Drummer is a large futuristic font family inspired by the Expansion TV series, old science fiction book covers and Honda Prelude and Porsche logos. The family contains a large number of styles and a lot of language support. 54 styles, 6 in width (Ultra Condensed, Condensed, Normal, Expanded, Extra Expanded, Ultra Expanded) and 9 in weight (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, ExtraBold, Black). The font also has a variable version. 573 glyphs, including 40 alternate characters. A lot of work has been done on the font. The fillets on the symbols have been well worked out and tested for a better visual and practical experience. The font combines the monospacing of many characters combined with kerning, which makes it very convenient for many purposes, such as vertical typography. The font is good in all sizes, both small and large, which makes it possible to use it anywhere. Branding, logos, titles, posters, texts, covers, merch, prints, web, titles, banners, games and design in games and much more. In the near future, it is planned to add another axis of variability - the slant. Consequently, the family itself will increase. It is also planned to add a small case (capital). If you want to say something about the font or get a font in other formats, then write to the mail: bunineugene@gmail.com .

A very light, elegant, condensed typeface, which must be used very large (at least 100 points).

NATRON Rough is the textured version of NATRON (rounded and condensed sans serif), in two weights, medium and bold. It features stylistic alternates and ligatures. Both fonts support Latin and Cyrillic codepages for Western, East and Central European, and Baltic countries. Designed for tight-fitting text, NATRON Rough is great for display, branding, labels, packaging, advertising, food, sports, titles, and any other type of visual communication projects.

Because of the need for a new condensed serif font family, Jack Yan created this individualistic style of typefaces complete with one of the largest collections of unusual ligatures available at the time of launch in the mid-1990s. As well as the usual selection of double-f and ct, JY&A has provided gr, gt, ty, and other ligatures for JY Integrity Roman and Italic.

Drawn by Tony Stan, ITC Garamond was first released in 1975 in Book and Ultra weights only. These were intended as display faces to complement existing text designs from other foundries. (In fact, many of ITC’s interpretations of traditional typefaces began as display counterparts for existing text designs.) These first weights of ITC Garamond became so popular, however, that ITC released the Light and Bold weights and a suite of condensed faces in 1977. Now, the complete ITC Garamond family features sixteen members: four weights of roman and italic in normal width and four weights of roman and italic in companion condensed versions. The family resemblance is there, but ITC Garamond’s unique provenance gives it an unmistakable, one-of-a-kind appeal.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Myhota is a condensed sans-serif face that has a bit of rawness to it. It is condensed and has a very high x-height, so it more useful for display than text. Myhota-Bold and Myhota-Light were designed in 1990 and the other seven weights were added in 2021 as were the italic and backslanted styles. There is rarely a use for backslanted type, but when it is needed, Myhota provides an option. Myhota-Hatched was an attempt to see if a readable text font could be hatched out of Myhota by lowering the x-height and widening the letters. The result is a face with rather squarish letters. The regular and bold were original styles with the medium and italic styles added in 2021.

Grotesca Extra Condensed™ defines the term ""extra condensed"". With some unusual design quirks, this sturdy design has roots in styles popular in 1920s Germany. First brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain, the designer of Grotesca is unknown and the font was formerly sold only in Spain.

Gulfs Display Inspired by the 90's playful cartoon & comic books. This playful font comes in six widths; condensed, semi condensed, normal, semi expanded, expanded and extra expanded. This font can be used for modern and vintage designs, also can be easily paired with some graphic elements (Illustration, Photography) this font perfect for, Logotype, Branding, Title, and Packaging.

A powerful, energetic and exciting condensed typeface. It brings charming curves and satisfying patterns to traditional condensed fonts. It's designed for impact, without sacrificing style or legibility. It looks especially stunning in large scale, although it still carries a punch at smaller point sizes. It's born to be! Ideal for magazine, posters, headlines and pull quotes.

Originally made for the Observer newspaper, in London, this version of Plantin is more condensed than the standard typeface. This condensing is most noticeable in the capitals and the bold fonts. The News Plantin font family was designed primarily for use in a magazine supplement. It retains the robust nature of Plantin but provides better economy in text use.

Ramston is a humanist sans serif typeface of 20 fonts in total — a normal and a condensed width in 5 weights with matching italics. The condensed version is designed for space-saving typography but with high legibility in mind. Ramston is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation.

