Introducing RETRO-86 - A modern take on old-school computer graphic fonts. RETRO-86 was inspired by the low-resolution computer graphics of the 1970s, 80s, and 90s seen in classic games and on computer screens and interfaces. RETRO-86 features a beautifully limited, blocky design and is perfect for projects relating to the tech industry, the gaming world, and nostalgic work from the late 20th century. RETRO-86 is also a hyper versatile typeface. It comes in 2 complementary styles (regular, and shadow) and features 8 weight options each!

Salda; It is a modern sans serif family that blends old and new generation sans serif fonts in the same body. It has a wide usage area with its light narrow structure, sharp and clean lines, humanist touches. It provides clean and smooth visuals in vertical screens, mobile applications and block texts. With two different x heights (xL-xS), the body offers richness in text and headings. It consists of a total of 40 styles. Ideal for all kinds of editorial design, packaging, corporate identity, brand, application, web and desktop.

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov . They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). The original version was developed by Kryukov at the end of the sixties for Russian railways. The proportions and elements of construction were inspired by Eurostile (1962) by Aldo Novarese. It is intended for use in advertising and display typography. In 2009, Dmitry added the new styles, corrected the old ones, and enhanced them with extended character sets.

Biscuit Boodle is a fun and uplifting script from Portland Studios Illustrator Justin Gerard. The characters are brush drawn with a slight texture. The font comes packed with OpenType alternates and ligatures. Included are small caps, old style figures, titling alternates and ending swashes. Sixty-four optional ligatures add a slapdash quality to your copy and make sure that no two letters in a word are alike, and auto replacing word ligatures add to the fun. The Biscuit Boodle family also includes an even more spontaneous alternate and even ornaments for even more creative options.

The Alitun incanor font is inspired by Gothic style typography and calligraphy. It has clean, sharp lines making it easier to read by combining old and new. If you are looking for a font with these features, Alitun incanor can meet your needs. This font is equipped with natural calligraphy - characteristic of gothic synthesis and multilingual support.Font; ideas for headlines, flayers, greeting cards, product packaging, book and magazine covers, logo types, clothing designs, tattoo designs, album covers. With this font you can create your own unique design. Have a good time.

Biscayne is inspired by the old and classic Art Deco art and architecture found in some building ads from the 1930's in the Art Deco District of Miami. The name of the font family is one of the most emblematic and representative places in Miami City. Biscayne can be used mainly in titles, display and short texts. This typeface family supports East Europe languages. It also includes standard and discretionary ligatures, alternative style of uppercase, fractions, numerators and denominators, end and/or terminal forms and other OpenType features.

Originally developed as a part of a corporate identity, Bale is a warm and confident sans-serif font. With its generous counters and angled terminals Bale is a dependable work horse with enough flare to add interest to any typographical landscape. This hardworking font comes equipped with small caps, automatic fractions, proportional/tabular lining and old style figures and alternative glyphs and is the must for any typographic toolkit. Bale Mono is the monospaced companion of Bale. This Mono font brings a technical edge to the cool professionalism of Bale.

Lettichossa is an old-fashioned typeface, inspired by victorian and ornamental typography styles. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Talbot Type Klamp 105 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 105 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 205, most notably featuring a traditional, double-storey lower case a and g.

Talbot Type Klamp 205 is an elegant and streamlined, geometric sans-serif. A legible text font, its narrow proportions mean it’s economical with space; while at larger sizes it makes a confident, modern display face. Klamp 205 is available in a comprehensive family of seven weights, featuring an extended character set to include old style numerals, as well as accented characters for Central European languages. It is also available with some character variations as Klamp 105, most notably featuring a more modern, single-storey lower case a and g.

Coloria Muergad is a typeface which is inspired by art deco style. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage as well as modern theme. It comes with few bonus illustrations. Features : uppercase and lowercase numbers and punctuation multilingual alternates and ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Bestyline is a captivating Bold Script Font that seamlessly blends bold lettering with the artistic elements of calligraphy. Its unique design exudes confidence and energy, creating a striking visual impact. The font features thick, well-defined characters with artistic contours, adding a touch of elegance to each letter. The strong and impressive script style makes Bestyline an ideal choice for projects that require a bold and classy appearance, such as headlines, logos, posters, and other designs. The standout features of Bestyline include the clarity of each letter, ensuring that text using this font effortlessly captures attention. Its boldness and distinctiveness make it well-suited for both print and digital designs. Whether used in headlines or logos, 'Bestyline' brings a modern and sophisticated flair to any project, making it the perfect choice for those seeking a seamless combination of boldness and beauty in their typography.

