While Walking along the shore of our Main Port to Europe in Rotterdam, The Netherlands, my 14 year old son Jules first hardly dared to step in the mud for he was wearing his brand new sneakers. Concentrating in where he put his feet, he noticed he made a character! The FootPrint-Regular was born! The FootPrint-Regular is a powerful header-typeface, but funny enough it's usable as small copy too! Blaze your Trail! Anything you can imagine on Police investigations, Bloodhound Thrillers, Trails, Tracks and Traces, anything about Outdoor Stores, Tracking or even maybe Pedestrian Clubs, or things like Survival Sports, Walking Events or Hiking Gear; Blaze'm your FootPrint-Regular Trail on all Banners, Blimps, Ads and Doormats!

An elegant, stylish and easy-to-use typeface. Just as a nice hat makes you look good, Cagliari brings beauty to your designs—through the traditional flavor of Didone faces, and the simplicity of Modern and neo-Grotesk fonts. The font is based on the "Queulat" design yet features a higher contrast, between thick and thin strokes, which makes it look simple and suitable for a wider range of uses. Due to an abrupt contrast in stroke weight, Cagliari is more noticeable on terminals and teardrop terminals compared to Queulat. The Neogrotesk-style shapes add a minimalist touch to the font with thoughtful attention to detail. Cagliari is the ideal choice for fashion magazines, Italian-author books and logotypes for prestigious brands.

Nyfors was a sudden idea. I noticed an ad in a magazine, with some handtexted words. I don't recall what the ad was about, neither the words. When I later on tried to remember how the single characters looked like and began to draw them, the result wasn't bad at all. I am not longer sure that they resemble the characters in the ad, but it doesn't matter. Nyfors is a nice handtexted typeface, whatever its origin. There is a small stream in Tyresö where I live and work, called Nyfors. During some centuries there was a center of small scale industries along it, and they used its water to run their machinery. The typeface has its name from that stream. Nyfors was released in 1995.

Bodihel is a cute and chunky charactered display font. Add this colorful and bold display font to each of your creative ideas and notice how it makes them come alive! Get inspired by its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. FEATURE: ALL CAPS We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me. Thank you!

As the most classic and traditional style pack of the Fonts Café, the Ottanio family take a place of honor in the list of the Fonts Café handmade Vintage style fonts. Clearly born for being noticed, the boldness and the almost imperceptible, but present to the eyes of subconscious mind, irregularities of the Ottanio Family has been well balanced to create a set of handmade Serif fonts that can be used as “jack of all trades” where traditions, origins and a touch of Vintage style are required. From the integrity of the Ottanio Regular, the stronger style of the Shaded version and the scraped look of the Stamp option, the whole Ottanio Pack will be the perpetual solution always useful to have on hand!

With this charismatic new type system, the possibilities are as large as your vision behind them. Achieve the impact you're looking for by layering the different fonts and colorations for a custom, hand-drawn look that likes to be noticed. Play around with the potential. Create effects such as realistic 3D looks by adding centerlines, dotted centerlines, and shadow variations. Inspired by the affable look of vintage handmade signage, the Aviano Sans Layers spacing accommodates these shadows and other features well with its generous width and helps you hit your message home. Try mixing it with the other members of the Aviano Hyperfamily, too. There are lots of funky options for you to explore. See what you can create with Aviano Sans Layers!

Sansmatica is a clean and modern sans serif typeface. It has 28 fonts that work as a multi-purpose design solution. It consists of regular and condensed fonts that can be used for different cases: regular fonts are perfect for copy while Sansmatica condensed fonts are more specific - they make emotional associations and are perfect when you want your headlines or advertising to be noticeable. Also suite great for greeting cards, posters, branding, name card, stationary, design title, blog header, art quote, typography. Sansmatica has 7 weights with light looking more modern, fashionable and the bold giving a more rugged impression is perfect for headlines, logos, quotes, and more! It is interesting to use bold condensed fonts – both vertical lines and weight draw attention.

Cleveden was inspired by some lettering sighted on a neglected and somewhat tarnished brass plaque, affixed to an elderly office building. The elegance and character (somehow playful and formal at the same time) of the letterforms shone through the tarnished state of the plaque. As an aside the brass plaque in question was on the former business premises of a long established firm of accountants. We suspect the ethics of that profession would preclude us identifying which one. Our efforts to identify their engraver have proven unavailing. Cleveden is a family of four typefaces, Regular, Bold, Capitals and Capitals Bold. They are ideal for designs that call for distinctive formality and especially lend themselves to signage, certificates, and -dare it be said- engraved plaques!

