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  1. Taller Evolution, designed by Studio Kmzero, is a contemporary font that reflects innovation, versatility, and creativity. This typeface is a forward-thinking creation, embracing modern aesthetics wh...
  2. Alright, imagine it's a cozy night, and you decide to dive into a world where every letter tells a story of mystery and magic. That's where Midnight Hour, crafted by the talented David Kerkhoff, come...
  3. The Operational Amplifier font, crafted by the notable font designer Ray Larabie, showcases a distinctive approach to typeface creation, reflecting Larabie's penchant for unique, functional, and some...
  4. "Walk Da Walk One," a font crafted by the renowned Måns Grebäck, is a striking typeface that seamlessly blends artistry and vivacity. Grebäck, known for his intricate letterforms and keen eye for typ...
  5. The Edhiron Asdhúriel v. 1.2 font is a work of typographic art that transports the imagination to realms of ancient manuscripts and elvish lore. Its design intricately weaves together elegance and my...
  6. The River Avenue font, crafted by the creative minds at Starving-4, stands as a compelling testament to the innovative blend of elegance and urban flair in the realm of typography. At first glance, R...
  7. Sailor '87 is a captivating typeface that beckons with the romance and adventure of the open sea, invoking the nostalgic spirit of the 1980s. Its design elegantly merges the robustness of traditional...
  8. Nonstop by PizzaDude is a font that directly embodies the spirit of fun, creativity, and relentless energy. Just like the name suggests, Nonstop carries an unstoppable, dynamic flair that can instant...
  9. Imagine a font that decided one day to sneak out of the digital world, spend a thrilling day at a waterpark, and then sneak back in, full of stories and a slightly warped perspective. That font is HO...
  10. The font named TRUEblood, created by the designer known as SpideRaY, carries with it a level of artistry and inventiveness that makes it stand out in the world of typography. This font draws inspirat...
  11. Scrawl, designed by Nikolay Dubina, is a distinctive and expressive font that captures the energy and spontaneity of handwriting. Unlike the precision and uniformity found in most typefaces, Scrawl e...
  12. BrushArt is not a specific font that exists within the public domain or widely recognized font libraries as of my last update. However, the name itself evokes a vivid picture of what such a font coul...
  13. The "Akademie Alte" font, crafted by the talented Marath Salychow, is a testament to the enduring elegance of classic typefaces while incorporating contemporary nuances that make it stand out. This f...
  14. The California Personal Use font by Billy Argel is an emblem of creative elegance and casual flair, embodying the laid-back, sunny vibe of its namesake state while still delivering a stroke of artist...
  15. Racer, created by the visionary designer onezero, is a font that embodies dynamism, speed, and elegance. Its design is inspired by the high-speed world of racing, capturing the essence of motion and ...
  16. Ah, Tasmin Reference, a font that strides into the room with the confidence of a catwalk model, yet carries an air of scholarly wisdom reminiscent of a seasoned professor. Picture this: it’s as if He...
  17. Monoid, designed by Andreas Larsen, is a font that harmoniously blends functionality with aesthetics, making it particularly appealing for coding and programming environments. The creator meticulousl...
  18. The Hill House font, designed by the talented Jon Hicks, stands as a testament to the intricate and unique possibilities that typeface design can offer. This particular font draws inspiration from th...
  19. Oh, Tipbrush Script! Imagine taking a whimsical wander through a calligrapher's dream, where each stroke dances to the tune of elegance and charm—that's Tipbrush Script for you. Created by the wizard...
  20. The font "The Girl Next Door" created by Kimberly Geswein has an intriguing mixture of casualness and charm, encapsulating the warmth and approachability its name suggests. Kimberly Geswein, known fo...
  21. In the whimsical world of typography, where letters are not just letters but characters bursting with personality, the font Misirlou Day by Ray Larabie performs a vibrant hula dance, beckoning the su...
  22. Juvelo is a distinguished typeface crafted by the adept type designer Barry Schwartz. It stands out as a testament to Schwartz's commitment to producing fonts that not only serve practical purposes b...
  23. The Prayh font, crafted by the talented Niclas Hjelm, is a remarkable testament to the fusion of traditional calligraphic styles with contemporary design sensibilities. This font stands out due to it...
  24. Mariposa, as envisioned by its creator, Chloe, is a font that captures the essence of transformation and grace, much like its namesake - the butterfly (Mariposa in Spanish). This typeface is meticulo...
