The charming imperfections and subtle variations make each character unique, breathing life into your text and giving it a truly human touch. Whether you're designing captivating ad campaigns, eye-catching posters, or stunning social media graphics, Inkstream is the perfect companion. It effortlessly adapts to any creative concept, elevating your message and giving it a distinctive touch that sets you apart from the crowd.

To blend a handwritten style with a graphical aesthetic, Monotype designers paid attention to the balance between the two, hence harmoniously combine their qualities like a mix of tradition and modern. M Felt Pen references the unified stroke thickness and rounded terminals of rounded Heiti typefaces, imitating the fluidity of marker writing. The linked strokes are vivid and suggest the presence of the human hand.

The Mordent is a hand drawn display typeface with organic and vintage feel. Comes with regular, stamp and dingbats styles. Suitable for any graphic designs such as branding materials, t-shirt, print, logo, poster, t-shirt, quotes .etc We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

NorB Casual is a handwritten text font which my daily casual writing, it can be used with any word processing program for text and display use, print and web projects, apps and Comic Books, graphic identities, branding, editorial, advertising, scrapbooking, cards, and invitations or even just for fun. This font comes with 16 styles, Light, Normal Bold and Heavy each with their Italic and Condensed version.

The design of Grosser* is inspired by the northern european modern architecture with it's rational shapes. The font was born for posters and to be used on large formats, the geometric shapes and the solid structure makes it a very good choice to do posters and graphics where you need an extra bold font with sharp lines. *Grosser (Größer) is a german word, which means "bigger/larger".

Basel-Stadt is a typeface strongly contrasted by long and wide curves and angular shapes in 6 weights from Thin to Bold. The character set contains 401 playfull glyphs and support all latin languages. Basel-Stadt is deeply graphical and looks like dancing, it is a perfect choice for titling, posters, music, magazine, etc… Basel-Stadt is definitely a typeface you will have fun to play with.

ITC Ellipse is the work of designer Jean-Renaud Cuaz, who specializes in visual identity programs combining graphic and typographic design. Cuaz contends that the ellipse has become prevalent in current design as a result of software which makes it possible to manipulat circular forms. ITC Ellipse is an excellent display typeface whose classical structure and proportions make it flexible enough for a variety of applications.

Blomfer is a simple, yet dynamic Graphic Typeface based on the chamfering of a simple block font. The design element of the chamfered corners also expresses as the opposite, protruding seraph like corners and angled terminations to ascenders and descenders. It is available in four weights all of which contain many glyphs that includes accents, ligatures, and mathematic symbols to meet the needs of most latin languages.

Introducing “Quick Game”, the futuristic font that was inspired from a sci-fi movie. Quick Game is a display font that is suitable on your headline to your magazine, flyer, poster or neon installation. Also clearly shaped to be applied in print design like t-shirt, mug, banner or motion graphic. • Uppercase • Lower-caps • Numbers • Punctuations • Supports Multi linguage (Latin Western Europe) • Ligatures Character & Stylistic alternates Character

Fogie is a modern serif family font. Features with 10 fonts. This family also featured with many ligatures and alternates. Designed with powerful OpenType features in mind and perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design. The Thin style is free so you can try this for your content.

Sole Sans, companion to Sole Serif , is a newspaper sanserif available in a wide range of weights and styles. It’s a workhorse, suitable for headlines, diagrams, graphics and tabular work. Contrast at the junctions between arches and stems is a feature of early 19th-century sanserifs which inspired Sole Sans. It was originally designed for the leading Italian financial newspaper Il Sole 24 ore.

Wesal is an Arabic typeface with an elegant and modern feeling. It’s luxurious, strong, legible, Clear, Simple, and contemporary. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Wesal has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Orleen consists of 9-weight versions from thin to Black.

Milanette is a set of 74 original vignettes designed by calligrapher Lyudmila Mikhailova. These light, graceful, dynamic flourishes -- tiny graphic compositions -- present visual replicas of her emotions and realize her innate love for intrinsic beauty of the world. The font can be used in book compositions, especially for poetry and historical fiction, in magazines, in package design of jewelry, perfume, cosmetics. Released by ParaType in 2011.

