sans.

Weisy Signature is a modern calligraphy font that is light, smooth, modern with original pen strokes. This script includes holes or spaces in strokes, because all handwritten strokes with brushes use the ink flow structure. Suitable for branding, signatures, wedding invitations, and cards. Weisy Signature includes a complete set of upper and lower case letters, numbers, various punctuation marks and binders. All lowercase letters include the beginning and end of swash, giving a realistic handwriting style. All uppercase letters include the beginning of swash, which makes the font look great! If you don't have the Glyph panel to use swash, don't worry. You can type -1 instead of swash. For example, if you type -1A, the initial "A" swash appears and the "a" swash ends. If you type-1, the initial "a" swash will appear. PLEASE NOTE: With a Standard License you are NOT permitted to sell digital goods using fonts in editable software such as Templates. Please, contact me for a license extension. Thank you and enjoy MIX.Jpg

Gataline is a modern script with handwriting, decorative characters and a dancing baseline! It is perfect for use as blog headers, t-shirts, and for weddings, social media, product design, stationery, advertising, apparel, book covers, business cards, greeting cards, branding, merchandising, invitations and handmade quotes and more. Gataline includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Gataline is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book ,and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Hostilica is a semi-serif family designed by mixing classic serifs in the age of romanticism era with contemporary modern shape and curves. It gives a warm, friendly, and inviting feeling without losing a formality of text fonts. Every weight was designed carefully to provide a unique look while maintained the unity of the type family. A thin weight gives your content an elegant, luxurious design feel. While the regular weight, designed for body text, gives your content a warm and friendly design feel. The bold weight will make your headlines stand-out with its fat counters and curves. Therefore, Hostilica will accomodate all your design needs, from text to display, from catchy to luxury. The italics of each weight will spice up your design project especially with letter 'f,s,r,k, and y'. Those italic versions paired with alternate and discretional ligatures will add an organic feeling to your designs. The italic styles are designed by emulating a handwriting stroke, and will give a more personal feel while still maintained a formal sense.

Introduced by Timurtype Studio! Calista Brighton is a Handwritten Script Font This font depicts a journey of typography where the art of handwriting transcends the ordinary, revealing the captivating dance of ink on paper. This beautiful font, decorated with stylish alternate ligatures, weaves a narrative of elegance and sophistication. Every stroke is a stroke of creativity, proof of the perfect blend of tradition and modernity. As your eyes trace its curves and turns, you are transported to a world where each character is a work of art, an embodiment of meticulous craftsmanship. The interplay of alternating styles provides a rhythmic rhythm, inviting the eye to linger on the page, enjoying the visual symphony of each letter. It's not just a font; it is a visual poem that whispers tales of timeless charm and unparalleled elegance, leaving an indelible mark on the design canvas." Calista Brighton Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Have you ever been drawing out the letters for a font, then you start making some multi-letter ligatures? Then you think up some more to make, and you make those too? And you keep making them, until you have over a hundred of them? No? Just me? Boisterous Fun is a font that started out simple -- a nice handwriting style with a single stroke width. But add in the ligatures, plus a dozen single-letter alternates and my usual crowd of accented characters for language support, and this baby has grown to over 600 characters total. It's a great casual font for branding or packaging, but it's also smoothed so it's easy for cutting. Boisterous Fun includes: - The usual A-Z, a-z, 0-9, and lots of punctuation; - Over 300 extended Latin characters for language support; - 140 alternates and ligatures for variety, all PUA-encoded for easy use! I had a ton of fun making it, and I hope you have a ton of fun using it!

Your corporate design project is one of the factor of the business where you can attract the customers and get their first impression. Make the moment count by making it as stand out as your business. With Clearstone, you can showcase a delightful yet fancy viewing experience that may powerfully highlight your values and communicate well with your customers. Clearstone is a script font that resembles the actual handwriting style. This font is elegant, readable, and has a timeless quality that never goes out of style. Furthermore, this awesome font has fascinating features that allows you maximize your design. Features: Stylistic Sets Ligatures Multilingual Supports Numerals and Punctuations PUA Encoded It is perfect to be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