HS Ali was designed in memoriam of my brother - Ali Abu Afash who was martyred during the last aggression on Gaza in summer 2014. HS Ali introduced a modern OpenType Arabic typeface, which had the characterstic, features of Kufi style with noticeable both curvy and sharp segments; beside the refinements of its letters that made it more readable. HS Ali is a display font that has been designed to be used in titles in modern graphic and publication projects. It supports Arabic, Persian, Urdu and Kurdish languages and contains four weights: Light, regular, medium and bold which can be condsiderd as and elaboration to the library of Arabic fonts contemporary models that meet the variant purposes of designs for all tastes.

Good Castyll is our newest display font, and it has a laid-back, unique feel to it. It was created with a genuine hand touch, so it seems natural when viewed. This font is ideal for adding a touch of class to your creative work. Start creating fantastic projects with this font, and you’ll notice a distinct difference in the way it’s used. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

When I started working on this font, I had the radio on. Ed Sheeran was singing his song ‘Castle On The Hill’ and when I looked at this new font of mine, I couldn’t help but notice it had a bit of a medieval look. So I named it Castle On The Hill. COTH is a very lively, messy handpainted serif. It was made with a Japanese brush pen. I actually had a different look in mind, but this is what came out of the pen and I quite liked its looks. It is especially useful for children’s book covers, apps and posters, but be my guest and use it as you like. All it needs is a designers’ touch, a nice tune and a sunset.

Wordmark is our new fully equipped branding tool. Designed with a refreshed humanist style, much loved by brands that need to deliver their message in a serious way, with a current look. Drawn by the cool eye of Gaspar Muñoz, expect this font to be as good or even better than its predecessor "Herokid". "Wordmark" is super complete; it includes condensed, thin, expanded, and heavy weights plus italics with two complementary systems that work together in a powerful way. "Wordmark Normal" offers great readability for text and signage, big or small. And "Wordmark Display", designed with a noticeably taller X height specifically made for headlines, big windows, and big screens. With 48 different styles keep it simple and make reliable designs with "Wordmark".

A mix of Renaissance & tropical atmosphere Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms. The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c. ➼ Basco minisite

Cal Roman Modern is one more font from PKG “Cal” (Calligraphic) group. This time for calligraphic sketches we used a wide brush instead of the iron pen. Instead of minuscule letters, there are Small Caps (which are the same weight as capitals). Because there is no difference in the stroke thickness of capital letters and lowercase capital letters the difference in height is only one pen width, because of that, it is possible to use small capitals together with capital letters without noticing a difference in the thickness of the letters. Cal Roman Modern font is rhythmic, informal elegant, bright and light. As such, this font is widely used in the typographic creation of shorter text forms: magazine, catalogs and book titles, logos, posters, movie spots, banners...

Hellena Font Duo with additional Ornament! If you are needing a touch of casual chic calligraphy for your designs, this font was created for you! Hellena script was built with OpenType features and includes beginning and ending swashes, alternate characters for both lowercase and uppercase letters, loads of different swash alternates for lowercase letters, numbers, punctuation, alternates, ligatures and it also supports other languages :) with many glyphs! Hellena Sans is beauty couple for Hellena Script Hellena Ornament available OpenType features with klick on All Capital and Lowercase also in Number and get the ornament character. Accessing the swashes / opentype features / glyphs: This font works best in a program that supports OpenType features such as Adobe Indesign, Adobe Illustrator CS, or Adobe Photoshop CC. You can access the swashes and alternates from the 'Glyphs Panel' in these programs. More Questions? Here are some (potential) answers! Multilingual Support is included for Western European Languages Also, the sans-serif font used in the preview images is Gotham :)

Youthful Fontsmith received a brief to develop a font that would form part of the broadcast identity for the UK’s first digital Freeview channel – E4. It needed to work seamlessly in text and display, both in print and on-screen, and please the eye of the target audience, 18-34-year-olds. So, young, fresh and informal. No problem. Except for one thing: the timing. Daughter As he worked on FS Maja, Jason Smith was occupied by another imminent deadline: the birth of his third child. The pressure was mounting, but rather than let it get to him, Jason embraced the challenge and made light of the tension, fashioning a bright, bubbly, entertaining type with a personality made for memorable headlines. Beautifully random FS Maja’s soft, rounded shapes and assured, fluent lines encompass lots of notable features that contribute to its warm, fun-loving personality, including: a very large x-height; a short, rounded serif to allow for close spacing and give texture to body text; a slight convexity, or bulge, in the stroke terminals; a calligraphic fluidity in the entry to the down-stroke of most lowercase letters; open, generous curves, especially in the “B”, “P” and “R”; and a “w” made of two “u”s.

