This typeface is based on Albrecht Dürer’s work “Die Underweysung der Messung” (Institutiones Geometricae, Instruction in Measurement). Please note that this font needs special treatment when typesetting text. If you need black text, you need to type just capital letters separated by spaces. If you need coloured text, type both lower case and upper case (with the lower case character first), and then assign a colour to the lowercase letters only.

Pesky Bug is a clean comic and kids font. Initially drawn by hand, but cleaned up digitally, leaving a fresh look - which makes it perfect for anything that has to do with kids products, sports, toys, clothing etc. The x-height, width of strokes and variating baseline are off here and there, and that leaves this active look!

Designed by Arthur Baker in 1994 for URW, Kigali is a wide-bodied display type with bold, uneven, pen-drawn strokes that taper dramatically downward. This unusual theme creates a unique, recognizable look. Furthering the effect, the Kigali typeface family contains additional decorative design fonts, one with a zigzag pattern filling the spacious strokes, and another with the letters in black squares for use as ornamental initials. The regular and italic versions include two alternate faces: one with long, tall ascenders and regular-length descenders, and one with shortened ascenders and descenders that allow it to fit where its companion might not. Use Kigali sparingly in display advertising, labels, flyers, and other incidental work.

The design of the Tabwa font was inspired by the font Neuland designed by Rudolf Koch in 1923. Rather than attempting to re-create his font in a digital form as so many others have done, I have tried to capture the "spirit" of his font and merge this with the spirit of Africa. As a result the characters differ markedly from Koch's original styles and have much less of an "Art Deco" look to them. To further modernize the font I have included all the characters missing in Koch's original (a full lower case, as well as all punctuation, diacritics, special characters etc). The result is a thoroughly modern re-interpretation of the original "Neuland". The numbers (0 to 9) bear no relation to Koch's originals but, I believe, are far more in keeping with the alphabetic characters in the font. The triangles that decorate the characters of this African font are typical of the patterns found in the Tabwa culture of central and west Africa (in the Congo region).

CONSO is an elegant, modern and contrast sans-serif font family. It includes upright and Italic style, each of them has seven weights from thin to bold. This is a multi-purpose font that is perfect for any project, it is contrasted, modern and easy to read. With it, you can create logos, use in advertising, packaging, book covers and magazines, headings, descriptions and much more. CONSO includes stylistic alternates with a teardrop-shaped tail for uppercase and lowercase, with them, you can change the style of your project and add personality to it and make it more stylized. This font is easy to use has OpenType features.

Hear ye, hear ye! Adventurers of all realms, allow me to regale you with a tale of Mikadan, a font of great splendor and beauty. Behold, its letterforms are imbued with the grace and character of the medieval age, yet tempered with modern sensibilities. This typeface is a tribute to the great Verona of Stephenson Blake, a typeface of old that harks back to the days of yore, the age of kings and queens, and the rise of chivalry. Mikadan also draws inspiration from William Dana Orcutt’s Illumanistic, a font of great power and mystery from the turn of the century. Moreover, Mikadan possesses some of the accessible qualities of Morris Fuller Benton’s Motto, a font that has stood the test of time since 1915. Truly, Mikadan is a font that combines the best of old and new, of medieval fantasy and modern design. With its easy-to-read letterforms and medieval design, Mikadan is the ideal choice for all modern applications. Whether you’re designing a poster for a tournament, a sign for a market, or a banner for your guild, Mikadan will serve you well. And if your program supports OpenType alternates, you can access unique drop-down capital letters that will truly set your design apart. So come forth, brave adventurers! Embrace the medieval fantasy design of Mikadan and set forth on your journey to create designs that will endure through the ages. Most Latin-based European, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kalmyk, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Khalkha, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec, Zulu and Zuni.

