Astronoma is a clean modern and geometric sans serif typeface inspired by industrial design and technical fonts. Includes OpenType features & supports many languages. Astronoma is ideal for headlines, headers, logos, labels, packaging, presentations, magazines, invitations, etc. Features: Basic latin alphabet A-Z 11 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Enjoy Astronoma!

Paradox Runa is based on the futhark, norse elder runes. “Missing” characters has been replaced with either other “real” runes, or “new” ones have been “invented” so that the font hold all characters for the latin alphabet (A-Z + swedish Å Ä & Ö) + “Numbers” 0-9. I do not claim that this rune alphabet is totally authentic nor correct! All upper and lower-case letters are the same except for the letter S. “Ligatures” have been created for the th, ng and eo sounds. These are accessed by writing TH, NG and EO (in upper case letters). Space is automatically replaced by a ‘colon’ (':') - if you want a “real” space, write an underscore! (open type version of the font and open type compatible layout application required). Paradox Runa goes perfect with the font Paradox X (regular yet enigmatic hand drawn latin letters)!

Wakandan is an alphabet designed by Hannah Beachler, and used in the 2018 film Black Panther. It is based on Nsibidi symbols. In the film it is used to transliterate English text in the credits and other on-screen text. Another script used in the film was developed by Oluwaseun Osewa and inspired by Nsibidi, a system of symbols used in southeastern Nigeria between about 400 and 1400 AD. In addition, the symbols of several different ancient languages ​​were also used for the alphabet. Like Old North Arabia, Old Tifinagh. I did not draw for this font, except for a few letters. I transferred the sound values ​​from the ancient writing languages ​​fonts that I had made before to the Wakanda font, so I did not take much time, I finished it in 4-5 hours.

Gazi is the honorary title given by the state to the commanders who defeated the enemy by showing extraordinary benefits. This title was first given to Mustafa Kemal Atatürk by the Turkish Grand National Assembly on September 19, 1921. Gazi font was designed for Mustafa Kemal Atatürk, who founded the Turkish Republic. This type face consists of two families:: ▪ Gazi: Font family with Latin alphabets ▪ Gazi Pro: Font family including Latin and Arabic alphabets The Gazi font family is ideal for those looking for a new and aesthetic serif font. This font with modern lines can be used in all broadcast and printing areas. Gazi font will meet your needs and expectations in terms of the number of glyphs and the languages it supports. The font family includes many open type features, as well as some ligatures, and many currency symbols.

Karmina Sans follows the steps of its successful award winner cousin, Karmina Serif. It shares the same technical excellence and it achieves similar stylistic features, but the new sans serif version proposes a much more versatile tool for editorial designers. Karmina Sans has six different weights with their matching italics, from light to heavy and from continuous text to headlines to small text. The heavy weight delivers one of the darkest and most powerful impressions out there while the text weights are perfect companions for Karmina Serif. The OpenType Pro package of Karmina Sans includes nearly 900 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, complete ordinal and inferior alphabet, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet.

From the fluid brushstrokes of Teri Kahan's lettering comes a tropical treasure: ITC Puamana, graceful as a palm tree in the ocean breeze. “Puamana” is a Hawaiian word with several meanings; among them are “the blossoming of miraculous power” and “sea breeze.” ITC Puamana captures the essence of the tropics, suggesting the sway of palm trees in the ocean air. With its ragged edges and italic slant, this brush-written alphabet has a unique visual texture that graces the page with spirited movement. Sketched on the beach in Maui by west coast designer Teri Kahan, ITC Puamana first saw life as apparel art for a Hawaiian clothing company. Now this versatile typeface is a complete alphabet that's useful for both text and titles. ITC Puamana can be put to use in everything from book jackets to in-store signage.

