DEVILE is a gothic medieval font; its something new for me I never tried to create a font like this before so check it out –

Goniec is a heavy, graffiti inspired font. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish language.

Ding pro! is a typographic family that contains many alternatives from ligatures to styles like Rough, Hand, UltraLight-Heavy, special for children-Youth titles.

Super heavy font inspired by the wide trunk of African trees known as baobabs, available in two versatile styles, with sharp, and rounded corners.

Ayame is a display font which looks great on posters, logos, and titles. Ayame is a 6-weight family with a heavy retro look.

A single-stoked gothic font with UltraLight, Light, DemiBold, Bold and Extra Bold weights. Usage recommendations: Captions, packaging, cards, posters, ads, book jackets, manuals, menus, fashions.

Spiegel Sans combines the shapes and proportions of an American-style gothic – the ultimate industrial typeface – with subtle diagonal stress and almost imperceptible traces of handwriting.

Bold Fashion is a heavy slab-serif font of the disco era. Its funk-style design, coupled with soft, rounded serifs, embodies the soul of retro, bringing forth memories of neon lights, bell-bottoms, and roller discos. Each letter is profoundly heavy, yet they prance with a bouncy, comfy rhythm, akin to catchy 70s beats. The swashes adorning the uppercase letters add flair, reminiscent of iconic burger joint signs and groovy vinyl covers.

Junkwerk is my heavy metal grunge font! It has got that feel like something that was stamped on, jumped on, shaken and headbanged for hours...just like how you would feel after hours of heavy metal! Comes with different upper- and lowercase letters, alternate letters and ligatures for both double letters and double numbers - and ofcourse it has got unique accented letters! You will need to use OpenType supporting applications to use the ligatures.

NorB Felt Marker is a variation of my NorB Marker font, It's handwritten text font witch you can use with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! It comes with 8 weights: Regular Italic Medium Medium Italic Bold Bold Italic Heavy Heavy Italic

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from UltraLight to Heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time. Complete your designs with these perfect pairings: Dante™, Joanna® Nova, Kairos™, Menhart™, Soho® and ITC New Veljovic®. Avenir Next Variables are font files which are featuring two axis, weight and width. They have a preset instance from UltraLight to Heavy and Condensed to Roman width. The preset instances are: Condensed UltraLight, Condensed UltraLight Italic, Condensed Thin, Condensed Thin Italic, Condensed Light, Condensed Light Italic, Condensed, Condensed Italic, Condensed Demi, Condensed Demi Italic, Condensed Medium, Condensed Medium Italic, Condensed Bold, Condensed Bold Italic, Condensed Heavy, Condensed Heavy Italic, UltraLight, UltraLight Italic, Thin, Thin Italic, Light, Light Italic, Regular, Italic, Demi, Demi Italic, Medium, Medium Italic, Bold, Bold Italic, Heavy, Heavy Italic. Featured in: Best Fonts for PowerPoints

In 1903, faced with the welter of sanserif typefaces offered by ATF, Morris Fuller Benton designed News Gothic, which became a 20th-century standard. In 1995 Tobias Frere-Jones studied drawings in the Smithsonian and started a redesign. Cyrus Highsmith reviewed News Gothic, and with the Font Bureau studio expanded it into Benton Sans, a far-reaching new series, with matched weights and widths, offering performance well beyond the limits of the original; FB 1995-2012

Getman is a light Gothic typeface. It made all the rules and traditions of classic Gothic typeface, but it has lightweight shapes, making it easy to read and understood. Getman is based on the works of type masters 1910s. This font has all 104 European alphabets, all Slavic alphabets, OpenType features (ligatures, oldstyle numerals, fistorical forms, localized forms, fractions, ordinals and others). Getman has an historic beauty of the medieval Germanic national script. Glory to the Germans!

Volcano is titling family of four is broken down into a gothic and island style. The island style features a "toothed" look that gives it a very unique look that can be used for a variation of project styles: Jungle, Island, Cruise, Vacation, Tiki, Retro, and Comicbook. The gothic style features a more industrial look and was inspired by gaspipe lettering styles. Each style features a different inline font file that can be layered over to produce striking headlines.

Blackminster is a Gothic font, inspired by a handwritten set of letters (designed by Harry Lawrence Gage) I found in a 1916 book about lettering. I only had the ABC/abc to work with, so I designed the remaining glyphs myself. Use Blackminster for your Metal album covers, skateboards and downhill mountain bikes, or just anything that requires a bit of a Gothic look! Comes with a serious amount of diacritics and an alternate, swashy, g and y.

A heavy contoured all cap font, great for poster, school and sports, will also work in many other applications where a strong statement is needed.

Thought to have developed from a display face first listed in 1890, the Derek Italic font is a heavy face ideal for short titling purposes.

A semi-heavy face slightly condensed, inspired by the Germanic & European type fonts. Applications include captions, packaging, invitations, cards, posters, ads, book jackets, and manuals.

Susa is an elegant and flowing brush script typeface. Ideal for short text in the lighter weights and for headlines in bold and heavy weights.