Embark on a journey of refined typography with the Elio & Oliver Font Family v2, an exquisite upgrade that seamlessly integrates italics into its nine meticulously crafted weights, so you will get 18 fonts, 9 weights - from Thin to Black, and an italics version for each of them. Inspired by the timeless elegance and undeniable allure of Italy, this sans serif typeface captures the essence of sophistication and refinement, now enhanced with a touch of expressive flair. Italic Magnificence - A Symphony of Style The new italics bring a captivating dimension to the Elio & Oliver family, adding a graceful fluidity and dynamic rhythm to your designs. Each italic weight complements its corresponding roman counterpart, creating a cohesive and harmonious visual aesthetic. Unveiling the Full Spectrum of Elegance From the delicate Ultra Light to the bold intensity of Black, Elio & Oliver v2 offers an expansive range of weights, allowing you to tailor your designs to any project or mood. Whether you're crafting elegant editorial layouts, crafting impactful branding materials, or crafting sophisticated digital interfaces, this font family seamlessly adapts to your creative vision. Language Versatility for Global Impact Recognizing the power of language diversity, Elio & Oliver v2 boasts full language support, enabling you to communicate your message effectively to a global audience. With seamless compatibility across English, Italian, French, Spanish, and beyond, this font embraces the richness and cultural nuances of diverse languages. Captivate Attention, Leave a Lasting Impression Elio & Oliver v2 elevates your creative projects to new heights of sophistication, infusing them with an aura of refined elegance. Its graceful curves, captivating italics, and versatile weights will effortlessly capture attention and leave a lasting impression on viewers. Step into the Realm of Timeless Design Immerse yourself in the world of Elio & Oliver v2, where every letter narrates a story and every curve embodies the essence of impeccable design. Let the spirit of Italian chicness and timeless elegance guide your creative endeavors. Unleash the Power of Elio & Oliver v2 and Elevate Your Designs Discover Elio & Oliver v2 and transform your creative projects into masterpieces of timeless elegance. Join the ranks of designers who elevate their work with this exquisite typeface and unleash the power of sophisticated typography. Happy creating everyone!

The Chlorines are two unique fonts, for they look as if they have been corroded with some sort of caustic material. Could it have been chlorine? Who knows? Both fonts have a modern appeal to them and fancy up any document. And when you can pick both of 'em up for only $45 how can you resist that corrosive, yet clean appeal? Chlorine Serif is a unique font, for it looks as if it has been cleanly corroded with some sort of caustic material. Could it have been chlorine? Who knows? This font has a modern appeal to them and fancy up any document. And when you can pick it up for only $25 how can you resist that corrosive, yet clean appeal?

The Chlorines are two unique fonts, for they look as if they have been corroded with some sort of caustic material. Could it have been chlorine? Who knows? Both fonts have a modern appeal to them and fancy up any document. And when you can pick both of 'em up for only $45 how can you resist that corrosive, yet clean appeal? Chlorine Sans is a unique font, for it looks as if it has been cleanly corroded with some sort of caustic material. Could it have been chlorine? Who knows? This font has a modern appeal to them and fancy up any document. And when you can pick it up for only $25 how can you resist that corrosive, yet clean appeal?

Slab serif, meet the curves of Solitas. The new slab sister of insigne’s successful Solitas family will turn your head with its soft, but distinct look. Solitas Slab defies the typical feel of the robust slab category with her more compact structure and rounded corners to create a confident charm that complements everything sweet from cookies and puppies to whiskers on kittens. Solitas Slab offers you a full suite of 42 well-rounded fonts that read well both in print and online. Its round, open letter types make it quick to read, and the intermediate weights execute impeccably for copy, while bolder versions make expressive headlines and subheadings. Using its subtle geometry, its seven weights and three widths along with its optically adjusted italics tackle even the most complicated, ambitious typography with heart-warming grace and poise. Solitas Slab OpenType options include titling caps, small capitals, ligatures, ordinal characters, fractions, numerator and denominator as well as superscript and subscript. Solitas Slab also supports Western European, Central and Eastern European languages. Enjoy the softer side of Solitas Slab today for your packaging, web, or print. You’ll soon find this friendly font to be one of your favorite things.

HWT Konop is a monospaced (fixed-width) typeface that is also square! Designed by Mark Simonson (Proxima Nova) as square characters that can be arranged vertically or horizontally and in any orientation. To a traditional letterpress job printer, a font like this wouldn’t make much sense. But to a modern letterpress printer it is an unusual and creative design toolkit. The bold gothic style is reminiscent of gothic wood types but more geometric. Since the characters are meant to be used in any orientation, the usual optical adjustments, such as making verticals thicker than horizontals and making tops smaller than bottoms are set aside. This results in a quirky but charming design. To provide more design options, Simonson came up with a modular system consisting of three sizes: 12-line, 8-line, and 6-line. These three sizes can be used together like Lego® bricks, with endless arrangements possible. And the sidebearing match so that characters always align when different sizes are used together. The digital version of Konop replicates the wood type version as much as possible, including the three different size designs. It includes OpenType stylistic sets that allow most characters to be rotated in place, 90° left, 90° right, or 180°, just like the wood type version. Extra characters not available in the wood type version are included with the digital fonts. The set of 3 is priced just $5 more than one single font, so order via "Package Options" HWT Konop is named for Don Konop, a retired Hamilton Manufacturing employee, who worked from 1959 to 2003. In addition to serving on the Two Rivers Historical Society Board from 2004 to present-day, he was also instrumental as a volunteer in helping with the museum’s move to its current home in 2013.

