AEONUS is a gothic font, an attempt to combine a wide-edged and pointed pen, while giving the font a readability that many gothic fonts lack. Angular shapes made strictly in 45 degrees and straight lines give the font a touch of futurism. A gothic, futuristic font that retains readability and makes a unique impression is the goal that was followed when creating the font. Aeonus also conveys the spirit of the occult and something dark. Aeonus is good for prints on clothes, posters, packaging, tattoo, merchandising, large headlines, logos, product design, and any other large font compositions.

Teenage Gonabe – Groovy Display Font By Teenage Foundry Introducing our latest font creation – a groovy typeface that’s sure to transport you back to the funky, psychedelic era of the 60s and 70s! With its bold, playful style and unique character, this font is perfect for adding a retro feel to your design projects. This font is incredibly versatile and can be used for a range of design projects, including posters, album covers, branding, and more. Its groovy style gives it a unique character that’s sure to make an impact. Features: Uppercase, Lowercase, Numeral, Punctuation & Multilingual. For any questions please contact me 🙂 Thanks!

Introducing "Sagira" - A Retro Display Font. Travel back in time with "Sagira," a nostalgic retro display font that pays homage to the past, complete with charming wavy line details that evoke a sense of vintage flair. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Rumley Moon is a versatile bold font with unique letterform. This font will bring you back to retro feel.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Regular & outline version Uppercase & lowercase Numbers and punctuation Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

October is the season for pumpkins - some of them are meant for soups, salad or other kinds of food. Others are cut into creepy looking pumpkinheads...and then there are the ones that are used for fun and games only! And that is exactly what this font is about! Pumpkin Boy is my laid back comic font with a jumpy x-height and crunchy lines. If you choose to write in uppercase only, the letters are a bit less funky, but still crunchy and great for headlines. I've added ligatures for double letters substitution for the most common letter combinations.

Looking for a script font with a casual flair? Look no further than Billates! With its natural and free-flowing style, this font exudes a relaxed and informal look that is perfect for capturing a laid-back atmosphere. From handwritten notes to product packaging, Billates brings a touch of casual elegance to your design projects. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Ersatz has its vibrant roots in the Mediterranean climate of Spain. Tired of the functional monoline sanserif fonts used throughout Europe from road signage to corporate identity, Richard Dawson and Dave Farey, British type designers who crave color and sunlight, created a style that is refreshing and lively. The basic constructions are simple and attractive, mixing lower case shapes into the capitals - and unique letterforms into the lower case. There's a raunchy feel to Ersatz, soft curves and back kicks, if you listen very carefully you can hear the sharp guitars and the soft tambourine of the Flamenco.

Bloxic is a chunky, counter-less display typeface, packed full extra characters and some bonus icons! Bloxic comes packed with over 320 glyphs, including stylistic alternate characters, circled numbers, and a whole bunch of useful symbols and stuff. It started life back in 2008, when pop/punk/emo bands were all the rage. Pulled from a hand lettered t-shirt design, adapted and systemised – it now exists for your typographic pleasure. It still carries some of the hand rendered feel of the original design, and has some slightly different takes on a zero counter typeface (which the world clearly need more of...).

Introducing Bright Sun Light, a playful display font from Epiclinez! With its unique character and happy vibe, this font is sure to make your designs stand out. Whether you're creating logos or product packaging, or want something fun for your headlines, look no further than Bright Sun Light. Its cute, bubbly, and laid-back style brings joy to everyone who sees it! Get ready for some sunny vibes with Bright Sun Light! Bright Sun Light font includes : Basic Latin Uppercase and Lowercase Under Swashes Numbers, symbols, and punctuations Multilingual Support. Simple Installations works on PC & Mac Thank You!

Drop Caps happen. They started off life as decorated initials way back when in the days of illuminated manuscripts. Then printing came and they became the work of the rubricators and then somewhere soon after printing began, at least by the 1490’s, they were printed directly into the text. This then is a collection of over a hundred glyphs from that closing decade of the Incunabula period. All of them are based on examples found in the works printed by Michael Wenssler in Basel. This font also contains a few useful pointing hands and a set of spacing characters.