Gainsborough - a clean-cut display pack. Gainsborough is a display combo pack of three styles and extra swooshes. Gainsborough fonts are straightforward with characteristic clarity. All the three fonts are designed to play together. Gainsborough is very easy to use. Gainsborough Pen is a clear script inspired by handwriting with pigment pen but polished clean to be legible and inviting. It’s equipped with Contextual Alternates and Standard Ligatures for smooth flow and connections between letters. In addition there’s Stylistic and Swash Alternates for standard characters. Gainsborough Sans is a sturdy street-sans ready for action. It’s has zero contrast and angular geometric shapes. It’s great for bold headlines. Gainsborough Serif follows pretty much the same proportions but with the serifs and a little bit of contrast and round shapes. Try combining Gainsborough Swooshes with Gainsborough Pen - type one character with Swooshes in the end of a word typed with Pen and you’ll have an ending swash reaching below the word. There’s different shapes and length swooshes + a couple of center balanced ornaments.

Ragazza Script isn’t just another display typeface. It honors the greatest handwriting skills but in a different way. Although It doesn't represent any traditional calligraphy style, it is still part of that expressive world. With more than 1000 glyphs, and taking advantage of the Opentype features, Ragazza is full of personality. When in use, it gives a feel very close to ornamental Copperplate mixed with some kind of modern 'high-contrast' typeface. Lots of alternates, swashes and initial capitals are the spine of this face, assuring almost infinite combination possibilities. The early forms that would eventually lead to what Ragazza is today, began as a college project –around 2006– in the context of the 'Hyperfuente' exercise developed during Typography 2, chair E. Longinotti, at the University of Buenos Aires. But that seed would never stop growing. Since then a lot of work had been made to take that initial project to a professional quality level. Ragazza Script is perfect for headlines and short phrases. It is the brand new modern script, designed by Guille Vizzari and published by Latinotype.

