Rig Sans is a streamlined geometric typeface, that speaks in a confident, affable tone. Its open, clean structure lends text a neutral, transparent quality. Distinct features enable Rig Sans to thrive, both in print and on screen: Minimalist Design Terminals clipped at 90º Generous x-height Wide apertures Distinct I,l,1 (uppercase i, lowercase L, Number 1) Rig Sans’ sturdy characters produce text settings with excellent clarity and readability. Their shape has been adapted from robust letterforms originally designed to withstand 3D distortions. This unique approach has resulted in an original sans serif rendition and an adaptive, durable type family. Rig Sans is comprised of eight weights and accompanying italics. Each weight contains 514 glyphs. OpenType features include: Alternate characters Three figure styles All caps punctuation Fractions Ordinals Superscript Subscript

Stripwriter is a comic style font that has a multitude of uses. While not an original idea, this style of font is always useful.

Introducing TT Lakes Neue in version 2.0! Please note that the TT Lakes font has been removed from platforms, but you can still order it by sending a request to the studio's commercial department: commercial@typetype.org We have released a continuation of the geometric sans serif inspired by Finnish functionalism. The new version provides more opportunities, because we not only increased the character set and improved the font technically, but also reworked its visual character. What changed? Font character. TT Lakes Neue 2.0 has become calmer, as we have removed the display details in the characters of the main set, making the font more versatile. New stylistic sets were created, thanks to which the nature of the font can be controlled, making it more expressive. Changed the forms of the characters "Кк", "ЖЖ", "Дд", "Лл", lowercase "b" and alternative "g". Added alternative forms for all types of the number "1", for the characters "Mm", "DD", "Ll". Added technological character sets, with which the font looks stylish and expressive. You may notice that in these sets, the forms of lowercase characters with arches (r, m, n) are changed, and there are gaps in the places of infusions and connections of all characters. Scope of application. The scope of TT Lakes Neue 2.0 have become even more diverse, because the sans serif has become more neutral in character and more functional. TT Lakes Neue 2.0 is the perfect font for the gaming industry. Suitable for game interfaces of different genres. Technological sets can be used in architectural projects, in the headlines of posters and magazines, on outdoor signs. The font is suitable for logo design, looks great in branding. Character set and technical characteristics. We have significantly improved the set of the font, increasing the number of characters from 736 to 921. The font has become more functional due to the updated technical stuffing and new features, of which there are now 36 instead of 24. Added characters of extended Latin, fractions, arrows. Created new kerning and hinting. Updated variable font. Added new OpenType features. The TT Lakes Neue font has 5 subfamilies: Compressed, Condensed, Regular, Extended, Expanded. In total, there are 91 styles in the font: 9 upright and 9 slanted in each subfamily and 1 variable font. Each style has 921 characters and 36 OpenType features.

Some time ago I bought my smallest book ever: Kate Greenaway’s Alphabet* 57 x 72 mm. I thought it was the sweetest little book I had ever seen. Not knowing about the fame of the designer Kate Greenaway (1846-1901), I put it in some dark drawer and looked at it from time to time. Kate’s books were all outstanding successes in English publishing history; she was an icon of the Victorian era. Some of those books are still being reprinted today. This little gem I had accidentally acquired has become very rare and I have not found any reprints yet. So I thought maybe I could adapt her drawings for use on today’s computers. I ventured to redraw her delicate illustrations, blowing them up 300 percent, being forced to simplify them without losing her touch. It took quite some time! While redrawing them, I discovered that she most certainly drew them in at least three different sessions as well. Then I scanned my drawings and put them in a font. To make the font more usable, I added the ten numerals in Kate’s style; the original does not have those. I hope she would have liked my adaptations. Yours in a very preserving mood, Gert Wiescher. * Kate Greenaway’s Alphabet, edited by George Rutledge & Sons, London and New York, ca. 1885.

Positive Feature is a handmade, layered font. All layers come with contextual alternates, which means you have 4 different versions of each lowercase letter to play around with. What's cool about the two layer versions is that they mix in a lovely way! Try typing your text with layer 1, copy/paste layer 2 on top in a different color - perhaps even alter the transparency a bit...and all of a sudden a nice effect sees the light of day!

Introducing, Holybuck, classic signature family! Holybuck is signature script with three style that contain stylistic alternate, swash and underline to create your own costumized signature or logo design. This font is also support multi language. Available in OTF and TTF. Also Support PUA. It's available in three weigh style! For another questions, please send a mail to saridezra@gmail.com. Thank You! To add the line in under the text, type underscore + number (from 1 to 5). Or copy Some_5thing in preview bellow..