Fifties is a mix of classic geometric and a bit of humanistic grotesque. The goal was to create the font for present with look to the past. In other words, I tried to came back the Modernism aesthetics of XX century into nowadays. The result gives you 60 styles including Italic (Slanted). Your typography may be airy and elegant with Expanded Thin, catchy and expressive with Condensed Bold or dynamic and sharp with Expanded Bold Italic. You will find your way to use this family certainly. Theatre posters or party flyers, vintage t-shirt or modern web service, movie titles or magazine header and even infographic – Fifties will suit you everywhere. You may use the completed styles or may use a Variable Font. To make it as you want to. Weights: Thin / Light / Regular / Medium / Semi Bold / Bold. Widths: Condensed / SemiCondensed / Medium / SemiExpanded / Expanded OTF and Variable Font (TTF) OpenType features: Stylistic alternates for A, G, K, M, N, R, W, a, e, g, j, m, n, r, t, u, w, y; Fraction figures; Subscript and Superscript figures; Tabular figures; Typographic spaces: Em / En / Third / Quarter / Thin / Sixth / Hair

De Scripto is a flea market-inspired font borrowing letterforms from old letters, postcards and hand written notes.

The alphabet that inspired Midtown JNL was found on a page from an old 'how to' lettering book.

Barricade JNL is Jeff Levine's take on an old favorite that's been around since at least the 1940s.

Fountain Service JNL was inspired by an exterior neon sign seen in an old photograph from the 1950s.

This unique font preserves the DNA of old Biblical manuscript, maintaining clear forms and shapes for good readability.

Albion Signature is a value packed font of exceptional character, with lots of old world charm to make your next project personal and special. Containing over 2,200 glyphs, it’s large enough to handle any demanding project, big or small. It also contains over 400 flourishes in three sections (dingbats, geometric shapes, and misc. geometric shapes) in numerous styles, that can be used in endless combinations. It’s like several fonts in one. Everything you need to do a stellar project is included. A script font that lines up perfectly with a few extra endings and hidden treasures spread throughout. It also contains a complete easy to use PDF index, so you will be able to find exactly the glyph you are looking for fast. This font can only enhance the fonts that you already own, making them more versatile and useful. On its own, it is a very elegant calligraphy script, that will make every project you create look great. The capital letters overlap and intertwine just like in days gone by, for a unique style. Also included are tools that can give you very precise spacing, right inside a word processor. Usage: Photoshop styles, InDesign, personal promotion logos, monograms & signatures.... That’s where it shines, yet it’s still great for art, cards, fancy documents, really fancy labels & even notes to Mom. Imagine, most people used to write letters like these at one time. Now you too can have documents that look like the work of a studied penman.

Bordonaro Spur - Bordonaro Script’s partner - is a typography strongly influenced by old beer labels and includes some serifs based on Frederic W. Goudy’s Copperplate, but with some softened spurs adding an elegant and soft texture to the text. It is ideal to be used on large bodies and has a set of special ligatures ideal to be used in branding. Psss...Check out the NEW Bordonaro Spur with Rounded corners , same version but soft! FEATURES Co = company1 Co = company2 Estd = established Inc = incorporated Ltd = limited Mc = mac Rd = Road St = street And also from Adobe CC you can activate Style Sets (SS) and get ideal ligatures for ordinal numbers: 1st = st 2nd = nd 3rd = rd 4th = th Bordonaro Script and Bordonaro Spur are two typographic styles that were designed under the same characteristic features with the idea of combining them to obtain better results, for that reason, we recommend merging them in a creative way and you will realize everything you can design with them. The banners designs are based on old brands of beer labels, coffee packaging, sports logos and in some cases we use Copperplate Gothic but only as a complementary font in order to harmonize the layout of the elements in each banner.

“Queen Kelly’s Sword” - new elegant luxury bold serif from Julia Visht. Classical font serif with stylish decorative elements! Romantic and elegant, “Queen Kelly’s Sword” – is a luxury bold serif with both modern and vintage curves. “Queen Kelly’s Sword” is a must-have for your collection of fonts. Main features: Ligatures. Set of OpenType ligatures allows to make your design truly unique. Alternates. Set of stylistic alternates allows you to create even more authentic custom-feel text. OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. Multyfunctionality. It's perfect for: elegant modern branding, web-design, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, greeting cards, wall art, websites, photos, and so much more. Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font for your stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

