Several years ago I was asked to do a sign for a rummage sale. To print the words RUMMAGE SALE, I took letters from some of the ornate fonts I was working on at the time. I liked the results, so made them into a font. Fonts from which the letters come include HippityDippity, Tuskcandy, Letunical, OakPark, WyomingStrudel, NeuAltisch, WyomingMacroni, WyomingPastad, and Rundigsburg. The original typeface had two variants of each letter, one on the upper-case keys and the other on the lower-case keys. The name of the original font, RummageSaleOne, acknowledged that a greater selection of letters was desirable but it was only with the upgrade of 2020 that the greater selection was added. The additional variants were added in two ways: as a separate typeface (RummageSale-Two) and also as OpenType stylistic alternatives.

Thirdlone is a handmade typeface with monoline script and sans. This font is perfect to be used as t-shirt designs, logo/brands, signatures, headlines, lettering quotes, and more. It also comes in uppercase, lowercase, punctuation, symbols, numerals, stylistic set alternate, ligatures, and multi-lingual support. Thirdlone Script includes 3 different styles: Regular, Stamp, and Ink. Thirdlone Sans includes 4 different styles: Regular, Stamp, Ink, and Edge. Regular styles are a regular style that have clean look on it. Stamp styles give you aged texture on the font that will push out the vintage feel. Ink styles will give the font a little bit of an ink feel. The Edge style give this font a rough feel on its edge. You can choose one of the styles mentioned above that match perfectly for your style, or just mix and match it.

Aaaaand here it comes! New sans serif typeface NORTH STAR. Pure geometric forms – this is what makes these fonts look so special. Ad materials, logos, posters and so on so on. The font comes in Regular and Bold, both are Latin multilingual and have uppercase letters, lowercase letters, numbers and basic punctuations. Thanks to its geometric shape you can also make an additional effect with combining different colors in the one letter and adding shades. Its easily done in AI after you convert your text to outlines.

ITC Serengeti is a font of narrow, high reaching capital letters designed by Bob Alonso in 1996. In the form of small caps, the letters combine to make words. This font is at the same time modern and nostalgic, with letters like N and M being reminiscent of those on posters in the 1920s. One can also interpret this small caps alphabet as one influenced by the Jugendstil. ITC Serengeti should be used only for headlines and display in point sizes of 18 or larger.

The aim of this typeface is to merge two historical moments in the form and style of writing, on the one hand calligraphy uncial, and on the other Roman serif was established as a universal standard for type fonts continuous text at the time. Is intended in terms of their functionality as a font for titles. The family includes some extended range glyphs as several Caps swashes and stylish alternatives for upper and lower case, standard and discretional ligatures, old numerals and other OpenType features.

Hypercreepos is a sweet and creepy hyper-bold font inspired by the horror comic books of the 60s. Handmade in La Chaux-de-Fonds (Switzerland) on lined A4 papers, the letter's shape is conscientiously designed to give a punchos impact on the reader. The unique and vibrant contours are drawn on an improvised backlit table inherited from Bisou's mother. Definitely contemporary, the overall feeling given off by Hypercreepos is profound and human, evoking the graphite smell of the comic's workshops. Exclusively made for titles, this impactos font will suite with delight the text of posters, signs of comics bookstore, gaming bar, horror movie theater or film festival. That said, the designer is not responsible for the use of Hypercreepos and wish it will serve beyond all expectation.

Betterside is a sweet and cursive handwritten font. This gentle font will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects! The font is perfect for greeting cards, branding, business cards, quotes, posters, stickers, blogs, logos, weddings, signage, packaging, birth announcements, photo overlays, wall art, quotes, printed materials, bags, t-shirts and more. . . ! What’s Included : Web Font Ton of glyphs Ligature, Alternate & Swashes Works on PC & Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Thank you for your purchase! That’s it !! Have fun using our font 🙂

Around 1931, the Los Angeles Times (in partnership with the Richfield Oil Company) installed on its building a moving message board similar to the one at the New York Times in New York City which they dubbed an “electric newspaper”. The style of characters used on this electronic sign were the basis for the namesake font Electric Newspaper JNL, which is available in both regular and oblique versions. A blank space to place between words is available on both the solid bar and broken bar keystrokes.

Kashi is the Persian word for tile. This font is inspired from building decorations of 16th and 17th centuries in Iran. It is extremely legible even in very small size. Kasha design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Nima’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Kasha was developed for multiple languages and writing conventions. Kashi supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

A light weight slab serif font, useful for posters and large ads, based as it is on wooden fonts designed in the 19th century.

Otherslide Handwritten Script Font is a beautiful and stylish handwritten font. It looks stunning on a variety of designs that need a natural touch.

