Steamy Miracles is a handwritten script font which is a mixture of incredible drama and gracefulness to clearly express a modern design. Each letter’s details show some curvy, sharp strokes on the edges. Due to its great legibility, you may apply this font for either bigger- or smaller-sized texts. Features: Ligatures Stylistic Sets Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Sreamy Miracles fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Thank you for purchasing our font and happy designing.

Jim Spiece has a taste and a talent for reviving type styles from earlier in this century. ITC Deli Supreme is a “futuristic retro” face that would be at home as a logo on a car or a roadside diner from the 1940s or '50s; the lowercase nearly joins, in script style, thanks to the long extenders stretching out from the bottom-right corner of most letters, while the caps have beginning strokes leading in from the top left. ITC Deli Supreme, like ITC Deli Deluxe, features slightly rounded corners on all the letters, for a soft, streamlined look despite the squareness of the letterforms.

Freehouse is a reinterpretation of the well-remembered Watney’s logo, a brewery and pub chain infamous for its poor quality beer and brutalist decor. In Design Research Unit’s corporate guidelines from 1966 the font is described as Clarendon Bold Expanded — however, this is not the case. Clarendon has square serifs, whereas the Watney’s font is rounder and friendlier. A fixture of the British high street landscape for decades, this digitisation adds a full international character set, numbers, punctuation and many other characters that did not exist in the original. A distressed version that evokes rough print on a wet beermat has also been developed.

This font comes from the romance of 20th century tube signs that will likely disappear forever. But let's not be upset — the Neonlife font embodies not only the warmth and comfort of neon signs, but also the energy of a modern style. And welcome to New Neon Life! The font family contains 6 sizes to help you choose the best size for different occasions. Neonlife is a unique solution for cool typography, branding, headings, in short, everything that makes our world unique and special. Although this font is not designed for large amounts of text, all characters are perfectly balanced and can be used like any regular font.

Introduced by Timurtype Studio! Hilberta Austine is a Modern Script Font This font leads you into the enchanting world of modern script fonts, where written words transcend mere communication and turn into visual masterpieces. These fonts, decorated with elegant and eye-catching strokes, redefine the art of typography. Each letter becomes a brushstroke , meticulously crafted to weave a narrative of sophistication and elegance. Graceful curves and intricate sweeping details add a touch of luxury, turning every word into a work of art. Hilberta Austine Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

The font has a truly futuristic nature. It perfectly conveys the atmosphere of technology and futurism and it's the best choice for sci-fi and hi-tech topics and pictures. The font letters are unrounded, it's build is very simple and straight. The font includes 7 styles: thin, extra light, light, regular, medium, bold, and black. With the variety of font widths, there is the ability to make different combinations in graphic or web design projects as well. Carefully kerned letters look well in paragraphs and titles. Special attention to uppercase headings. The font counts 477 glyphs for each style. The thin style is free to use.

Fallery Script is a calligraphy script font that comes with exquisite character changes, a kind of classic decorative copper script with a modern twist, designed with high detail for an elegant style. Fallery Script is interesting because it is smooth, clean, feminine, sensual, glamorous, simple and very easy to read, because of its many fancy letter relationships. I also offer a decent number of stylistic alternatives for some of the letters. Classic style is very suitable to be applied in various formal forms such as invitations, labels, restaurant menus, logos, fashion, make up, stationery, novels, magazines, books, greeting/wedding cards, packaging, labels or all kinds of advertising purposes.