Traseraha – A Retro Cartoon Font Traseraha, a captivating retro cartoon font, effortlessly channels the whimsical charm of classic animated aesthetics. Designed by the creative minds at Traseraha Studios, this font pays homage to the golden era of cartoons with its playful curves and vibrant personality. Each letter exudes a nostalgic vibe, reminiscent of vintage comic strips and animated shows, making it an ideal choice for projects seeking a touch of retro flair. The Traseraha font seamlessly blends fun and readability, allowing it to shine in a variety of applications, from logo designs to creative headlines. With its unique character and timeless appeal, Traseraha captures the essence of a bygone era while injecting a dose of lighthearted energy into contemporary design projects. Traseraha is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. cartoon font, cute font, traseraha font, retro, vintage, 90s, 80s, 70s, cartoon, cartoon font, comic, comic font, delicious, display, display font, distressed, hand drawn, handwritten font, headline, holiday font, lettering, mexican, mexico, mexico font, packaging, playful, poster, retro, sticker, vintage font Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.

In the world of typography, Golften – Art Nouveau Serif Font stands as an epitome of elegance. It gracefully channels the beautiful and harmonious flow, drawing inspiration from the Art Nouveau style. Let’s delve into why Golften is an exceptional choice for those seeking refined and graceful design. Elegance at Its Core First and foremost, Golften exudes elegance through its graceful serifs and harmonious lines. It encapsulates the very essence of Art Nouveau. Moreover, its flowing curves and intricate details create a captivating visual experience, making it the ideal choice for designers aiming to create visually stunning projects. Versatile Beauty What sets Golften apart is its versatility, which knows no bounds. It seamlessly adapts to various design projects. Whether you’re crafting wedding invitations, establishing elegant branding, or designing artistic posters, Golften adds an exquisite touch that elevates your work. Furthermore, this font’s adaptability makes it suitable for a wide range of creative endeavors. Inspired by Art Nouveau Golften draws inspiration from the Art Nouveau movement, celebrated for its organic forms and ornate aesthetics. This font mirrors those principles, making it a perfect choice for projects aiming to capture the timeless allure of this influential style. With Golften, you can effortlessly infuse your designs with the spirit of Art Nouveau.

DIGOT 03 is an innovative two-font family that blends minimalism and geometric precision to create a visually striking and modern design. These fonts are perfect for those seeking a clean and contemporary look for their projects. --- Usage Recommendations DIGOT 03 is a font that thrives in environments where simplicity and clarity are valued. It works exceptionally well in both digital and print formats. Consider using DIGOT 03 in the following situations: Web Design: DIGOT 03 can add a touch of modernity to website designs, providing a clean and contemporary experience for users. Poster Design: Whether creating event posters or advertising material, DIGOT's bold and eye-catching letterforms make it a perfect choice for grabbing attention. Logo Design: This font, despite its very experimental approach, can help establish a strong and memorable brand identity. Its simplicity allows the logo to be easily recognizable and versatile across various marketing channels. Iconography: As DIGOT 03 is built upon geometric principles, it excels in creating visually appealing icons and symbols that follow the same minimalist style. --- DIGOT 03 is the perfect font for designers and creatives who appreciate simplicity and have a keen eye for detail. With its unique minimalist geometric style, DIGOT offers endless possibilities for creating clean and impactful designs.

