Looking to add a touch of refinement to your designs? Look no further than Philosykos. With its carefully crafted details and more than 80 ligature choices, Philosykos is the perfect choice for adding a cultured, sophisticated look to your artwork. This typeface comes in four styles - Regular, Italic, Bold, and Bold Italic - making it versatile enough for a wide range of designs. Whether you're creating a logo, designing packaging, or working on a book cover, Philosykos will help elevate your work to the next level. So if you're looking for a typeface that exudes elegance and style, look no further than Philosykos. Try it out today and see the difference for yourself.

Introducing fresh PELORIC sans serif typeface which is well crafted for the classic and modern outlook. It can be read easily from a small size to a large size. Feeling fresh & trendy with it’s distinctive visual. It is well suited for branding, website & mobile layout and many more. It can also be used for branding materials, business cards, social media, packaging, prints, quotes & posters, etc. It comes up with 12 different weights as thin, thin italic, light, light italic, regular, italic, medium, medium italic, bold, bold italic, inline & inline italic. So, if you are looking for a new stylish and unique font, then here is the best font just designed for you and supporting any operating system and platform.

ED Muskrat is a display font family that looks elegant classic and modern, this font is designed from a combination of serif and semi blackletter fonts that add a unique feel to the font. ED Muskrat has 9 styles: Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black. ED Muskrat is equipped with ligatures, alternative characters, and supports multiple languages. and also this font is perfect for your design needs such as branding, poster design, books, fashion, social media design, logos, etc. Features: Stylistic alternates ( C, E, F, I, J, N, Q, S, Z ) Ligatures ( fi , fj , tt ) 9 Styles ( Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, and Black ) Multi Language Support 373 Glyphs

Some scribbles on a bar napkin, a note from a cute girl passed in history class, what is there to say but why not a typeface? Actually it's that late night, �let's get this typeface done� madness that causes these flights of fancy. Anything to relieve the boredom of doing all those kerning pairs. Or maybe it's sunspots? Ms Kitty is all uppercase letterforms so there are two versions of each letter, one in the cap position, another in the lowercase position. Besides the regular weight and bold, there�s a bolder and much bolder in the works. And perhaps there will be a "too bold to be believed" version. Depends on the sunspots.

The art of paper folding in dingbat form. The uppercase alphabet is made up of origami animals and the lowercase offers those shapes decorated in traditional origami paper patterns. Full patterns, flowers, and partial foldings fill out the symbols and numbers.

A revival of old hand painted sign in Old Jaffa, from the mid of 20th century.

Some old broken characters. It reminds me of old labels on walls, streets or on tanks.

Malabar is a type family for extensive text. Its design was developed with a nod toward newspapers. Malabar's characters are seriffed and of the Old Style genre. A strong diagonal axis is apparent within the curves. Sturdy serifs help strengthen the line of text in small point sizes, as well as define the overall feeling of the face. Malabar's x-height is very high, a deliberate choice that makes the most important parts of lowercase letters visibly larger in tiny settings. The height of the capital letters is also rather diminutive, allowing for better character fit, as well as eliminating a bit of clumsiness in German, which often includes quite a few uppercase letters. Diacritical marks and additional alphabetic forms required by many Western, Central, and Eastern European languages are naturally a part of the character set, including those needed in the Baltic states, for Romanian, and for Turkish. Malabar's accents are bold and direct, sitting well with their base glyphs. The family includes three weights, each with a companion Italic. Malabar Regular is equipped with small caps, and both it and Malabar Italic include oldstyle figures. All members of the family have both proportional and tabular-width lining figures, as well as special variants of certain punctuation marks vertically adjusted for all-caps text setting. Malabar is informed both by contemporary ideas of typeface design (sheared terminals, the wider-drawn s) as well as by 16th-century masters. Malabar Heavy and Heavy Italic are very loud; their blackness almost shouts out from the page. The Regular's wedge serifs become more slab-ish in nature as the letters' weight increases. Malabar Heavy and Heavy Italic are best relegated to headline use only. Malabar Bold and Bold Italic may be used for text emphasis, a job for which the Heavy is to dark. Malabar received a Certificate of Excellence in Type Design at the Type Directors Club of New York TDC2 competition in 2009.