Alderwood | A Condensed Hand Drawn Typeface: Alderwood is a hand drawn condensed typeface that comes in multiple styles / weights. Get it in regular, stamp, outlined with oblique versions of each. The subtle imperfection of hand drawn type adds character to projects that require a more grassroots vintage aesthetic. What's Included? → 6 Fonts Files → Western European Characters Included → Web Fonts

JUNO is a soft & friendly script font for display use. Inspired by latin American vernacular signs, defined by the freshness of the freehand strokes, and mixed with the rigor of typography. Juno is well suited for packaging, headlines, advertising and any handmade feels graphic. Designed with a wide range of options, its variables move between tow poles; regular to black & condensed to expanded, plus true italics. This 40 font family sums up to 5 weight subfamilies: Regular, Semi Condensed, Condensed, Semi Expanded, Expanded. Designed with powerful opentype features, alternate characters and extended language support. We’re proud to introduce: Juno.

Godger Condensed Sans Serif: Boldness Redefined Step into the bold world of Godger, where strength and simplicity converge. This bold, masculine font is a powerhouse, built for strong, memorable branding. Its condensed form is not only space-efficient but also packs a punch, perfect for headlines that demand attention. Masculine and Commanding Godger’s bold, condensed letters exude a sense of command, making it a go-to for titles needing a masculine touch. Each letter is crafted for high impact, ensuring your words aren’t just read, but felt. This font doesn’t whisper; it shouts with a clear, authoritative voice.

The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally designed for use on signs at the new Charles de Gaulle Airport at Roissy. The straightforward sans serif shapes are suited well for both text and display setting. Six additional styles were added in 1998-2000. Multilingual versions of 6 styles (Light, Demi and Extrabold) include Armenian alphabet designed by Manvel Shmavonyan in 1997. Two condensed Cyrillic styles (Demi Condensed and Bold Condensed) designed by Manvel Shmavonyan in 2005.

An elegantly refined typeface with a subtle wedge serif, the character shapes of Acolyte STF set a rhythm of light and dark like windows in a cathedral. Standing tall (as in condensed!) and respectful, Acolyte STF is aptly named as a companion to any design, packaging and advertising. Acolyte will illuminate your designs with a display typeface reminiscent of European 20th century letterforms. Its distinctive letterforms are slightly chiseled and angular with curves in just the right places. Wrapped in an aura of mystery, Acolyte's origins are from condensed typefaces, with an understated gothic feel. Available for Macintosh and Windows, Acolyte will set an edgy tone for all of your design needs. Complete with an Adobe-standard character set, this font also includes the Euro and is cross-platform compatible.

New versions available of our FP København font family: København C. C for Condensed, C for City.

A revival of one of the popular wooden type fonts of the 19th century, somewhat condensed, square.

Vehicle JNL is a condensed block font similar to that found on many state auto license plates.

A revival of one of the popular wooden type fonts of the 19th century, somewhat condensed, square.

A Bold Powerful Condensed serif face; great for book jackets, magazines, ads and just about any application.

An old narrow Grotesque from Stempel’s early days (possibly Information Bold Condensed) revived and revised for photocomposition.

introducing LOVELY PURPLE - catchy and quirky handwritten - LOVELY PURPLE is natural handwritten font. It is great for quotes, card, banner, book, cutting, silhouette, social media content and anything of craft project. Lowercase and uppercase are matching each other, so you can combine them as you want. I created some ligatures to make it look so natural. Features: - Uppercase - Lowercase - Number & punctuations - Multilingual - PUA encoded I hope you love it... regards, Abo Daniel Studio

ITC Orbon font is the work of New York designer James Montalbano, inspired in part by a demo of black letter calligraphy in which letters were created out of only four or five basic strokes. I combined that idea with the notion of taking historical forms like German gothic blackletter and progressively paring them down to achieve a futuristic version, as if this old form naturally evolved over several hundred years to arrive at its post-modern incarnation." Text should be set in point sizes of 20 and higher for optimal legibility. ITC Orbon is a highly condensed font with unique, oblong shapes which are ideal for a number of display applications."

Condensed Sans-Serif font family 7 widths with corresponding italics 2 free fonts (Aureola regular & italic) OpenType features

Nubrix Grotesk is a condensed geometric sans full of curves, character & charm. Perfect for big statements and impact!

Cocomat has been designed by Francesco Canovaro and Debora Manetti as a development of the Coco Gothic typeface system created by Cosimo Lorenzo Pancini. It shares with all the other subfamilies in the Coco Gothic system a geometric skeleton with open, more humanistic proportions, a sans serif design with slightly rounded corners and low contrast proportions, without optical compensation on the horizontal lines, resulting in a quasi-inverted contrast look in the boldest weights. What differentiates Cocomat from the other subfamilies in Coco Gothic are some slight design touches in the uppercase letters, with a vertical unbalancing reminiscent of art deco design, notably evident in uppercase "E", "A","F","P" and "R" - while lowercase letters have been given some optical compensation on the stems, like in "n","m", "p" and "q". These design choices, evoking the second and third decade of the last century (Cocomat is also referred as Coco 1920 in the Coco Gothic Family) all give Cocomat a slight vintage feeling, making it a perfect choice every time you need to add a period vibe or an historical flair to your design, like in food or luxury branding. The typeface, first published in 2014, has been completely redesigned by the original authors in 2019 as Cocomat PRO to include eight extra weights (thin, medium, black and heavy in both roman and italic form), extra open type features (including alternate forms, positional numerals), and extra glyphs making Cocomat cover over two hundred languages using latin, cyrillic and greek alphabets.