"Love Heart" is a hand lettered font style that is perfect for greeting cards, branding, stationery design, social media, packaging, magazine layouts, prints, logos and more! This unique font features complete lowercase alphabets and uppercase alphabets along with a few other ligatures and stylistic alternates to create a truly handwritten look and feel. "Love Heart" has a variety of unique, coded features to create compelling, handmade outcomes. Multilingual support is included for Western European languages. OTF is included for the full, "Love Heart" font. Including Product : - Love Heart (OTF) - Love Heart Fill (OTF) - Love Heart Sans (OTF) This is the personal license font that can be used for all personal needs. If you want to use this font on items you are going to sell or on anything promoting your business, please purchase the extended license version. Happy Designing! Haksen

Gazi is the honorary title given by the state to the commanders who defeated the enemy by showing extraordinary benefits. This title was first given to Mustafa Kemal Atatürk by the Turkish Grand National Assembly on September 19, 1921. Gazi font was designed for Mustafa Kemal Atatürk, who founded the Turkish Republic. This type face consists of two families:: ▪ Gazi: Font family with Latin alphabets ▪ Gazi Pro: Font family including Latin and Arabic alphabets The Gazi font family is ideal for those looking for a new and aesthetic serif font. This font with modern lines can be used in all broadcast and printing areas. Gazi font will meet your needs and expectations in terms of the number of glyphs and the languages it supports. The font family includes many open type features, as well as some ligatures, and many currency symbols.

In his 1538 book on measurement, Albrecht Dürer gave clear descriptions and drawings about the proportions of the letters in both Roman and 'fraktur' alphabets (from Latin 'fractura', meaning that it's broken up with lots of different angles rather than smooth curves). Here is the fraktur alphabet as a font completed for use today, with a few characters modernised and some gaps filled. Of course there are countless examples of fraktur fonts already circulating, and indeed one foundry even has another version of this particular one; but we have different approaches to some of the questions raised, we have aimed at a more even tracking (horizontal spacing), and the 260 glyphs in our version include accents and other diacritics, and the modern symbols which Dürer would surely have embraced if he had had access to the internet.

The Seol Sans design offers a fresh palette for designers working with the Korean alphabet, particularly those looking to pair Latin and Korean alphabet (or Hangul) forms without creating typographic friction. The choices for Hangul fonts that work well with humanist Latin typefaces are limited. As Monotype’s first original Korean design, the Seol Sans typeface is a humanist take on the traditional rigid and hard designs of Hangul characters. The Seol Sans design more closely resembles the natural curve of hand-written characters. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and M XiangHe Hei (Chinese). Seol Sans is a great choice for global brands using a Sans Serif design looking to maintain their visual identity, and communicate with a consistent tone of voice in the Korean market.¶

1st Ave is the most experimental of my typefaces. I took a picture of a metal and neon sign in the East Village of New York City. These signs are slowly being replaced by LED and LCD displays, but if you look hard, you can still find quite a few in the city. The signs give a mid 20th century feel to the city. To design 1st Ave, I took a picture of the sign, scanned it and increased the contrast in Photoshop so that the photographic forms became line art. There weren't enough letterforms in the sign to create the whole alphabet, so I cut up the strokes and collaged them back together to finish the entire alphabet. Important Note: 1st Ave is an experimental typeface and is not compatible with certain software such as Microsoft Word.

For decades, cereal companies have included premiums [promotional gifts] inside their packages, printed on the cartons or to send for with a special coupon and redemption instructions. During the 1940s, Pep cereal [a long-discontinued Kellogg's brand] offered a series of water-applied decals within its boxes. Most likely made by the Meyercord Company (one of America's largest transfer decal manufacturers at the time), one decal in particular had an alphabet in gold letters with black outlines. (One can only presume the marketing strategy was to have kids bug their parents to buy more Pep cereal if the child needed more than one letter of the alphabet for his or her initials!) Those decal letters have inspired a digital version as the outline character font Toy Decals JNL, which is available in regular oblique, solid and solid oblique styles.

Architype Crouwel is a collection of typefaces created in collaboration with Wim Crouwel, following his agreement with The Foundry, to recreate his experimental alphabets as digital fonts. Crouwel's most recognized work was for the Van Abbe and Stedelijk museums (1954 –72) where he established his reputation for radical, grid-based design. Stedelijk first appeared in the seminal Vormgevers poster, commissioned by the Stedelijk Museum, Amsterdam in 1968. Crouwel created a rigid grid system across the poster of 57 vertical by 41 horizontal lines, also forming the basis for the construction of the letterforms. Although all hand drawn, the resulting typeface had a machine-made appearance. This striking black and white poster with its visible grid became one of Crouwel's most iconic designs. Architype Stedelijk now re-creates these letterforms as a single alphabet typeface in a digital font.