Introducing Betaphid, a sleek and modern display typeface designed to embody the principles of science and technology. Its minimalist aesthetic, inspired by the bold lines and raw textures of brutalist architecture, evokes a sense of futuristic innovation that is perfect for science fiction themes. But Betaphid is more than just a visually stunning typeface—its austere features are also designed to enhance the technical precision and geometric accuracy of your creations. With its clean lines and perfect proportions, Betaphid will lend a sense of order and logic to your designs, making them appear more polished and professional. Whether you’re creating a website, a product label, or a scientific report, Betaphid is the ideal font for conveying a sense of scientific authority and technical expertise. So why settle for less when you can achieve perfect geometric precision with Betaphid? Try it today and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Geometric typefaces are a staple in every typographer’s toolbox since the 1920s. It was a time when iconic faces such as Futura, Erbar, and Kabel appeared on the scene and turned the world of type upside-down. Inspired by those early giants as well as later epigones with a legacy of their own (such as 1970’s Avant Garde Gothic), Flink Neue is the Identity Letters take on this genre, characterized by a clean and focused appearance. With neat shapes and the look of pure geometry, Flink Neue adapts to a vast range of applications and topics, from the fine print in contract to website body copy to logo design to billboard-size slogans. Its x-height is considerably larger than in classic geometric sans-serif fonts; its proportions are harmonized as opposed to strictly constructed. This makes for a more contemporary look, setting it apart from the classics. With three different widths, Flink is a true all-rounder. Geometric fonts are usually quite wide, which often leads to text-settings problems with headlines or small print. The Condensed and Compressed variants of Flink Neue solve this problem easily. This font family comes along in 18 weights from Thin to Black with matching Italics. There are almost 1400 characters per style, including nine stylistic sets that offer variations to the look and feel of Flink Neue, making it even more versatile. Besides the default mood of Flink Neue, there is also a Text and Bauhaus variant, where different letters have been changed to create a new mood. In theory, you just need one single font file to change between all three moods, but to make it easier for you, we also exported each mood within a separate file. Plenty of additional Open Type Features like ligatures, small caps, case sensitive forms, old-style figures, tabular figures and symbols make Flink Neue a valuable tool for the discerning typographer. Flink Neue is the reimagination of a classic genre, designed to suit the needs of our time.

Cubio™ Mono is a new monospaced geometric sans serif inspired by the hexagonal silhouette of isometric cubes. We applied this angular form through all aspects of Cubio™ type design from the overall look of letters and icons down to the small details such as the end of each letter stem and hexagonal dotted lines. This font family comes in 3 weights/styles: 300 (Regular), 500 (Medium), and 700 (Bold). With over 1,500 glyphs, Cubio™ Mono not only supports most Latin-based languages, but also features an extensive set of UX/UI icons, and patterns. Cubio™ Mono is a versatile typeface for both digital and traditional designs. Perfect for packaging design, logo design, print design, store signages, UX/UI web & apps designs. Cubio™ Mono packed with features such as case-sensitive marks, punctuations and math symbols. It also comes with an extensive set of box/compartment drawing glyphs to help you create a unique modern design without even using the line tools. We designed the Cubio™ Mono font system with your convenience in mind. It comes with two sets of hexagonal dotted line and icon positions (Mid Cap Height and Mid X-Height ), so you don’t have to use the baseline shift command to set them to the perfect spots. To find out more about Cubio™ Mono Opentype features and type specimen, please visit www.r9typedesign.com

Macahe is a modern slab serif with dynamic and irregular shapes. It comes with 7 weights, 3 widths and matching (true) italics. The typeface was inspired and name after the city I was born (Macaé-RJ, Brazil), turning the mixture between nature/beach life and the chaotic urban growth into typography. The options (weight, width and true italics) make the font useful both for web and print in multiple occasions; think websites, posters, logos, signage, packaging and etc. Macahe covers multiple languages, including a wide range of Latin and some Cyrillic languages. It also includes a full range of numerals (included old style figures, numerators, denominators), small caps, standard & discretionary ligatures and stylistic alternates. Those features and variations make Macahe a useful tool for any graphic designer.

