Ciribiribin is an Italian ballad composed by Alberto Pestalozza in 1898. Many versions with different sets of lyrics have been recorded over the years. The hand lettering on the sheet music for one such popular version of the song was comprised of bold characters with a "semi-serif" treatment; that is, characters with partial or no serifs on certain strokes of the letters. Ciribiribin JNL extends this unique design into a complete digital typeface. Available in both regular and oblique versions.

A modern display typeface with ultra sharp detailing. The unique line style takes influence from earlier fonts produced in the 1970’s by Letraset. These lines are then blended with a stronger letterform creating a more visually dynamic font suitable for today’s market. Details include: three unique styles, all caps character set with alternatives, manually edited kerning and Euro symbol.

THE NORWEGIAN RUNES The oldest runes discovered in Norway date from 400 AD. They were based upon the 24 - rune Elder Futhark of Germanic origin. Two of the runes in the Elder Futhark, Pertra and Eoh, have never been found in any Norwegian rune text. From 550 AD to 700 AD there was a transition period between the older 24-rune Futhark and the newer 16-rune Futharks. By the end of this period, the 24-rune Futhark went completely out of use and the 16-rune Futharks had prevailed. Then, about 900 AD, the Shorttwiggs-runes were introduced from Sweden. Shortly thereafter, from 1000 AD, Futharks with more than 16 runes became more prevalent, as these were more consistent with the Latin alphabet. These types of runes were used in Norway up to 1800 AD.

Jesus Saves is a font based on the familiar old logo that has “JESUS” hidden within a maze-like set of multi-branched vertical bars. The characters appear to be an alien, cryptic language at first sight, perhaps even a Japanese, Chinese, or Korean language, thanks to the unusual figures created by the combinations of various letters. It is a teaser for the eyes, as well as a visual feast of De Stijl-type art. It is an attention-getting font that is cool to look at, an eye puzzle that is enticing to decipher. It’s a great font to use for striking logos (see Gallery Images) by the judicious use of ligatures, where in word settings ligatures may be used at the beginnings of words, the middle or the endings of words. Jesus Heals is the missing spaces from the Jesus Saves font, sort of like a doughnut hole font! If you use this font to fill in the spaces in the Jesus Saves font, it becomes whole, or healed, thus the name. Jesus Lives is a raised block/3D or three dimensional version of Jesus Heals. For color combinations in apps that support layering, Jesus Lives synchs and has perfect kerning register with Jesus Heals, as Jesus Heals has with Jesus Saves. The digitization was done by fontmeister John Bomparte.

Don't you HATE it when this happens? You're protesting the war in Iraq, and the other protesters keep pointing at you and giggling. You can't figure out what they could possibly be laughing at...You look up and then it hits you: you're holding a sign that looks like it was made by your 5-year old kid brother. It's sloppy, the words are crooked, hell, it's BARELY READABLE. How is anyone ever going to take you seriously with THAT SIGN???? There's only one solution...To further your cause, you need Burghal Design's Peace font. Peace contains upper and lower letters, numbers, punctuation, even foreign accented characters! Clean, concise, and oh, SO legible, you'll have no problem getting your message across with this typeface. Who knows, you might even make the evening news.

Metalworker JNL is Jeff Levine's take on a perennial favorite originally known as Eagle, but available under different names over the years. This bold, clean Art Deco font was the basis for Jeff's star-studded National Spirit JNL.

Lemons here and lemons there - I really love lemons! I use them in foods, deserts and drinks. I even eat them just for the taste of it! And, I name a lot of my fonts something with lemon! This Lemon font has 3 different versions of each lowercase letter and comes in both Regular, Outside and Inside versions - use them as single fonts, or mix them for nice results! Go go Lemon Smash!

Vienna designer Viktor Solt has a love affair with handwriting. “Usually” he says “when I start with a specific calligraphic style I take some historic specimens and try to integrate their main features into my own handwriting.” Although there are hints of various 18th-century calligraphic styles in Ballerino it was not based on any historical model. The swash ascenders and descenders on the lowercase are all slightly different; this and the rough texture of the edges gives Ballerino a distinctly hand-written feel. The swash caps are meant to be used only in conjunction with the lowercase not to be combined with each other.

Varese Outlined is the perfect font for giving content a retro, dimensional, and playful feel. Use it for headlines or short body text for an optimistic or nostalgic tone. It comes in two variations, outlined and shadow. It has standard uncolored and colored options. Please see the slides to know what each color font is named. This geometric and modular typeface was inspired by Italian posters of the 1920s and 1930s. Its design playfully explores the boundaries between unity and variety. The blocky characteristics lend it well to tightly composed text either horizontally or vertically. The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces (counterforms). It comes with standard ligatures; ff, fi, fl, ffl and three alternate glyphs for number 1. The color fonts in Varese Outlined are vector-based and in the fully scalable SVG OpenType format. Color fonts are supported by Photoshop 2017, Illustrator and InDesign 2018, and QuarkXPress 2018 (and later versions). Those who do not want a color font should purchase the files simply named “Regular” and “Outlined”. These will not have any color words in the names. Varese Outlined has two siblings; Varese and Varese Soft. The designer suggests pairing Varese Outlined with his ornamental fonts FormPattern or FormPattern Color Two, Three, or Six.

