Corpo Sans is REFRESHED version of my old font Korpo Sans. Corpo Sans is a sans type family with a friendly feel. This type contains 12 variants with 6 weights.The high contrast and high x height is perfect for headlines and display uses. Corpo Sans is great complement for Corpo Serif.

Brigitte Eigner is a beautiful handwritten font with a natural feel. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Zuboni Stencil is a bold, uppercase typeface based on a Russian design from around 1920 (original designer unknown). Its extensive character set supports most European languages that use the Latin or Cyrillic alphabets as well as modern Greek.

Maxtield combines attractive curves with a fresh urban edge; delivering a stylish which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise, social media post, or website font.

Header Maker combines rough and bold curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, quotes, product packaging, merchandise & social media posts.

Lattiefa is a great font for your design projects. It's simple, casual and elegant, has a natural touch and comes with ligatures & beautiful swashes. Lattiefa is perfect for logos, wedding invitations, social media posts, signatures and much more!

Selitta is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and a wide variety of projects!

Autobahn is a robust masculine sans of near monoline thickness and angular characteristics. Available in four weights (with italics), it has a healthy compliment of OpenType Features and the character set covers most Roman-based letterforms and Cyrillic.

Ceuphoria is a display groovy font with a psychedelic look and trippy effect. Ceuphoria is ready and Perfectly fit for your logo designs, music projects & social media posts, event poster, brand imagery, product packaging, handwritten quotes, merchandise, etc.

Benalla is a beautiful, elegant, yet casual and simple font script featuring a natural look & feel. It has beautiful swashes and ligatures and it’s perfect for logos, wedding invitations, posters, social media posts, signatures, quotes and much more!

Broadside Text is a companion to Broadside, and is optimised for use at smaller sizes. More open counters, more generous letter-spacing and additional fractions increase legibility. The original Broadside family is suitable for headlines and larger sizes, and also comes with condensed and extended versions. Broadside is a versatile, authoritative and functional family inspired by the sans serifs seen on ’40s and ’50s patriotic posters and period advertising. It is available in seven weights across condensed, normal and extended widths, each with reweighed italics. The type from this period was very often hand-drawn, and so differs considerably from poster to poster. Many American examples of this period use a Photo-Lettering style called Murray Hill and its derivatives, although their UK counterparts, designed by such luminaries as Abram Games or Tom Eckersley, are more stylistically diverse. Even though no single model is available to base a digitisation on, there are certain recurring stylistic quirks that give the type its unique flavour, and so the most interesting examples from several sources were be combined for the final family. Alternate short descenders, allowing for tighter line spacing, can be toggled on or off in the Opentype panel of Indesign or Illustrator. Tabular and lining numerals and a single-story ‘a’ are also available in all weights and styles.

Stubby Rough is a display type family with 4 styles, inspired by the vernacular landscape. It was made for titles, headlines and also packages, posters and everything that provide space for a rude, fat and widish type. Nonetheless it can be a type for text if you are looking for an informal shape, with eleven styles mixing from a narrowed thin to a sloppy ultrabold. Stubby has a tight spacing looking to fit in squeeze places, trying to simulate some real spirit of the botecos from Brazil, always serving very cold beer in stubby brown bottles. Stubby Rough is a distressed version of the original Stubby.