Fengo is a beautiful handlettering font inspired by Sino-Japanese and traditional Chinese hieroglyphic characters. As a result the font looks authentic and very friendly. It contains a wide range of features such as initials, finals, swashes, arrows, circled numerals. Fengo can cover all kind of graphic design project from packaging, signage, branding, titles… Fengo was designed in duo by Jean-Claude and Olivier Gourvat.

A very cheerful font. This font is very thick and suitable for use in children's games or animations. With this font, write very attractive, happy and comic titles and use it easily in graphic works. The design of this font looks sloppy and messy, but when you write your own text or title, while each letter is messed up, the text is completely connected.

Urban Black is An Urban Font. This font was created to help you designing logotype with urban style for your Brand or your clients, and also you can use it for designing all of the graphic stuff such as badge, sign, Esport, headline, urban design, T-shirt/apparel, Poster, etc. Urban Black was designed for personal characters such as strong, confidence, dynamic, readable, Energic, dynamic, etc.

The typeface Chalk Hand Marker is designed from 2019 for the font foundry Typo Graphic Design by Manuel Viergutz. The rough sans-serif display typeface with 4 font styles (Reg, Bold, Caps, Invert) is inspired by handwriting. 634 glyphs included plus 150+ decorative extras like icons, arrows, dingbats, emojis, symbols, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤️or #SMILE for

Tamitsa is a condensed display sans font. The font is universal and can be used in different directions of graphic design - Internet, printed materials, clothing, logos, posters, labels, navigation and more. Thanks to character compression, you can place a large amount of information in a compressed space. It will read equally well in large and small sizes. Tamitsa contains 4 fonts: 2 regular and 2 slanted.

Angry Monkey is a vintage layered font. Contains 5 typography styles, uppercase and lowercase letters, and basic punctuation for each style. Well suited for headings, corporate identity, as well as the creation of various printed and digital products. The font is designed in the playful style of an angry monkey. The archive contains a bonus accompanying graphics for the design of T-shirts and other products.

Hutsulyandiya 2D family fonts comprise folk ornaments found on Hutsul ceramics of the mid 19th to early 20th centuries. Hutsulshchyna is an ethnic region in the Ukrainian Carpathian Mountains where folk art and indigenous culture preserve up to nowadays. All images are to the maximum approximated folk prototypes. The graphics are characterized with grotesque, stylization simplicity, surprising plot moves. The font cheers up and evokes positive emotions.

Bridgest is an old and modern style serif created with a desire for quality fonts. The number of alternatives is enormous, from simple styling alternatives to swashes, fasteners and substitutes. Bridgest being a very versatile font with its classic shape and modern features, this font will be ideal for a variety of design projects from blog graphics, stylish quotes, wedding stationery, art prints and many others.

2001 description: No monospaced typeface I used for coding development or just plain e-mail correspondance satisfied me in aliased mode. All common monospaced fonts have hinting imperfections from 9 to 12 points and above. All but Pragmata. 2021 description: Pragmata is still a good font for graphic design. Take a look at Pragmata Pro if you looking for a perfect and complete antialiasing coding font

TALLINGS is a bold modern, urban-condensed font, inspired by street urban poster that combines the classic and modern style. TALLINGS will be best suited for creating logotypes, branding, headlines, corporate identities, Invitation card, and other graphic design elements. TALLINGS Features: Bold condensed font Punctuation & Characters Ligatures and alternates Glyphs included superscript & Symbol Currencies Multilingual Thankyou for picking up this font. Happy creating! Regard, Grontype

Proudly Present Farson - Vintage Typeface Farson born from an inspiring vintage display. This font gives a feel of a vintage, classic, old, and based on handmade. Already PUA Encoded and I think this font is perfect for people looking for vintage aesthetic or logo-type. Suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc.

The Kolo family was designed by Paul Shaw, inspired by the lettering of Koloman Moser, Gustav Klimt, Alfred Roller and other members of the Secession, Vienna’s turn-of-the-century Art Nouveau movement. Kolo’s family variants—narrow, regular, wide & alternates—serve as stand-alone display styles, or can be used in combination to pack text creatively in the manner characterized by Secession-period graphics.

Tzur is a Hebrew sense-serif font with a nostalgic scent. The shape of the letters has two qualities - Raw and processed - and they are combined without canceling each other out. The resulting product is a font that conveys power, stability, and prominence, and echoes typographic values that correspond with the graphic/visual language that was accepted in The early years of the State of Israel.

