Accia is one of the world’s first true sans-to-serif variable fonts. Its weight axis ranges form Thin to Extra Bold, and its serif axis ranges from Sans to Forte. Accia is designed to be perfectly usable at every possible point of the design space, and its different instances work together perfectly as an infinitely flexible type system. The typeface contains a total of 879 glyphs supporting multiple Latin-based and Cyrillic- based languages, together with added sets of numbers and punctuation, small capitals, ligatures and other commonly supported OpenType features. Accia is also available as separate font families.

Debira is a contemporary display wedge-serif typeface. Its sharp and longer serif makes Debira a versatile type family that can be used in many different themes of design projects, from classic style to modern. It comes in seven weights from thin to bold with matching italics. Its mixture of weights provide a wide range of styles that will help you find the best vibe for your projects, for headlines or a short paragraph. The set of special ligatures can be perfect mates for your brand. It is well suited for book covers, editorial, branding, advertising and more.

Filo Pro is a very beautiful and highly legible typeface family as regular, medium and bold. It is a quite characteristic, modern interpretation of the humanistic serif. The serifs of Filo Pro are not too dominant, and its forms are soft and organic. The font family renders extremely well in text sizes but can equally well be used for headlines. The OpenType Pro family of Filo Pro comes with an extended Latin character set including a large number of beautiful ligatures as well as small caps and different sets of figures. Filo Pro has been chosen to be part of the URW++ SelecType.

Op-art never looked so good. Taking a cue from the popularity in the 1970s of deco Prismas and their related contemporary interpretations, this geometric font updates the trend. Overlap text in different colours or black and white for eye-teasing moiré combinations. An image above illustrates the use of Dazzle Underprint, a uniform-width version of the font that is placed under Dazzle and used to create two-colour effects simply and easily. Dazzle Underprint is not intended for solo use, only as an underprint — please see Dazzle Unicase for a range of undecorated weights.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

SK Fillout is a display typeface inspired by the problem of information noise. Noise is embedded in the basis of characters structure, which gives it a unique form. The typeface is built on combining several thicknesses into a single symbol form with an offset at different distances. For better expressiveness, each letter has two variations of the character it included into the uppercase and lowercase sets. This typeface supports many languages included in the Extended Latin and Cyrillic type sets. The SK Fillout font is perfect for bold design, for working with printed and web products.

Infield is a modern and edgy athletic font family with four creative styles for added flexibility in your design workflow. It's perfect for sports logos, branding, posters, apparel design with its bold and confident appearance. The upper- and lowercase vintage characters of Infield Rough comes with different renders to add authenticity and a more natural look. Infield features a full Adobe Latin 1 character set, with support for most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. Infield Display is A-Z & 0-9 only.

The rounded Serif with edges. Olivia Serif got curves on the outlines and edges on the inlines. So it can be very legible and space efficient at the same time: the curves keep the distinctions between the letters, the corners keep the influences from broadnibbed pens with a subtle horizontal stress for great legibility. Olivia has personality without being obtrusive. Three weights (light, regular, bold) are equipped with real italics, SmallCaps, different sets of figures, accents for almost every latin script, arrows, symbols. A fourth weight (black) comes without italics or SmallCaps, but all the other features. Olivia: with or without.

Chekos is a feminine type face designed to be elegant and modern. Its clean, simple style makes it perfect for any project. Chekos comes in 9 weights: Light, Regular, and Bold. Each weight has five different styles. Chekos was created by designer Ekayasa. She wanted to create something that would be both beautiful and functional. Her goal was to make a typeface that could be used for everything from headlines to logos. Chekos is available in OpenType format and includes stylistic alternates, ligatures, and swashes. It is free for personal use and commercial licensing options are available upon request.

Introducing ZALOGA Display Serif Font. ZALOGA is a serif font that gives modern touch on your design. It looks so good for fashion brand logo. With different style of shape, ZALOGA will make it easier for you to use various design functions, be it for logos, typography, magazine, fashion, branding, advertising, and more. Need to test words in this font? Just type the box below, and see what it looks like For more information on accessing alternative flying machines, you can see this link (http://adobe.ly/1m1fn4Y) Thanks, stay safe and healthy, and have a nice day.

