Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Westville- A Blackletter Font Westville is an incredibly unique and distinct blackletter font. The style was influenced by many fonts and extra touch of urban street attitude. This is a timeless font that suits and fit perfectly in any timeframe or style you want. Well suited for you who needs for headline, logotype, apparel, branding, packaging, advertising, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Have you been looking for a sans serif font? Do you dream of creating headings that stand out and inspire modern and artistic? Wait no more, we will give you the best choice. Clean Fragile-A Sans Serif Font Clean Fragile is a gorgeous sans serif font, designed with the modern vibe. This font is perfect for anything adventurous, and direct. Every stroke, and curve was created to entice happiness and elegance. A real head-turner for your presentation, designs, website illustrations, and much more. Clean Fragile includes Multilingual Support to make your branding reach a global audience. Inspire your audience, clients, or guests with this beautiful, statement font. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Catty Purry is a cute and funny cat font. This font is big, bold and unique. The handwriting touch will make your project looks more natural and eye-catching also allow you to create stunning design quickly and easily. Feel free to use this font for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards, and more. Check out our font collection for more great and artistic fonts. Pick your most favorite font and use it as you like to reach your goals. To access the alternate glyphs, you need a program that supports Open Type features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link ( goo.gl/ZT7PqK )

Meet Greenleaf, a display family that blends elegant art deco details, extensive linguistic support, and technically innovative features to create a bold impression that’s ideal for branding, signage, packaging, invitations, and so much more. Greenleaf’s “Pro” fonts support over three hundred sixty languages to reach the broadest possible audience. Meanwhile, its decorative companions expand the family’s expressive potential. They effortlessly create banners, chains, frames, and patterns — and include chromatic fonts which can be set in two colors without layers or special design software. Download the user guide to see Greenleaf’s many features and discover how the fonts actively help you take advantage of all they have to offer. Enjoy! Greenleaf is a trademark of Charles Gibbons / Oddsorts and may be registered in certain jurisdictions.

Are you looking for a serif font? Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. EQuity-A Serif Font EQuity is a modern, luxury, but still authentic serif font. This font is perfect for branding, logos, wedding stationery, cards, gift designs, photography, watermark, product packaging and quotes. You won't get cute, whimsical, funny logos with this font. Only high-end, upscale, sophisticated Branding Design. Our font always includes Multilingual Support to make your branding reach a global audience. Inspire your audience, clients, or guests with this beautiful, statement font. Features: Alternates Ligatures Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Do you dream of creating a spark of any design you can think of? Are you looking for a statement font to inspire your audiences or clients? Wait no more, we will give you the best choice. Bigcups- A Display Font Bigcups is an amazing display font. Bigcups comes with a bold outline to add fun and unique soul to your design. This font support multi languages to make your branding can reach global audiences. Bigcups can be used for branding, logos, social media quotes, stickers, posters, vintage designs, wall art, merchandise, social media, and many more. Features: Stylistic Sets Uppercase and lowercase swashes PUA Encoded Numerals and Punctuation Thank you for purchasing premium fonts from Din Studio! Happy Designing!

Do you find some of the contemporary fonts just a tad too cool, restrained – even arrogant in their appearance? Here’s something to charm your worried clients with – Lagom, a polite and diplomatic type family. Use Lagom and you’ll be able to reach just that fine line between sophistication and mundane. The font family works really well with FMCG (fast moving consumergoods) products, restaurant identities and menus or way finding systems – you could even try it on a mobile app for that more human, ease-of-approach feel. Perfectly adept for contemporary needs, Lagom fonts come with smart Open Type features and the family is kept just the right sized – not too vast, not too compact. Make your designer life easier with Lagom!

Ready to enhance your branding? Looking for that “something” that’ll make your audience go WOW and clients get on board immediately? We’ve got JUST the thing for you! Western Brother-A Vintage Font Western Brother is a display typeface. Designed primarily as a captivating font with retro style. This font features thick that easy on the eyes and nice to look while it’s also easy to read at captivating headlines, or large branding text, the font oozes that cute aesthetic that just makes you go “aww!” Our font always includes Multilingual Support to make your branding reach a global audience. Features: Alternates Ligatures Stylistic Sets Swashes Bonus Ornament PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Set the wayback machine for about 1967. Smell the patchouli? Now you can inject just the right dose of swirly-licious mojo into your retro design with this original vintage-styled sixties font. But as with many psychedelic hippie lettering designs, the history reaches back even further; it owes a designer's debt of gratitude to the designs of the Art Nouveau era as well. This is predominantly a uni-case alphabet, but also features a few alternative characters in the lower case – at the full height of the capitals. With an extensive character set and multilingual glyphs, you can use Hippie Mojo to say "Groovy baby" in many languages. Evoke the carefree and tripped-out vibe of the psychedelic era with Hippie Mojo; it's pure retro fun!