Power, speed and modern creature comforts characterized rail travel in the 1930s. To reflect those characteristics, legendary French poster artist A. M. Cassandre employed strong graphic elements and a chiaroscuro letter treatment to the 1939 poster lettering that inspired this font. Both versions of this font contain the Unicode 1252 Latin and Unicode 1250 Central European character sets, with localization for Romanian and Moldovan.

Fastest is a unique and modern sans serif font, specially designed for headlines, big text, branding, logotypes, marketing graphics, banners, posters, signage, and display usage. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out! This font is PUA encoded which means you can access all of the amazing glyphs.

Milla Grace is a modern & classic font. This font is ideal for creating logos and branding. With original ligatures. It works perfect for creating sites, logos, striking editorials, invitations, graphic quotes, and more. Uppercase Characters & Discretionary Ligatures. Multilingual support for various languages. For presentation image, pairing script font: Carphe | Modern Luxury Duo font Follow me by Instagram: @labfcreations Made in France with LOVE. © LABFcreations

Tact Slab is geometrically slab serif font, black and condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab is compatible with the sans serif font Tact. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, futuristic themes, sport, film, computers, phones, video games, magazines... Contains all Latin and Cyrillic glyphs.

The new font “The Best We Could Do” was created by artist and author Thi Bui who used the font in the graphic novel by the same name. The font is brush-script handwriting font which displays human personality rendered with bold confident strokes full of passion and expression. Chank’s work on this font captured Bui’s distinctive textual style and also saved her a ton of headache and time in inking. A debut memoir that tells the story of one family’s journey from their war-torn home in Vietnam in the 1970s to their new lives in America, the autobiographical book is lauded for its heart-breaking exploration of identity, family, and home. Bui ties her modern life with the multi-generational experiences of her family, weaving together the emotional threads of their relationships to find clarity in her current day. “The Best We Could Do” graphic novel is published by Abrams ComicArts and is available wherever fine books are sold.

Goldplay is based on Isidora Sans design yet features rounded shapes. Its rounded, soft terminals give it a friendly and expressive look, and its modern and contemporary style as well as its classic proportions make it an excellent choice for headlines, logotypes, branding, books, magazines, motion graphics, and use on web and Tv. One of its key features is a large x-height which make it look elegant and classy. Goldplay comes in 2 versions—each in 7 weights, from Thin to Black, and matching italics, resulting in a total of 28 fonts. The standard sans serif version—fresh, clean and contemporary—is a perfect choice for editorial and corporate design, headlines, books, magazines or any other piece of graphic design. The Alt semi-serif display version—more expressive and modern—is ideal for logotypes, branding, packaging, and use on web and Tv. Goldplay contains a set of 540 characters that support over 200 Latin-based languages.

Nick Curtis's love affair with typography began when he was barely past adolescence, in a neighborhood alley of East Dallas. On a routine patrol for tossed treasures, he came across a type specimen catalog: a big, fat green binder displaying hundreds of fonts! He was hooked. Curtis's career has taken him from production art to graphic design to art direction, but type has always remained his graphic passion, especially the provocative designs produced from the late 19th through the early 20th centuries. Curtis's inspiration for ITC CuppaJoe comes from Art Deco lettering, but not from the typical sources. Depending upon your age or your interest in early twentieth-century package design ITC CuppaJoe might look familiar. Its foundation is the label art for Bokar, A&P's premium coffee during the 1930s. Curtis built on the gently sweeping curves and bold angular strokes of the original coffee-can lettering to create a distinctive typeface that commands attention. Rich, full-bodied, satisfying - now that's a ITC CuppaJoe!

Features: • Support for 28 languages: Afrikaans Albanian Catalan Croatian Czech Danish Dutch English Estonian Finnish French German Hungarian Icelandic Italian Latvian Lithuanian Maltese Norwegian Polish Portugese Romanian SlovakSlovenian Spanisch Swedish Turkish Zulu Swedish Turkish Zulu • Contains OpenType features with alternates or substitutes • Tabular Figures • Ordinal numbers • 74 icons (It will keep updating.) • 72 graphic patterns for designer (It will keep updating.) • 28 brand symbols (It will keep updating.) • 27 arrows glyphs • 0-99 line circled glyphs • 0-99 solid circled glyphs • A-Z line circled glyphs • A-Z solid circled glyphs Gravitica Mono family consists of 18 styles (6 weights, 6 Italics, 6 Icons), in each of which there are more than 508+ glyphs. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. Useful links: Gravitica PDF Type Guide and Specimen (You can know how to use icons and arrows, other glyphs.)