Hawkes is an extensive handmade typeface family that comes with a bundle of weights, widths and styles, all designed to work cohesively. Here is a breakdown of the Hawkes family. Hawkes Sans: The primary subfamily is a sans-serif typeface that includes nine fonts: three weights (light, medium and bold) and three widths (narrow, regular and wide). Within this set are an array of stylistic features; including small capitals, character style alternatives, discretionary ligatures and contextual alternatives. See details below for more information on OpenType Features. Hawkes Variable Width Sans: The secondary subfamily is the same base sans-serif fonts but combined in variating widths. Essentially, it takes all three widths of each weight and randomly mixes them together. This creates a funky and creative alternative to the more traditional sans-serif set. The variations are for the uppercase, lowercase, small capitals, ligatures and numbers. Hawkes Script: The last subfamily is the script typeface. It’s a quirky script with variations of its own, including ligatures, swashes and contextual alternatives (again, see below for further details.) The script font works great as a complimentary style to the sans-serif, or on it’s own. FEATURES Alright, let’s get into all the extra goodies this typeface has to offer. Small Capitals: Small caps are short capital letters designed to blend with lowercase text. These aren’t just capital letters just scaled down but designed to fit with the weight of both the lowercase and capitals. With Hawkes, small caps can either sit on the baseline (in line with the base of the capital and lowercase) or to be lifted to match the height of the capital letters by applying the discretionary ligature setting in the OpenType panel. These small capitals have a dot underlining them that sit along the baseline. The feature offers a unique display affect that is great for logos, titles and other headline needs. Discretionary Ligatures: A discretionary ligature is more decorative and unique combination than a standard ligature and can be applied at the users discretion (as the name indicates.) The specific styling for these ligatures varies for different fonts. With Hawkes, they are used as an all capital styling feature, or to lift the small capitals to align with the height of the capitals. In the former setting, both lowercase and uppercase letters are first changed to all capitals, then a specialized set of letter combinations are transitioned so small characters are positioned within a main capital letter. These combinations only happen with main characters that include an applicable stem, such as C F K L R T Y. Some of these combinations include two or three characters. When Small Caps is turned ‘on’, this feature will lift the small caps to the height of the capital letter. For more information, please check out the user guide! Stylistic Alternatives: Stylistic alternates are a secondary form of a character, often used to enhance the look or style of a font. For Hawkes, these alternatives provide a slightly more handmade feel. A - the capital and small capital A will lose its pointed apex and become rounded. Think of it more as an upside-down U than an up-side-down V ;-) Oo, G, Ss, Cc- these characters’ topmost terminal becomes a loop. The O is applied automatically, the G S and C need to be turn on individually. Titling Alternatives: This feature does sort of the opposite of what it intends. Instead of being used for titling purposes, this feature makes the text look better in paragraph text settings. Kk Rr h n m - curved terminals on the are straightened e - the counter stroke also gets straightened from a more looping motion y - the shape of y is changed from a rounded character to a sharper apex (think more like a ‘v’ than ‘u’) Contextual Alternatives: Contextual alternates are glyphs designed to work within context of other adjacent glyphs. With Hawkes Sans, there are three slightly different variations per character. The feature rotates the application of each variation. This helps with organic authenticity, so if you have two e’s next to each other, they won’t look identical (reflecting the natural variations in handwriting and lettering.) With Hawkes Variable width fonts, I have created a contextual pattern that randomizes the widths of each character. So, when the feature is turned ‘on’ in the OpenType panel, the widths would alternate in a pattern such as: Narrow, Wide, Regular, Narrow, Regular Wide, Narrow, etc. It happens automatically so the user doesn’t have to think or worry about getting a random seed. With Hawkes Script, contextual alternates allow strokes to connect properly from one character to the next while maintaining a believable, natural flow. Connecting strokes are present for two letters next to each other but are replaced by a shorter stroke when located at the end of a word or sentence. Some characters have in-strokes when located at the start of a word. When a character is preceded by a capital letter that doesn’t connect, it too needs an in-stroke or altered spacing. This feature is complicated and messy, but luckily you don’t really have to think about it! I’ve done all the coding so all you have to do is turn ‘on’ the feature in the OpenType panel and you are off to the races! I’m just letting you know what’s happening behind the scenes. Swashes: These are just for Hawkes Script and provide tail swashes to the start and ends of letters. There are three different options. You can pick the basic option by turning ‘on’ the swash feature in the OpenType panel, or you can pick using the Glyph panel. Stylistic Sets: This feature work in new versions of Illustrator CC and InDesign CC. You can pick specific styling sets instead of turning on an entire feature. For example, let’s say you want to have a loopy S, but not a loopy C or O, you can just turn on the S in the Style Set. It also helps create the little drop box that pops up when you hover over a character, showing you the alternates associated with that character. This makes it easy to pick and choose specific styles you want in a word or headline. ---------- And there it is folks! That’s all the basic info on Hawkes, I know it’s been a lot and I appreciate you hanging on. If you are like me and need more of a visual reference to accessing all these goodies, I’ve made a user guide to help navigate Hawkes and everything it has to offer. Altogether this extensive family boasts 14 total fonts in a wide array of styles, weights and widths, making it a great addition to any handmade type collection. Enjoy!