The font is devoted to the historical past of the peoples of Europe, which today is hidden, but which can not be lost forever, because it lives in the genetic memory and hearts of people. Beautiful font in the historical traditions of 17-19 centuries. Elegant, luxurious, sweet. Some forms and combinations of forms are not always ordinary, but always interesting and exciting. - Letters for all Latin alphabets - Letters for all Slavic alphabets - Ligatures. All standard (ff, fi, fj, etc.) as well as fb, fk, tt, ft - Stylistic alternates a, y, g - Ordinals - Fractions - Historical forms of letters s, я - Historical ligatures ss, si, st - Historical Slavic letters - Lowercase alternates for ж, к, я, ect. - National ligatures: German ss, Icelandic and French ae, oe, Dutch ij - Uppercase German SS (Eszett Große) - Currencies: dollar, ruble, euro, pound, cent, yen and more...

It was my first attempt to drawing a Hebrew alphabet to mach directly with other typeface (Latin) which I already designed. The Latin version is an handwriting display typeface influenced by chancery handwriting from the Italian Renaissance (broad-nib pen). One of the most typographic characteristic is there wavy forms, especially the serifs, where contains some of the main calligraphic references from this font family. The Hebrew script contain reverse contrast, the vertical proportions are more tall and the stroke weight is slightly more strong than latin lowercase to produce a correct visual balance between them, especially on small sizes (text proportions). This Hebrew square book-hand was influenced by Sephardic script style. The Latin characters contains interrupted strokes, the same was made for Hebrew letterforms to transpose correctly the same calligraphic approach between these two different alphabets.

At first glance, the lettering style of Technopen JNL seems to emulate the computer-age fonts of the 1980s. In actuality, this font is derived from an alphabet sample found in an instructional booklet for the Esterbrook Drawlet Pens. The Drawlet line was Esterbrook's answer to the iconic Speedball pen points sold through their chief competitor, the Hunt Pen Manufacturing Company. So, what seems to be late 20th Century typography is actually from vintage source material. In fact, the entire contents of the instructional booklet were copyright 1929! A few minor changes were made to the original A-Z alphabet and additional characters were added. The name Technopen is a shortening of the term 'technical pen', which is both a nod to the techno age of the 80s and the technical instruments of the past utilized for drawing and lettering.

For several years I have been thinking about the design of a type family that explores, on the one hand, the modernist aesthetic that we know, from the Alphabet "a.r." designed by Władysław Strzemiński, and on the other, to the multiscript pre-war Warsaw. This is how the idea of creating the Polin Sans typeface was born. After researching on geometric variants of the Cyrillic alphabet, I was inspired by the text "Towards an open layout: A letter to Volodya Yefimov". I was intrigued by the fact that circular forms, which we are mostly familiar with in the Bulgarian Cyrillic, can be implemented in the classical version, without disrupting the reading process. At the same time, while working on typoteka.pl, I was fascinated by the Hebrew typeface jaffa, published by the Idźkowski & Sk-a foundry, which at some points looks like the Hebrew equivalent of the Alphabet "a.r.". Ben Nathan from Israel joined the project and was responsible for creating his native script. The idea of creating a multiscript family expanded to include Greek and Vietnamese. As a result, Polin Sans is a historical journey through the nooks and crannies of Polish modernism, which was created by people with diverse cultural backgrounds. The Polin Sans family was designed by Mateusz Machalski and Ben Nathan with the support of Michał Gorczyca and Małgorzata Bartosik.

This font is based on an alphabet published by Luca Pacioli in his 1509 mathematical treatise De divina proportione. In this book, Pacioli describes how to build the Roman alphabet geometrically using lines, squares and circles. Pacioli was not the first or the last man in his era to describe the building of letters mathematically. Felice Feliciano did this before Pacioli, and Albrecht Dürer further developed these forms years after. According to Pacioli, the thick strokes should be 1/9th of the height, and the thin strokes should have 1/2 the weight of the thick strokes. I felt that this beautiful alphabet needed to be restored to its full geometric glory and set out to construct an accurate replica using Pacioli's instructions. Included in the font you'll find the letters that have the grid overlay and also the letters without the grid. The letters J, W, U, and Z were not included in the book, so I have created my own versions of these characters that fit into Pacioli's grid. Pacioli shows two different Os in the book, so I have included the second O as well as a second J, Q, and Z as OpenType stylistic alternates. Also included in the font are border patterns and a fleuron taken from the cover of the book.