Developed for screen For not the first time, Fontsmith was commissioned to develop a font for one of the UK’s terrestrial TV channels. The product was a clearly-defined three-weight family. When italics were added, it became FS Matthew, a clean, stylish, structured sans serif with swooping, open curves and a bright, lively personality. Southbank Inspiration for many of the forms of FS Matthew came from details found within the modernist buildings and architecture of London’s Southbank, such as the Royal Festival Hall. During the font’s gestation, Jason had found himself at London Studios, a TV studio on Southbank, and a wander around the neighbouring arts buildings proved thought-provoking. The result was a font with a very British character: solid forms that provide the platform for innovation and distinctiveness. Feelgood efficiency FS Matthew’s trademark is efficiency with a feelgood factor: disciplined enough for corporate identities, websites and signing systems, and colourful enough for logotypes and advertising. Its versatility and excellent legibility are achieved via some unexpected details: the reaching curves of the “g” and “y”; the simple shape of the “u”; an off-kilter “k”; generous counters; and a slightly condensed aspect that makes FS Matthew a space-saver in text or title sizes.

Created for designs that require a handcrafted and handwritten look with a majestic touch. Artifex Regina is a blend of fantasy, wizardry, and charming delight. What's even better? IT'S VARIABLE! Designed to be a fun variable font, it allows Artifex Regina to be used as an animated typography adding a hint of magic through styles & transitions. Need a brighter inline? Need a softer shade? We got you! As an extra feature, you might want to try and play with its sliders and navigate throughout its 2 axes plus a swirly style handler to get a fully customized style! FEATURES: · Alternates: With an easy access at hand and through various stylistic sets that may contain many or a few alternates, leaving the choice to the designer for the right combination of sets and alternate characters. This includes a set of swirly ends available for static fonts as well as an axis for the variable font. · Contextual alternates: a few characters that provide some variety when used together. · Ligatures: Common used connectors with a playful twist. · Swashes: Accesible through OpenType Swashes feature there's a set of initial, final and middle swashes with passionate, elegant, and expressive strokes. Also, through stylistic sets, there's a set of monoline swashes for a cleaner look or limited spaces.

The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days. For additional versatility, take a look at Vox Round, the softer, but just as extensive, counterpart to this family.

“Nasser” is a Kufic modern Arabic typeface. It is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. It is very distinctive when used in black and white printout. It decorates colored pages and makes artworks more attractive. This font comes in three different weights. My father’s name is “Nasser”. Consequently, “Nasser” Typeface was designed for eternizing the memory of my late father. He was the person who taught me how to like arts, literature, and languages. Besides, my first cute child is named also “Nasser.” The main characteristic of “Nasser” Typeface is in its modern non-descender style for some of its Arabic characters such as “Sad”, “Seen”, “Sheen”, “Qaf” and others. The shape of the characters' “dot”, “dots”, and “point” is innovative; a triangle with a semi-circle shape. “Nasser” Typeface is suitable for books' covers, advertisement light boards, and titles in magazines and newspapers. Its characters' modern Kufic styles give the typeface more distinction when it is used also in posters, greeting cards, covers, exhibitions' signboards and external or internal walls of malls or metro’s exits and entrances. It can also be used in titles for Arabic news and advertisements appeared in different Arabic and foreign satellite channels.

I recently walked part of the South West Coast Path in the UK. A couple of days in the hike, I came across a small cafe and I decided to have an oat latte (I am lactose intolerant). Since it was early in the morning, the breakfast menu was out and one of the items I noticed was ‘Overnight Oats’. I normally cook my oats with some lactose free milk and water, but apparently you can soak them overnight, add fruit and nuts and eat it like that. I tried it, it’s ok, but I think I prefer the cooked version. Overnight Oats is a bit of an odd font: it is very higgledy piggledy, yet legible and unique. If you want something out of the ordinary, then this may be your font!

Qonora is an innovative new sans-serif text face that combines flowing, almost calligraphic strokes with a post-modern sensibility for a look that works as well on the printed page as it does on screen. Its comfortable proportions and no-nonsense streamlining (note the lack of spurs, serifs or any unnecessary ornamentation) make it an excellent choice for legibility even at very small point sizes. Qonora includes a true italic, drawn independently from the Roman. Strokes for the italic have been re-weighted to complement the Roman, and idiosyncratic italic glyphs have been substituted where appropriate. The typeface’s extensive Hebrew implementation (including diacritics and cantillation marks) is an important part of its character. The Latin, Cyrillic and Greek ranges of the face maintain a consistent ethic of form and function.