Mally is a family of humanist fonts, sans serif with 32 styles, variable with 08 normal and condensed weights and their respective italics, with 594 characters in each font, offers alternative characters, was conceived as a variable font encompassing various weights and widths. Characterized by its excellent readability even in the smallest sizes, with a contemporary design it has a wide support of Latin languages.

Fontfamily “Compotes” was created with love and with care about small collections of "hand-made" fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any type of design, for example, you can use them on labels homemade jams and pickles and “Compotes” perfectly can be used in logos and in the press. We did 5 main main typefaces by alphabetical list: A - Apple, B - Basilic, C - Citro, D - Dew, E - Espresso In addition, we have developed five “supplements” for each font!

Morn is a sharp geometric sans font with roman proportion. Every characters are essence from a rectangle (square), a circle and a triangle with require little adjustment to make them appear optically equivalent. This font is equipped with some OpenType Layout Features such as fraction and ligature and the default layout for numbers is proportional lining, but can be changed as tabular lining. So the space between numbers looks more even. Morn has total 20 fonts which are upright and oblique. Each font has 460+ characters, and it supports many Latin languages such as Western Europe, Central/ Eastern Europe, Baltic, Turkish, Romanian.

We always had a crush for multilinear fonts and a great love story with script types. So we decided to bring them together and create Ainda. A new multiline script font based on and English copperplate skeleton. A modern approach to classic flourished scripts, designed with a slanted angle that gives dynamism and creates a ribbon effect when the lines come together in the connections, adding depth and perspective. Ainda family includes 2 weights, Regular & Bold. This Display font will light your layout with a contemporary and elegant flair. Highly recommend to use it on big sizes.

Fontfamily “Compotes” was created with love and with care about small collections of hand-made" fonts. We have created a perfect product for the decoration of home design, small barber’s shops, cafes and bakeries. This fonts is ideally combined with any type of design, for example, you can use them on labels of homemade jams and pickles and “Compotes” perfectly can be used in logos and in the press. We did 5 main main typefaces by alphabetical list: A - Apple, B - Basilic, C - Citro, D - Dew, E - Espresso In addition, we have developed five “supplements” for each font!

Vectis, named in honor of the Roman settlement of Britain's south coast on the Isle of Wight, brings a fresh approach to the classic simple elegance of ancient Roman faces. Vectis is offered as a small caps face designed to add a fresh hint of character to this style of classical design. Vectis can lend a note of formal dignity to any design project or poster and is ideal for clear headings and titles with a traditional feel. Two basic weights are offered, regular and bold, as well as a range of alternate letterforms and ligatures. This popular family has now been expanded with the incised 'Monumental' display face, and well as 'miniscule' lower case forms and condensed widths. Vectis and our Anavio families compliment each other perfectly, and can also be purchased together in a value pack.

German type designer Erik Spiekermann, American type designer Christian Schwartz, and New Zealand type designer Kris Sowersby created this slab FontFont in 2009. The family has 14 weights, ranging from Thin to Ultra (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Unit Slab provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Rounded.

Fonts created by comicbook letterers tend to have more creatively inspired names. That's because comicbook letterers are trained as storytellers. The names they choose for their fonts seek to tell the story of what context that particular font is to be used in. Bone Voyage is inspired by coming up with the name first. This lead me to visualize a bold serif font where the shape of the serifs suggested bones. For more information: homepage.mac.com/baronvoncruzer

I'm Andrea, creator at Nirmalagraphics and I want to present my latest font called "Kidszania". I took the name from a children's playground filled with writings posted on the wall. I found a child's writing style that is funny, looks clean and natural. I tried a rough sketch of a font that resembled the writing of the child, then I modified it to become the "Kidszania" font. This font can be used for any needs, especially children-themed designs.

A new handwriting font, Reminder Notes! Reminder Notes is a handwritten font that have special features. This font have ability to add the doodle/ correction line and underline in specific word. You can add the correction line for natural looks or add the underline to highlight some word. This font also including a unique lowercase and uppercase with alternates in some alphabet. You can use this font for quotes, your cover book or playing with words in your instagram post. This font also support multilingual!