Sports Jock JNL brings you a serif-style sports font built on the classic design of an early-1900s block font with chamfered angles.

Pukupuku is a cute round font. This font is designed based on the shape of clouds and beans, which looks somewhat like handwritten letters.

Subytro! Use this font for sweet bold titles. It adds personality and an handmade feeling. Old Style font based on posters of the fifties.

JH Dima is a modern style font; it is designed based on Koufi style & latin geometric fonts classification, typical for corporate identity, branding & signage...

Decomic Oblique is one of the handmade fonts of illustrator Paul Hoppe who lives in New York. The font was digitized by Boris Kahl.

This font is based on 17th - 19th century woodcuts. It has many varied alternate characters and over 25 ornaments that make this font unique.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text.

The DF-Daantje is an icon font based on a brisk black creature: our Fell Terrier ‘Daantje’.

Rayguns on stun! A retro science fiction font that evokes a golden age of intergalactic pulp adventure.

A revival of one of the popular wooden type fonts of the 19th century; suitable for text.

A revival of one of the popular wooden type fonts of the 19th century. Suitable for display.

One of the most elegant script styles found. This beautifully formal font is perfect for high society.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display.

A revival of one of the popular fonts of the early 20th century, suitable for light text.

A slightly rustic font with horizontal shading, Building & Loan evokes hand-crafted solidity and hands-on reliability.

A revival of one of the popular wooden type fonts of the 19th century; suitable for text.

A revival of one of the popular of the early 20th century fonts, suitable for bold text.

It's handwritten. Really. I scribbled on a transparency, made photos and finally made a font of it.

A revival of one of the popular wooden type fonts of the 19th century, somewhat condensed, square.

A graphic font with emphasis on legibility, dynamic and modern. Very suitable for a variety of applications.

Vehicle JNL is a condensed block font similar to that found on many state auto license plates.

A revival of one of the popular wooden type fonts of the 19th century, somewhat condensed, square.

A revival of one of the popular wooden type fonts of the 19th century, suitable for text.

Home Field JNL is a sports-oriented font based on the lettering found in Directory Board JNL.

This font was inspired by lettering found on old tradecards and drugstore ads from the 19th century.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display.

Cassandra Plus is my revised version of Cassandra, it can now be used all over Europe except Greece and Russia. I changed the weights a bit to make them more distinct. The Font has two widths of letters, wide Capitals on the (shift) uppercase-keys and narrow ones on the (no shift) lowercase-keys. You can match them as you like, but you should avoid having the same letter in one word in two different widths. But if yoyu are really daring you can use one narrow S and a wide one, it might still look good. It will almost always look good! Cassandra is my “bow” to Adolphe Mouron Cassandre. Yours sincerely mixing things up for you again Gert Wiescher

Peter Schnorr was a German artist/illustrator of Art Nouveau period (called Jugendstil in Germany and Austria). He was quite adept at calligraphy and did a variety of commercial work, including business signs. He designed at least four different alphabets and collaborated with Bruce Rogers on advertising work and title page designs for books. One of their clients was the publishing house of Houghton Mifflin. I have not been able to discover anything else about him, but I suspect he might be the grandson of the Bavarian artist Jules Schnorr von Carolsfeld, who was once commissioned to do a mural by Ludwig II of Bavaria (whose famous castle was copied by Disneyland). Schnorr did not give individual names to his fonts. Where there is no historical name, we like to follow the tradition initiated by Bauer and name fonts after their designer, with a descriptive adjective in the designer’s native language. Gestreckt is German for stretched or elongated. An interesting deign detail of this typeface is the cross bar of the “T” --it is NOT symetrical. The right hand side extends only 88% as far as the left hand side (a ratio of 9:8). I presume this was done for a more pleasing letter fit. Today Schnorr’s design is frequently offered under the name “Ambrosia.” However. close inspection will usually reveal that the serifs have been treated differently. I believe our font has a greater fidelity to the original design. Please also compare the design of the various auxiliary characters to those in other fonts. Often they are either borrowed from an inappropriate font of a different period or are missing altogether. We make every effort to design characters that are in keeping with the overall design and spirit of the typeface. For example, see the superscript Registered Trademark symbol (0174) and the Double s (0223). I think both are quite successful. Schnorr Gestreckt ML represents a major extension of the original release. In addition to the standard 1252 Western Europe Code Page with character slots up to decimal position 255, there are glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. There are also two alternate letter forms, one ornament and seven ligatures with Unicode codepoints (Private Use Area) and OpenType aalt, ornm & liga GSUB layout features. There are a total of 318 glyphs and 351 kerning pairs. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). This release also incorporates a redesign of several glyphs: the comma, quotes, acute accent, and grave accent.