Jump back to the future with both faces of the Used Servers family. This blocky titling font comes ready with ligatures and diacritics for all of your English, French, and German retro-future needs. Art Deco density combines with subtly-weighted horizontals for a slight 3D effect. As a retro omni-technical font with roots in OCR and n-segment displays, Used Servers is equally at home as: Titling in an 80s cassette-punk text adventure Environmental advertising in a cyberpunk megalopolis Art Deco filigree worked into a sacred orb Glyphs holding secrets from before time

Kaizena is a modern script font with alternates, final form, stylistic sets, including front and back swashes. It can be used for various purposes, and suitable for logo design, branding, greeting cards, stationery, wedding invitations and much more. The design of Kaizena nuanced Japanese style, but it is very feasible to use in modern themed designs. Kaizena uses OpenType Features, so designers can access alternate glyphs easily with graphic design softwares. Besides that, these alternate glyphs are located in Private Use Area, so they can be accessed easily with Character Map, Babel Map, or font manager softwares.

Experience the around-the-world traveling vibes from the past with Yorkest Poster. It was inspired by the vintage retro national travel arts and printings from the 60s and 70s eras back in the day. Comes along with 2 styles (Serif and Script) that would never go wrong to be paired. A pack of Stylistic Alternates features to give a personal touch to your design, and also Swashes to cover your visual needs to be stronger in every appearance. Perfectly fit for logo design, headliner, signage, poster, postcard, title, postage stamp, and a lot of other printing works and stuff.

From scrapbooking to intensive graphic design applications, Craft Roman is a wonderful choice for charming and lighthearted communications. Craft Roman is based on Speedball and signpainter books from the 1920s and 30s, and reminiscient of the style of some of the lettering accompanying Mary Engelbreit artwork. Craft Roman is perfect for capturing the feel of vintage posters and retro stylings dating back to simpler times or handworked arts & crafts projects- even elementary school and childhood art. Extended character sets and intensive kerning provide foreign language support for many regions, plus bonus glyphs for quick stylistic flair.

Borscena is a luxury classic serif font that exudes timeless elegance and sophistication. Its meticulously crafted letterforms feature exquisite, ornate detailing and graceful, high-contrast strokes, making it the epitome of refined typographic design. Borscena’s regal presence and intricate serifs harken back to the golden age of print, offering a sense of opulence and exclusivity, ideal for conveying a sense of prestige and tradition in branding, editorial, or decorative applications. This font stands as a symbol of timeless beauty and an embodiment of the grandeur of bygone eras, making it the perfect choice for projects seeking a touch of sophistication and sophistication.

Piccadilly Circus is an original design by Alex Kaczun. Piccadilly Circus takes you back to Old London and is reminiscent of billboards and neon signs which made the area famous. It's a busy spot, and it is said that a person who stays long enough at Piccadilly Circus will eventually bump into everyone they know. So, take a stroll down the historic downtown shopping district and enjoy the shops, boutiques and pubs. This whimsical font is great for display posters, banners and carnival signs and is sure to captivate your audience. A decorative and cute alternative to any advertisement.

Hi everyone, come back from us The Bosento font is perfect for Your projects today are branding, poster design, t-shirts, invitations, designs for children, and editorial design. You will find a lot of glyphs, including ligatures, to look elegant in this bold serif. OpenType features include style sets, character variants, starting and ending forms, and multilingual support. Important information: To access the alternatives, you must have access to an older version of Photoshop to copy/paste the glyphs from the included PSD, OR the Glyphs Panel, which can be found in Photoshop CC or any Version of Adobe Illustrator. Cheer!

