Street Breaker is a graffiti font with sharp edges, making it a perfect choice for various street-themed projects. With its funky and dynamic style, this font adds an edgy and urban vibe to your designs. The sharp edges give it a bold and eye-catching look, ensuring your typography stands out with a distinct and rebellious flair. Bring a touch of street attitude to your projects with the Street Breaker font.

Tuesday Jingle is an exquisite font for Valentine theme design, with dingbats heart on character "{}[]" Fall in love with it and bring your projects to the highest levels! Tuesday Jingle is perfect for branding, logo, invitation, stationery, social media post, product packaging, merchandise, blog design, game titles, cute style design, Book/Cover Title and more. What's Included : - Tuesday Jingle.otf - Heart dingbats on character "{}[]" - Multilingual Support --- Hope you enjoy with our font! Attype Studio

Bold Fashion is a heavy slab-serif font of the disco era. Its funk-style design, coupled with soft, rounded serifs, embodies the soul of retro, bringing forth memories of neon lights, bell-bottoms, and roller discos. Each letter is profoundly heavy, yet they prance with a bouncy, comfy rhythm, akin to catchy 70s beats. The swashes adorning the uppercase letters add flair, reminiscent of iconic burger joint signs and groovy vinyl covers.

Introducing Strong Grandpa, a super bold retro script font which will bring back to 60s - 70s fell. Inspired from retro typography and lettering in the 60's and 70's combine with bold typography style. it’s great for any project that needs a retro vibe or vintage touch. Strong Grandpa is perfect for vintage and retro design, badge, logos,t-shirt, poster, branding, title, heading, packaging, signage, book coverand so much more!

Get ready to dive into the retro vibes of the early 2000s with PUNK CYBER!. This font brings back the bold, colorful, and experimental visuals that defined the y2k era. With 6 captivating styles - Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Features: Has 6 Variable: Regular, Slant, Outline, Extrude, Outline Slant, and Extrude Slant Instructions (Access special characters, even in Cricut Design) Unique Letterforms Simple Installations Enjoy Designing! Dharmas Studio

Hauser Script is a freely drawn brush script typeface, which was designed in 1936 by George Hauser for Ludlow. Hauser took advantage of the slanting matrices of the Ludlow machine to create what is possibly the most informal of American brush scripts. Steve Jackaman of International TypeFounders, Inc. (ITF) digitally engineered the typeface in 1998. Hauser Script has a graceful, calligraphic look that brings class to any project at display and subhead sizes.

Junkwerk is my heavy metal grunge font! It has got that feel like something that was stamped on, jumped on, shaken and headbanged for hours...just like how you would feel after hours of heavy metal! Comes with different upper- and lowercase letters, alternate letters and ligatures for both double letters and double numbers - and ofcourse it has got unique accented letters! You will need to use OpenType supporting applications to use the ligatures.

Amstir is a timeless classic among serif typefaces, perfectly tailored for editorial use. With its elegant lines and refined presence, Amstir brings an air of sophistication to your content. Elevate your editorial projects with the grace and tradition of Amstir's distinguished design. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Barbados is a modern font that is eccentric for its versatility. a typeface that conveys a sense of comfort by combining the solidity of modern proportions with the strict precision of its profile image. His personality develops through his particular modulation, which grows with load; making it a rather jovial typeface that doesn't abandon its more elegant modern characteristics. This font brings compatibility in a global aspect due to its extraordinary versatility for your designs.

Funky Fusion is a graffiti font with sharp edges, making it a perfect choice for various street-themed projects. With its funky and dynamic style, this font adds an edgy and urban vibe to your designs. The sharp edges give it a bold and eye-catching look, ensuring your typography stands out with a distinct and rebellious flair. Bring a touch of street attitude to your projects with the Funky Fusion font.

Introducing, Arome Typeface. It is the new serif display typeface that will bring in your projects a touch of luxury and style. Arome Typeface is well-suited for advertising, layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, invitations. logotypes, editorial design and much more. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

Asikue is a soft serif font family inspired by the 70’s retro styles that bring chunky retro typography to the modern era. Asikue consists of 10 styles from Regular to Extra Bold with each matching Oblique. Asikue includes Asikue have Opentype features: Alternate, Ligature, Swashes, etc providing you with a variety of captivating custom text arrangements. Whether it's a fancy retro-inspired, logo, or engaging bold header text Asikue is able to deliver.