Originally designed in 1996, Mrs Eaves was Zuzana Licko’s first attempt at the design of a traditional typeface. It was styled after Baskerville, the famous transitional serif typeface designed in 1757 by John Baskerville in Birmingham, England. Mrs Eaves was named after Baskerville’s live in housekeeper, Sarah Eaves, whom he later married. One of Baskerville’s intents was to develop typefaces that pushed the contrast between thick and thin strokes, partially to show off the new printing and paper making techniques of his time. As a result his types were often criticized for being too perfect, stark, and difficult to read. Licko noticed that subsequent interpretations and revivals of Baskerville had continued along the same path of perfection, using as a model the qualities of the lead type itself, not the printed specimens. Upon studying books printed by Baskerville at the Bancroft Library in Berkeley, Licko decided to base her design on the printed samples which were heavier and had more character due to the imprint of lead type into paper and the resulting ink spread. She reduced the contrast while retaining the overall openness and lightness of Baskerville by giving the lower case characters a wider proportion. She then reduced the x-height relative to the cap height to avoid increasing the set width. There is something unique about Mrs Eaves and it’s difficult to define. Its individual characters are at times awkward looking—the W being narrow, the L uncommonly wide, the flare of the strokes leading into the serifs unusually pronounced. Taken individually, at first sight some of the characters don’t seem to fit together. The spacing is generally too loose for large bodies of text, it sort of rambles along. Yet when used in the right circumstance it imparts a very particular feel that sets it clearly apart from many likeminded types. It has an undefined quality that resonates with people. This paradox (imperfect yet pleasing) is perhaps best illustrated by design critic and historian Robin Kinross who has pointed out the limitation of the “loose” spacing that Licko employed, among other things, yet simultaneously designated the Mrs Eaves type specimen with an honorable mention in the 1999 American Center for Design competition. Proof, perhaps, that type is best judged in the context of its usage. Even with all its shortcomings, Mrs Eaves has outsold all Emigre fonts by twofold. On MyFonts, one of the largest on-line type sellers, Mrs Eaves has been among the 20 best selling types for years, listed among such classics as Helvetica, Univers, Bodoni and Franklin Gothic. Due to its commercial and popular success it has come to define the Emigre type foundry. While Licko initially set out to design a traditional text face, we never specified how Mrs Eaves could be best used. Typefaces will find their own way. But if there’s one particular common usage that stands out, it must be literary—Mrs Eaves loves to adorn book covers and relishes short blurbs on the flaps and backs of dust covers. Trips to bookstores are always a treat for us as we find our Mrs Eaves staring out at us from dozens of book covers in the most elegant compositions, each time surprising us with her many talents. And Mrs Eaves feels just as comfortable in a wide variety of other locales such as CD covers (Radiohead’s Hail to the Thief being our favorite), restaurant menus, logos, and poetry books, where it gives elegant presence to short texts. One area where Mrs Eaves seems less comfortable is in the setting of long texts, particularly in environments such as the interiors of books, magazines, and newspapers. It seems to handle long texts well only if there is ample space. A good example is the book /CD/DVD release The Band: A Musical History published by Capitol Records. Here, Mrs Eaves was given appropriate set width and generous line spacing. In such cases its wide proportions provide a luxurious feel which invites reading. Economy of space was not one of the goals behind the original Mrs Eaves design. With the introduction of Mrs Eaves XL, Licko addresses this issue. Since Mrs Eaves is one of our most popular typefaces, it’s not surprising that over the years we've received many suggestions for additions to the family. The predominant top three wishes are: greater space economy; the addition of a bold italic style; and the desire to pair it with a sans design. The XL series answers these requests with a comprehensive set of new fonts including a narrow, and a companion series of Mrs Eaves Sans styles to be released soon. The main distinguishing features of Mrs Eaves XL are its larger x-height with shorter ascenders and descenders and overall tighter spacing. These additional fonts expand the Mrs Eaves family for a larger variety of uses, specifically those requiring space economy. The larger x-height also allows a smaller point size to be used while maintaining readability. Mrs Eaves XL also has a narrow counterpart to the regular, with a set width of about 92 percent which fulfills even more compact uses. At first, this may not seem particularly narrow, but the goal was to provide an alternative to the regular that would work well as a compact text face while maintaining the full characteristics of the regular, rather than an extreme narrow which would be more suitable for headline use. Four years in the making, we're excited to finally let Mrs Eaves XL find its way into the world and see where and how it will pop up next.

Touch Tone introduces a condensed lowercase and oblique italics to the uppercase font inspired by the "Dr. Strangelove" movie titles – designed by Pablo Ferro. Touch Tone's naive hand-drawn strokes rely on a quirky variable width-brush. They are looser, more textured, tactile, more informal, with quirky nervous lines. A family of four fonts: it includes two weights, light and medium, and both with roman and italics. All the fonts include the same patterns and ornaments. However, many of the “medium” font weight ornaments are beefed up to visually match. Touch Tone utilizes OpenType features. It imitates handcrafted lettering by including 2 glyphs for each U&lc letter (4 sets) – all kerned with care. This medley avoids a repetitious appearance so each sentence looks original and hand-drawn. The uppercase includes two widths – extra condensed and extended. Add whimsy and eccentricity by mixing the extra condensed caps with extended caps and the lowercase alphabet. Use the Contextual Alternates, or Stylistic Alternates features panel, or select the alternates in the Glyphs palette. Touch Tone includes oldstyle numerals, a variety of retro patterns, dingbats, speech bubbles, icons, banners, graphic arrows and ornaments. Each font includes 403 glyphs. Suitable for display or text and many European alphabets. Purchase both weights, roman and oblique italics to emphasize words. Touch Tone combines cool graphics and patterns with OpenType. Generously apply Touch Tone for added warmth and a "Rat Pack" groovin' message.