Are you ready for the 1MB processing powerful performance? Step into the future with my wanna-be retro 8-bit powerful performance digital grafitti inspired computer font from the future...or rather...the past! I was inspired by old posters and commercials for old 8-bit computers from the late 70-ies and 80-ies. Despite the lack of powers (compared to computers and phones today) they seemed to be able to both rule the world and ease your everyday jobs. Well, the thought of all that, combined with my love for grafitti and comic text, inspired me to do this font!

Introducing The Amsterday, a captivating and versatile Bold Retro Script Font that effortlessly transports your designs back in time while adding a touch of modern flair. This typeface exudes nostalgia and is perfectly suited for a wide range of creative projects, especially those with a vintage theme in mind. The Amsterday timeless elegance and a multitude of alternate characters make it a go-to choice for designers looking to infuse their work with a sense of yesteryear charm. Features A set of uppercase and lowercase glyphs Number, symbol, and punctuation Multilingual Support Alternates & Ligatures Extrude Version

In the 1990s I drew a text face for the San Francisco Chronicle. It was based on W. A. Dwiggins’ Electra and incorporated many features of the Linotype Legibility Series: More compact, with a taller lowercase X-height, etc. That type was called Electric and it was the Chronicle’s text face for nearly a decade, surviving several redesigns. From that, I made Azuza, a more detailed and sensitive style. Azuza was recognized in the TDC2 type competition in 2001. Then it went into hibernation as a Type 1 font family. Today it is back. Six fonts. Open Type.

Alan Meeks designed Chesterfield in 1977. Chesterfield is a retro typeface, harkening back to decorative design from the turn of the century. There are many subtle art nouveau traits and curves in Chesterfield, and a hint to Frederic Goudy's work as well. Chesterfield is a display typeface, and should not be used in sizes below 12 point. This typeface would be a great fit for newsletter headlines, or signs for country stores. There are two styles of Chesterfield available: Chesterfield, and Chesterfield Antique. Chesterfield Antique is a more antiquated version of the typeface, and its letters appear slightly corroded.

Stiana font is a venetian serif in modern design. The general idea was inspired by beautiful masterpieces of Nicolas Jensen and William Morris. Stiana holds fine, balanced readability of venetian serif, and both 21st century trends. Letterforms are expressive and bold enough to use font as display, but it also fits nicely for text. Stiana supports Western Europe, Cyrillic and Greek languages. Stiana is surely a good choice both for screen applications and print media. Its multipurpose spreads over package design, logos, headlines, body texts, stationary and back labels. Also very good for books and magazines.

Old Stefan is a display font that simulates the appearance of typewritten text. Each letter in Old Stefan has been carefully designed to resemble the effect you get with a typewriter. This effect adds a sense of nostalgia to the text, as if it were from a bygone era, adding an authentic charm to the designs. Old Stefan retains its varied and extravagant style, giving the text a lightness and a certain nonchalance. Its distinctive and daring letters make it ideal for projects that strive for a unique look, while harking back to the typewriter vibe of the past. Remastered in 2022.

Introducing "Retro Guns" - A Display Typeface. Step back in time and embrace the nostalgia of the past with "Retro Guns," a captivating display typeface that embodies the essence of vintage charm. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

With the famous and much used Eurostile and Bank Gothic in my mind I wanted to design a mono-line font as simple and legible as possible. A square with rounded corners, i.e., the letter ‘o’ as its basis. From there on back to basics, so straights remained simple straights with 90° endings, whatever the angle. Numbers are monospaced. The result seems to be a pleasantly balanced and neutral font. Excellent for display purposes and surprisingly legible in even small sizes. This perhaps typical approach by an architect led to the name of the font: ArchiType.

Blowing Vesicle is a retro bold font which will bring you back to 60s feel. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Morning News is the sister font of Evening News which I designed some years ago for use with my local newspaper Abendzeitung. Morning News is an adaption, a little bit rounder, which gives the font a much softer touch. The general design dates back to the pre-Hitler era, the time when Germany had already lost the first World War and was taking a short deadly breath to start the second big war. Lets hope there will be a day when there will never be another war in Europe (or elsewhere!). Another new peaceful font by your pacifistic designer, Gert Wiescher.