Don't we all have a silly habit? I've got mine, for sure! - like checking whether I remembered to bring my keys, immediately after locking the door...and then checking again like 2 minutes later! Silly Habit is my laid back comic font, easy to read and fresh enough for a design that needs an extra party to it! Comes with contextual alternates, which in this case means 4 different versions of each lowercase letter

Altis combines geometric regularity and soulfulness into one font family. It resembles the traditional sanserif from the early 20th century, which communicates friendly and reads extremely well. Bring out its optimistic airiness with light styles or exploit the masculine strength of the bolds. Altis has been developed to fit present-day editorial conditions and publishing models. There are ten optically-balanced weights and practical OpenType features, which make the family versatile and operationally spot-on.

Rodfat is a gorgeous, old-timey display font with a modern feel! Inspired by the industrial revolution, It will bring back the early days of the 20th century. This collection comes in two styles: One and Two. It is possible to be paired perfectly when used together. Perfectly suited for any display use. It could easily work for design product names, posters, signage, packages, logos, labels, and eye-pleasing typographic designs and more.

Galora is a sleek and contemporary high-contrast serif font. The typeface comes in two different styles. Regular has round and curvy lines to bring a soft aesthetic to your designs. The oblique style features sharp angles and diagonal lines for a more dynamic look. Galora is perfect for designing logos, headlines, posters, packaging, and invitations, adding a modern and captivating charm. Features Uppercase & Lowercase Number & Symbol Ligatures Multi-language 2 Styles

Here's a lively new take on the swirly psychedelic type we all know and love, Spirit of '69 brings in some subtle dimensions of waviness to the vertical strokes, upslanted horizontal strokes, and alluring paisley shapes formed out of the negative spaces. This is a unicase font, in the grand tradition of the Art Nouveau lettering of the early 20th century, and the melty groovy fonts of the 1960s. Lots of fun and beautiful too!

Broide: Softness Meets Serif Introducing Broide – Display Serif, where softness shapes strength. This bold, low-contrast serif font is friendly. Rounded serifs give it a gentle character. It’s a font that combines clarity with warmth. A Friendly Touch Broide brings a friendly vibe to your words. Its rounded serifs soften its bold stance. This typeface looks strong yet approachable. It’s ideal for invitations and branding. Also, it’s perfect for creating a welcoming feel.

Nagota Script is a calligraphy script font that comes with beautiful alternative characters. a mixture of copper calligraphy with handleting style. Designed to bring style elegance. Nagota Script attracts such a subtle, clean, feminine, sensual, glamorous, simple and very readable typeface. The classic style is perfect to apply in various formal forms such as invitations, labels, menus, Logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting / wedding cards, packaging, labels.

Mamshooq is a Bilingual Contemporary Typeface designed by Kholoud Khaled Essawy. It is classified as a script typeface, that is inspired by handwriting. It is characterized by having a monolinear stroke thickness, and the skeleton of the Arabic font is based on Naskhi calligraphic manuscripts. It is familiar, soft, heartfelt and romantic looking typeface that has an honest voice that brings trust to the words and makes it comfortable for continuous reading.

Qaylla is a handwritten font inspired by 80s-90s music, retro, disco, grunge, and pop culture. Best used for posters, logos, clothing, books, invitations and more. Qaylla includes a complete set of upper and lower case letters, numbers, various punctuation marks and ligatures. All lowercase letters include the beginning and end of swash, giving your projects a realistic handwriting style. All uppercase letters include the beginning of swash, which makes the font look great!

Introducing Scandia, a unique geometric Scandanavian font with a beautiful and simple runic and Vikings style to help you bring the soul of the Nordic region into your design works! Based on Scandinavian runes and elegant geometric forms, this unique typeface has 3 weights to fit your needs. It includes some multilingual support, uppercase letters, numbers, and punctuation. It works great in titles, logos, and short quotes in modern and traditional projects. Check it!

Isometrica is the latest in Greater Albion's line of 'Banner' typefaces. Like all of the banner faces they lend themselves to the design of mastheads and logos. Isometrica is also a meeting of architectural drawing and typeface design, given bold two coloured concertina banners with letters appearing page by page. A range of decorative end pieces are also included. Bring your designs to life with lettering that stands up off the page!

Inspired by designs of the early Renaissance, Jenriv brings out a sedate atmosphere and generous inner spaces. Starting with the idea of mixing straightforward strokes and curves, it results in kind masculine figures, but calm and humble. It reminds some archaic air but a simplified one. Jenriv embraces text flows, multiple languages, and various styles with standard OpenType features. It is well adapted to various applications, from medium body text to large headlines, or logotypes.

21 Cent - not Century or Clarendon. This is an original font family designed from scratch. 21 Cent is named after a magical coin that brings good luck. And well, in honor of the 21st century, of course. 21 cent family is used in the almanac of the State Hermitage Museum, St. Petersburg, Russia. All members of 21 Cent family include the expanded character set of with support of Cyrillics, Central European and Baltic languages.