TT Bluescreens useful links: Specimen PDF | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org Meet the upgraded TT Bluescreens! TT Bluescreens is a geometric sans serif with narrow proportions. The font has a memorable character, while remaining neutral, so it can be used in various design projects. The range of possibilities of the updated TT Bluescreens has become much wider! Condensed styles with narrowed proportions have been added. The classic styles of TT Bluescreens are universal and suitable for setting both in headings and in text arrays. Condensed styles are intended for non-standard design solutions. In small sizes, they are perceived as if having a texture, thanks to which they can become part of packaging or poster design. In large size they look extraordinary, but they are highly readable and convey information well. Variable font now changes along 3 axes: weight, width and slant. Even more options for those who love variety. The character set of TT Bluescreens was expanded, and additional extended Cyrillic and Latin characters were added. Expanded character set. Each style has 874 characters. This is 253 characters more than it there were in the previous version. New currency signs, arrows, punctuation and fractions were added. Number of OpenType features increased from 18 to 31! The font has become even more functional and convenient thanks to a large number of ligatures, stylistic alternatives and localizations. The quality of the contours has become even higher, diacritics were improved. The updated TT Bluescreens is suitable for the design of covers and posters, it will look aesthetically pleasing in packaging design. It can be used in the design of titles and disclaimers. Condensed styles are preferably used in large size. The TT Bluescreens font has 37 styles: 9 upright and 9 italics of standard width, 9 upright and 9 italics in Condensed, 1 variable style. Each style contains 874 characters. The font has 31 OpenType features, including ligatures, stylistic sets, and localizations.

Isn’t it interesting to create a design in a stylish, firm font made of mixture of style and authenticity? This is the Gray Asphalt. Gray Asphalt is a racing-themed script font to give you steady, firm, solid impressions for word or message emphases. Its thick display is suitable to apply on bigger-sized texts. The font features you can enjoy are as follows. Features: Stylistic Sets Ligatures Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Gray Asphalt fits best for various designs, such as posters, banners, logos, book covers, headings, printed products, merchandise, social media, and more. Find out more ways to use this font by taking a look at the font preview. Enjoy your experience with this font and feel free to contact us for further product information or trouble complaints. Thank you and wish you good luck with your designs,

At this pivotal juncture, where every choice casts long shadows, the imperative of pinpointing the archetype of typefaces is of paramount importance. One mere oversight, and the soul of your endeavor risks being lost in the mists of time. Yet, amidst these crossroads, "Winsel" emerges as the North Star in your typographical odyssey. Birthed in the revered sanctums of insigne design, this typeface is a magnum opus, echoing the artistic brilliance of British poster craft from epochs of golden jazz to times of renaissance. Winsel, in its sheer magnificence, stands as a testament to artistry, each stroke demanding undivided reverence. Be it the valiant weights reminiscent of a guardian sentinel or the graceful finesse mirroring a maestro's touch, Winsel is an unparalleled behemoth. Imbued with the finesse of OpenType, it's poised to embrace the multifaceted European Latin tapestry, while its Small Caps and Titling Caps take pride of place across its grand suite of nine weights. Sculpted with precision, Winsel is the beacon that challenges the ordinary and pledges to be an immortal testament. Seldom has the cosmos aligned to present such an illustrious moment. Fortified with Winsel, you stand on the precipice of legend. Carve your tales into the annals of perpetuity, voice your ethos with unyielding conviction, and let each letter be a symphony of undying commitment. In this epoch, in this narrative, Winsel beckons you to etch history.

Welcome to the world of Permanence, where the past meets the future. Inspired by the iconic cover of Alvin Toffler’s groundbreaking hardcover, “Future Shock” from 1970, Permanence is the perfect typeface to transport you to a world of limitless possibilities. With its bold, clean lines and sleek design, Permanence captures the essence of the retro-futuristic style. Its crisp, angular shapes and unique curves evoke a sense of progress and innovation, harking back to a time when anything was possible. Permanence is more than just a typeface—it’s a vision of a better tomorrow. Its timeless design captures the optimism and hope of a bygone era, while still feeling fresh and modern. Why settle for the ordinary when you can experience the extraordinary with Permanence? Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

These letters were created directly by my wife's hand, then I processed it into a vector and turned it into an aesthetic font, i.e. Double Fresh handwritten font. Handwritten like a note, this font features all caps, with three variations of each letter, and lots of ligatures for a natural imperfect look. It's perfect for that hand-lettered social media quote, logos, or adding a handwritten touch to any project. Mix & match the stylistic alternate or ligature, so that you’ll have lots of different letters for that unique look & feel! What’s included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILINGUAL SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you’ve any wish, suggestion or feedback 🙂