Novarese font is the work of designer Aldo Novarese. He created 218 typeface cuts but as he was writing his book, Alfabeta, he decided to include only those he considered indispensable. He divided his fonts into 4 categories and in the designing of Novarese, took the best characteristics of each group and combined them into this font. In the style of Latin stone scripts of the second century BC. Novarese is a well-balanced and relatively wide text font with classic forms. ITC Novarese™ font field guide including best practices, font pairings and alternatives.

Modular Matrix «Calligraffiti» Robotic Letterform Typeface! New Edition. Redesigned with Obliques and OT Features! This Typeface was inspired by Graffiti Calligraphic Broad Markers and Underground Lettering Technic and Style, grid based by squares perpendiculars and Diagonals… Is Part of a juxtaposed “Type-Game” based on inversions and rotations… Type cool legible digital manuscript Aesthetics body text, scripts, lyrics, articles; Plus, Create Fancy Display’s Branding designs, Packaging, Publishing, Advertisement, Posters, Art Support, Motion, Games, tastes good to text on everything! Experiment Automatic and Responsive OpenType Features, like Fractions, Ordinals, Nominators, Denominators, Scientific Inferiors, Numerators, Localized forms and Kerning. Previous Released by MMC-Typo* 2020. Post Released by MMC-TypEngine 2022. Tip 1: Combine styles into infinite possibilities of Digital Monochromatic or Color Typesetting, by ‘central pasting’ or you may dislocate layers for improvisations! TIP 2: *BLIND BLOCKS ‘FREE-STYLES’ Use Block «Free Styles» 1 & 2 also to add 3D, change 3D directions by switching Block 1 to Block 2, that way you can Zig-Zag words and lines. *Also shift the block layer up to bottom limit, it makes the 3D direction turn upside down. *All Styles have 917 Glyphs. Follow the Groove!! & Power to The Pixel!! Greetings !! André, MMC-TypEngine.

Christmas Cypher is a street Xmas font. It merges the rebellious spirit of street art with the nostalgic cheer of the holiday season. This graffiti-inspired font embodies a dash of urban flair, perfect for designs that aim to stand out. Its bold strokes and sharp attitude, infused with a whimsical twist of Christmas elements, make it ideal for youthful and energetic designs. The font dances between traditional cheer and contemporary cool, bringing a fresh perspective to the visual language of Christmas. Use the included Icon font to make Christmas symbols. Use parenthesis symbols () [] {} to make stars around any word. Example: {Hiphop}[Style] The font is built with advanced OpenType functionality and guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more automatic and manual features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers. Designed by Mans Greback, a typographer known for his attention to detail and passion for blending tradition with modern design trends, Christmas Cypher is more than a font – it's a declaration of celebration and creativity.

Used Cars JNL is based on one of the many unique alphabets created by the late Alf R. Becker for Signs of the Times magazine from the 1930s through the 1950s. Special thanks to Tod Swormstedt of ST Media (who is also the curator of the American Sign Museum in Cincinnati, Ohio) for providing the reference material for this design

Maya - Luxury Signature Font is a contemporary pair of script and san-serif fonts. Its offers beautiful typographic harmony for a diversity of design projects, headlines, branding visual identity, poster, logo, magazines and etc. Maya also includes full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation. Alternate glyphs Latin alphabets Thanks for looking, and I hope you enjoy it!

Cirkulus is an experimental display face, constructed using combinations of hairline circles and straight lines. The typeface was designed by Michael Neugebauer in 1970. The letters exude a constructivist aura, reminiscent of both the revolutionary 1920s, and the digital experiments of the 1990s. Cirkulus is a unicase alphabet, with a very lightweight appearance, and should be used solely in large display sizes.

ITC Kallos is the work of British designer Phill Grimshaw, a text typeface family with traditional calligraphic flair. It is the result of Grimshaw's first experiments with text typeface design. The long ascenders and descenders of the lowercase alphabet lend them a look of sophisticated elegance. The capitals display the unmistakable influence of the pen and the proportions of classic inscriptional forms.