  25. "Peach Sundress" by Teagan White is a font that embodies a sense of delightful whimsy and gentle nostalgia, capturing the essence of sunny days, carefree afternoons, and the soft, welcoming embrace o...
  26. SelznickNormal is an intriguing font that manages to capture the essence of a bygone era while still being versatile enough for contemporary design projects. Designed by Nick Curtis, a designer known...
  27. RomanticFont2, as its name suggests, is a font that breathes life into the essence of romance, elegance, and an exquisite touch of delicateness. Crafted with a keen eye for harmonizing the traditiona...
  28. Gravicon, as a concept for a font, may not be a universally recognized or standardized font in the realm of typography as of my last update in 2023, so I'll approach this description with a creative ...
  29. TT Marxiana by TypeType, $59.00
    TT Marxiana useful links: Specimen | History of creation | Graphic presentation | Customization options Please note! If you need OTF versions of the fonts, just email us at commercial@typetype.org About TT Marxiana: TT Marxiana is a project to reconstruct a set of pre-revolutionary fonts that were used in the layout of the "Niva" magazine, published by the St. Petersburg publishing house A.F. Marx. In our project, we decided to focus on a specific set of fonts that were used in the preparation and printing of the "Niva" magazine in 1887, namely its Antiqua and Italic, Grotesque and Elzevir. As part of the TT Marxiana project, we sought to adhere to strict historicity and maintain maximum proximity to the paper source. We tried to avoid any “modernization” of fonts, unless of course we consider this to be kerning work, the introduction of OpenType features and creation of manual hinting. As a result, with the TT Marxiana font family, a modern designer gets a full-fledged and functional set of different fonts, which allows using modern methods and using modern software to create, for example, a magazine in a design typical of the late 19th century. The TT Marxiana project started in the late summer of 2018 and from the very beginning went beyond the traditional projects of TypeType because of the importance of preserving the historical identity. Since up to this point, we had never before reconstructed the font from historical paper sources and with such a level of elaboration and attention to detail, it took us two years to implement this project. You can read more about all stages of the project in our blog, and here we will briefly talk about the result. As it turned out, drawing a font following the scanned pages of a century-old magazine is a very difficult task. In fact, such a font reconstruction very much resembles archaeological excavations or solving a complex cipher, and all these efforts are needed only in order to finally understand what steps need to be taken so that the resulting font is not just an antiqua, but the specific and accurate antiqua from "Niva" magazine. In addition, due to the specifics of printing, same characters in the old magazine setting looked completely different, which greatly complicated the task. In one place, there was less ink than needed, and the letter in the reference was not well-printed and thin, in some other place there was more ink and the letter had flooded. An important task was to preserve and convey this feeling of typographic printing, but at the same time it was important to identify the common logic and character of the dot gains so that the font would form a harmonious, single, but at the same time lively picture. Since the "Niva" magazine was historically published in Russian, the magazine had no shortage of references for the reconstruction of Cyrillic characters, but there were not many Latin letters in the magazine at all. In addition, the paper source lacked a part of punctuation, diacritics, there were no currency signs nor ligatures at all—we developed all these characters based on font catalogs of the 19–20 centuries, trying to reflect characteristic details from the main character composition to the max. So, for example, the Germandbls character, which is not in the original "Niva" set, we first found in one of the font catalogs, but still significantly redesigned it. We decided that in such a voluminous project, only graphic similarities with the original source are not enough and we came up with a feature that can be used to exchange modern Russian spelling for pre-revolutionary spelling. When this feature is turned on, yat and yer appear in the necessary places (i, ѣ, b, ѳ and ѵ), the endings of the words change, and so appears a complete sensation of the historical text. This feature works in all fonts of the TT Marxiana font family. TT Marxiana Antiqua is a scotch style serif, the drawing of which carefully preserved some of the artifacts obtained by printing, namely dot gain, a slight deformation of the letters and other visual nuances. TT Marxiana Antiqua has an interesting stylistic set that imitates the old setting and in which some of the signs are made with deliberate sticking or roughness. Using this set will provide an opportunity to further simulate the setting of that great time. TT Marxiana Grotesque is a rather thick and bold