The lettering style of Lancashire's finest comic book artist, graphic novelist and NEMESIS deviant Bryan Talbot is finally at your beck and call thanks to the good graces of those awfully nice chaps at Comicraft. Created for Bryan's magnum opus, Alice in Sunderland, the Bryan Talbot font will take you on a journey into delirium, through the looking glass of British underground comix into the complex world of experimental narrative techniques and bestow upon you semi-legendary cult status and prestigious awards from no less than the New York Times.* *Results may differ if you are not actually Bryan Talbot.

Origen is a typeface inspired by the illuminated manuscripts whereby the text is accompanied by a decorative capital letter at the start of the text. The family is formed by three different weights (light, regular, bold) and an additional decorative set of capital letters. Each of the four styles has characters to write in all Latin-based languages. It is an Open Type font. The Origen family is a hybrid between Textura and Rotunda fonts, characterized by a dynamic calligraphic flow. Origen is also playful as it can be use in editorial, advertising and packaging designs to capture viewers' attention through refined details.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This expanded version only contain the bold weight, however there are also stencil (Nouveau LX Stencil) and condensed version (Nouveau LX) available.

The original design came from Berthold Herold typeface, designed by Hermann Hoffmann during 1913 (Art Nouveau style) in Germany. This project started from flyer printed during 1947 with movable type, the specimen was scanned as a source to development some of the uppercase letterforms. However the most unusual and tricky element from this sample is the leg from the uppercase (R) which is different from the original Herold design, until now I didn’t found where this version originally came from. This font family only contain the bold weight, but there are also a stencil and expanded versions available.

Here is a revolution in typewriter fonts.......typrighter.......yes! typrighter V1 and typrighter V2.....We applied Contextual Substitutions feature in Fontlab with 6 different alternative of each letter (standard English alphabets). No more repeating same contours of letters which a typical typewriter fonts does......a next same letter replaces itself automatically to 6 variations to give you real typewriter text flowing out of your computer keyboard...... Please watch a short demo and enjoy the open type features in word, illustrator and Photoshop.... https://www.youtube.com/watch?v=HMM98Wmb_sg The basic version is bold version but does not have Contextual Substitutions option.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Hexatype is part of a series of typographic experiments from the young Swiss designer Michael Parson. In this font, Parson has created an intriguing system of lines that form into letters, all based off of a hexagonal grid. Text set in Hexatype takes on an interesting honeycomb-like appearance. For a different effect, try overlapping individual letters, or use a few of Hexatype's letters together as elements in a logo. A good companion to Hexatype is Linotype's Ned Std. These two fonts, as well as eight more experimental designs by Parson, are included in the Take Type 5 collection."

Hi, Everyone! Want a font to make your branding bold? Looking for a fabulous, stylish, artistic, and adventure font? We've got what you want. Introducing Streetfire - A Grafiti Font This typeface with artistic style looks very interesting for loads of different projects and promotions.Perfect for social media branding projects, fashion designs, printed quotes, packaging, or even as a stylish text overlay to any background image. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Sets Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Din Studio

Introducing Flintstock A Vintage Industrial Display Font Family Flintstock is a strong, bold industrial display typeface that includes 8 Files. I created Flintstock as a work horse typeface that will work on a variety of different projects. Flintstock is a font that you can trust to continually use over and over throughout your Creative Career. It delivers a powerful simplicity, yet conveys the Vintage Industrial vibe without losing the versatility. Hustle Supply Co. has been delivering unique Design Products since 2013. Serving a community of Creatives, Designers, Marketers, Content Creators & Brands that appreciate Handcrafted & Vintage Typefaces.

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Frastha font is unique and beauty display family with 7 weights from Thin to Bold. Frastha also includes a bunch of alternate characters (PUA Encoded) and ligatures to give you a wide range for create an excellent typographic design results for many different projects such as logo, branding, poster, magazines, labels, merchandise, invitation, presentation, advertising, quotes and so much more! FEATURES: OpenType support Playfull to use (with ligatures and alternates options) Multilingual support PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much.. I really hope you enjoy when using it!