Nachel Victoria is a simple, yet aesthetically beautiful typeface. It has a modern script look which can be used for business cards, logos, packaging, branding, magazines, quotes, and much more! What's included: 1. Nachel Victoria (OTF) 2. Style in this font include: Regular, Bold, Italic, and Bold italic 3. Works on Mac & PC 4. Simple installations 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡

Dubrove is a wedge serif typeface inspired by Moravian (Czech) type designs of the 1930-50s. The character font is expressive: free, daring and graceful, delicious and attractive. Here are more than 1100 glyphs, all 102 European languages, all Ancient Slavic Alphabet (49 characters), Latin and Slavic small capitals and OpenType features with many solutions. Dubrove has several stylistic sets, historical forms, localized forms of several languages, interest contextual ligatures and many other delicacies. In the Dubrove typeface several stylistic sets of Slavonic lowercase letters are made. In addition to font basic style (in fact it is close to the natural lowercase character) is a traditional [ss02] set (postpreliminary, the Soviet Union, when most copy lowercase letters are uppercase) and lowercase the natural character [ss03], the style of which, in particular, is often used in the Bulgarian script.

Comic Mode is a warm, fun and comical sans serif family, "its an alternative for comic sans, with a more formal looks". Availavle of 9 weights from thin to black. with a curved character that is round on thin and increasingly elliptical on black. The unique look of comic Mode is the combination of a technical sans serif and casual handwriting . These 9 diffrent weights also come with oblique style, so there are 18 styles in this family and 1 variable font that are a relatively new font format that allow one font file to contain multiple stylistic variations. Fresh, unique and casual, make this font really worth having.

Sylfaen was designed for Microsoft in 1998 by John Hudson and W. Ross Mills of Tiro Typeworks, and Geraldine Wade of Monotype Typography. Sylfaen is a Welsh word meaning foundation"; an apt name since the font stemmed from research into the typographic requirements of many different scripts and languages. This version of Sylfaen supports the WGL4.0 character set, for Pan-European language coverage. In addition to Latin, Greek and Cyrillic letterforms, the font contains the characters necessary for support of the Armenian and Georgian languages. Font Designer: John Hudson, W. Ross Mills, Geraldine Wade. The Sylfaen font contains 729 glyphs including Latin 1, WGL Pan-European, Armenian and Georgian."

Introducing Magnite - an expressive, handwritten brush font jam-packed with character and authentic charm. Designed to be versatile, Magnite is perfect for branding projects, editorial work, invitation design, product packaging, and everything in between. The original handcrafted font family containing uppercase and lowercase glyphs alongside a large range of punctuation, symbols, numerals, and multilingual support. Also included in this font are discretionary ligature swashes (activated by typing in 1--, 2--, etc, as illustrated in the above presentation). 'Magnite Alt' contains a whole new range of lowercase and uppercase letters. By using this font in combination with the original you can improve the overall authenticity.

I present my funny font with "Hocus Pocus"cutouts This is a playful font in the style of a cut-out "all capital letters". Lowercase letters are filled with letters (A, O, B, etc.), and uppercase keys have ordinary black letters. :) Great for sweet greeting cards and invitations, for playful branding and quotes, for unusual packaging and much more! This font is unique and simple:) Font Features • character set A-Z, A-Z; • 1 languages (English); • numbers It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thank you for stopping by, and I wish you a creative day!

Neue School is a modern sans serif font with extra tight tracking & deep ink traps. Designed to maximize the available space, make impactful headlines. Inspired by old school narrow poster fonts, presented in a “neue”-way. The font consists of 8 weights, across 2 widths, plus italics. Symbols are fixed weight throughout, as a contrast to the font weights. There are 2 additional OpenType stylistic sets. Stylistic Set 1 adds more rounded edges to specific characters for a softer look. Stylistic Set 2 makes lowercase ascenders and symbol height equal to capital height, making it ideal for stacking type more easily with all same height.

The Xegir Retro Condensed Display font is a strong solid display font with tall, dense shapes with a geometric appearance. comes with two styles slab and sans perfect for titles, typography, magazines, brochures, packaging, and many more for your design needs, making your designs more modern and professional What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Erghon is a handwritten font with quick dry strokes and a signature style. It's perfect for branding projects, homeware designs, product packaging or simply as a stylish text overlay to any background image or posters. Erghon has an entire alternate glyph set. This is accessible simply by their own separate font file - just install this as normal and select 'Erghon Swash' , ‘Erghon' or ‘Erghon’ in your text-tool. Erghon includes 2 Font files: 1. Erghon Regular - A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Erghon Swash - A set of 26 hand-drawn swashes, with cool touch to underline your text set in Erghon.

