Dormitory Decals JNL is a set of Greek letters placed on the standard keyboard positions of A-X and a-x. The design (based on Jeff Levine's Juneway JNL) emulates the gold and black water-applied decals used by college kids in the 50s and 60s.

The Vivala old black letter font family is characterized by its hard-cut lines. This gives the typeface a special woodcut-like character. The typeface family offers a wide range of possibilities for design. It works well for posters, packaging, and corporate design for restaurants or breweries.

Axeo is a freeform serif typeface. With more than 500 glyphs for each cut, Axeo supporting wide Latin Base Languages. The font structures is sans-serif typeface. Then, the fonts is made into serif (serifed) using rhombus and adapted/modified rhombus (before remove overlaps) placed on its appropriate positions. This fonts is released first, while the sans-serif is being in process. There are 10 fonts; 5 weight in normal width: Light, Regular, Medium, Bold, and Black; and 4 in semi-condensed: Light, Regular, Medium, Bold and Black, too. The fonts has some minor character variations, all are sets in SS01.There are also standard and discretionary ligatures, arrow, some geometric shapes and ornaments. With its sansserif structure, the Medium, Bold and Black fonts is playful with text effect in various applications such MS Word, CorelDraw or others to enhance the appearance. Its serif form will make unique enhancements. Thus, the fonts is suitable for Branding, logos, cards, advertisements, banners, display and more; for the main texts or its companions. While the light, regular and medium fonts can also be used as description text, card text, note, caption and longer non-formal texts or other usages.

Naratif is a condensed display based on an early 1900 sans-serifs and gothic faces and it has 7 weights including italic. Great for anything big and for not so small text or display. With a wide range of latin support, and OpenType features such as Small Caps, Fractions, Alternates Character, Inferior and Arrows.

FS Koopman is a hard-working typeface. A crossbred workhorse that draws on inspiration from Swiss grotesks, American gothics and early British grotesques. It refuses to fit neatly into any of these categories, it’s neither one nor the other, but all of the above. It’s kinda Swiss meets American… (but with a slight Yorkshire twang).

Tabor Sinfonia is a blackletter typeface that marries the historic beauty of Gothic script with the rhythm and harmony of music. This decorative font is perfect for logotypes, artistic projects, and designs that require a touch of vintage elegance. The inspiration for Tabor Sinfonia came from a fascinating combination of medieval manuscripts and musical compositions.

“Grendel Regular” Evolved out of a hand lettering piece I designed for a record album (Royal Crescent Mob). Inspired by old gothic forms, my intention was to create a playful letter form that could be used in an antique as well as a modern context such as food product packaging or fun video projects, etc.

Rogain is a unique font that seamlessly blends modern elegance with tropical charm and a touch of gothic influence. Inspired by lush tropical landscapes, Rogain features sleek serifs and subtle floral motifs. Perfect for a wide range of designs, it captures the essence of sophistication and natural beauty. Experience the fusion of styles with Rogain.

Guglia is an extra textura typeface ispired by the gothic architecture shapes and in particular to his vertical extremization based on a rigid scheme, like the calligraphy of that period. A spire (Guglia in italian) is a tapering conical or pyramidal structure on the top of a building, often a skyscraper or a church tower.

A gothic blackletter font named after the Parler master builder family which built the Schwaebisch Gmuend cathedral. This font contains a bunch of useful ligatures, and by typing 'N', 'o' and period plus activating the Ordinals feature you get an oldstyle numbersign. In this blackletter font the # key is occupied by the 'round' s.

If you are looking for a unique and unique gothic blackletter font that will set your project apart from the rest, look no further! ARHOKY is the perfect font for adding a touch of elegance to all kinds of creative work - including wedding invitations, tattoos, and packaging designs. Use it immediately to realize amazing projects!

The boss of extended typefaces, Brian Bonislawsky, has belted out this ultra wide design, EuroMachina, that looks like an odd meld of OCR-A, Microgramma and Bank Gothic. And if that wasn't enough, Brian then felt the need to distort it in various ways, creating Broken, Eroded and OverGreased. A little something for everyone.

Ludwig Sans is a modern Sans Serif Font Family inspired by american Gothics. It also contains many Alternates that are inspired by Ludwig Sütterlin’s Latin Script from 1911. All those Alternates can be combined seamlessly within the neutral Sans Serif Typeface, so you get both: a bread-and-butter type and a display font.

Ramban is a high quality blackletter typeface for your designs, with metal and gothic accents to make your designs even more exclusive. Can be use for various designs such as band logos, cloting, even film covers or tour posters. Includes Uppercase Letters and unique Roman Numbers with some extra bonus Ligature Characters. No Punctuation !

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

Containing over 130 symbols. Unlike traditional western zodiacs, the Celtic zodiac contains 13 signs instead of 12. This series contains the zodiacs, the planets as well as the Ogham numbers. NOTE: this font comes with an interpretation guide in pdf format.

Geometric shapes are the building blocks the construct these 2 fonts.