Hastafi is a classy serif typeface. It is naturally bold, with contrasting, hairline thin horizontal strokes, and a confident character. Use it for any project that needs that extra bit of elegance and personality, without losing the thoughtfulness and authenticity of a serious serif font. The Hastafi family consists of eight beautiful styles: The Regular, for a medium and normal variety, and the flowing Italic version. It also contains a swash style for decorative additions to the letters, and each of the styles as an emphasized Bold. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans OT Std The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Preto is an extensive type family, which explores the function of serifs on readability and legibility. Preto consist of three subfamilies: Sans, Semi and Serif. Preto is designed for multilingual typesetting. All of the subfamilies have equal gray value but different texture which can be use to differentiate languages. Preto subfamilies have two text weights and two bold styles (Regular --> Bold, Medium --> Black). Every weight has a companion Italic style as well. Preto Sans The Sans version of Preto forms the basic skeleton of the family, it is decidedly simpler than the other styles (Semi and Serif). Although you can find many distinctive and unique elements in the details. The most visible elements are the tapered upper part of the letters. The capital letters have uniform widths achieving very different texture than traditional roman proportions. There are two different options for ligatures and alternative characters (J, Q, g, &) gives more variability for different languages.

The robust and contemporary sans-serif typeface Rethink, comes with strong characteristics. The typeface is made for work in text as well as in display. It features nine weights in two styles, including Small Caps, a set of contemporary OpenType functions, multiple figure sets and a rich language support. Rethinks main characteristics are the non-straight stroke endings and a slope that might come in an unexpected direction. It brings a bit of movement to the baseline and some attraction to the shapes in bigger sizes. These details are designed to ‘disappear’ in smaller sizes and to not disturb a reading process. Rethink was designed with the idea to help spreading bold ideas ond strong opinions, to support the work of activists in contemporary movements, to design statements with impact and meaningfulness.

CHARACTERISTICS The font name is a pun on the Ger­man word "Kitt­chen" (English prison/jail) and the English "Hell’s Kit­chen". The cha­rac­ter of the font looks as though the scum here — the guilty and inno­cent pri­soners carved/scratched their signs and mes­sa­ges at the pri­son walls of their jail cell. The cold, creepy and scratchy cha­rac­ter of the hand­writ­ten type­face is a very uni­que gloomy atmosphere. APPLICATION AREA The scary, dark, hor­ror, trash, hand­writ­ten script font "Hells Kitt­chen Devil God" with many symbols/dingbats would look creepy good at rusty dis­play size for head­lines. Maga­zi­nes or web­sites, movie pos­ters, music covers or webbanner. TECHNICAL SPECIFICATIONS Head­line Font / Dis­play Font / Trash Script "Hells Kitt­chen Devil God" Open­Type Font with 375 gly­phs — many symbols/dingbats, alter­na­tive let­ters and liga­tures (with accents &€) & 2 style (regu­lar, bold)

Steal the spotlight with Senlot. A high contrast sans serif, Senlot’s figure is perfect for enrapturing your audience. The font shows off a unique calligraphic stress, which--with the contrast--makes the face quite usable in luxury and high quality design work. The gorgeous appearance of Senlot is accompanied by a complete set of small capitals and a true italic. Dress your text in any of nine separate styles from Thin to Bold. Senlot also holds a full set of OpenType features, including titling capitals, superscripts and subscripts, and oldstyle figures and has an extended Latin cover with span for over 72 languages. A special thanks to Lucas Azevedo and ikern for production assistance on Senlot. Let Senlot’s beauty and simplicity carry the stage on your new text or webpage.

Migae is a versatile and elegant display font designed to captivate and engage audiences across a wide range of design applications. With 14 distinct weight variants spanning from delicate Light to commanding Black, and complemented by a refined set of italics, Migae offers a harmonious balance of strength and elegance to fulfill your typographic needs. Key Features: 1. 14 Weight Variants: Migae's extensive weight range, including Light, Regular, Medium, Semi-Bold, Bold, Extra Bold, and Black variants, allows you to choose the perfect weight for your design, whether it's a subtle headline or a bold statement. 2. Italics: In addition to its standard upright styles, Migae boasts a comprehensive set of italics that adds versatility to your typography, conveying an air of sophistication and style. 3. Strong to Elegant Styles: Migae's design philosophy seamlessly combines strength and elegance. Its strong weights provide a bold and impactful presence, while the lighter weights exude an effortless elegance, making it suitable for a wide array of creative projects. 4. Modern Aesthetic: Migae's clean, contemporary lines and carefully crafted details make it an ideal choice for modern graphic and web design, editorial layouts, branding, and advertising. 5. Legibility: Migae prioritizes legibility across all weights and styles, ensuring that your messages are communicated effectively, regardless of the chosen variant. 6. Versatile Applications: From branding and packaging to posters, editorial design, and web headings, Migae adapts to various design contexts, making it a versatile choice for graphic designers, typographers, and creative professionals. Design Inspiration: Migae draws inspiration from the harmony of nature, where strength and elegance coexist. Its name, derived from the Korean word "미래" (miraee), meaning "future," reflects its forward-thinking design approach that is equally rooted in tradition and innovation. Ideal Usage: Migae is an ideal choice for those seeking a display font that can effortlessly transition between bold and delicate, exuding confidence and refinement in every style. It's perfect for branding, packaging, advertising, editorial layouts, and any design project where typography plays a pivotal role. Migae is more than just a font; it's a design companion that empowers creatives to achieve a perfect balance between strength and elegance in their visual communications. Explore the world of Migae and let your design projects shine with its captivating charm and versatility.