Maclean's is a weekly Canadian newsmagazine with a broad editorial mission. A typical issue covers everything from violence on the other side of the globe to the largest pumpkin grown in a local county. In 2001, Maclean's invited Rod McDonald to become part of the design team to renovate" the 96-year-old publication. The magazine wanted to offer its readers a typographic voice that was professional, clean, and easy to read. Above all, the typeface had to be able to speak about the hundreds of unrelated subjects addressed in each issue while remaining believable and uncontrived. A tall order, perhaps? Now add in that this would be the first text typeface ever commissioned by a Canadian magazine. McDonald, who some have called Canada's unofficial "typographer laureate," took on the challenge. McDonald used two historic models as the basis for Laurentian's design: the work of French type designer Claude Garamond, and that of the English printer and type founder, William Caslon. From Garamond Laurentian acquired its humanist axis, crisp serifs and terminals that mimic pen strokes. Caslon's letters are less humanistic, with a more marked contrast in stroke weight and serifs that appear constructed rather than drawn. These traits also made their mark on Laurentian. Using these two designs as a foundation, McDonald drew Laurentian with the narrow text columns and small type sizes of magazine composition in mind. He gave his letters strong vertical strokes and sturdy serifs, a robust x-height and a slightly compressed character width A tall order, per McDonald's genius is evident in the face's legibility, quiet liveliness and in the openness of the letters. The result is a typeface that not only met Maclean's demanding design brief, but also provides exceptional service in a wide variety of other applications. Laurentian is available in three weights of Regular, Semi Bold and Bold, with complementary italics for the Regular and Semi Bold, and a suite of titling caps."

ATF Franklin Gothic® A new take on an old favorite Franklin Gothic has been the quintessential American sans for more than a century. Designed by Morris Fuller Benton and released in 1905 by American Type Founders, Franklin Gothic quickly stood out in the crowded field of sans-serif types, gaining an enduring popularity. Benton’s original design was a display face in a single weight. It had a bold, direct solidity, yet conveyed plenty of character. A modern typeface in the tradition of 19th-century grotesques, Franklin Gothic was drawn with a distinctive contrast in stroke weight, giving it a unique personality among the more mono-linear appearance of later geometric and neo-grotesque sans-serif types. Franklin Gothic has been interpreted into a series of weights before, most notably with ITC Franklin Gothic. But as the original type was just a bold display face (later accompanied by a few similarly bold widths and italics), how Benton’s design is expanded to multiple weights and styles as a digital type family can vary significantly. Benton designed several gothic faces that harmonize with one another, including Franklin Gothic, News Gothic, and Monotone Gothic, that can serve as models for new interpretations of his work. With ATF Franklin Gothic, Mark van Bronkhorst looked to Benton’s Monotone Gothic—originally a single typeface in a regular weight, and similar to Franklin Gothic in its forms—as the basis for lighter styles. ATF Franklin Gothic may appear familiar given its heritage, but is a new design offering a fresh take on Benton’s work. The text weights are wider and more open than some previous Franklin Gothic interpretations, and as a result are quite legible as text, at very small sizes, and on screen. ATF Franklin Gothic maintains the warmth and the spirit of a Benton classic while offering a suite of fonts tuned precisely for contemporary appeal and utility. The 18-font family offers nine weights with true italics, a Latin-extended character set, and a suite of OpenType features. Download the PDF specimen for ATF Franklin Gothic.

Crossten Soft�s �modern geometric sans� family consists of 20 fonts. All family fonts contain 370 glyphs and are equipped with many typographic features. Crossten Soft is designed for those who prefer to use single-coded fonts not only in coding but also in many different graphic design environments. Idea; It came from creating a font with a single-spaced aesthetic, without breaking the soft, single-spaced fonts. Crossten Soft is a geometric sans single-spaced font with all typographic features except space and character spacing.

HS Masrawy is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy. The font has a new modern idea where the vertical strokes have a constant value in all of its five weights. It has (5) weights and supported Arabic, Persian and Urdu compatible with Unicode (6.2). HS Masrawy is the first released typeface of collaboration between Hasan Abu Afash and Egyptian designer Abdulsamie Rajab Salem.

In 2015, Amsi Pro was released with the intention of easy usage and headings. After more than 5 years, Amsi has developed itself into the direction of Grotesk, which can be use comfortably as Graphic, both text and headlines, keeping its friendliness trait with Semi-Rounded and Humanist approach looking pleasing to the eye, succeeding the DNA of Amsi. The font has been set to equipped with 3 widths (Normal / Narrow / Condensed) for flexibilities in various demands. We are truly proud to present Amsi Grotesk.