Transport yourself back to the year 1994, a time when MS DOS games ignited the imagination of an impressionable young boy. Enchanted by the pixelated wonders of that era, he embarks on a journey that will shape his creative destiny. As the boy loses himself in the captivating landscapes of Commander Keen, the strategic depths of Warcraft: Orcs & Humans, and the mysterious quests of The Secret of Monkey Island, a seed is planted in his mind. The beauty of these games' typography, crafted pixel by pixel, captivates his young heart and fuels a passion for design.

The concept of a bold connected script with a hand lettered feel has been on my bucket list for decades. I imagined a pretentious, ornate, swashy look, a variety of word-end embellishments, heaps of ligatures and underscores. It took a weekend workshop on Python Scripting at Type@Cooper in San Francisco reinforcing the smarts of Opentype to make it happen. Hand drawn on paper using broad pen strokes for reference, the design was the easy part. The real work was in the back-end and self-imposed rigorous testing. Download a comprehensive pdf User Guide at this link.

The late 70s and early 80s is sometimes considered to be the period when headline typography went off the rails. Growing up in that period, some designers may beg to differ. Many geometric designs were available in dry-transfer and for the typositor, and were used everywhere a youth-culture look was appropriate - annuals, comics, club flyers, high-street boutiques, TV-advertised compila tion albums. Nightclubber is a fond homage to the excesses of the period, and should be used back-lit in pink neon or at a rakish 45 degree slant across a blurred photograph of a glitter ball.

Nesuka is a display font with a laid-back and playful vibe. This typeface is ideal for projects that demand a more natural and unique handwriting style than typical. Of course, your project will seem fun and lovely if you use this font. Logotypes, food banners, branding, brochure, posters, movie titles, book titles, quotes, and more may all benefit from this font. Of course, using this font in your various design projects will make them excellent and outstanding; many viewers are drawn to the striking and unusual graphic display. Start utilizing this typeface in your projects to make them stand out.

Cardillac, named after E.T.A. Hoffmann’s literary figure, refers back to classical Didonesque, yet presents unique details which set it apart from historic models by adding a new flavour. Its clarity, noble appearance and cool elegance predestine it for magazines and newspapers. The Cardillac Family consists of 14 styles, provides many features which allow its application for ambitious typography. It comes in OpenType format with extended language support. All weights contain small caps, ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like "M" and "l"; the former seemed to be squeezed into the same width of all letters and the second one appeared way too stretched. Despite - or perhaps because of - the impression of the typewriter it is still popular with Graphic Designers. The Ingrid Mono font family with a high range of glyphs and symbols has that special appearance.

BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.

It could be you’ve never heard of Bergie Seltzer - and neither had I. Basically, Bergie Seltzer is the fizzing sound an iceberg makes when it melts. We are having a bit of a heat wave right now, so I needed to give this font a ‘cool’ name! Bergie Seltzer font is a cool, all caps display font. It has a slightly eroded look (like a melting iceberg if you will) and a laid back attitude. Use it for your summer magazines, your ultra-cool websites and your bottles of fizzy drink! Just don’t melt the polar cap!

Meet the Letterpress! Jakob Erbar’s Phosphor was released by the Ludwig & Mayer Foundry before 1923. The origins of Aurora date back to 1912 (Johannes Wagner Foundry). Permanent Headline was designed by Karlgeorg Hoefer, also known simply as Headline. It was fun making a mix out of the three classics – with Letterpress Bastard you will quickly get astounding results. To complete the family we added a font containing random symbols we also found in the metal type boxes. Please note that we provided loads of ligatures for double-letters to make your design look as authentic as possible.