What I needed in my projects was a solid oldstyle serif typeface with impact for heads. I had an old engraving font, which I’d never really finished. It happened to be built on the Minister/Diaconia base drawings I used to create Biblia Serif, so I took a shot at it. It’s wide enough to minimize the large solid ink shapes of many of the bolder display headline faces. It’s not readable, but it’s very legible. This is exactly what I needed for headlines, callouts, and special subheads. It uses the same vertical metrics of the Biblia Serif book Production Group It helps keep fiction designs comfortable

Floridium grew out of an affection for the old wood types of the 1800s. Painters Roman* was the initial inspiration. It was the source for the �banana� and �snake head� serifs. But the design�released by Adobe as Juniper�was too quirky to be useful. I tried to make it more sophisticated and modern while keeping the original personality of the 19th century types. The name resulted from a trip to Miami while the initial drawings were being made. Not the best way to name a typeface, but while we were in Miami Beach there was this tall blonde in a bright yellow bikini sitting on this bright yellow Porsche and...

Do you dream of creating headings that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Kalecius-A Blackletter Font Kalecius is a blackletter font designed with a modern vibe. This beautiful runic style typeface help you bring the Soul of the North into your design works! It's ideal font for giving your strong touch. Great for typography posters, apparel design, branding and logo, greeting cards and invitations. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Bellona Introducing the new vintage bold script "Bellona". Inspired by retro typography from the 80s combined with a bold typography style. Comes with an open type feature with lots of alternates and finishes, it helps you create great fonts. Bellona best use for Logotype, headings, covers, posters, logos, quotes, product packaging, headers, merchandise, social media & greeting cards and more. This font also supports multiple languages. To access alternative glyphs, you will need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Equipped with features: - Uppercase - Lowercase - Alternative - Numbers, Punctuation and Symbols - Ligature - Multilingual support. Happy Creative! Thank You!

Get ready to be bold and elegant at the same time. It’s time to see Wildrace, a display font created in capital letters with the racing theme. The font’s character is the thick letters formed similar to rectangles to give strong impressions. Therefore, it will be more noticeable and match the large-sized texts. Wildrace also provides interesting features to enjoy. Features: Multilingual Supports PUA Encoded Numerals and Punctuation Use Wildrace for any design projects such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Purchase now. Happy designing.

Quimbly was designed to shine! This hand-drawn font family comes in three weights (light, regular and bold) and was carefully created with coordination in mind. Warm, balanced letters pair very well with just about every modern calligraphy typeface. And unlike many other hand drawn fonts, Quimbly's thoughtful kerning means your text is easy to read at all point sizes! You'll find this versatile family is equally at home in everything from large-scale signage to wedding invitations. Rich Opentype features include decorative swashed capital letters, stylish proper titles, old-style numerals and a full set (uppercase & lowercase) of small caps. Multi-language support is also included in the font.

The designer-favorite Blue Goblet series has been extended once again with Blue Goblet Frames and Vignettes. These animated and lively frames and vignettes can be resized easily without any loss of quality, and can easily be converted to outlines and modified. Combining them to form unique compositions or inserting them into chapter headings are just a few ideas for these versatile ornaments. Please see the sample .pdf to see all 96 Frames and Vignettes in action, and be sure to check out the rest of the Blue Goblet series, especially Blue Goblet Frames and Vignettes #2 Blue Goblet Frames and Vignettes is a collaboration between insigne Design and Portland Studios.

Chamberton is a font script that I made for your needs and is easy to read so it is comfortable to wear, you can use it as a logo, badge, badge, packaging, title, poster, t-shirt / clothing, greeting cards, business cards, and wedding invitations and many again. Flowing characters are ideal for making interesting messages according to your taste. mix and mix with many alternative characters to fit your project. It will be more interesting if you add swash. Alternative characters in this font are divided into several OpenType features such as Stylistic Alternate, Ligature and Ligature Alternates. Mail support: maculinc@gmail.com Thank you! Maculinc

For decades, the National Show Card Writer Company of Minneapolis, MN produced sign making kits used by shopkeepers, schools, churches and many other types of organizations. The standard sets were comprised of two part stencils that when overlaid, produced finished lettering, or a buyer could choose the same type style designs with a standard stencil letter. From one of these templates comes Show Card Stencil JNL, in both regular and oblique versions. Take note that the U, V and W have the heavier vertical strokes reversed. As this was the way the original stencil design was manufactured, it has been retained for this digital type as well.