Fionas is a condensed serif typeface inspired by retro 80’s-magazines’ typography, mixed with modern appeal to blend with modern needs. Ranging from light to heavy with italics, Fionas offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for headlines, perfectly suitable for display purpose such as book covers, web headlines, branding, editorial, etc. Fionas has extended latin character set that supports 200+ latin-based languages.

Monora is a sleek and modern sans serif font that embodies contemporary design with clean lines and a minimalist aesthetic. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Akega is a beautifully Font Duo that contained Sans-Serif and Script that is perfect for any design project. An Original typeface that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Modern Sweet Retro that contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Based on our experience as a graphic designer who works for a lot of companies, we often are requested to design a logo in a unique style but with an elegant shape. So, we try to brainstorming and create this font to make the idea is going out. This is perfect for BRANDING and LOGO DESIGN. You will get classy, elegant, and certainly unique logos with this font. Beth Harmone is also included full set of: · uppercase letters · multilingual symbols · numerals · punctuation Wish you enjoy our font. :)

The typeface EURO Icon Kit is designed at 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. The display font is inspired by the here and now. 763 glyphs incl. icons, dingbats & symbols. Decorative extras like arrows, emojis, ornaments, geometric shapes, catchwords, decorative ligatures (type the word #LOVE for ❤ or #SMILE for ☺ as OpenType-Feature dlig) and stylistic alternates (20 stylistic sets) + sign of the zodiac. Have fun with this font & use the DEMO-Font (with reduced glyph-set) for FREE!

Itoya is a contemporary sans serif font influenced by Western and Japanese ideologies. A fusion of modern machine-like functions with a warmer, emotional and more spiritual ethic. The marriage of a western precision and eastern expression forms a sharp functional font with a modern edge ideally suited to graphic novels, fashion and product design. Details include seven carefully chosen weight with true cursive italics, over 600 characters, alternative lowercase a, e, g and y. Five variations of numerals, ligatures, manually edited kerning and Opentype features.

Paul Grotesk Stencil is a new Version of the modern, clean, minimalist grotesque typeface Paul Grotesk, with delicious detail. Created and published in collaboration by Fargus Meiser and Lukas Bischoff. It comes in 8 stylish weights and 3 are free to try. Designed with powerful opentype features in mind. Each weight includes extended language support, fractions, arrows, special numbers and more. It fits perfect for graphic design, editorial, corporate and any display use. Also check the webfont to create a nice responsive interface design!

Nazari is a typeface for titles with personality, character and multiple alternatives to design. Nazarí is inspired by Arabic lettering and calligraphy, but updates its shapes through games of high contrast, geometric design and rounded terminals. The family has 4 styles: Regular, Regular Inline, Sans and Sans Inline. In turn, Nazari is divided into a basic set and an extended set. The basic set supplies all the essential characters to design any graphic piece. The extended set also contains different contextual alternatives, ligatures and swashes.

The Cacographie Calligraphy Font is a signature decorative font with which you can achieve a handwritten-type lettering feeling. Cacographie Calligraphy Font it's a multilingual lettering font with Greek (of course), Latin character set, and diacritics. This calligraphy style is perfect for your modern graphic design needs. This font has a really nice flow so you use it in a large text if you want to give them a touch of personality. It can be used on social media content, for branding or packaging.

Gritty heat-forge stamped metally goodness. Can withstand up to 255 pounds of pressure psi, it even says so right on the graphic. This is a fun display font inspired by the stamped text on barbells, sewer drains, and of course boiler-plates, not that we see many of those anymore, but I digress... This font contains all the standard sub-255 unicode characters, plus a few extras for flavor. Apply this font with liberal amounts of axle grease and she should last ya a lifetime.

The Ghino family of "modern geometric sans" consists of 20 fonts. All the family's fonts contain 370 glyphs and are equipped with many typographic features. Ghino Text is designed for those who prefer to use single-coded fonts not only in coding but also in many different environments of graphic design. The idea came from creating a font with single-spaced aesthetics, without breaking the single-spaced fonts. Ghino is a geometric sans single-spaced font with all typographic features except spacing and character spacing.