Agentic Serif font family has 18 styles and multi-language support. It is ideal for creating your articles thanks to its easy readability. The combination of sharp corners and soft turns in the characters offers alternatives to create different moods in your projects. You can create creative and stylish designs with combinations of upper and lowercase letters in the title and text. This font helps you discover the best mood for your projects, from body text to big headlines, classic to modern and bold looks. Well suited for books and magazines, magazine covers, editorials, headlines, websites, logos, invitations, branding, advertisements and more.

Originally I wanted to call this font Chewy Caramel, because I love caramel. But that name was already taken, so I deleted two letters in the name and ended up with Chewy Camel instead. I know that the designer of Chewy Caramel don’t mind - because that is my good friend, David, who made that one! :) Chewy Camel was made with a slightly blurry and inky pen, and is suitable for most things that need a true organic hand lettered font. I have added 6 slightly different versions of each letter, and there is multilingual support as well

Introducing Milleniapolis - Futuristic Type, created by ikiiko. Milleniapolis is a condensed type with a simple and playable font. Thin and tall font characters make it easy to adjust and fun to explore different shapes and layouts. This typeface is perfect for an brand logo, fashion stuff, clean design, magazine cover, poster & flyer, or simply as a stylish text overlay to any background image. What's included? Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Ligature Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Frontage is a charming layered type system with endless design possibilities using different combinations of fonts and colors. Achieve a realistic 3D effect by adding the shadow font or just use the capital letters of the regular and bold cut for stark artwork. The typeface’s design is based on a simple grid, which creates the friendly, handcrafted look of facade signs. It is generously spaced for maximum impact of your message. As a display typeface Frontage loves color and is suitable for headlines and logotypes. Details include 224 characters in six styles and manually edited kerning.

Viable Logic font, has a neat and clean character new face sans serif fonts, in response to the need for innovative and new designs, for that this sans serif font family has different characters namely bold, thin and regular. This font is simple yet neat and elegant, the design of this typeface gives it a clean, modern look and a unique style to help give it a captivating look when you use it. This font is perfect for strong text with displays for a wide variety of branding, advertising, posters, banners, packaging, news headlines, magazines, websites, logo design, and more.

Cavita Rounded typeface is a mix between both grotesque and calligraphic models: regulars have a rough grotesque spirit, while the italics where inspired in calligraphic gestures. All of these details are reinforced with an inverted modulation (horizontals strokes are thicker than usual). The italics seem to move away from the traditional concept of type system, but work very well alongside. This typeface has very particular shapes and rhythm, itís different and identifiable from the rest, making it a very good option to use on any piece of design. Cavita Rounded is designed as an upgrade Cavita.

The original idea for Alda came from exploring an alternative approach to generating different typeface weights by adapting the characteristics of physical objects. I was interested to find out how far this could be pushed before the letters became a parody of what they referenced. Initially I took this treatment very literally, with the boldest weight expressing the tension of bent steel, and the lightest being as spineless as a rubber band. This allowed me to infuse each weight with unique characteristics, where the bold is robust and angular, and the light is delicate and soft.

Gringo is a type family that contains 27 different varieties. It is divided into three groups: Sans, Slab, and Tuscan = Europe - Texas. Due to its consistant structure, the single groups can be mixed as you wish. Furthermore every variety comes in Light, Medium, and Bold. There are three widths, from Narrow to Wide. Additionally, there is also a Dingbats font. The concept of Gringo is a fusion and a merging of type cultures to cross borders and create something new. Gringo won 3rd place in the "tdc2 2006 award" by the Type Directors Club New York.