Cowboy Rhumbahut is an old-timey script the drips with a twang and tradition that you can practically hear. If you've been wandering the range, searching for the perfect cowboy alphabet for you, you might wanna wrangle up this old-time original. My goodness that's one kooky cowboy font. Now get to work and start makin' something with it, ya lily-livered varmint!

Dem Bones is a bit of fun-display alphabet (capitals), numbers and punctuation assembled out of the sort of knobbly ended bones that dogs used to gnaw on in all the best childrens cartoons and comics. Thing Gnasher and Gnipper or Spike and Tyke. Dem Bones is particularly apt at Halloween, but can introduce some un at any time of the year...

Bold Display Sans JNL is loosely based on one of the classic alphabets found within a Speedball Lettering Textbook of the 1940s; itself called "Bold Display". The original featured a stippled texture and inline curves placed in random patterns throughout the letters. This more simplified, all-caps version is for titling requirements where a strong, yet casual design is needed.

Introducing by Timur type Proudly Present, Requista Requista A Handwritten Script Font Requista is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. This Claritty font includes: -Full Set of standard alphabet and punctuation & symbol -Extra set Ligature -multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!

Inspired by the logo from “Lollapalooza”. The intention was to design a cheerful, entertaining typeface. Lolapeluza works perfectly for designs for children and youth. 4 variants are also included: -Regular: Basic set -Black: Heavy -line. Lolapeluza can run over or behind a text -Shadow. A Cyrillic alphabet is also included to enhance but the typography is more a set of alternatives.

In late 1988 or early 1989 I noticed that the circular form of the sickle and the linear form of the hammer could be used to form all the letters of the alphabet. The result of that realization was RedLetter, a novelty or letterbat font. It is caps-only with the lower-case letters containing smaller versions of upper-case letters.

Barbies is an outstanding display font for your inner princess. You can use it for a variety of design projects like posters, business cards, birthday and wedding invitations, games, covers, social media posts, quote photos, branding, editorials, and much more. Decorative curves add an amazing touch to create some cute accents. Barbies is a multilingual font, also supporting Cyrillic alphabet.

Dongo This is a fun and playful font, which will perfectly fit into children's projects or funny modern designs and logos, with it you can make playful designs by changing styles and combining them with each other. This font includes two styles - regular and outline. Font includes: Full alphabet with Uppercase and Lowercase A-z Numbers, fractions Punctuation and symbols Alternates for lowercase

Swagg is a unique and friendly sans that looks great at any size. Originally starting as a branding project, Swagg is now a full fledged family with 5 weights. Swagg is loaded with goodies like old style figures, tabular figures, true italic, arrows and much more. Most proudly Swagg shows off a Greek alphabet, making it an ideal workhorse family for your collection!

An extremely low midline marks this offering, based on an “elegant” alphabet found in Samuel Welo’s chapbook, Lettering: Modern and Foreign, published in 1930 by Frederick J. Drake and Company. Definitely different, and Deco at its most debonair. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Inspired by a handwritten Cyrillic placard seen in a book about the Soviet Union, Statue of Liberty's Underwear was envisioned as having been written with a very thick pen with a flat tip held horizontally. Additionally, the letterforms were sculpted to resemble lettering common in early 20th-century Russian constructivism pieces. A Cyrillic alphabet, or "azbuka", set was included in the font.

Vintage sheet music for the 1920s song "Where Did Robinson Crusoe Go with Friday on Saturday Night?" yielded the hand lettered Art Nouveau alphabet for Nouveau Display JNL. Because the Art Nouveau movement was so influential in the graphic designs of the 1960s "Love Generation" counter culture, this typeface blends itself well with projects crossing many decades and varying styles.

Pluton, a mono-spaced font, is designed to be versatile and easy on the eyes, with over 1400 defined glyphs. It has wide coverage comprising several different alphabets (Western European, Cyrillic, Hebrew, Runic, Ogham), mathematical, and physical symbols. Pluton Regular has been upgraded to contain over 2600 glyphs. A pluton is a igneous mass of rock formed at considerable depth.