Love You Baby Font is the epitome of adorable handwritten charm! This delightful font is crafted with love and is perfect for adding a touch of sweetness to any design project. Whether you're creating greeting cards, invitations, logos, or social media graphics, Love You Baby Font will make your creations truly standout. Its versatile nature and captivating strokes ensure that your designs exude a warm and lovable vibe. Don't miss out on this enchanting font it's sure to bring smiles and love to your creative endeavors!

The typeface Boom Pang Pow is designed from 2020 for the font foundry Typo Graphic Design by Manuel Viergutz. A collection of comic and pop art elements like Speech Bubbles Catch Words, Punctuation Symbols, Boom, Pow, Bang … with various layers for colouring. 1 font-style (Comic) with 248 glyphs (Adobe Latin 1). For use in logos, magazines, posters, advertisement plus as webfont for decorative headlines. The font works best for display size. Have fun with this font & use the DEMO-FONT (with reduced glyph-set) FOR FREE!

Spacia is a unique & modern Sans-Serif typeface specially designed for headlines, big text, branding, logotypes & display usage. The typeface could be the perfect choice for logo/logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design that can bring freshness and professionalism. Please see the examples shown above to get an idea of the capability of this typeface. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets.

A charming font inspired by the Brazilian beloved album for children by Vinicius de Moraes, author of the bossa nova classic 'Garota de Ipanema' (Girl from Ipanema) with his partner Tom Jobim. The font has a cheerful cutout look, as does the original album cover designed by Elifas Andreato in 1980. Arca font is loaded with alternates for a nice natural look and has yet quite cool interlocks. Its complementary font brings handsome graphic elements to add some bossa here and there. Now let's dance!

Mauren is a serif typeface inspired by the beauty of classic serif and calligraphic style, fused with modern appeal to blend with modern needs. Ranging from thin to black with italics, Mauren offers many possibilities to be applied in many graphic or editorial projects. The lighter weights are suitable for short paragraph, and the heavier weights are perfect for headlines, perfectly suitable for display purpose such as branding, editorial, book covers, and packaging. Mauren has extended latin character set that supports 200+ latin-based languages.

SK Irrationalist is a new experimental accidental font created by the SHRIFTOVIK font foundry and Tikhon Reztcov. This font is very unusual. It uses non-standard graphic techniques. Sloping non-parallel lines, sharp shapes and a combination of rectangles and circles all make the font special. The SK Irrationalist font was inspired by the works of constructivist artists of the early 20th century. The font contains both Latin, Latin Pro version for European countries and Cyrillic. This font delivered in 4 styles: Regular; Sharp; Outline; Rounded.

Elphadora is a versatile, high contrast display serif font features a mixed modern-classic design. Elphadora support multilingual languages, numbers, punctuation and alternative-ligatures. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Elphadora for any graphics that require a sleek look with a elegant flair. I really hope you'll get pleasure using Elphadora font and it will be perfect addition to your font collection! If you have some questions, please write me a letter! Thank You, Skypia.

Following the great success of Swissra, the condensed cut was designed on the same principles of Swiss graphic design. Originally Swissra was designed to create a neutral and carefully crafted Arabic font family that can be used on many different applications. Now it creates even more possibilities to help designers in applications such as signage and editorial design where the condensed cut is needed. The typeface is one of very few Arabic condensed typefaces. Swissra Condensed comes in eight weights which range from Ultralight to Black.

Framework Mono is a modern monospaced typeface. A close relative of the original Mittelhorn font family, with whom it shares some letter and number design features, the two fonts are ideal companions. It comes in 3 weights, 3 uprights and matching italics. Designed with opentype features, each weight includes extended language support, fractions, arrows, ligatures and more. Perfectly suited for graphic design and for any display use. It could nicely work with code editors, web, editorial design, as well as corporate tabular data sheets and more. Enjoy!

The Bouns is a Groovy Retro Font with fun and elegant style, so it's fitted for some retro project. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

"Dulya" is a weird, funny and irrational font. The design of the letters is based on the handwriting which is usually taught in school but the letters' graphics are geometrically transformed to make them interesting. The font has many alternative characters, so you can very freely control the texture of the text. Dulya supports Basic Latin and Extended Latin, Cyrillic — in total about 90 languages are supported. The font has one Regular weight, alternative characters, Uppercase and lowercase. Dulya font was designed by Viktor Pesotsky.