Banuk is a brand new techno font designed with slanted line accent, the fonts is rounded edges and little imminent space between fonts. This font is a regular bold font and all caps with different style between uppercase and lowercase. Banuk is perfectly used font in any project such as logo font, flyer header, name card, invitational header, movie poster, poster, website header and much more. Features: Uppercase and lowercase Numeral and punctuation More Alternates and Ligatures Multilingual Support What inside Main Files Banuk .ttf Banuk .otf webfont Thankyou for choosing this font, i hope you enjoy it. Regard, Grontype

Diskanila is a romantic swirly script font. This beautiful script including with more than 300+ alternative characters (PUA Encoded) that gives you a wide variety of romantic typography design results. Diskanila comes with bold and light swirly alternatives to make your many different projects such as logo, feminine branding, poster, magazine, label, merchandise, presentation, advertising, and invitation card more beautiful ! FEATURES: OpenType support Playful to use (with ligatures options and alternatives options) Multilingual support PUA Encoded If you need support or more information about this item please kindly contact me : ekahermawanputu@gmail.com Thank you so much I really hope you enjoy using it!

Linotype Not Painted is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font from German designer Robert Bucan grabs attention immediately. The forms are made up of multiple layers. The upper case’ alphabet forms, numerals and punctuation are two different styles of the same character, one over the other, and the lower case’ letters are composed of the lower case and upper case of the same letter superimposed. Linotype Not Painted is particularly good as a headline font in larger point sizes.

BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.

When people usually think of wood type, images of bold and ornate designs reminiscent of the Old West or the Victorian Era come to mind. In truth, wood type was manufactured well into the late 20th century, and only fell out of favor when the letterpress was replaced by the offset press and computerized typesetting. Although there are hard-core collectors who have started a small resurgence in the preservation and use of wood type, it's the digital interpretations of these classic faces that see the most use in today's electronic layout work. Deco Wood Type JNL reinterprets one of these later designs, a bold sans with a decidedly Art Deco influence.

The four weight semi-condensed Bartholemé family came into existence as a family expansion based on the designer's earlier concept, Bartholemé Open. This hybrid family was inspired by and loosely based on a number of contemporary mid-twentieth century type concepts having Old Face or Modern influence. Those inspirational type designs were primarily designed for various proprietary photolettering technologies of the time. The award-winning* Bartholemé Open and its companion design Bartholemé small capital open were inspired by various Shaded, Inline and Handtooled type models from the nineteenth and twentieth centuries. Most of those inspirational type designs were designed as titling fonts with all capital sets only. To set it apart from the earlier models, Bartholemé Open is semi-condensed intentionally designed with a lowercase. Design qualities include a large x- height, tightly curved ample counters, crisp serifs and tight bracketing. The overall plan of the family was originally intended for display usage in titling and short passages of text. At higher output resolutions all fonts read well at smaller point sizes. The Bartholemé family works well on its own, but also is compatible with type styles possessing qualities that complement or enhance its own. The Bartholemé family consists of a Regular weight complementing a Bold weight, along with Medium complementing an Extra Bold weight. The companion true-drawn italics are based on the Bartholemé roman design. * Award for Design Excellence bukva: raz! Type Design Competition of the Association Typographique Internationale, 2001

Icarus - Serif Font Family - Multilingual - 4 Style With its modern vintage look, Icarus font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large titles, classic styles to modern and bold styles. It is very suitable for books and magazines, editorials, titles, websites, logos, branding, advertising and more. With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering. In Russian 'Zubilo' means 'Cold cutter' or 'Chisel'. Colorful letterforms seems to be cut by an amateurish but strong hand used to operate with rough metal tools, not with pen or pencil. The face is good for use in advertisements, posters and headlines, especally for comic editions and youth press. Decorative styles were added in 2011 by the same author.

Shervington is a geometric, All capitals and Small capitals typeface with a range of opentype features ideal for banners, headlines, logo design and good clear signage. The letterforms are all geometrically inspired, and are just unusual enough to stand out without obviously striving to do so. It’s a design of bold horizontal and vertical strokes complimented with ‘tiny’ serifs and owes a certain amount of inspiration to traditional sign writing techniques. The family consists of three typefaces; Regular, Shadow and Weathered.

Bloery is a neo grotesque font modified with extended proportion. Comes with a modern look, this font suitable for display and body text. Bloery is a good choice for editorial design, branding, app design and web design. Comes with 7 weights from Thin to Bold with each matching Italic. Contain several OpenType features: Stylistic Alternates and Figures Variation (fraction, tabular lining, numerator, denominator). Each style includes 540+ glyphs supporting all western, eastern and central european languages (over 200 languages supported).