Our Stint Family was originally influenced by extra wide letterform styles and developed later to create an ultra condensed range of fonts and the widths in-between. Highly legible throughout its width & weight ranges, the Stint Pro Family is both perfect for powerful headlines and copy. It also works well for getting as much information as possible into limited realty websites with the ultra condensed widths, as well as when realty on websites and designs is less of a concern and the wider widths can play. A small caps feature within all of the widths and weights gives this family more versatility and a serious tone, while the Stylistic Alternates feature offers a Caps to SmallCaps feature. Reserved and straightforward, with subtle distinctive notes of its own, the Stint Pro Family presents a visually strong yet subdued visual dynamic. Opentype features include: - SmallCaps. - Full set of Inferiors and Superiors for limitless fractions. - Tabular, Proportional, and Oldstyle figure sets (along with SmallCaps versions of the figures). - Stylistic Alternates for Caps to SmallCaps conversion.

Introducing Scenarie Display Typeface: Streamlined Elegance Redefined Unveil the art of sophistication with Scenarie Display – a condensed sans serif font meticulously designed to streamline your designs. From sleek logos to space-efficient layouts, Scenarie Display offers a modern and refined touch. Embrace the power of condensed typography Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Sansterdam is a modern condenced grotesque font family. It's great for titles, posters, logos. Condensed font allows to include more information in one line. Sansterdam has special Deco version with circle uppercase letters and oldstyle numbers for more vintage feeling. Also Sansterdam has signature script font with many ligatures and alternates for more unforgettable combinations! Font looks amazing as alone words and as full text blocks. Also it good for bright captions and logos. Language support more than 30 languages: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Zulu etc. Download Sansterdam for your next project today! Thank you and have a great day!

Introducing a retro narrow grotesque called "Agitaciya" (Agitation). Bring back to the Soviet Era Agitation inspired by Soviet posters, movie titles and book covers. The letterforms are straight and condensed and come in 2 styles: uppercase and small caps alternatives. It has Extended LATIN and Extended CYRILLIC letters. "Agitaciya"created for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. *ST Agitaciya supports 15+ languages: English, German, Spanish, Belarusian, Bosnian, Bulgarian, Croatian, Dutch, Norsk, Dannish, Macedonian, Polish, Russian, Serbian, Slovenian, Swedish, Ukrainian, Kazakh, and probably others )

One of the first and best of the Roman styles, this a condensed, narrow version, with very short descenders.

Adelanto JNL is a wood type revival featuring a condensed sans serif face with chamfered [rather than rounded] corners.

A revival of one of the popular wooden type fonts of the 19th century, suitable for display, extra condensed.

Lockup JNL is a more condensed version of Jeff Levine's Hoosegow JNL - based on a classic wood type design.

A vintage British lettering stencil was the inspiration for Sandwell Stencil JNL, which is available in both regular and oblique versions. This pleasant and condensed stencil font was originally a semi-stencil – many of the characters were made as solid letters ,while the others had a traditional stencil treatment. For the digital version, the stencil treatment was applied to previously solid characters to create a consistency in the overall design.

Bonnington is a Roman display face full of the spirit of the 1920s, developing further the ideas in our Bonning family. Three weights are offered, including a shadowed black form, in a choice of regular and condensed widths. It's the ideal face for signage with a period feel, as well as posters and headings. Combine Bonnington and Bonning together using Bonnington for eye-catching headings and Bonning for other text.

Double Pivot , a condensed sport inspired Regular, Low, & Mix typeface. Double Pivot has six Style with sans serif and matching italics. This typeface has a clean and athletic look, glyphs and extensive Latin script support. Double Pivot is bold, vibrant with sharp sans serifs and competitive appearance, therefore excellent to use for headers, logos, captions and posters, especially for the sports branding industry, but just as good for any other projects.

Macbeth is a heavy, condensed Art Deco-style typeface from Linotype. Macbeth includes some particularly noteworthy diagonal elements -- these enliven the design and give typeface its overall character. Macbeth should be used for music-oriented applications, or anything that is both reminiscent of the early 20th Century and a bit spooky. The letters in Macbeth are quite similar to display style found on Frankenstein posters, and those of other early films.