Probably everyone living in Europe has heard of the (in)famous Route Du Soleil. The Route Du Soleil (Motorway Of The Sun) is a stretch of road from Paris to Lyon (in the south). It is THE route holiday makers take to reach southern France, so they can get there before everyone else does. The result: endless traffic jams, overheated engines and people and more toxic exhaust fumes than your average petroleum distillery. Route Du Soleil is also a very nice hand written font that comes with swashes and ligatures. If you happen to find yourself in a traffic jam on your way to southern France, then I hope you have downloaded this font. Just one look at it and you’ll forget your problems! ;-)

Have you been looking for a graffiti font? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Then we’ve got just the font for you! Introducing Urban Blocker-A Graffiti Font This bubble graffiti font can be used for a host of different content needs and projects. An excellent choice to add the right amount of street vibe and playfulness. Create gorgeous printed quotes, standout packaging, or beautiful t-shirts! You can even use it to create amazing headings, logos, menus, and social media graphics. Chalkboard includes multilingual options to make your branding reach a global audience. Features: Standart Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. Glowing Midnight-A Script Font Glowing Midnight is a unique script font with retro touch. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Glowing Midnight becomes more special with extruding version option. Well suited to titles, poster designs, branding, logos, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Cities often have their own voice, a voice that can be read... in each location and each business, voice portraying a cultural fabric with an array of manifestations. Balneario Script is a small tribute to a coastal port and tourist city. Through the Sign Painters, in its golden age, a clear, friendly, practical, and functional way of making itself heard evolved. Far from wanting to be perfect, a typeface seeks to be close, warm, and casual. Inspired by the gestures of the brush, Balneario Script reverts to the use of “Casual Letters” so used by Sign Painters. In this adaptation, we sought to adjust its morphology to optimize its performance in small formats and extend the system to include lower case letters as part of the set. The set of fonts has two script weights in addition to an all caps version. The design emphasizes creating a harmonious morphological criterion. Friendly, rhythmic, and with a firm stroke Balneario Script is unique, ideal for headlines and short texts that need to be gestural but simple and highly functional. This typeface was designed to be used in promotional posters or for relaxed and fun Packagings. Balneario Script goes beyond constructive or functional aspects. It seeks to capture the smell of the sea, the warm summer breeze and the nostalgic feeling of a city that from its daily life, knew how to forge a unique personality. This atmosphere allows it to host millions of tourists year after year, and with them reinforce their spirit each summer.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 2 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 2 contains 144 fonts. Families included in Volume 2: Hype 0200, Hype 0500, Hype 0800, Hype 1100, Hype 1400, and Hype 1700. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 3 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 3 contains 144 fonts. Families included in Volume 3: Hype 0300, Hype 0600, Hype 0900, Hype 1200, Hype 1500, and Hype 1800. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 2. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

Andante is a modern sans serif with a geometric touch that support for 87 languages. It comes in 6 weights, 12 uprights and its matching Italic, so you can use them to your heart’s content, in each of which there are more than 883+ glyphs. Andante comprises 24 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Andante and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Hoolister is a modern sans serif with a geometric touch that support for 87 languages. It comes in 9 weights, 58 uprights and its matching obliques, outlines, glowe, shaded, so you can use them to your heart’s content, in each of which there are more than 512+ glyphs. Hoolister comprises 58 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Hoolister and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Urbine is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 874+ glyphs. Urbine comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Urbine and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Buckin is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 691+ glyphs. Buckin comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Geonik Pro and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Helonik is a modern sans serif with a geometric touch that support for 87 languages. It comes in 11 weights, 22 uprights and its matching obliques, outlines, so you can use them to your heart’s content, in each of which there are more than 797+ glyphs. Helonik comprises 22 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helonik and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Resist Sans is a free-spirited neo-grotesque that embodies both the innate desire for revolt and a tendency towards uniformity. While Resist Sans preserves the neat, minimalist look which is associated with neo-grotesques, it also accentuates the tentativeness of each letter form. The name, too, hints at the rebellious character of the typeface. Resist Sans comes in 28 styles (14 uprights and matching obliques). Text vs Display Resist Sans comes in two versions: Display and Text, which serve different purposes but remain interchangeable and even complementary in some cases. Resist Text is equipped with deep ink traps and optical compensators, which really come into play at smaller sizes. The Display version is smoother and more consistent, so better for use in larger sizes and headlines. Styles/Weights Each of the two versions of Resist Sans comes in 7 weights (Thin to Black) and is equipped with matching Obliques, which brings the total number of styles to 28. Two trial styles (Text Light and Display Medium Oblique) can be downloaded free of charge. Each style contains 900+ glyphs, awesome OpenType features, and around 1500 kerning pairs. Language Support Resist Sans is truly multilingual. It supports most European and Latin-languages and features Extended Cyrillic, which gives access to such languages as Ukrainian, Bulgarian, Serbian, Russian, Macedonian and many more. Free Styles Two styles of Resist Sans can be downloaded for free on MyFonts. Type Specimen Resist Sans PDF Type Specimen can be downloaded here: Resist Sans PDF Type Specimen

