Beauville Script is a handmade pen font with a touch of comfortable elegance, inspired by the script headings of the 40s and 50s. Beauville is an upright, condensed and soft vintage script with a modern and contemporary twist. Its main characteristics are the bouncy baseline, round forms and bumpy stems. These qualities give Beauville it’s casual, friendly look and makes reference to traditional fluent handwriting. Beauville font is equipped with contextual and stylistic alternatives, swash alternatives and ligatures to create more authentic and varied connections between the letters. It has a Central European language support to fit your design. Beauville Script works perfectly in greeting cards, invitations, weddings, posters, magazines, fashion world, branding & logos, packaging, etc. It is friendly and lovable, fresh and fun to work with.

“The modest Rose puts forth a Thorn. The humble Sheep a threat’ning Horn. While Lily white shall in love delight. Nor a Thorn nor a threat stain her beauty bright.” ― William Blake Are you looking for a way to enhance your copy? Introducing Lilium Star - A Modern Handwritten Font. With every hand-drawn stroke and curve, Lilium Star will delight and add brightness, modernity and elegance to wherever it is placed. Impress your wedding guests with gorgeous invitations using Lilium Star. Why not create more engaging content and inspire your audience and clients? This Modern Handwritten font is also perfect for headings, logos, business cards, printed quotes, cards, packaging, and your website or social media branding. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work.

This 1935 design from Monotype is an extremely condensed display font that has a slight flavor of nineteenth-century wood type. Runic Condensed font is tall and lean with a huge x-height and hairline serifs. It is an ideal display type for eccentric pieces where space is at a premium.

The Placard Condensed font family is based on drawings received from Germany. These narrow, heavy, sans serif typefaces were made for use in headlines and advertising display work. Placard Condensed has a large x-height, short ascenders and descenders and is capable of packing very tightly to produce forceful publicity work.

Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface's display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface’s display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of ten fonts that encompass a very simple skeleton with a lot of visual appeal. During the process, I saw ways to expand the typeface's display capabilities by producing inline styles as well as a down-and-dirty rough set. Each font has a full set of glyphs that include Central European and Small Cap characters.

Miamo is an elegant and modern font family. It includes script font and sans serif in six weights from Thin to Bold. Sans serif font is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Handwritten script font elegant and charming, it includes alternatives and a variety of ligatures that will make your project unique. This font is easy to use has OpenType features.

Alvarosa is a beautiful, elegant and thin display font. Incredibly trendy and versatile. Inspired by the trends of minimalist looking display fonts that shown on social media, I've made a uniqueness sans serif by adding the quirky elements on a basic letter-form but still easy to read. It can be used for various purposes such as logos, wedding invitations, headings, t-shirts, letterhead, signage, labels, news, posters, badges and so much more. Alvarosa comes with 3 different weight : Thin, Light, and Regular. More thin are for Larger text.

Eternal Spring is an elegant and modern San serif font family. It's sans serif in 8 weights from Thin to ExtraBold font. Comes with 76 unique ligatures and 27 alternates. Eternal Spring is a multipurpose font perfect for any project, with high contrast glyphs, giving it a feminine and masculine quality, modern, and easy to read. Excellent in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations, and others. This font is easy to use and has OpenType features.

Royale Milano is an elegant and modern serif font family. It's serif in 8 weights from Thin to ExtraBold, with regular and italic versions. 16 fonts in total, Font Royale Milano is the perfect multipurpose font for any project, with high contrast glyphs, giving it a feminine and masculine quality, modern, and easy to read. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations, and more. This font is easy to use and has OpenType features.

Eleusis is a sans serif monospace display font. The typeface has a distinct style inspired by a combination of Naval, Industrial, Mid-Century Modern and ancient sacred geometry, designed to be bold and easy to read. The Eleusis name is derived from the legendary town (Ancient Greek: Ἐλευσίς), home of the Eleusinian Mysteries and birthplace of the great tragedian Aeschylus for its past and present. Contemporary Eleusis is one of the main industrial centers of Greece with refineries and shipbuilding. Eleusis is great for display work, quotes, invitations, posters, titles and headings.

Todes is an elegant and modern sans-serif font family. It includes upright and Italic style, each of them has five weights from light to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. Todes includes stylistic alternates and ligatures, with them you can add dynamics to the font and make your project more individual. This font is easy to use has OpenType features.