Neona is a font in the spirit of the standard 'no frills' sans-serif 4-inch-high neon sign text used in cheap bars, coffee shops, bakeries and tattoo parlors around the world.

Allister Rough is a handmade font family based on Oldstyle English and Transitional fonts, modern typography and lettering. It’s a kit of joyful fonts that can be used for cards, posters, books, t-shirts, etc. Allister Rough has three font Styles and Extras. “Decor 1” is an expressive font which has three sets for each letter. “Decor 2” has two sets and “Caps” has Capital letters and Small Capitals. So you can choose what you need or combine Styles to create different typography compositions. All contextual alternates are built into the ‘Liga’ feature and duplicated into the ‘Calt’ feature. So when you work with the fonts, please make sure that ‘Liga’ or ‘Calt’ is turned on. Font family also supports OpenType features like Titling, Oldstyle Figures, Fractions, Ordinals. Please take a look at the User Guide in the Gallery.

The first versions of Nimbus Sans have been designed and digitized in the 1980s for the URW SIGNUS sign-making system. Highest precision of all characters (1/100 mm accuracy) as well as spacing and kerning were required because the fonts should be cut in any size in vinyl or other material used for sign-making. During this period three size ranges were created for text (T), the display (D) and poster (P) for small, medium and very large font sizes. In addition, we produced a so-called L-version that was compatible to Adobe’s PostScript version of Helvetica. Nimbus was also the product name of a URW-proprietary renderer for high quality and fast rasterization of outline fonts, a software provided to the developers of PostScript clone RIPs (Hyphen, Harlequin, etc.) back then.

A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kessel 105 . The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kessel 105, or a display font in its own right. Kessel 105 Remix features a comprehensive glyph set including a number of discretionary ligatures and accented characters for central European languages.

Branca Poster is a heavy font with triangular serifs and with three versions of horizontal contrast. It was inspired by the Romantic fonts of vertical axis, with small openings and pronounced contrasts. Specially designed for posters, it has a wider characters map, with some Ligatures, Stylistic Alternates and Swashes, providing greater versatility to the user.

Almost every type designer feels the need, from time to time, to interrupt his or her serious work on complex text type systems for something more playful. In Luc(as)'s case this has often meant designing more typefaces. In the early 1990s, while working on Thesis, Luc(as) drew several display faces which were based on the shapes of TheSans but were either de(con)structive versions or experimental variations. Probably the most innovative of these was Nebulae, in which the lettershapes have been dissolved into clouds of bubbles; the three versions can be layered to obtain a denser (and more legible) structure which can also be multi-coloured. A fourth version called ThreeDee (3D) offers a convincing simulation of three-dimensional bubble-like type floating in space.

BlinkHead is a powerfull block typeface inspired by industrial revolution and machineries. It comes in three styles for the moment with possibility to be added more later. It has a dynamic, curved letter ending that makes it perfect for some modern logo designs purpose and even powerful headlines. The folded style comes as an option to change some letters in plain text for more dynamic appeal.

Wintery Mix contains a set of small winter and holiday illustrations collected from years of holiday cards I created. A winter scene or greeting can be created with the tap of an 'a' or 'B'.

MARIAMNE is an original design by Alex Kaczun. It is an elegant, modern and traditional interpretation based on and modeled after his successful "Contax Pro" and "New Age Gothic" typeface series. As such, it has generous proportions with clean, crisp lines—ideally suited for easy reading and long lines of copy. Alex felt that the skeleton for "Contax" was perfectly suited to transform the design into a modern version of 'old-style', somewhat reminiscent of German Black Letter. Numerous modifications where made to the body proportions, stems and shapes. True 'old-style' serifs and unusual 'cross-strokes' where added for a touch of distinction. The 'cross-strokes' where added at exactly visual mid-point on the overall heights. This gives the typeface a romantic, female-like quality to the overall design. Strong, yet delicate. Visually stimulating in appearance and function. The result is a truly unique transitional and modern design. Unlike other typefaces, MARIAMNE incorporates uniform stems throughout the capitals, lower case and figures. This gives the design a uniform appearance in overall color and strength. There is a perfect visual balance between inter-letter spacing, stem weights and proportions. The accents are equally large, bold and command attention. This font includes a large 'Pro' character set, which supports most Central European and many Eastern European languages. As a result, the design is ideally suited for display copy as well as text composition. In the near future, Alex plans to expand the typeface series to include a light and heavy weight, along with true italics.