old grotesk. Its drawing also maximally preserved the defects obtained during printing and characteristic of its paper reference. In addition to pre-revolutionary spelling, TT Marxiana Grotesque has a decorative set with an inversion. This is a set of uppercase characters, numbers and punctuation, which allows you to type inverse headers, i.e. print white on black. As a result of using this set, you get the text against black bars—this way of displaying was very characteristic for print advertising at the turn of the century. In addition, about 30 decorative indicator stubs were drawn for this set: arrows, hands, clubs, etc. TT Marxiana Elzevir is a title or header font and is a compilation of monastic Elzevir that were actively used in the "Niva" magazine for all its prints. Unlike the antiqua, TT Marxiana Elzevir has sharper forms, and the influence of deformations from typographic printing is not as noticeable in the forms of its signs. This is primarily due to the specifics of its drawing and the fact that it was usually used as a heading font and was printed in large sizes. The height of the lowercase and uppercase characters of Elsevier is the same as the heights of the antiqua, but the font is more contrasting and lighter, it has a lot of white and, unlike the antiqua and the grotesque, there are a lot of sharp corners. An exclusive feature of the TT Marxiana Elzevir is an alternative set of uppercase characters with swash. • TT Marxiana Antiqua consist of 625 glyphs each and and it has 23 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, ss05, case. • TT Marxiana Antiqua Italic consist of 586 glyphs each and and it has 22 OpenType features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Grotesque consists of 708 glyphs and it has 22 OT features, such as: aalt, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, lnum, pnum, tnum, onum, salt, calt, liga, ss01, ss02, ss03, ss04, case. • TT Marxiana Elzevir consists of 780 glyphs and it has 21 OT features, such as: aalt, ccmp, locl, ordn, frac, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, ss05, ss06, salt, c2sc, smcp, case, liga. FOLLOW US: Instagram | Facebook | Website TT Marxiana language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chiga, Cornish, Corsican, Cree, Danish, Dutch, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Galician, German, Gusii, Haitian Creole, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Ladin, Leonese, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Mauritian Creole, Minangkabau, Montenegrin (cyr), Mordvin-moksha, Morisyen, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Samburu, Sango, Sangu, Scots, Sena, Serbian (cyr), Seychellois Creole, Shambala, Shona, Soga, Somali, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Taita, Tetum, Tok Pisin, Tsonga, Tswana, Ukrainian, Uyghur, Valencian, Volapük, Võro, Vunjo, Walloon, Xhosa, Zulu.
  30. MoDi Khilari 1, although a less commonly known font name and possibly conceptual or specific to certain design applications, suggests an intriguing fusion of typographic style and cultural essence ba...
  31. Ah, the font "Dancing_DL1.0" – if this font could tango, it would probably outshine the most flamboyant of dance partners on the dance floor. This isn't your ordinary, sit-in-the-corner-and-mumble ki...
  32. As of my last update, ThamesCondensed might not be a widely recognized or established font within notable typographic repositories or among mainstream font databases. However, we can explore the esse...
  33. The D3 Roadsterism Wide Italic font is a captivating and dynamic typeface that turns any textual content into a visually engaging masterpiece. Crafted with meticulous attention to detail by D3, this ...
  34. Alexis Italic is a unique and distinctive typeface crafted with an artistic flair by Iconian Fonts, a prolific font foundry known for creating a wide range of custom and thematic typefaces. The Alexi...
  35. HYERBA by Billy Argel is a distinctive typeface that encapsulates a blend of modernity and classic elegance, making it a unique addition to the plethora of fonts available to designers and typographe...
  36. As of my last update in early 2023, there's no widely recognized or standard font specifically named "teaspoon" within major font libraries or amongst popular custom typeface designs. However, let me...
  37. As of my last update in 2023, there is no widely recognized or mainstream font officially called "Squid." However, the evocative name suggests a font that would embody characteristics inspired by the...
  38. As of my last update in April 2023, there isn't a widely recognized font specifically called "Notepad" that stands apart in the same way as, say, Arial or Times New Roman. However, the concept of a "...
  39. Pushkin is a font that seems to embrace the art of storytelling with each letter it forms. Just hearing the name, you can almost feel the romantic brushstrokes of history and literature it's named af...
  40. Subito, a font designed by the creative minds at Imagex, stands as a unique testament to the world of typographic artistry. This font, elegantly crafted, blurs the lines between traditional readabili...
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