Comalle is an organic typeface that rescues some elements of handwritten script, but its stroke does not necessarily answer to a literal calligraphy structure. So Comalle could produce a powerful impact on the page, it was designed with thicker strokes than its counter forms. The objective is that the black of the letter fills the page and causes a fastest visual impact than typographies that balance blacks and whites. One of the most important tasks of the Comalle design was to think of how to handle the unequal percentages of blacks and whites in the typeface. The peculiar thing, is that the precision work of the letter does not make the blacks, but the whites; this is the reason why in one first instance it was very valid to start off designing in a very gross way, nevertheless, the majority energies are put in the details of the design of counter space. From the drained filling concept of forms Comalle was born, a typeface that pretends to enchant with its delicate counter space design and to impact with the heavy outlines which compose its form.

Sorekoe – A Chic Marker Script Font Sorekoe, a chic marker script font, exudes a perfect blend of casual elegance and contemporary style. With its fluid strokes and graceful curves, Sorekoe captures the essence of handwritten charm while maintaining a sophisticated, modern appeal. This marker script font is characterized by its effortlessly chic and refined aesthetic, making it an ideal choice for projects that seek a balance between informality and a touch of sophistication. Sorekoe’s versatility shines through in both casual and upscale contexts, offering a distinctive handwritten flair that adds a personalized, stylish touch to any design, from invitations and branding materials to creative displays and beyond. Sorekoe is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Annaberra – A Natural Handwriten Script Font Annaberra, a natural handwritten script font, embodies the essence of organic and fluid penmanship. Crafted with meticulous attention to detail, each stroke of this font reflects the spontaneity and authenticity of hand writing, capturing the nuances of a personal touch. The gentle curves and varied weights of the letterforms lend Annaberra a graceful and inviting appearance, making it an ideal choice for projects seeking an approachable yet sophisticated aesthetic. Whether used for invitations, branding, or creative displays, Annaberra exudes a timeless charm, seamlessly blending the warmth of human expression with the convenience of digital typography. Annaberra is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

Rosethine is a modern chic calligraphy font that combines elegance and the beauty of handcrafted writing with a touch of contemporary sophistication. The font highlights the delicacy of ink strokes, creating a smooth and flowing appearance in each character. Categorized as modern chic calligraphy. Rosethine is perfect for various design projects that require an artistic touch and a captivating look such as wedding invitations, greeting cards, logos, letterheads, brochures, posters, social media graphics, and other projects that demand a modern and elegant aesthetic. This font will add a luxurious and exclusive feel to every design you create. Additionally, the font includes beautiful swashes on certain characters, adding decorative and graceful touches to your designs. With a complete set of punctuation marks and symbols, Rosethine ensures suitability for various types of content. With its enticing features, elegant aesthetics, and multilanguage support, Rosethine becomes the perfect choice to elevate the quality and aesthetics of your designs, providing a unique artistic touch to every project.

The Carrigallen family of fonts has roots in Megalithic and Celtic Ireland. It has six weights—Light, Regular and Bold and their corresponding italics. The distinctiveness of the Carrigallen family, is in it's sculpted, spiral nature, inspired by the graphics at the entrance stones and kerbstones at the Newgrange passage graves in Ireland. This is where it derives it’s decorative nature and suitability, as a very distinct Display font. Exceptionally suited for Logos and Headlines, it can increase the corporate presentation of a company as its main identifying feature—and with high memorability! The three separately designed letterforms—differing in line weight—are held in place by the white space within and without the character giving a distinctive twenty first century flavour! It is this dynamic that makes the font unique! Carrigallen Display is a modern font. It draws from its nomadic influences allowing it to be culturally representative of all languages.

Pirouette is based on a logo that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 (a shampoo container!). Tateno's logo experimented with complex, overlapped swash letterforms. He continued to develop these outside of the initial packaging project, until they took on a life of their own. Eventually, Tateno designed a full typeface out of the logo, Pirouette, which was the first place display face in Linotype's 2003 International Type Design Contest. The Pirouette typeface contains six different fonts. The basic font is Pirouette Regular. This is an engraver's italic lowercase paired with elaborate swash capitals. The swash capitals have two visual elements in their forms: thick strokes and thin strokes. Pirouette Text includes the same lowercase as Pirouette Regular, but the uppercase letters are much shorter and simpler. This "text" font can be used to set longer amounts of copy. Pirouette Alternate contains different lowercase glyphs and additional ligatures, which can be used as substitutes for the lowercase forms in the Pirouette Regular and Pirouette Text fonts. Pirouette Ornaments contains swashes and other knick-knacks that can either be added onto the end of a letter, or used as separate decorative elements or swooshes (accolades) on a page. Pirouette Separate 1 and Pirouette Separate 2 are two fonts that can be layered over top of one another in software applications that support layering (e.g., most Adobe and Macromedia applications, as well as QuarkXPress). Pirouette Separate 1 contains the thick stroke elements from Pirouette Regular's uppercase letters, as well as the same lowercase glyphs that can be found in Pirouette Regular and Pirouette Text. Pirouette Separate 2 contains only the thin stroke elements from Pirouette Regular's uppercase letters. By layering Pirouette Separate 1 and Pirouette Separate 2 over one another, you can give the uppercase letter's thick and thin stroke elements different colors and create unique, more calligraphic designs. The Pirouette family, Tanteno's first commercial typeface, was greatly influenced by the calligraphic and typographic work of the master German designer, Prof. Hermann Zapf, especially his Zapfino typeface.