Craggy has a narrow, spidery, irregular set of letters. Its creepy, Halloween spirit makes it ideal for scary stories and similar uses. The family has three base styles: condensed, regular, and bold. Each comes with an oblique and backslanted version yielding a complete family of nine members.

A geometric-ish font family that's a bit off-kilter, offering three families: Regular, Rounded and Hatch as well as the bonus Noise, catchwords and dingbats for some occasions. Each font comes in Light, Regular and Bold styles. Complete latin character set with a range of ligatures.

This font family is the first collection of almost all pictograms, signs and letters that refers to the topic of White Magic, witches and witch hunt. There are plenty of witch symbols, astrology signs, woodcuts and witch letters. The cryptic symbols are explained in an extra style. In addition to the symbols the scripts contain both: a digitized original manuscript from the ending 18th century and a modified newer script version. Bringing the light of the Enlightenment to the dark ages of suspicion, chasing and unjustness!

This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms.

Modern Love has been one of our most popular fonts during last year, so we decided to create a new version of this sweet character set.    Modern Love Slanted is a new casual slanted brush-handwritten family. It has the effortless hand-painted feeling and keeps a high density of contrast like Modern Love Regular and It also includes a set of ornaments, swashes and alternates accessible through Opentype features. Check out also ‘Modern Love’

Gluon is a font that is perfect for headlines, logos, posters, and much more. This font combines the minimalism, the futurism and aesthetics. We wanted you to feel the cosmos and its beauty when you look at the font. Three weights will help you choose the perfect combination with your design. Initially, the font was developed for the company's logo, but later the idea was slightly revised. The idea of the font is to convey the spirit of the future, but leave the beauty that we are used to seeing. The design was developed by Eugene Bunin and Beginskaya Christine.

Klandestin Typeface An aesthetic font that has a unique and elegant character to use. Klandestin is a beautiful and elegant serif Font with script for alternate. This font I created is meaningful & very versatile, it goes well with a variety of designs, elevating them to the highest level. Add this font to your favorite creative ideas and watch how it becomes real! Features : Uppercase, Lowercase, Numerical, Alternates, Ligatures & Multilingual Support There it is! I really hope you enjoy it

Austral Sans is a hand-drawn layered font designed by Antipixel. Based in the Slab version, it is part of the Austral type family. This sans makes your work unique & noteworthy, because the possibilities of combinations of textures & styles create distictive results. Austral Sans comes in three weights, Regular, Light & Thin, which all share the same crooked look with irregular strokes and outlines. For these reasons this font can be used in a vast variety of projects, such as logos & branding, stationery, book covers, magazine design, clothing prints & tags, packaging, animated videos, and many more! Austral Sans has three sets of alphabets in uppercase and lowercase to avoid repeating the same character pattern, and giving the font a more natural handwritten feel. This is included in the Open-Type Contextual Alternates, which applies an automatic substitution of glyphs as long as the Open-Type features are activated. Also, Austral Sans offers other Open-Type features such as Stylistic Alternates, Ligatures, Discretionary Ligatures, Fractions, Superscript, Subscript, Denominator, Numerator, Scientific Inferiors & Kerning. This font has a very large glyph coverage and can be used in a wide range of languages, including English, Spanish, Italian, French, German, Polish, Czech, Vietnamese, Finnish, Icelandic, among many others. The style Maplines Thin is offered Free for commercial & personal use! Check Austral Slab!

Ovaltown is a geometric font family with three weights in which the letters are derived from ovals or ellipses. It does to have true lower-case letters but many of the characters in the lower-case slots differ from the corresponding characters in the upper-case slots. Ovaltown is strange, unusual, and bizarre and can be useful when one wants strange, unusual, and bizarre lettering.

"Your Everything" is a very beautiful and unique calligraphy font. This font is decorated with a unique and attractive butterfly. This font is perfect for valentine, christmas, winter, wedding, photography, promotion, and others. The decoration on this font is very easy to use, because it has been specially designed and there are instructions for its use in the preview. Thank you:)

The Tang family came to be, when I started studying fonts made for use in very small point sizes, like Bell Gothic. I studied the use of ink traps and went to town with them. Instead of just using them for their purpose: trapping ink to prevent the type getting blotted; I used them as a design feature. With those features Tang works very well in both headline and text use. I use it as a house type, and I've already seen it in a beer and cider labels.