Nadah Grunge Handwritten Greek font is a decorative font. Of course, the font supports Greek character set and a full extended Latin character set with diacritics. The raw, organic feeling of the font it makes it ideal for the food industry. Also, it’s ideal for creating social media content, for branding, poster design, wedding invitations, or any other packaging. So with your purchase, what is included? Extended Latin Characters Greek Characters Numerals

Introducing the Auto Signature Script Typeface. Your Personal Feel of Luxury. This methodically crafted typeface easily merges the timeless elegance of hand- lettered scripts with the modern flexibility of a digital font. Its elegant curves and moving strokes capture the essence of fluid script, bringing a personal feel to every design. Whether you're crafting wedding invitations, logos, packaging, or social media graphics, this font will add a feel of class that speaks with your audience.

Easter Day is a very cute and unique font. The font is embellished with a bunny shape which adds to the funniness of this font. This font is very easy to use because it is specially designed, so it will be very easy to bring out the embellishment of the letters. Easter Day is perfect for Easter celebrations, logos, branding, banners, book titles, movie titles, animation, children's world, promotions, business and more.

Amigos is a classic handwritten script font for luxury / signature / branding / logotype / wedding invites / greeting cards / promotional graphics. Amigos is completely handmade with more than 140 hours of artistic craftsmanship bringing perfection and aesthetics at its level best. The font includes extended language support including Western European & Central European sets. Advanced Kerning & Essential Ligatures: We have performed advanced, in-depth kerning to make sure the font looks amazing on all possible letter combinations.

Rahere Roman Display is an elegant design with flared stems and subtle old style features, influenced by Berthold Wolpe’s wonderful Albertus font and (to a lesser extent) fonts based on Roman square capitals. It’s a classic design for the modern age, appealing to serious typographers, graphic designers and anyone looking for a beautiful, multipurpose font that also offers value for money. Originally conceived as a display companion for the Rahere Sans typeface family, Rahere Roman harmonizes perfectly with its sans counterpart: use it for headings, sub-headings or pull-out quotes. Want an eye-catching introduction? The small caps have been sized to optically align with the x-height of Rahere Sans or start a paragraph with a swash drop cap. There are also ornaments and devices on hand to spice things up. Of course, Rahere Roman Display works beautifully as a standalone font too. Although predominantly a display font, with a quick flick of its lowercase switch, Rahere Roman transforms effortlessly into a readable text font. Like a Swiss Army Knife, this is a hugely versatile font, capable of conveying different messages from classic and romantic to historical and modern. It’s suitable for a wide range of applications including: branding, posters, advertising, packaging, labels, signage, wedding stationery, museums, art galleries and book covers. Weighing in at well over 2,000 glyphs, Rahere Roman contains a myriad of alternative characters (mostly capitals) including two sets of small caps that allow certain letter combinations - such as RO, LA, LI, TY, etc. - to mimic ligatures. The advantage of this is that if letter spacing is increased or decreased, the letter combinations aren’t fixed and can move too, which helps the space between letters to remain even. However, for lovers of ligatures there is still a bucketload of goodies to play with, including the obligatory ‘OO’ ligature. If that’s not enough, the font also contains start & end swashes, alternative numerals, seven ampersands, ornaments and devices. .ss01 - Initial swash capitals .ss06 - Superior small capitals (aligned to the cap height) .ss07 - Small capitals (sitting on the baseline)

Dr. Gerard Unger expands the concept of Sanserata to a sans type family with Sanserata, adding specific characteristics which improve reading. Sanserata’s originality does not overtly present itself at text sizes. Rather, at those sizes, it draws upon its enormous x-height, short extenders, and articulated terminals to improve readability, especially on screens. Having articulated terminals means characters flare as they near their end, but readers likely won’t notice. What they would notice is that their ability to take in more content in a line of text is improved because the lettershapes are more defined. Articulation also makes clearer text from digital sources, where rectangular endings tend to get rounded by the emission of light from the screen. Lately there seems a whispered discontent with the lack of progress in the sans serif category. Designs can either stretch too far beyond what is accepted or be too bland to be considered new. Sanserata’s strength is in being vivid and unique without being off-putting. This bodes well for designers of paragraphs and of branding schemes since, with Sanserata’s two flavors, it is well able to capture attention or simply set the tone. Sanserata’s first voice is a generous, friendly, and even cheerful sans serif. But when using the alternate letterforms its voice becomes more businesslike, though still with nice curves, generous proportions, and a pleasant character. Sanserata comes in seven weights with matching italics, covers the Latin Extended character set, and is loaded with extras. Its OpenType features allow for the implementation of typographic niceties such as small caps, both tabular and proportional lining and oldstyle figures, ligatures, alternate characters, case-sensitive variants, and fractions. The complete Sanserata family, along with our entire catalogue, has been optimised for today’s varied screen uses. Dr Unger worked with Tom Grace on the production of Sanserata. For extended branding use with Sanserata, check out Sanserata, the contemporary, eclectic typeface drawn from roots in Romanesque Europe.