The origin of AM Floriana is already several decades ago. At a time when there was no photo set and the choice of metal type fonts was still very manageable, Alois Menacher received an order to design a custom business logo from a flower shop. He then created a hand-drawn lettering based on the form of leaves and plants. Now Alois Menacher professionally designed and developed AM Floriana on the basis of this lettering. AM Floriana is ideally suited for packaging design, as well as for display design and logo design. AM Floriana is available as a Bold version and will soon be complemented by further cuts.

History, as it's said, tends to repeat itself. The round-point pen lettering used in the 1920s logo and ads for Dodge Brothers cars (pre-General Motors) is an early predecessor to the techno type styles of the 1980s. Square in shape, with unique stylization to some letters, Jalopy JNL can cross the decades and be used for a 1920s period piece and still look fresh in an ad for computer parts. Rather than round out the inside lines of the characters to fully emulate the strokes of a lettering pen, the inside lines have straight intersections for the contemporary side of this font's design.

Hommy Land is a beautiful and simple handwriting script font, contemporary and fashionable. Hommy Land looks elegant for a wide variety of designs. This elegant font can be read and looks good as a title or body text. This font will be perfect for many different designs for magazine headlines, social media, branding, wedding invitations, cards, etc. Hommy Land script fonts include ligatures, stylistic sets, capital letters and lowercase letters. You need a program that supports OpenType features like Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw X6 / X7 and you can also access alternates via Font Book (Mac users) or Windows Character Map (Windows users).

INTRO Pisonest is perfect for modern projects, headings, blogs, logos, brandings, invitations and more! Programs that support in this font is a Microsoft Office Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, and Corel Draw, badges etc. Languages supported. Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all European languages that are based on latin alphabet. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS/CC, Adobe Indesign CS/CC, Adobe Photoshop CS/CC, CorelDraw X6-X7 & Microsoft Office. THANK YOU SO MUCH.

This square serif typeface is a real workhorse. It is a modern tool for text design: extremely legible and well shaped. Bandera Cyrillic has six weights with original italics. It catches attention in headlines of posters and magazines or makes reading comfortable in plain texts. Bandera Cyrillic shares main proportions with sans serif Osnova Pro typefamily so ideally can pair it. It has Bandera Cyrillic Text and Bandera Cyrillic Display sister families as well. Please check also Pro verion for pan-european support (full Latin-Greek-Cyrillic). Bandera is Spanish for 'flag'. And Bandera is a symbol of Ukrainian fighting for freedom for many years.

Android is an experimental 3D shadow outline font developed by the American type designer Alex Kaczun. The unique lighting created by the beveled edge in combination with an outline font was particularly difficult to create. But the result was worth the effort. Android makes for a powerful headline display that virtually pops off the page. There is a true three dimensional quality to this innovative new typeface. Use the regular Android when setting tight leading for smaller point sizes, and use Android Tall which has taller capitals for larger headlines. By experimenting with Type Effects in Illustrator or PhotoShop you can achieve some spectacular additional 3D effects.

Agakê is a typography for comics with 03 weights, variations in italics and shadow. It has 432 glyphs with support for multiple languages and was designed to adapt to a variety of styles and narrative genres, whether adventure, fiction, graphic novel or even superhero. Traditionally, the typeface in the comics are applied in capital letters, seeking the optimization of the space without losing the readability. But Agakê was designed to work also in lowercase, allowing a greater number of combinations and an incredible reading experience. Valuing the foundations of the graphic narrative, Agakê obtains total harmony next to the most diverse styles of illustration of the comic books.