Andrial is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 691+ glyphs. Andrial comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Andrial and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. • Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Helonik Extended is a modern sans serif with a geometric touch that support for 87 languages. It comes in 11 weights, 22 uprights and its matching obliques, outlines, so you can use them to your heart’s content, in each of which there are more than 797+ glyphs. Helonik Extended comprises 22 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helonik and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

The Vernacular trilogy was designed by Swiss designer Hans-Jürg Hunziker, who had worked for Adrian Frutiger in Paris for many years. Based on the concept of a transitional Linear Antiqua, he has developed a colorful bouquet of typefaces that contain the entire spectrum of typefaces for book design and corporate identity. Thanks to his "Swiss school" and his outstanding skills, he has succeeded in giving the typefaces a particularly noble and sympathetic expression. In addition to the Sans family, there is a Serif family and a Clarendon family, each of which, including the separately drawn italics, is equipped with 12 font weights that are finely tuned to one another. Each of the 3 font styles develops its own character, but thanks to a concept that brings the different font styles closer together, they also work well together and complement each other perfectly. Sans and Clarendon have a vertical axis and similar endings in contrast to the Serif, which has a traditional diagonal axis and horizontal endings. The straight stems and the proportions are used as an element to stress the closeness of the typeface-trilogy. They thus share a comon feature. All fonts contain tabular and proportional figures as well as old style figures. Small caps and small cap figures are also available in all fonts. In addition, some fonts have alternative characters available via style set, such as «g», which can be used to further vary the typeface. Vernacular offers all the options for well-kept typesetting for print and web - for small and large orders.

Burford is a font family that I sketched while traveling through Europe. I was mesmerized by all the unique typography that was showcased throughout the five countries I visited. Inspired by all that I had seen, I found myself spending 4-5 hours per day in Amsterdam’s Vondel Park drawing characters. Once back in the states I digitalized Burford, deciding it would make for a beautiful layer-based font. Burford Pro package comes with all 18 layering fonts including 5 base layers, 3 top layers, 5 bottom layers and 2 sets of graphic elements. They are strategically made to build on top of each other, creating a cohesive and easy to use layer-based family. Each font also comes with a set of Stylistic Alternatives for letters A C E F G H P Q R. Burford Basic package is created for users who don’t have access to premiere design programs (such as Illustrator, InDesign, Photoshop, etc) and are unable to use the layering effect. Burford can still be a powerful tool as each font can also be used on its own. It includes every font file not needed for the layering effect. (Include 13 fonts - Burford Basic, Dots, DropShadow, Extras Set A, Extras Set B, Extrude B, Extrude C, Inline, Line, Marquee, Outline, Stripes A and Stripes B). The Burford Extras set uses all basic keyboard characters - around 100 total elements per set. They are designed to go specifically with Burford and complement its varying styles perfectly. The set includes: banners, borders, corners, arrows, line breaks, catchwords, anchors and many more!

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 1 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 1 contains 144 fonts. Families included in Volume 1: Hype 0100, Hype 0400, Hype 0700, Hype 1000, Hype 1300, and Hype 1600. If you would like to complete your collection be sure to view and purchase Hype vol 2 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

In designing the Millenium® typeface, Patrice Provost was inspired by great typographers in the great French typographic tradition to create a unique and modern variable font. His goal was to reinterpret the mid-20th century sans serif style in a variable typeface that will conform to the need of the 21st century. He succeeded with mastery in drawing large characters. In doing so, patrice provost added an exceptional dimension to the design of this typeface, a graphic personality that evolves over the styles. The attention to detail brought to each letter, each accent, each diacritic, make this font a solid tool for all Western graphic designers and layout artists. With more than 1000 glyphs per style, Millenium® can be used in more than 210 countries. With its 13 styles drawn in Classical Roman style, in Italics and in condensed Millenium® provides designers from all walks of life with a fantastic tool to bring novelty and class to your creations. Ideal for signage, Millenium, thanks to its "wide case", is also widely used for posters. It is also a gold mine for creating logos for dynamic tech start-ups. The Millenium family is made up of designs with progressive weight changes. it is very extensive. It ranges from "Super Thin" to "Extra Black". Unique in the world, its thinness makes it possible to design a very light style even to print on posters and other large formats. Designed from the outset as a variable typeface, Millenium offers a range of 900 possible variations and an infinity of creations...