OCR A and OCR B are standardized, monospaced fonts designed for Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display graphics. OCR B was designed in 1968 by Adrian Frutiger to meet the standards of the European Computer Manufacturer's Association. It was intended for use on products that were to be scanned by electronic devices as well as read by humans. OCR B was made a world standard in 1973, and is more legible to human eyes than most other OCR fonts. Though less appealingly geeky than OCR A, the OCR B version also has a distinctive technical appearance that makes it a hit with graphic designers.

Typeface Laborat™, designed by Kristína Jandová, is a Grotesk typeface that combines the geometry of a circle and a square. The visual message of geometry is applied to stylistic sets and modified by special characters, including abstract forms or symbols, that turn the typeface into a visual “graphic” language. The basic character of the typeface lies in the default set based on the circle-like shapes of letters. The stylistic sets 01 to 03 are characterized by different geometrical modifications of the growing character and the idea “from circle to square” applied on the letters a, f, g, l, r, t, u, y. By using these different alterations of consistent letterforms, it offers a playful space for everyone. The first inspiration of the typeface origins in Paul Renner’s Futura sketches, that were a celebration of geometrical playfulness of modernism meeting constructivism. It is modified into a new contemporary “wave” of typography as a graphical method. Laborat comes in six weights, from Hairline to Heavy.

FWD Egyptian Tower is a designers stack-able Display family best purchased as one package. The four versions can be manipulated in your favorite graphics or sign making application to achieve the different effects as shown in the font family ad designs. All fonts are tightly spaced and are very often intentionally overlapped creating a balance for each very unique wider bottomed character. Being stack-able, the designer can duplicate the original text layer and by changing the font on the lower of the two layers to another of the family can then add another available effect. This can be repeated to add other of the available effects. Then by converting the text of the lower text layers to curves or outlines and welding the characters of the words together, the overlaps can be eliminated. This process is fairly common practice for a graphic designer and quite easy once done a few times.

NorB Architect Condensed fonts are the condensed and the extra-condensed version of my NorB Architect font. It comes with 12 weights from Light to Condensed to Extra Condensed along with their Bold and Felt version. These Architectural fonts will add a beautiful architectural hand-lettering style to all your CAD project drawings. Architects have always wanted their CAD drawings to look more like they were drawn by hand, rather than by a CAD program. These AutoCAD fonts are the first step in bringing back that “artistic hand-drawn” feel to your CAD drawings or any graphic design project that can use true type fonts. They also can be used with any word processing program for text and display use, print and web projects, apps and ePub, Comics, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations … or even just for fun! NOTE: For more variations of 'NorB Architect CF' font please visit click on this link.

WAVE is characterized by curved lines and intricate details. Each character was individually made in Illustrator and Type Tool using my original illustrations. Wave is a decorative font best used for titles or short bursts of texts in large point settings. The typeface is based on the uppercase letterforms, but I have also created lowercase letters, numbers, and glyphs. The motion lines used in the making of Wave mirror an art deco-style. Inspired by an illustration of a large wave, I was fascinated that by using only lines and solid colors we as artists can depict the translucency and ever-changing movement of waves. I began by delicately sketching out all of the letters using graph paper and micron pens. My work always begins with traditional media. I'm an illustrator, freelance artist, and graphic designer from Chicago, IL. I studied at Texas Christian University, and received my Bachelors of Arts in Graphic Design from Columbia College Chicago. Visit www.jennyddesigns.com for more! :)

Ozana Pro is a bracketed serif font family adapted to the professional requirements of graphic designers, web designers and mobile app developers. Comprised of 24 styles including 12 styles designed especially for headlines and 12 styles for text and long paragraph design. Ozana Pro is a very versatile family of fonts that can be used in many projects such as editorial design, branding or corporate identity creation, design of posters or logos, the creation of websites or the development of mobile applications. With this design of glyphs differentiated by the optical size according to the styles, the titles have a very graphic aspect while the long texts have a more classic design in order to keep an optimal readability in all cases. Ozana Pro is also equipped with powerful OpenType features such as case sensitivity, true small caps, ligatures, tabular figures, old styles figures, numbers circled. Ozana Pro is also available as a variable font family.