ZT Bros Oskon 90s is a captivating typographic creation that seamlessly blends the aesthetic charm of the 1990s retro era with a modern touch. With unmatched serif elegance and a unique 90s style, this font offers 72 variations, including sharp Condensed forms, graceful Expanded, and captivating italic styles. Every character in ZT Bros Oskon 90s is meticulously crafted, creating a vintage ambiance that is truly enchanting. Featuring 6 font weights ranging from Extra Light to Bold, this font provides you with the flexibility to create a wide range of striking and memorable designs. Features of ZT Bros Oskon 90s: 72 Unique Variations Aesthetic Retro Vibes from the 1990s Elegant Serif Style Condensed, Expanded, and Italic Forms 6 Font Weights: Extra Light, Light, Regular, Medium, Semi-Bold, Bold Exceptional Creative Versatility ZT Bros Oskon 90s is the perfect choice for graphic design projects, branding, posters, and other promotional materials that require a captivating retro touch. Unleash limitless creativity with this font and infuse a nostalgic 1990s vibe into every one of your creations. ZT Bros Oskon 90s has 6 free styles, you can get them on my GUMROAD I hope you have fun using ZT Bros Oskon 90s. Thanks for using this font ~ Zelowtype

Transport yourself back to the vibrant era of the 1970s with Comisc Hippie, a groovy font that embodies the essence of that extraordinary decade. This typeface is a nostalgic journey through time, with its swirling curves and playful letterforms. Inspired by the counterculture movement, Comisc Hippie exudes a sense of peace, love, and individuality. Its bold and psychedelic style captures the free-spiritedness of the era, making it an ideal choice for adding a touch of retro charm to your designs. Whether you're working on posters, album covers, or any project that calls for a dose of nostalgia, Comisc Hippie will transport you to a groovy world of colorful expression and timeless coolness. Let the spirit of the 70s shine through with this font that embodies the era's iconic aesthetics.

Flinders is a modern humanist sans serif font family designed by Eko Bimantara in 2023. This typeface is intended to be used for various reading purposes and has letterforms optimized for legibility and ease of reading. The styles of Flinders are a sans serif interpretation of classical roman proportions, characterized by a low x-height, subtle calligraphic strokes, angled stroke ends, and open counters and apertures. Flinders is a versatile typeface that is readable in both large and small sizes. Its legibility makes it an excellent choice for body text in books, magazines, and newspapers, while its modern design and open counters make it well-suited for digital screens and web design. Flinders can also be used for branding and identity design, as well as packaging and signage. Overall, Flinders is a contemporary and readable typeface that is suitable for a wide range of design projects. Its humanist characteristics and modern design make it a unique and versatile option for designers looking for a typeface that combines classical proportions with contemporary style.

Wish to make a real impact on your customers and clients? With the right font, you’ll leave a strong impression every time. Introducing Raldrich - A Handcrafted Font. From product labels and printed materials to web design and social media posts, this font simply makes a difference. Regardless of where you use it, Raldrich will turn your design from good to outstanding. Ready for that next step? What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office Keynote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom-created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

German type designer Hans Reichel created this sans FontFont between 1995 and 2000. The family has 36 weights, ranging from Light to Black in Condensed, Normal, and Wide (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, wayfinding and signage as well as web and screen design. FF Dax provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. In 1998, FF Dax received the The Big Crit award. This FontFont is a member of the FF Dax super family, which also includes FF Dax Compact and FF Daxline.

Dutch type designer Evert Bloemsma created this sans FontFont in 2004. The family has 8 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, editorial and publishing, logo, branding and creative industries as well as small text. FF Legato provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Legato received the Letter.2 award.

German type designer Alex Rütten created this serif and slab FontFont in 2010. The family has 8 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, film and tv, editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Suhmo provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2011, FF Suhmo received the TDC2 award.

Chimphand is an organic, natural and contemporary handwritten typeface with their tall x-height. Weights of light, regular and bold for both normal width and condensed allow you to play with the typeface more. In addition, you will have an access to their style sets ( Gap ) to add stencil-ish character to every weights. This gap style is much more subtle than normal stencils, but unique and nicely fit to the typeface. Gaps are more visible on larger fonts and bolder weights. Chimphand is good for any purpose, but works more on shorter text. Thanks and enjoy!

Brigitta is the complementary joining script that can be mixed with Annabella. Also written with a Japanese brush on rough paper, first scanned and then carefully finished by hand on screen.

Monday Night is a romantic and sweet calligraphy typeface with characters that dance along the baseline. It will add a luxury spark to any design project that you wish to create! Monday Night is PUA encoded which means you can access all glyphs and swashes with ease!