Deva Ideal was inspired by women’s beauty. It didn’t come only from the desire to create a new typeface. It also seeks to materialize beauty in a visual form. Instead of imitating the shapes of the female body or other formal attributes, Deva Ideal is an abstract expression of the women’s beauty. The unique character of the typeface is achieved by the use of soft, almost invisibly bent strokes, since one of the priorities of the typeface is not to disturb the eye of the reader with odd design details. Deva Ideal excels in her cold beauty and shows her sex appeal. The soft curves present in Deva Ideal differ from the masculine and technical shapes used in most contemporary typefaces. Deva Ideal has ideal proportions (90 / 60 / 90) and its shapes are essential and simple. Because of this, it is ideal for setting text in all kinds of printed matter: catalogues, books and magazines. The letter forms are wide and open, so text can be set in small sizes and thus space can be saved, while keeping the same degree of readability. The author wishes to acknowledge František Štorm for his invaluable opinions. Also to Palo Bálik and Peter Bilak for their contributions. I am specially grateful to all the devas (archaic expression for beautiful young girl), who inspired me to design this typeface. This is dedicated to Janka Ráczová, Jarka Krajčiová, Mariana Felgueiras and obviously to Martinka Filípková! Every use of Deva Ideal is a little homage to these interesting women.

Haarlemmer is a recreation of a never-produced Jan Van Krimpen typeface that goes one step beyond authentic: it shows how he wanted it to be designed in the first place. The original, drawn in the late 1930s, was created for the Dutch Society for the Art of Printing and Books and was to be used to set a new edition of the Bible, using Monotype typesetting. Hence the problem: fonts for metal typesetting machines like the Linotype and Monotype had to be created within a crude system of predetermined character width values. Every letter had to fit within and have its spacing determined by a grid of only 18 units. Often, the italic characters had to share the same widths as those in the roman design. Van Krimpen believed this severely impaired the design process. The invasion of Holland in World War II halted all work on the Bible project, and the original Haarlemmer never went into production. Flash forward about sixty years. Frank E. Blokland, of The Dutch Type Library, wanted to revive the original Haarlemmer, but this time as Van Krimpen would have intended. Blokland reinterpreted the original drawings and created a typeface that matched, as much as possible, Van Krimpen's initial concept. While Van Krimpen's hand could no longer be on the tiller, a thorough study of his work made up for his absence. The result is an exceptional text family of three weights, with complementary italic designs and a full suite of small caps and old style figures. Van Krimpen would be proud.

A revival and major expansion of a 1926 Ludwig Wagner Schriftgiesserei typeface called Titanic, Lexington is the ultimate art deco expression of the high times of signage and theater during the first half of the twentieth century. Big feminine caps and cozy direct minuscules make for a unique combination rarely found in other deco faces. Topped off with the humorous and quite suave tall and pointy ascenders and descenders of the alternates, Lexington makes for a versatile and uniquely eye-catching display face beneficial to poster art, book covers, classy menus, product packaging and music paraphernalia. The original specimen Hans van Maanen worked from showed the majuscules, minuscules, figures, and 4 alternates of some ascending minuscules. This new digital version includes all of the above, plus many more additions: - Plenty more alternates, for some caps as well as for all the ascending and descending lowercase. - Three different size variations for the comma and the period. - Oldstyle figures. - A full complement of accented characters to support more Latin-based languages than ever, including Baltic, Celtic, Turkish, and Central/Eastern European languages. - A Handtooled style variation that covers both the main character set and the alternates. Lexington was named after Manhattan's Lexington Avenue, home of the some of the most famous and polished art deco architecture of the 1920s and 1930s. Lexington and Lexington Handtooled come in all popular font formats. The OpenType versions combine their respective alternates with the main character sets, for ease of use within OpenType-savvy applications.

British type designer John Critchley created this script FontFont in 1993. The family has 7 weights, and is ideally suited for advertising and packaging, editorial and publishing as well as poster and billboards. FF Child's Play provides advanced typographical support with features such as ligatures and alternate characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Presidio is a stylized version of the hand-lettered calligraphy typical of the Mission era of early California. This lettering was often unique to an individual hand, but the characters shared a common style, and had their roots in the Middle Ages when monks and scholars copied whole books one letter at a time. "Presidio" replicates this style with subtle variations in each character, giving the font its authentic charm.