The "Strokes" font family presented here has several styles: regular, italic, bold and bold italic. The font supports the alphabet consisting of Latin letters and symbols, Cyrillic, Tatar. The composition of the font "Strokes" includes graphemes from uppercase and lowercase letters, numbers, standard characters. The originality of the font lies in its name. The "Strokes" font is made up of many intersecting lines, forming rounded sans-serif letters, but at the same time smooth and easy to read, which will fit perfectly into your composition. The unusualness and attractiveness of the font makes it noticeable among the texts that surround us everywhere. This property is convenient to use on signs, logos, corporate identity, product packaging. The decorativeness of the font is eye-catching and will add important accents to your work.

During the Covid pandemic, I noticed that a lot of public figures (politicians, actors, influencers and even kings and princesses) had to apologise for not following the social distance rules, the lockdown rules or the 'stay at home' rules. They threw parties, went on holidays abroad and - in general - made a nuisance of themselves. When I finished this font, I decided to call it Public Figure! Public Figure is quite a neat, handmade font. It doesn't stick to the rules (but does like to keep up appearances), likes to party (but manages to stay safe) and brightens up your work (without being too gaudy). Public Figure comes with two alternate sets for the lower case glyphs (that cycle as you type) and a massive amount of diacritics, including Vietnamese.

Romanovsky is the font developed on the base of samples from the catalogue of Osip Lehman foundry in Sankt Petersburg. Original Latin design that was used for Romanovsky can be found in Feder Grotesk by Jacob Erbar. The current digital font is not a scanned version of Lehman’s samples but a newly drawn typeface that differs from the original in many details. Romanovsky is a sans serif typeface with narrow proportions and noticeable contrast. It will be good for headings and display matters. Character set covers languages of Western and Central Europe and Cyrillic-based languages. It also contains around 20 ligatures of uppercase letters for the most frequent combinations. Designed by Vasily Biryukov. The bold weight was developed together with Olexa Volochay. Released by ParaType in 2013.

My family and I are stuck in quarantine for a week; my eldest son tested positive for Covid19 (but everyone else tested negative), so we can’t go out. That means that the kids follow classes online. I noticed their notebooks and suddenly realised that a notebook used to be called a ‘cahier’, which is a French word meaning the exact same thing. I guess it sounded sophisticated at the time. Mon Petit Cahier (meaning: My Little Notebook) is a handmade script font. It is not meant to be awe-inspiring, nor do you want to use it for headlines or posters. It is a nice little font that feels at home wherever an unobtrusive script is needed. Comes with all the diacritics you want and a set of cool double letter ligatures.

Although ITC Styleboy has a retro feel, it isn't based on any earlier typeface. As far as inspiration goes," says designer Chester Wajda, "I'd have to say comic strips of the '20s and '30s, and silent-film marquee lettering from the '20s - with a hint of a Chinese brush?" He originally created the typeface for a children's book he was working on. "I wanted it to be fun, but still somewhat formal in its underlying structure," he says. "It's largely based on right and 45-degree angles, with slight tucks inward on the stems and bowls, and a few flourishes here and there." Styleboy's top-heavy look is most noticeable in the caps, but it's exaggerated too in the "8" and the lowercase "g." Styleboy is Wajda's first typeface design."

Franko Luin, Odense's designer, on this typeface: With Odense I entered the field where Optima reigns in royal majesty. The first question I received was, in fact, why I designed another Optima. Look closely: Odense has as much in common with Optima as Garamond with Baskerville. Am I right? Odense Neon is a special variant that can be used for logos or single words. I had the idea for it when I noticed that the neon tubes in a sign over a store only partially followed the characters. The name comes from the Danish town Odense, the town of the famous storyteller Hans Christian Andersen, author of, e.g., 'The Little Mermaid.' Odense is also the place where the first book in the Nordic countries was printed, the 'Breviarium Ottoniense', in 1482.

Now here's a font that is named Like Butterflies, but has got nothing to do with butterflies! What? Why? Well, I recently heard the song "Even flow" by Pearl Jam and took a trip down memory lane - back to my early twenties. I remember how the lyrics affected me, and had an impact on how my life changed the years to follow. Maybe the style of the font does not reflect the inner meaning of the song, but it does reflect a look back in time for me - and the change that took place. Nevertheless, I hope you enjoy the somewhat simple, handmade style of Like Butterflies and the 4 versions that works very well together! Please notice that each letter has got 5 slightly different versions to choose from!