A precise legible typeface inspired by the classic font Eurostile. The idea was to produce a functional text based font that would demonstrate technical interest at a variety of sizes. The typeface is ideal for use on print, web, motion, t-shirts and apparel. Details include 250 characters, manually edited kerning and Euro symbol.

Las Valles Textured is a tall, ultra-condensed sans serif font offered in 4 styles. Combining vintage charm with modern appeal, it boasts unique ligatures and versatile choices. The mix of rounded and regular styles adds a fresh touch. Particularly suitable for headlines, quotes, logos, web, and print design, including magazine covers, posters, and signage.

Agane is a Basic modern Sans Serif font. Design with oval as main shape, It's combine the basic sans type with smooth curve in the end, perfectly suited for graphic artists to complete their design such as web design, advertisements, posters, logos, product signs, and many more. Agane contains all standard glyphs and punctuations.

Quartz MS captures the display of text on an LCD (Liquid Crystal Display) and LED (Light Emitting Diode) screen. Quartz MS was designed by Terrance Weinzierl of Ascender Corporation for Microsoft. The Quartz MS has a technical, industrial quality. It can be used to good effect when a futuristic, scientific or technical impression is desired.

Pista is a unique decorative typeface which is applicable for web, print especially for magazines, brochures, posters, flyers and motion graphics. Pista has six weights - regular, bold, outline, rounded, rounded bold and rounded outline. The weights are perfect for logos - regular size has an elegant look, the bold and outline gives a unique feel.

Imperial Quortex came to life during many processes. Including a bad copymachine, a wet cloth and multiple prints and scans. The result is Imperial Quortex: a unique eroded font! Comes with unique accented letters, alternate upper- and lowercase, smart ligatures and alternate letters. You will need to use OpenType supporting applications to use the ligatures.

Basreng is our newest font brush. Basreng fonts are suitable for today’s projects such as clothing, covers, watermarks, web design, posters, branding. Basreng also comes with an underscore sweep bonus which can be perfectly matched. Just do it with your own creativity, Basreng is an easy to use font, will make your project easier.

A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy display environments of e-readers, tablets, mobile devices, and the Web. The original Malabar was designed by Dan Reynolds.

Bannex is a versatile font with a clean, sleek shape. The overall typeface is strong to bring order and harmony between letters. Best used as Instagram, poster, web design, magazine, logo or product. -Letters, Numbers, Puntuations, Accens Ligatures, Swashes, Alternates If you've got any questions don't hesitate to drop me a message thank you

Drakoheart Revofit is an initiative to make sans fonts. It’s one of my personal favorites, in fact. In its first release, this font had a cool appearance but was improved with better kerning and a cool look in this new release. Perfect to write some digital texts as in web articles, blogs and branding.

We designed this Glogalex font inspired by today's rapid digital technology, where the art of typography is very much needed to support various digital needs, both for software and for other print media needs. Glogalex is a display font designed with the main focus aimed at the needs of various brands of digital products or other technology products, but not limited to the use of various kinds of printing, both mass media or for the needs of various titles of books, magazines, newspapers, and various other kinds of tabloids, the wealth of Glyph Alternate and Ligature can add to the creation of typography art, you can be creative in using various letters that we have designed by combining ordinary letters with alternative letters and also ligatures, we have combined several ligatures to make it easier for you to use, but if If you have difficulty using Alternate letters and ligatures, we recommend you to manually combine each Alternate and ligature you want to use. We highly recommend the use of this Glogalex font for the needs of displaying company brands, trademarks, logo designs, use in digital media, such as movie titles, online game names, and for various vehicle brands, if you can maximize its use it will be very interesting. for each display that has been designed, pleasing to the eye and easy to read. we are very happy if you are satisfied in using our products, and if there are problems in using our products you can tell us via email zulfikarzul80@yahoo.co.id, we will respond as soon as possible, thank you.

PL Torino Outline was designed by Ed Benguiat in 1960 after Alessandro ButtiÆs 1908 typeface, Torino.

Thin like a pencil, Adelaida is versatile legible. We recommend it for postcards, ads, gift cards...

Did your client just say ‘can you make it pop’? Then you already know you got it on lock. Introducing: Midnight Diner! A multi-layered dimensional script font family featuring thin, bold, outline and shadow capabilities, with a left-leaning slant to boot. You can experiment with various layer combinations and colour! How fun is that? Being effortlessly casual, retro and elegant all in one, you can play it up or down to your liking – perfect for display graphics, logos, signages, packaging, lifestyle imagery, invitations and more. It features a diverse range of stylistic alternates, contextual alternates, and standard ligatures, ensuring that you’ve countless options to choose from for your design work. This font family is delicately crafted and well thought out with every little detail in mind, to ensure its ease and versatility when used! Midnight Diner is a collaboration between lettering artist and calligrapher, Leah Chong (www.leahdesign.sg) and typeface designer, Roland Huse (www.rolandhuse.com). Product Content: Midnight Diner Layered Font - Thin (TTF) Midnight Diner Layered Font - Bold (TTF) Midnight Diner Layered Font - Outline (TTF) Midnight Diner Layered Font - Shadow (TTF) Font Guide PDF https://drive.google.com/file/d/1KPSf-gGrhX3wyaImEAmlJICERNbxu2IN/view?usp=sharing Font Guide Youtube Video https://youtu.be/GtZ8E7Y7wnQ 6 Bonus SVGs (TTF): Midnight Diner SVG - Red Yellow Midnight Diner SVG - Black Pink Midnight Diner SVG - Blue Green Midnight Diner SVG - Orange Yellow Midnight Diner SVG - Purple Pink Midnight Diner SVG - Black White Font Features: Latin character set: Uppercase & Lowercase A - Z Stylistic Alternates Contextual Alternates Standard Ligatures Numerals, Currency Symbols & Punctuation Accented Characters To access all features of Midnight Diner such as stylistic alternates etc., it's highly recommended to use professional design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign or Procreate (via the ‘add text' feature).