Cowboy Rhumbahut is an old-timey script the drips with a twang and tradition that you can practically hear. If you've been wandering the range, searching for the perfect cowboy alphabet for you, you might wanna wrangle up this old-time original. My goodness that's one kooky cowboy font. Now get to work and start makin' something with it, ya lily-livered varmint!

Bill Rigney, an old job printer in my home town, established his shop in 1896, closed it in 1900 to take a steady job, stored the equipment in a large shed, and reopened for business upon his retirement in 1950. What a find! A bonanza of old type! We became good friends and upon his death I bought the type. Bless you Bill.

Cabriolet is a connected geometric script re-interpretation inspired by old chromo emblems of Chevy truck Apache of 1960. With three weight variables, it can be used in logos, games and graphic related to cars, automotive, American, Detroit, Art Deco, 1940, 1950, 1960, vintage, retro, classic and old machines. Can be expandable using underscore for connect words or expanding between letters space.

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.

Joaquin Display is a Brand New Elegant Bubbly Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in funny logos, cartoon posters, and movies. Joaquin Font would be perfect for kid's craft, comic posters, Captions, bubbly texts, and cute funny boards. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, bubbly, warmth, funny, yet still purposed to be versatile The Typeface includes four Weights - Regular, Medium, SemiBold, and Bold All offer wide language support Uppercases and Lowercases. Numerals and extended punctuation. Thank you for taking the time to look into the font

Kontesa Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies . Kontesa Font would be perfect for branding, headlines, Captions, paragraph, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Nine Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold, ExtraBold, & Black. All offer wide language support Uppercase Only numerals and extended punctuation. Thank you for taking the time to look into the font.

The Roman alphabet has seen endless variations in interpretations of its classical form, and various wood type styles managed to explore everything from XXX condensed to hyper extended and expanded. This delicate and handsomely proportioned extended Roman was issued by Page Manufacturing Co. in 1872 and released as simply “No. 251” after Page was acquired by Hamilton. It is a rare font to find in print shops, most likely due to the very fine lines that would no doubt be less durable that bolder gothic jobbing fonts. While being quite wide, it still holds the elegant grace of wide Romans such as Craw Modern. This new digitization features a full Western and Eastern European Character set as well as ligatures and alternate characters.

Jacques Pro Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Mackenzie Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Eight Weights - Thin, ExtraLight, Light, Regular, Medium, SemiBold, Bold and ExtraBold Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. Thank you for taking the time to look into the font.

Cotterway Display is a Brand New Elegant Typeface with a powerful font family. It has a dependable and uncompromising style, with controlled letterforms and modern touches. It looks amazing in logos, magazines, and movies. Cotterway Font would be perfect for branding, headlines, Captions, paragraphs, and posters. The various weights allow you to experiment with a wide range of applications. It's created to make an impression without sacrificing its beauty and readability. It's shown a clean, minimalist, warmth, quirky, yet still purposed to be versatile The Typeface includes Six Weights - Light, Regular, Medium, SemiBold, Bold and ExtraBold. Numerals and extended punctuation (200+ Glyphs). Expert kerning and quality crafting. TTF, OTF and WebFonts Included. Thank you for taking the time to look into the font.

“Moonscape” is a Condensed serif that has 40 Unique Ligatures. Depicted to provide a confident and impressive base headline, while still feeling warm and welcoming. there are 4 different styles that you can apply in your design projects. This typeface is perfect for an book or movie title design, fashion brand, magazine, clothes, lettering, quotes, social media posts and so much more. Moonscape Features: 5 Weights font (Regular,Thin,Italic,Bold,Outline) Uppercase Numerals & Punctuation Accented characters Multilingual Support 40 Ligatures PUA Encoded While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedback in order to further fine-tune our products. Thanks and have a wonderful day