Neufile Grotesk has its roots in some of the earliest commercially available sans-serif typefaces. This highly legible sans-serif design is well-suited for many display and text-based typographic uses. Users can apply the fonts effortlessly to a large number of messages and media, from advertising to book design. The typeface family ships in two different formats. Depending on your preference, you can install the typeface as a single Variable Font or use the family’s eight static OpenType font files instead. Those weights run from Extralight through Black. While the static-format fonts offer a good intermediary-step selection, users who install the Variable Font have vastly greater control over their text’s stroke width. The Neufile Grotesk Variable Font’s weight axis allows users to differentiate between almost 1,000 possible font weights. That enables you to fine-tune your text’s exact appearance on-screen or in print. But even the eight static fonts satisfy the need for flexibility, creating harmonious variations of texture and emphasis. Whichever format you choose, the Neufile Grotesk fonts include several sophisticated OpenType features. In addition to standard ligatures, there are a few discretionary ligatures and a stylistic set replacing “a”, “g”, and “R” with geometric-sans-style forms. Other features include numeral variants – there are proportional and tabular versions of lining figures and oldstyle figures – as well as fractions and numbers in circles. The fonts have arrows and a feature for setting case-sensitive forms, too.

Introducing Daily Sans, a complete sans serif font family with 10-weights, plus italics (20-fonts total). Daily Sans was designed to be an everyday-use geometric typeface with excellent legibility and a neutral tone. It's a perfect go-to for branding, web, and print design projects and can stand out on its own or play a supporting role in font pairings. It’s great for body/paragraph type as well as for larger display type. Because the goal was to create a font you can truly use for any project, purpose, or occasion, Daily Sans includes a wide range of weights starting from the very thin Hairline all the way through to the very bold Heavy. This means that you’re always able to find just the right weight for your needs, and it makes creating type hierarchies a breeze. Daily Sans comprises 20 fonts, each with approximately 450 glyphs - including 16 standard and discretionary ligatures, three ampersand variants, a full set of arrows, and more - and supports over 200 languages. The OpenType features can be very easily accessed by using OpenType-savvy programs such as Adobe Illustrator and Adobe InDesign. (To access these awesome features in Microsoft Word, you'll need to get comfortable with the advanced tab of Word's font menu.) PLEASE ENJOY! I can't wait to see what you make with Daily Sans. Feel free to use the #upupcreative and #dailysansfont tags to show me what you've been up to.

www.Stat-Type.com Complementary Type Family Stat Display Pro Stat Text Pro is an information design sans serif type family which was developed as a complementary to Stat Display Pro. Stat Text Pro retains many characteristics of its display counterpart, while giving readability a greater importance. It has simpler letter shape details which enable it to accomplish a constant rhythm whiles being read. Its main intended use is to accompany Stat Display Pro in places where longer passages of text are needed. In this way the visual character of the composition is retained and at the same time readability of text is given attention. As its display counterpart it has a large character set with multiple weights, which are defined by optimal size ratio, wide aperture and balanced counters. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four weights (Light, Regular, Medium, Bold) which are accompanied by their corresponding obliques. Stat Text Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

STF Eclectic One is a visual cornucopia of symbols, like the junk drawer in your kitchen. Stuff you'll need someday for a graphic element, bullet or dingbat application. Perfect for website icons! The Eclectic family is legendary, with a cult-like following among the inititated. As one of the first dingbat fonts available on the web, it gain popularity after its design in the early 1990s. With over 150 characters in the complete set, you'll find yourself using Eclectic One almost daily to add spice to your otherwise san-serif typographic existence. This font is essentially a soap opera of typographic image elements, created for projects when I couldn't find the "thingbat" I needed. Almost more of a collection of illustrations, there are many characters which connect to form patterns, and of course it's like a "small neutral European country" army knife for the creative community. EcOne features complete hour, quarter, and half-hour notations in an analog clock design glyph, recycled/recyclable symbols, a registration mark, a toaster, globes, sideways diamond arrows, spaceships, stoplights, the "running man," several atomic references, da buzz saw, target icons, the unusual smiley face floating in a ball (with a drop shadow, no less!), and the fish skeleton which complements the fallout shelter symbol, and more. Make your own juxtapositions! One reviewer proclaims "for whatever you do, Eclectic One is an excellent dingbat source." Available in Mac and PC formats. License it today!