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Vintage Kingdom-A Script Font Vintage Kingdom a gorgeous font designed with strong outlines and fat strokes to bring your branding to life and add a touch of retro and fun. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Vintage Kingdom becomes more special with extruding version option. Perfect to create amazing headings, logos, menus, social media graphics, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Do you want to create the vintage mood for your design? Blacklunar is set to captivate. Truly a style statement script font for your vintage vibes that will make heads turn. It's easy to read and works equally good as well in header and body text. The curvy and unique strokes at some particular characters give this font the sense of vintage. Even more, this font has fascinating features that helps you maximize your design. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuation It is perfect to be used for many design projects, such as poster, logo, book cover, branding, heading, printed product, merchandise, quotes, social media campaign, etc. Learn more about how to use it by seeing the font preview. Thank you for purchasing our fonts. Please don’t hesitate to contact us, if you have any further question or issues. We’re happy to help. Happy Designing.

In the early years of the twentieth century a number of romans with a soft and slightly script like quality were evolved. Although they did not represent the future in terms of the major design influences that were to appear after the First World War, they were a break with the past, and were developed further in the nineteen twenties and thirties. Monotype Bernard Condensed is closely associated with this period, a condensed roman evoking an easy charm. The Monotype Bernard Condensed font offers many display applications where warmth and friendliness is required.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

Isabel SemiCondensed, together with Isabel condensed and Isabel were made out of necessity to create a new font for children and teenagers, that could be enough friendly and versatile for text in words or even easy-to- read long texts. The purpose of Isabel is to combine all the nice and friendly features of the simple letters that the teachers teach to the pupils at primary school, as they starting to learn to read, together with the normal editorial fonts we read every day. In this way it generates a very joyful serif font, or even friendly font, with some conservative aspects. In other words, Isabel is a font that, despite of being a “classic features” typography, is proud to show its innocent and ingenuous elements, this gives to the font a new point of view. The family is composed of 3 parts: the regular version, the italic version and the unicase version. Each one of them has 5 weights. The italic version has 825 characters; the regular and unicase have 739 and are composed for 220 latin languages, plus cyrilic.

Pila, designed by Alex Jacque in 2014, is a modular, sans-serif stencil typeface that comes in regular and condensed formats. Crafted to be a bold, punchy, no-nonsense stencil typeface, Pila owes its unique look — as well as its name — to its adherence to the rigid modular system it is built upon. Pila is meant to be used at larger point sizes where visual impact is desired. Pila has a broad glyph set with the necessary characters to support a wide number of languages. Through the use of OpenType Pila can automatically create fractions as well as create superscript and subscript numerals.

Antique X Condensed is a condensed slab serif font found with the pages of a Rob Roy Kelly book of wood type designs. It was introduced around 1840 by Wells and Webb, and the example served as the model for General Merchandise JNL, which is available in both regular and oblique versions.

CTCo Hopps Condensed takes inspiration from vintage beer labels, newspaper headlines, and woodcut type. Hopps is the perfect typeface to make a big statement with a classic impact. Hopps comes in 4 flavours: Regular Soft (slightly rounded) Italic Italic Soft CTCo Hopps is a condensed grotesque designed for headlines, posters and logos.

Geometris Round Semi-Condensed is a modern versatile sans-serif typeface. What differentiates Geometris Round Semi-Condensed from the other fonts is an exceptionally distinctive design. It is brilliantly suited for graphic design and display use and perfect for logotypes, t-shirts, packaging, brand identity, books, magazines, newspapers, posters, billboards, and advertising.

The Droid Serif Pro Family (4 fonts) is a contemporary serif typeface family designed for comfortable reading on screen. The font is slightly condensed to maximize the amount of text displayed on small screens. Vertical stress, sturdy serifs and open forms contribute to the readability of Droid Serif while its proportion and overall design complement its companion Droid Sans. The fonts were designed by Steve Matteson, the Type Director at Ascender Corporation. The Droid Serif Pro Family (4 fonts) includes Latin 1 and WGL character sets, along with Old Style Figures (requires an application that support advanced OpenType typographic features).

Breuer Text is a simple geometric sans with relaxed curves and slightly condensed proportions suitable for moderate lengths of body copy. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs for a warmer read. Breuer Text offers the distinct aura of technical precision in a personable tone, ideal for instructional copy or safety warnings. Its basic structure and conservative letterforms maintain a level voice without turning robotic or sterile. Pair with the two-font Breuer Headline family for a simple and complete editorial type system. Breuer Text includes Small Caps, Old Style Figures and Tabular Figures.

»Supra Mezzo« – designed by Gert Wiescher in 2012/13 – is an unusual addition to the Supra family, a weight in between the normal and the condensed width. This cut comes in very handy if you need to put lots of text into a relatively small space without loosing readability. The compactness with great legibility makes Supra Mezzo absolutely unique. The light and normal weights and the dominant x-height with its high ascenders make for easy reading of long copy. The heavy and x-light weights are great for elegant headlines. Supra is an OpenType family.