I used to live in the English Lake District - in a town called Ambleside to be precise. It was a nice time in my life, as living in the Lake District gave me the opportunity to go out every day and enjoy the beautiful nature! Troutbeck is a small, old fashioned village on the narrow and hilly road from Windermere to Penrith. If you ever make it there, you will discover that the area is a walhalla for hikers! Troutbeck font is a pleasing, handmade all caps font. It would look great on product packaging or book covers, or maybe postcards reading ‘Greetings from the Lake District’.

»Cristal Text« has nice to read lower case letters. It contains 636 letters per font style and some Open Type features: Different stylistic alternates and different sets of numerals. It is not monospaced: Therefor it stays not true to an underlying grid like it’s bigger brother »Cristal True«. But this offers a better legibility. The basis of this font is a Union-Jack or sixteen-segment display (SISD). I have found myself in the need of a precise and well-made font, that simulates the look of such a LCD display. Also it should offer enough letters and language support for the whole European region as well as different font styles.

A new fresh, bold brush font from Nicky Laatz. Pink Lemonade is Sweet, Casual and curvy...with subtle brush texture left in- perfect for head-turning statements and eye-catching branding. Pink Lemonade includes 45 natural-looking Opentype ligatures - perfect for making your words look freshly lettered, and like less of a font. Try alternating between having the ligatures active and not active for an even more natural look. Pink Lemonade will work wonderfully for beauty, posters, music brands, magazines, cosmetics, cook books, culinary art, book covers, sporting brands, bold headliners, and websites. Enjoy more inspiration using all Nicky Laatz's fonts on Instagram - @nickylaatz.

Looking for a font that’ll make your branding spark? Ready to enhance your project? Something that’s versatile and a bit touch of retro vibes? Get ready to transcend to a world of magic, laughter, and butterflies. Big Flask-A Display Font Big Flask is a typeface that will make your projects elevate. An excellent choice to add the right amount of retro touch. This typeface with artistic style looks very interesting for loads of different projects and promotions. Use it to create standout headings, logo, book cover, poster, t-shirt, branding, and advertisement needs. Features: Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

Wanna make your branding radiate elegance? Something that’s versatile, original, stylish, and eternal? Get ready to explore to a world of magic, laughter, and butterflies. Your branding will make everyone happy! Balloon Midair-A Handwritten Font A beautifully handcrafted font that’ll make your guests sing and elevate your projects! Every stroke and curve was created to spread happiness and elegance. Use it to create standout headings, promote your online sales, Instagram quotes, and even printed materials like business cards, t-shirts, or invitations. Balloon Midair includes Multilingual Options to make your branding globally acceptable. Features: Ligatures Stylistic Set PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Nathatype

OpenType Layout features: smallcaps, stylistic alternates, localized forms, standard ligatures, uppercase-sensitive forms and spacing, oldstyle figures, lining figures, smallcap figures, arbitrary fractions, superscript, subscript. Cambria has been designed for on-screen reading and to look good when printed at small sizes. It has very even spacing and proportions. Diagonal and vertical hairlines and serifs are relatively strong, while horizontal serifs are small and intended to emphasize stroke endings rather than stand out themselves. This principle is most noticeable in the italics, where the lowercase characters are subdued in style, to be at their best as elements of word-images. This font is suitable for business documents, email, web design.

Lostgun is a Stunning, classy upper and lowercase typeface that looks incredible in both large and small settings. Best used as a display for headings and logos, Lostgun has clean lines and smooth curves that gives any project an extra touch of class. IMPORTANT NOTE: Lostgun includes a lot of Ligatures that may show by default. If you want to use an alternate character in the place of a ligature or to use the basic characters instead, you may need to disable the OpenType Feature on your software. Main Features: Uppercase & Lowercase letters Punctuation and special characters Multilingual support OTF Format Alternate and Ligatures

The Daytona™ typeface family grew out of a desire to provide improved fonts for use in televised sporting events. Jim Wasco drew the design as sturdy squared letters based on humanist shapes and proportions. Letters were kept narrow for economy of space, and inter-character spacing was established for easy reading. While televised sporting events may have initially been his target, the design considerations he incorporated into the Daytona family also enabled it to perform well in a variety of other video and on screen environments. Daytona Variables are font files which are featuring two width axes and have a preset instance from Thin to Fat.