Kopik is a modern hand-drawn script inspired by the 1960's architectural handwriting style practised by draftsmen. Originated using a Copic 1.0 Multiliner pen, then traced digitally using a stylus and tablet to help reduce imperfections. The result is a simple, readable, monolinear typeface with a marker pen quality suitable for a wide range of written applications. Details include 440 characters, three weights with matching italics, alternative a, g, and y four numerals variations. Opentype features inferiors, superiors, fractions and language support covering Western, South and Central Europe.

Reinstaedt is a fancy new display font family designed from scratch by Andreas Stötzner. The very first sketches were inspired during a holiday spent in remote Reinstädt of Thuringia (Germany). Though bearing a rather formal appearance Reinstaedt still shows its hand-drawn origin. Reinstaedt gives a magnificent breath of fresh air to everything related to food, health, wellness, holiday – to the art of fine living. Enhance your designs by creating enchanting headlines! You can design thrilling type variations by multi-colored overlaying and by combining with ornamental embellishments.

Whichit contains typefaces designed with a hexagonal motif. The opposite sides of the hexagon are parallel but two of them are longer than the other four. It does not have reflective symmetry so flipping it over a vertical line returns a different appearance. One of these appearances is the basis for WhichIt and the other for WhichItTwo. Each has three weights and each weight has an italic style. The result is a quirky sans-serif family of a dozen faces.

Jan Tschichold designed Sabon in 1964, and it was produced jointly by three foundries: D. Stempel AG, Linotype and Monotype. This was in response to a request from German master printers to make a font family that was the same design for the three metal type technologies of the time: foundry type for hand composition, linecasting, and single-type machine composition. Tschichold turned to the sixteenth century for inspiration, and the story has a complicated family thread that connects his Sabon design to the Garamond lineage. Jakob Sabon, who the type is named for, was a student of the great French punchcutter Claude Garamond. He completed a set of his teacher's punches after Garamond's death in 1561. Sabon became owner of a German foundry when he married the granddaughter of the Frankfurt printer, Christian Egenolff. Sabon died in 1580, and his widow married Konrad Berner, who took over the foundry. Tschichold loosely based his design on types from the 1592 specimen sheet issued by the Egenolff-Berner foundry: a 14-point roman attributed to Claude Garamond, and an italic attributed to Robert Granjon. Sabon was the typeface name chosen for this twentieth century revival and joint venture in production; this name avoided confusion with other fonts connected with the names of Garamond and Granjon. Classic, elegant, and extremely legible, Sabon is one of the most beautiful Garamond variations. Always a good choice for book typography, the Sabon family is also particularly good for text and headlines in magazines, advertisements, documentation, business reports, corporate design, multimedia, and correspondence. Sabon combines well with: Sans serif fonts such as Frutiger, Syntax. Slab serif fonts such as PMN Caecilia, Clairvaux. Fun fonts such as Grafilone, Animalia, Araby Rafique. See also the new revised version Sabon Next from the Platinum Collection."

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Geogrotesque Expanded Series comes in three widths: Wide, Extended and Expanded, that go between 120% and 200% of the normal width. Since the original Geogrotesque is slightly condensed, the Wide family becomes a good option for texts. Whereas the Extended and Expanded are ideal for display sizes. With the inclusion of the Expanded Series and the preceding Condensed ones, the Geogrotesque super family is now a complete widths system. For more details see the PDF.

Kutai is an explorative typeface that created to pursue unique display typeface fuse with ethnic look. It's consist of three styles or instance; Normal, Tall and Taller which have different height between each other, especially the x-height.

Pesky Bug is a clean comic and kids font. Initially drawn by hand, but cleaned up digitally, leaving a fresh look - which makes it perfect for anything that has to do with kids products, sports, toys, clothing etc. The x-height, width of strokes and variating baseline are off here and there, and that leaves this active look!

Make the right statement with the elegant Sabler Titling. This showstopping font features an inherent grace combined with the classic style of the Art Deco period. The subtle beauty of its letters is highlighted by the typeface’s stems, which taper towards the baseline highlight--a feature that adds clear distinction to your design. Originally inspired by a WPA poster, this typeface has been expanded to include three equally elegant proportions. Sabler Titling includes more than 60 free alternative forms, including support for most Latin-based languages. Add a hint of seduction to your work with Sabler’s high-contrast letterforms--ideal for magazines, advertisements and books on fashion, fine arts, and luxury goods of all kinds.

Remember back in the day when medals where for The Beatles and foreign dictators only? No more! Psychophante is a 64 pixel medal-building dingbat. Make fresh pixly medals (like the 'I Really Like Your 'fro medal' and the 'Best Hotel Booker medal') for yourself and/or for friends who deserve them. Each medal is made up of three interchangable parts: - Uppercase consonants are the top of the medal. - Vowels are the middle. - Lowercase consonants are the dangly bit. Numerals are special characters, to be followed by a lowercase consonant