Look, folks! From what may just be the vernacular sign capital of the world, Chattanooga, Tennessee, it’s a brand new hyperfamily from insigne! Look includes three different related fonts, with three weights each. That’s over 70 fonts! Imagine: you turn onto a stretch of open country road. On the distressed, red background of an old barn wall, a large block of crisp white letters shout out: “See Rock City.” You soon realize this barn is not alone in competing for the passing eye. Far from it, ladies and gentlemen. This is just one of the many pieces of historic, hand-painted advertisements dotting the great Southern United States. Yes, these are the pieces of true Americana--the barns, the roadside signs, the machinery, the soda fountains, and more--that now inspire this splendid new set of three font families. This new, easily readable type from insigne digs deep to capture the very heart and passion of this splendid country’s lettering of the post-war era. Look’s compact frame quickly draws the audience to your headline, logo, subheading, or pull quote, working well in those compact spots of text without overpowering your content. You'll easily put the feeling of those days gone by into every piece with the natural beauty and simple usefulness of the Look hyperfamily. Each of the individual sub-families incorporates a variety of font weights with distressed attributes. Think Woodtype. Jeans. Antiques, folks. That deep, ingrained texture--that quality that will stand the test of time. And Look is flexible, too. Take, for example, Look Script. This powerhouse of a font offers thinner weights to give your work an easy-going, down-to-earth design. But bring in those heavier weights, and you'll have a muscular, assertive font that will go the whole nine rounds. Combine any of the Look families with Ornaments to really give your layouts a zing. Build an extraordinary design as well with Look’s swashes and alternates. To activate any of these alternates, just click on Swash, Stylistic or Titling Alternates in any OpenType-savvy application, or choose from the Glyph Palette. Explore hundreds of included extras to find that “cherry on top” for your one-of-a-kind project. There are over 70 fonts to choose from, including subfamily sans, serif, script and ornament fonts! You can't go wrong. To get the most bang for your buck, order the whole Look family now! Note on SHADOWS: Increase depth and make your designs pop! Add shadows to any of the Look fonts by duplicating the text content layer in place and switching it to its corresponding shadow. Color and offset to taste. Look shadows are offset automatically. In Illustrator, you may need to turn on Em Box Top for proper shadow alignment.

Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely "less is more age" to the contemporary basic style "Less, but better age", we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm. Golden Decades consists of 8 weights and their matching Italics for a wide range of usages. Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternate for advanced typography.

Back in 1800 - 1900, the Serif fonts or known as Roman styles were very popular. Used in so many media, came from calligraphic technique and refined till it became a solid style even so many sign painters use this letter style back in that era. And today, these kinda style still got their fans who love the elegant yet clean solid style. That's what this came for. Please welcome, Sicero Duo Fonts. Its a dynamic duo fonts that came in Serif and Sans-Serif style which is perfectly fit to each other. Bring the old vibes instantly to your project with them :) Sicero Roman A Serif style font with implementations of old-era style, clean and done in click-by-click to fulfil your perfectionist personal. And it comes in Old Style Numbering too, to make the vibes stronger in the whole vintage design when using it. Sicero Sans A Sans-Serif font to make a good pair with Sicero Roman still holding those old vibes but a little bit modern touch in here to reach wider range of trends. Use it all alone is still good to go if you want something different with not pairing it with Sicero Roman as well. Available in OTF, TTF, and Webfonts. Enjoy it more. Have some fun with it, Oldsport :) Cheers, Konstantine Studio

Rusty Forest is a typeface that takes you back to the days of golden design, when travel and adventure were celebrated in striking posters. This font's rustic appearance, created by its brush-style strokes, evokes images of a cabin in the woods, surrounded by the beauty of nature. It's as if you can smell the campfire smoke and hear the rustling of leaves in the wind. This font is perfect for designers looking to add a touch of vintage charm to their projects, whether it be a poster for a national park or a logo for a wilderness-themed brand. Its 1950s-inspired style will transport viewers back in time to a simpler era, where the call of the wild was all one needed to feel free. The Rusty Forest family includes Bold, Italic, Bold Italic, and Regular, offer a range of options to suit different design needs. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.