Magasin is a high contrast display typeface inspired by the pointed pen calligraphy, yet with a retro-chic twist. It combines a sense of script with geometric and slightly condensed structure resulting in idiosyncratic curves softly connecting the vertical elegance of its forms, ideally suited to use at large sizes in headlines for magazines, posters or packaging. Magasin boasts a rich set of OpenType features that provide a better flow such as Ligatures, Stylistic Alternates, Contextual Alternates, and Final Forms. It also includes a set of capital Swashes. Please check the ‘Read me’ file located in the gallery for more specifications.

The Bitstream version of Letter Gothic designed by Roger Robertson in 1956-62 for IBM electric typewriter. It is a condensed, monospaced font resembling a typewriter face, suitable for tabular material. Primarily used for slide presentations and for word processing applications, Letter Gothic is very helpful for printing out software source listing, for informal office communications and for tabular charts where alignment of columns is important. Besides, being a clear and easy-to-read font, Letter Gothic is popular now for display and advertising matters. Cyrillic version was developed for ParaType in 2000 by Gayaneh Bagdasaryan.

Thin Mint JNL has a square, condensed look with a bit of a Deco influence.

"Punk is not dead, grunge is not dread, skateboarding and grafitti is forever" - shouted by some (possibly drunk!) person one late night. I had these "wise" words in the back of my mind, while making this font. I wanted to capture the wildness of both punk/grunge/skateboarding and grafitti without overdoing any of them!

Funny font for decorating posters, logos and small headings.

Congress from Adrian Williams was shown for the first time at the Association Typographique International Congress, which proved to be so popular in 1980 at Kiel; designed to present a style equally appealling in European languages. Many characters are more condensed than is usual, while others have had certain elements exagerated, bringing notice to new elements of certain letters. The concept being to bring an equality of importance to the whole, producing a collection of International characters working together in harmony on the page -- a common aim that Europeans wish of any Congress.

The sheet music for the 1939 tune "Chico's Love Song (Ma-La-Ja Fa-La Pas-Ka Lah-Ta) [Cuban Double Talk]" may have had an odd title, but the main portion of it was hand lettered in an interesting style. Condensed letters with rounded corners complemented by sharp lines and angles give the characters an almost futuristic look, despite the fact that they were designed during the Art Deco era. This became the basis for Song Composer JNL, which is available in both regular and oblique versions.

Boot Camp JNL has the same roots as Jeff Levine's Condensed Stencil JNL, as they were both modeled from a set of vintage brass interlocking stencils made by the Stafford Manufacturing Company. The previous font was drawn from limited examples of the stencils seen in an online photograph, so a number of the basic characters had to be improvised. Since then, a nearly complete set was obtained and the alphabet and numerals are truer to the original design. Additionally, both Regular and Oblique versions of Boot Camp JNL are available.

When 45 RPM records were the norm for a teenager’s music collection in the 1950s and 1960s, many discs had their labels printed by letterpress. Some record companies utilized a bold, condensed typeface set in all caps for the song’s title and other pertinent information. The digital version of this font is called Recording Artist JNL, and is available in both regular and oblique versions. A companion font loosely based on this type design [but with more original characters and a slightly lighter weight] is Promotional Copy JNL.

Rolade is a Rounded Condensed Sans. Designed for Display purpose. Firstly designed on late 2015 as an All Caps typeface based on a personal project. Rolade has a Rounded and cute character with condensed proportion. It also come with some alternates to give more flavour and variation. Supports a wide range of latin based language.

Best Bet JNL is a hybrid approach in reinterpreting the classic display font Beton. Using examples of the condensed version found on old sheet music, redesigning a few additional characters and melding them with slightly condensed versions of numbers from the standard weight, Best Bet JNL offers an interesting new version to an old favorite.

Introducing "Khonsong Rounded" a rounded semi-condensed sans serif font that embodies a harmonious blend of modernity, futurism and softness. With its sleek and contemporary appearance, Its semi-condensed proportions strike a perfect balance between space-saving efficiency and legibility, making it an ideal choice for various applications, from online media to print media.

Despite its macabre-sounding name, Headstone Roman JNL is not a novelty font for Halloween or horror movies. Instead, it's an attractive Roman typeface based on an example provided of a guide for stonecutters to use when cutting epitaphs into tombstones. Headstone Roman JNL is available in regular, oblique, condensed and condensed oblique versions.

A very light, elegant, condensed typeface, which must be used very large (at least 100 points).