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'. Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

Say hello to Asmelina Harley, an elegant calligraphy script font. Perfect for making elegant stylish statements - or adding a touch of class to your designs. This script has a multitude of natural looking ligatures in its OpenType features - making the font look as close to natural handwriting as possible. Asmelina Harley is perfect for many different project such as logos & branding, invitations, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. Asmelina Harley is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor/application. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Say hello to Shirelda Script - A contemporary calligraphy, with a vintage feel, style calligraphy with moving baseline and elegant touch. That makes the font look fabulous! Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. Shirelda Script features OpenType stylistic alternates, ligatures and International support for most Western Languages is included. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Shirelda Script is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw If you need help or have any questions, please let me know. I'm happy to help :) Thanks & Happy Designing!

Elido (Odile in reverse) is the sans counterpart to the Odile type. Together they form a sans/serif superfamily with a wide range of variations for editorial use. Elido follows Odile’s proportions and matches the weight and typographic color of its serif twin. Elido is a sans with classical proportions. A slight geometric hint and open counters convey an airy feel. Elido’s family structure and relations within echo the conceptual approach of Odile. The arched stroke low off the stem reveals a script characteristic most pronounced in the Elido Upright Italic. This particular interpretation is gradually diminished in the Italic and becomes even less emphasized in the Regular. Six balanced weights, from an elegant Light to a pronounced Black, are in tune with three display solutions and a set of beautiful Ornaments. These variants allow for a diverse and multifaceted typography for the discerning type user. Sans serif initials amount to a rare finding. The charming monolinear Elido Initials come in two flavors, elaborate and rational, designed to hold their own in editorial and headline sizes. This type design boasts an extensive character set, many OpenType features including roman and italic Small Caps, five sets of numerals, beautiful ligatures, and many more. OT stylistic variants (with accents) offer a one-story “a” for the roman weights, alternate “g” and “s” designs for the italics, and a variant glyph “s” for the Upright Italic. These distinct qualities with its versatile and sincere traits make Elido an excellent choice for text and display use.

The Neuzeit Office family is designed after the model of the original sans serif family Neuzeit S™ , which was produced by D. Stempel AG and the Linotype Design Studio in 1966. Neuzeit S itself was a redesign of D. Stempel AG’s DIN Neuzeit, created by Wilhelm Pischner between 1928 and 1939. Intended to represent its own time, DIN Neuzeit must have struck a harmonious chord. DIN Neuzeit is a constructed, geometric sans serif. It was born during the 1920s, a time of design experimentation and standardization, whose ethos has been made famous by the Bauhaus and De Stijl movements in art, architecture, and design. Upon its redesign as Neuzeit S in the 1960s, other developments in sans serif letter design were taken into account. Neuzeit S looks less geometric, and more gothic, or industrial. Separating it from typefaces like Futura, it has a double-storey a, instead of a less legible, single-storey variant. Unlike more popular grotesque sans serifs like Helvetica, Neuzeit S and especially the redesigned Neuzeit Office contain more open, legible letterforms. Neuzeit Office preserves the characteristic number forms that have been associated with its design for years. After four decades, Neuzeit has been retooled once again, and it is more a child of its age than ever before. Akira Kobayashi, Linotype’s Type Director, created the revised and updated Neuzeit Office in 2006. His greatest change was to retool the design to make its performance in text far more optimal. Additionally, he created companion oblique to help emphasize text.

Turn the page to the future and leave all the past behind. It’s a new age and you will move the cogs of the world forward! There is no need to worry or fear, the Claston Script will pave the way for you. With its clean script-type design and curved indentations, this font will take your projects to the next level! Move forward with elegance and bring your audiences to where your vision is: the future. It might take some time to get them there, but that’s okay! You have the perspective, the frame of mind, and most importantly the attitude to wrap it all together into a neat project! The Claston Script aims to bring out a modern and stylish view to what you make. It fits right in with your designs, whatever it is! It’s beautiful without trying too hard, it’s gorgeous without being apologetic, it’s brave in the face of uncertainty, these all represent you. Easily connect with your urban and forward thinking audience with this script and blow their minds!