This is a blocky typeface with thick lines and no serifs. It's a modern design with a hint of vintage lettering with a thicker vertical line on one side of each letter. Most letters are square shaped. The two styles are regualar and hollow, with the hollow style having the thicker areas hollowed out.

Bumper is the ideal ultra-black Sans Serif if you wanna make noise. The three widths could even be mixed in one single word, which creates a hand-made, edgy look. Bumper falls between glossy mags and poster art, and has a great effect when used for flyers.

Greater Albion always releases a Black letter each year, hopefully well before the Christmas seas (which we seem to have managed this year - September). There is something about this year's project which suggests a caste portcullis to us. Why not visit ye olde world in your next designer project?

American type designer Paul H. Neville created this display FontFont in 1995. The family contains 2 weights: Condensed and Black and is ideally suited for editorial and publishing and poster and billboards. FF Extra provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

Leon is a modern wide sans serif type family in Hebrew and Latin. It comes in four styles to match any design need - Headers in Black or Thin to long text in regular and Bold. Includes full Hebrew support including punctuation. Designed in Tel Aviv by Ben Nathan, 2021.

Palmilla is a very gestural Sans font that contains 7 fonts (Thin, Light, Regular, Medium, Bold, Black as well as a set of dingbats, it is perfect for informal or children's titles, it contains many Alternatives such as Ligatures, to have more options at the time of writing.

Hailgen is a Serif typeface that explores the flexibility in contrast, with a thicker horizontal and thinner vertical contrast. Designed specially for short texts or quotes. Hailgen comes with 5 weights ranging from Thin to Black and is armed with several opentype features and Latin and Cyrillic language support.

Ruqia Arabic typeface is a modern Arabic typeface designed by Ahmed Zaza. the design is inspired by the Naskh style. The result is a hybrid that combines modern proportions with Classic Arabic scriptsit's suitable for branding, editorial, packaging, and advertising.Ruqia Arabic Features five weights from Light to Black.

A 1917 informational poster for shipbuilders during World War I detailing the importance of their governmental work was hand lettered in a style closely resembling Cooper Black, yet retaining its own look and feel. This inspired Industrial Poster JNL, which is available in both regular and oblique versions.

Ningrat is a mix of classic with modern serif font family. It’s weight cover regular. The black weight of Ningrat Display font offers very strong impression. As a great choice for title and headers, it pairs well with most of the popular sans serif fonts for body text.

Arthura is a sans serif font family with subtle reverse contrast, particularly visible in its ultra bold ‘Black’ style. Six weights plus matching italics. Simple geometry and with humanist nuance that adds warmth. It’s a perfect choice for branding, magazines, posters, advertising, packaging, headlines, logos, web, print etc.

Firm is a black sans serif display font. Perfectly attracts attention due to its shapes. With it, you can highlight important information in your text, and it is also perfect for creating a logo.This font contains alternates lowercase, ampersand and ligatures, math symbols, arrows, fractions, and multilingual support.

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and very dynamic serifs, and pleasant openness and balance.

Designed with high contrast. The stems are not completely straight, slightly narrow in the middle, combining rounded and right angle at the terminals and serif ends. Gibralt consists of 8 styles from Extra light to Black, each matching with italics version. Suitable for Headlines, paragraph, text, printing and more.

St Mika is big, black and beautiful. A little bit clumsy, Mika has his very own style of serifs and letterforms, making him very unique. If you want to yell or scream at someone, Mika is not your partner. This typeface is more about harmony and big letters.

Cyntho Next is a totally reworked typeface based on our previous bestseller Cyntho Pro. It also has a slab-serif counterpart - Cyntho Next Slab. Cyntho Next is a modern geometric sans based on a hybrid waterdrop-like shape with eight weights varying from Thin to Black and featuring Cyrillic.

Faustian is a modern study and different take on classic historical black letter styles, geometric in its construction, giving a very modern clean look whilst its historical influences shine through. coming in 3 weights with a host of opentype features including old style figure, alternate characters and more

Liquid Embrace is a rough 'n' ready brush font. It was created using a Chinese calligraphy brush and Royal Blue Ink (I had run out of black...). Liquid Embrace is fat and in your face, making your message stand out all the more. Comes with an ocean of diacritics.

Maiden Sans is a humanist sans-serif based typeface which contains nine weights, from thin to black. Designed to use as body text to headline. The design of Maiden Sans typeface can easily be recognized at the terminal with reverse pen-head style and a bit sweet link!

Visage is a contemporary text family designed by Garrett Boge in 1988. Its delicate serifs, subtly tapered stems, and generous proportions offer both distinction and readability to the text at any size. The family consists of five weights - Light, Book, Medium, Bold and Black, with corresponding oblique styles.

Mafra, the debut typeface by Pedro Leal, a type family suited both for editorial and corporate design, available in five weights, ranging from Light to Black with matching italics. Mafra is a contemporary typeface with plenty of style, asymmetrical and very dynamic serifs, and pleasent openness and balance.

Sales Event JNL is an inline sans that was modeled from examples of old wood type. Its casual, cheerful style well suits point-of-sale signage or banners, fun headlines and relaxed themes. The font is available in both the regular inline version and the black (solid) version.