Hadron is a fusion of gothic black letter and foundational letter forms. It has a heavy flat pen influence but is combined with more modern letter forms for increased legibility over that offered by black letter fonts. Unlike most black letter fonts, Hadron can be set all caps using the first level of caps. A basic design kernel based on the caps “O” and “H” was created first. These letter forms consist of an interplay between curves and straight lines with abrupt transitions and also possess some of the geometric crispness of a modern sans serif. The rest of the Hadron font was developed around this “O” and “H” kernel. This font could be used for any application requiring a formal black letter or foundational lettering look. Hadron could also be used for invitations, brochures and posters. The first level of caps and lower case is basic enough to set a large body of text. It could also be set all caps at that level.

VLNL TpDuro was designed by chef Martin Lorenz and Juanra ‘Wete’ Pastor. Its concept was inspired by an Albrecht Dürer design from 1525, which shows a system to construct a gothic lowercase letter. Following the logic of this lowercase construction, but not the traditional uppercase letters of regular fraktur (brokenscript) alphabets, some brand new upper case letters were designed. The 45 degree tilted square that forms the basis of the letters, is as square and hard as a cracker. And we love crackers. You can put cheese on them. The ‘pixel’ feeling of the downstroke was intensified by repeating the rotated square module as often as they could. All this resulted in a strong, dark typeface with a steady rhythm, with one foot in history and the other in modern times. It works well as a display typeface for short texts, headlines and logos. Music festivals and heavy metal bands should also pay attention. This is hard stuff.

Monoreal, a basic coding font. Unlimited Single Fractions can be had. The GOTHIC STYLE is NOT monospaced and is kerned, designed for subtitles and other various applications.

Frankly Plain JNL is an all-caps version of the ever-popular Franklin Gothic, while Frankly Ornate JNL adds a decorative embellishment to the letters and numbers.

Bushwick JNL and Bushwick Oblique JNL are modeled from a wood type sanserif that has a strong resemblance to Franklin Gothic, yet keeps its own distinct personality.

Condensed Oldstyle Gothic with flair. Great for tight-fitting headlines and other condensed titling situations such as headlines, ads, invitations, captions, packaging, bulletins, posters, and greeting cards.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

ReneFont is strong, heavy design which looks quite technical. Originally planned as a caps-only, Breil changed his mind and also drew the lower case alphabet.

Mol is a slightly condensed feminine serif font recommended for use as a display typeface. It features hairline serifs, strong vertical stress and heavy ball terminals.

A heavy one. For major impact use it only in caps, however typing randomly upper and lower case has interesting results too. Play with it please.

The name Angryhog came out of nowhere out of free association. "When you're working on a typeface on the Mac it demands a name from you which I find a bit confrontational" says Donaldson. ITC Angryhog brings together Roman and Gothic influences in a quirky and sophisticated display face. Characteristic of this typeface are its sharp, pointed forms, especially noticeable in the serifs, which give ITC Angryhog a restless, almost aggressive feel. It is as though the letters have a mind of their own and ignore all rules and regulations. ITC Angryhog is a perfect typeface for comics or satire, best suited to short to middle length texts and headlines.

Every face tells a story but this font is 77 stories high (1,046 feet with antenna included)! A lofty companion to Empire State Gothic , Empire State Deco is a tall, stately font containing four different styles, sometimes contradictory, united by the desire to be modern. Those familiar with the Exposition Internationale des Arts Décoratifs et Industriels Modernes will notice a post-postmodernism combined with the fine craftsmanship and rich materials for which those awfully nice chaps at Comicraft are known. During its Art Deco heyday, Comicraft represented luxury, glamour, exuberance, and faith in social and technological progress -- this new font recaptures those halcyon days in letter form.

Melcheburn is a classic late-medieval gothic font based on original lettering by Samuel Welo. It has strong, formal lower case letters and extremely ornate and decorative capitals.

A slightly wide gothic with just a touch of flair. This font will add a nice elegant touch to all your designs; works great for text and headlines.

Designed at ParaType in 1989 by Vladimir Yefimov based on Advertisers Gothic, 1917, by Robert Wiebking, inspired by Art Nouveau lettering. For use in advertising and display typography.

Cheeks is a Heavy sans serif Display font. Heavy stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Cheeks font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Cheeks font. Cheers, Maulana Creative

This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the "American Type Founders" was acquired. It's a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.

Anker is a super-wide and heavy typeface. At the same time, it has a very large contrast between vertical and horizontal stems. This gives it a certain defiant and aggressive character. The name Anker means anchor in German. That is something very heavy in weight and at the same time has sharp and thin elements in the design. This is reflected in the Anker. Suitable for super large titles, short words, logos or typographic compositions.

The publication of this more mature design is the result of a previous 1-style project which was developed in 2010. Rita, the new design, has increased from one single style to a full font family, with a strong personality, ideal for short text for high impact designs. Rita is a slab serif typeface that offers a wide range of weights and widths—from a thin, ultra condensed font to a heavy variant for poster design. Its variety of weights and widths allows users to create a number of different compositions such as titles and text for impact or high impact graphics. Rita comes in 10 styles and includes a set of 400 characters that support over 200 languages. Rita was designed by Daniel Hernández with the collaboration of Rodrigo Fuenzalida.