Here's a great old face from the H. W. Caslon foundry in London; a real workhorse. The lowercase is eminently readable, so you can set entire paragraphs to good effect. We don't recommend it for setting all caps, but we did take time to kern it well; so you won't get a jumble of ovelapping letters if you do.

We saw a zigzag type like this made in the 1860s. We copied the idea, but added stars to make it patriotic. As with many highly specialized fonts, you won't want to use this every day but certainly, like other "stars and stripes" types, it implies something about the message even before one reads the words.

The devil does indeed find work for idle hands. This was designed by Dan X. Solo about with no excuse whatsoever. The name comes from the fact that a circus that we regularly did work for used it in one of their programs, the only time it was ever used as far as we can recall.

We created this family in an attempt to submit a Plantin's font pattern overview. So it is not a real historical font, but a "looking like". We have added the special East European diacritics (Czech, Hungarian, Romanian, Croatian, Slovak, Slovenian, Sorbian ) and some other features. Our Italic style is resulting from a choice through the numerous possibilities.

TREMELO a typeface based on a logotype (Microtel). We designed it as a complete capital alphabet. The original idea for the logotype font came from the products the firm produced. They provided the parts that go into hearing-aids. We thought the type should have some visual tremor in it. Concept/Art Direction/Design: André Toet © 2017

Fonts should be living, breathing organisms. Dino Feed wanted to see a font with character, so we created Groove Town Sans. This hand-drawn font has 122 glyphs and is made for Latin-based languages. Play around with the font and make it original; we like to keep everything lowercase. See more @dinofeed on Instagram or at dinofeed.com.

Born into a world of serif fonts, where beautiful styling and script-like italics abound, Alexandar has neither. His appearance is, dare we say it, Spartan. Alexandar’s styling is minimal, it is stark—with uniform strokes and a high x-height. Alexandar’s goal is to conquer the world of legibility—to be readable in even 4 point text. We think he has succeeded and we are prepared to proclaim him The World’s Most Legible Serif Font. Of course, you may not want your clients to be able to read the small print—in that case, Alexandar is not for you!

Fontfamily “Compotes” was created with love and with care about small collections of "hand-made" fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any type of design, for example, you can use them on labels homemade jams and pickles and “Compotes” perfectly can be used in logos and in the press. We did 5 main main typefaces by alphabetical list: A - Apple, B - Basilic, C - Citro, D - Dew, E - Espresso In addition, we have developed five “supplements” for each font!

Dear Reviewer Team, Completing the trilogy, Brutal Milk No. 3 Display is our grand finale. This font embodies sophistication and innovation, aiming to provide users with a distinctive and memorable visual element for their creative projects. We believe it enriches the Trilogy font family, offering a comprehensive solution for diverse design needs. We appreciate your time and consideration in reviewing our submission. If you have any questions or require additional information, please feel free to reach out. We look forward to the opportunity to contribute to the marketplace's diverse and high-quality font offerings. Thank you for your attention. Best regards, Nina :)

Hepives born to be a clothing trademark for the adventurous lover community. Initially we only made a typographic logo with the name "HEPIVES" then we developed it again into a font. inspired by old vintage denim labels, old clothes commercials, labels on 90s tapes.. Ideal for use in logos, flyers, invitations, labels, clothes and more. FEATURES Standard Ligature Stylistic Alternate Fraction, Numerator, Denominator Includes a range of multilingual characters. To improve the quality of use & enrich the font family, we always update the fonts that have been published. Feel free to give us suggestions. Thank you!

It came from a distant solar system, beyond any space we know. With superior knowledge and the ability to totally destroy the world as we know it...unless we act now...and find the strength to...arghhh... Naaah, I am just pulling your leg. The Serious Damage font could be used for something dramatic as the font for a movie poster, featuring the next "earth will be destroyed by aliens" movie. But it is suitable for more than that! With its straight lines and chunky letters, dramatic or not, Serious Damage could be a good choice!

Fontfamily “Compotes” was created with love and with care about small collections of hand-made" fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any type of design, for example, you can use them on labels of homemade jams and pickles and “Compotes” perfectly can be used in logos and in the press. We did 5 main main typefaces by alphabetical list: A - Apple, B - Basilic, C - Citro, D - Dew, E - Espresso In addition, we have developed five “supplements” for each font!

Was God an Ancient Astronaut? Are crop circles signposts for UFOs? Are we or are we not alone? Do you Want To Believe? We have No Idea. Nevertheless, we've put together a rather attractive little typeface -- by the name of Aztech -- which will undoubtedly add fuel to speculation vis-a-vis the existence (or non-existence) of Extra Terrestrial Intelligence. Yes, in our ongoing quest to spread enlightenment and dispel anxiety throughout the universe, we've created a font which will allow you to enjoy the concept of Alien Intervention without the embarrassment and discomfort of anal probing. Tell your friends.

Meet the Letterpress! Jakob Erbar’s Phosphor was released by the Ludwig & Mayer Foundry before 1923. The origins of Aurora date back to 1912 (Johannes Wagner Foundry). Permanent Headline was designed by Karlgeorg Hoefer, also known simply as Headline. It was fun making a mix out of the three classics – with Letterpress Bastard you will quickly get astounding results. To complete the family we added a font containing random symbols we also found in the metal type boxes. Please note that we provided loads of ligatures for double-letters to make your design look as authentic as possible.

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.