Bigola Display is a modern vintage serif font packaged in a modern and classy style, complete with access to your OpenType features to access a large selection of alternates letters and ligatures, the choice of letters you like from variations of uppercase and lowercase letters to get a display luxurious and elegant. Unique, playful and versatile serif family with 14 ligatures and 170 alternates to beautify the design you like. This font is perfect for branding projects, Logo design, Clothing Branding, packaging, magazine headings, advertising, T-shirts, postcards and much more. What is included: Bigola Display Regular Features · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

SK Boncuk is a very special font family I designed for my pet. Bead is a very smart and special rabbit. It can understand all commands and do whatever is said. It is very lively and fun in his daily life, but also monotonous. For this reason, I designed a fun font for him, with a single weight but with surprises. This font represents Boncuk's fun but monotonous life. SK Boncuk offers full support for the Latin alphabet and includes all the typographic elements you will need. This font family consists of 8 different fonts and 3288 glyphs and it supports hundreds of different languages thanks to the characters it contains.

Breuer Condensed is a mechanical sans ideal for captions and headline settings, and may also be suitable for moderate lengths of body copy with its comprehensive offering of OpenType features. The italics are optically adjusted obliques with a selection of augmented lowercase glyphs to provide a warmer read. The overall design ensures a distinct aura of technical precision in a personable tone. This family of eight fonts is designed to accompany the Breuer Text and Breuer Headline sets released in 2007. Breuer Condensed offers a 76% narrower footprint compared to Breuer Text and is fine-tuned to render typographic color equivalent to each sibling Text weight.

Pressroom is a modern "legibility face," designed to be easy-to-read under even the harshest conditions. As you might expect of such a typeface, it's got an ample x-height, robust serifs, and minimalist descenders -- but Pressroom displays more grace and allure than most families of this kind. (Its designer nonetheless describes Pressroom as having "the sophistication of a crocodile.") Pressroom has regular, italic, and bold italic styles, along with a special black weight intended for headlines, callouts, and other display uses. Numerals are semi-cap in all but the black, where they are fully lining. Would work well in newsletters, flyers, office forms, or even periodicals.

In an era of typographic neutrality, Pria Ravichandran adds spirit and flavour to the humanist sans, a genre that is known for legibility. Introducing Olivine. Olivine is a versatile type family that performs admirably across sizes. It is designed with maximum care ensuring legibility across various sizes, angles and distances. The sturdy shapes and the exaggerated ink traps fade to produce an even typographic colour and a lively texture in smaller text sizes. In larger display settings, the details become self-conscious and highlight the spectacular quality of the design. Olivine is neither experimental nor minimal, striking a balance between formality and friendliness. Olivine is clean as well as organic at the same time. Consisting of seven weights in roman and italics, the type-family address typographic hierarchy for texts of all kinds and sizes. Distinctive, yet neutral letterforms add personality to the type family. The counter-forms are large and open giving the design plenty of internal space which is balanced against the generous spacing of the characters. These features of Olivine make the reading process enjoyable in digital as well as the print medium. No squinting to read this type-family! If you are looking to add some flavour into your design, try Olivine. It is a trend-setting typeface that we predict is going that extra mile. Try before you buy, Olivine Medium and Medium Italic are available free for unlimited commercial usage.