Are you ready to make your branding stand out? Do you dream of creating headings that stand out and inspire creativity, imagination, modernity, and endless fun? Looking for an elegant and stylish font? We've got what you want. Westville- A Blackletter Font Westville is an incredibly unique and distinct blackletter font. The style was influenced by many fonts and extra touch of urban street attitude. This is a timeless font that suits and fit perfectly in any timeframe or style you want. Well suited for you who needs for headline, logotype, apparel, branding, packaging, advertising, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, stylish, and adventure font? We've got what you want. Glowing Midnight-A Script Font Glowing Midnight is a unique script font with retro touch. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. Glowing Midnight becomes more special with extruding version option. Well suited to titles, poster designs, branding, logos, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Dan X. Solo's book of Showcard Alphabets featured the pattern for this devil-may-care face under the name "Conway". Not too pretty, not too proud, but a whole lotta fun. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Mineola got tired of being like all the other serifed fonts, got some hip body art, and moved to the cool part of town. But every so often, when no one's watching, Mineola puts on a light blue oxford shirt and listens to top 40 radio.

A special category of typefaces, combining together principles of both serif and sans-serif, is sometimes described as Linear-Antiqua by German typographers. This concept catches the eye wherever it appears and this is also the case of Tabac Glam — a highly contrasting display typeface, expanding the wide expressive spectrum of our Tabac super-family through a new characteristic hue. Tabac Glam is naturally a great complement to the serif Tabac. It’s however only in conjunction with other styles of the superfamily — Sans, Slab and Mono, that you’ll be able to unleash the enormous potential of the wide range of combinations, and the family’s 112 styles will certainly satisfy all needs of both elegant and technical typesetting. Tabac Glam will best stand out in huge grades, on the covers of thick magazines under glossy layers of UV coating, or on snow-white surfaces of displays.

Originally written out in his own blood by Shrill Richard Starkings, this font is NOT FOR THE NERVOUS!

Woozee is a serif font with characters that appear to be wobbly and are not clean and crisp.

Charliedog is a font made of various dogs. It’s ideal for graphics works like posters, flyers and similar.

36 men, women, children, babies, grandpas, grandmas, teens, this font has them all... and with lots of personality!

FattyPans is a strange, bizarre font with spiky serifs that bulges where letters are not supposed to bulge.

A font made with a children’s stamp set using too little ink. Not a complete set of characters. %

Lorek Lorek is a font that you can instantly download. You can use this font in Photoshop, Illustrator, or any other program that will allow you to import fonts. Please see the listing image for all characters and symbols included in this font pack. This font is for personal and commercial use. Please note that this is a digital download, you will not be sent anything physical. All sales are final. Refunds or exchanges are not accepted.

Joachim Müller-Lancé's Uppercut is a rather sporting fellow, originally developed for the Krav Maga training center of San Francisco (Krav Maga is a simple and efficient self-defense system that has become equally popular in Hollywood and with law enforcement). Joachim has spent several years training, hitting things and people whenever he needs a break from kerning. Uppercut can be seen on the school's t-shirts and other articles. Despite bearing the same moniker as an upwards punch to the chin, the name actually fell together quite naturally as Uppercut is an all uppercase typeface, and the word "cut" is also historically used to describe a type style in hot metal type. For this slanted look, "Angle" felt just right (with thanks to Mia McHatton). The design idea sprang from pencil sketches for the center's new identity. Uppercut's shapes are not calligraphic or handwritten, more like lettering seen in comics or sports logos. Its brush movements are imaginary, not too literally brushy. During development, details were simplified and reduced until a bit of a cut-paper feel emerged, but more fluid like writing. The shapes are economical and efficient; simplicity makes the font versatile, holding up in small as well as big sizes. Uppercut is decidedly analog, muscular but not bulky, with the fluid but determined movements of a boxer or martial artist - not theatrical but powerful, fast, confident and dynamic. Well... it has punch. In the proportions, there is emphasis on a strong upper edge "keeping its guard up", while several stems protrude downward, giving the impression of leaping or being "light on the feet". Use Uppercut to pick up the pace, add snap, verve and drive - on movie posters for action and adventure, to advertise your dojo, rumble or prizefight, racing team or tuning shop, or invite friends to your barbecue with old time rock'n'roll and homemade hot pepper sauce.