Everything your head should not be or would rather not do is here. A complete collection of 225 illustrations (plus bonus shadows) in three fonts. The illustrations collected in the Capsbats keep the free-flowing lines of the ink-on-paper sketches. As a dingbat, or pictorial typeface, the Capsbats are very versatile: you can use them immediately in any application. The vectorial format of the font file means they are scalable with no loss of quality. And you can customize them in no time in your favourite graphics program. They can be used out of the box, as accents or spot illustration, or enlarged, combined, coloured, textured... to achieve an infinite variety of results easily. With Capsbats you have an incredible resource for your concept illustration needs: enlarge them and you can create a high impact page layout, posters, magazine covers and book jackets, advertising... The Capsbats Shadows are bonus silhouettes that you can use in very different situations. Use these shadows to fill them with your own patterns, or use them as a mask or clipping path, to paste the images you want inside them. The possibilities are endless. We didn't limit our imagination in drawing them, so why would you when using them? The book 1000 Heads is a compendium of the drawings featured in the Capsbats and Entestats and it gives a glimpse of the limitless applications of this collection.

Sirba, a serif typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts, annual reports, novels and magazines. It has many design features that were particularly designed with Sirba’s purpose in mind. Because of its open counters, the large x-height and its short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals. Furthermore, the capitals appear integrated into the text, thanks to the low cap height, and the constant width of all tabular numbers between the weights make this typeface very usable in annual reports and tables. Sirba is available in the four classic styles plus a special heavy (Black) version, which is particular in that its proportions are designed so the counters remain big enough when set in very small text sizes. This means that Sirba Black’s spacing and letter width are rather generous in comparison to other typefaces of that colour. This ensures excellent legibility. During the design of the typeface family, much attention was given to the italic and regular as counterparts of each other. The italic distinguishes itself just enough while reading without creating strange spots within the text when looking at the text as a whole.

I hope that you enjoy the "Linden" font. The basis for this new font is my Leaf font. As much as I love the Leaf font, however, I felt (and still feel) the desire to have a larger font, for three reasons: 1. I enjoy customizing my internet browser to show different fonts. The original "Leaf" font was a bit too small for that. The new "Linden" font is perfect for this function. 2. Some of the fonts that I use in writing e-mails look their best at sizes 24 or 36. That’s fine for me, but unless I want to go to the trouble each time of changing the size, then the recipients oft my e-mails get wolloped with an enormous-sized font. When I use "Linden" for my e-mails, it’s automatically a perfect size at 12 or 14, solving this problem. 3. I also enjoy customizing the font in which I read my e-mails. Unfortunately, there are only a few which are legible in the tiny size in which this is configured. Again, "Linden" is configured to be large enough automatically so that it can easily be read by anyone. I am pleased to offer a pleasant font for use in any or all of the scenarios; I love fun solutions and hope that you will enjoy the "Linden" font. (Just a tip: when printing out documents using the "Linden" font, I love it best in font size 11!)

Say hello to Golden Clouds :) A charming and cute font duo with handwritten letters and doodles!! Bring some irresistible fun to your design with Golden Clouds Font Duo! This playful font duo consists of a fast-flowing signature font and a charming font with small capital letters as the perfect companion. But that's not all - the set also includes a bonus Doodle font containing hand-drawn drawings designed to give your "Golden Clouds" fonts the appeal of handmade. Golden Clouds Script • A clean, smooth handwritten signature font containing uppercase and lowercase characters, numbers and a wide range of punctuation marks. Golden Clouds SmallCaps • Clean, charming handwritten font with capital letters. Golden Clouds Doodles • A set of hand-drawn drawings designed in combination with Script and Small Caps fonts. Just set it as your own font and enter any character to create each drawing. "Golden Clouds" is ideal for everyday use in greeting cards, illustrations, quotes, original branding, book covers, children's books, packaging and much more :) Font Features: A-Z; a-z character set; 1 language (English); numbers and punctuation marks, symbols. Fonts can be opened and used in any software that can read standard fonts, even in MS Word. No special software is required to get started. It is recommended to use it in Adobe Illustrator or Adobe Photoshop. Made with love and magic ♡ Thank you for reading it, and do not hesitate to send me a message if you have any questions! ~ Anastasia