Savoye was created by Alan Meeks in 1992. The spirit of the Jugendstil lies behind the design of this font. Graceful upright letters combine to create delicate, flowing word figures. The light stroke contrast and slant to the right emphasize the liveliness of Savoye. Generous capitals contrast with small, demure lower case letters whose distinguishing characteristic is their high ascenders. This contrasts beautifully with the relatively reserved descenders. The capitals can also be used as initials combined with other alphabets. Savoye is the perfect font for invitations, greeting cards and other personal correspondence.

Mikagi is a textured form of the 2008 Miyagi typeface, giving the original creation a new personality along with its makeover. The rough texture is a different direction from the original, smooth line style of its predecessor, instead creating something that might be described as lean and tough. Worn and weary, Mikagi emphasises everything it says, taking care to slow itself down and not get caught up in the speed of its youth. Use Mikagi for a range of design work, to add a blend of smooth easiness and faded cynicism to your creation.

Boutros Angham is a humanist-inspired, sans-serif typeface designed and created to work harmoniously with its Latin version whilst respecting Arabic calligraphic and cultural rules. Characterized by its modern appearance, with rounded edges and free flowing letterforms, Boutros Angham is highly legible at various angles, sizes and distances. Ascenders and descenders are very prominent and apertures are wide to easily distinguish letters from one another. Boutros Angham is suitable for headlines and sub-headings as well as body text at smaller point sizes. There are ten weights for each, Latin and Arabic, variant.

Chemistry is a stylish monoline script with a natural flow and beautiful and elegant characters, you can use this font to design wedding invitations, labels, logos, branding, craft project, quotes, and more. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swash font files: if you have questions about the latest fonts, please provide a short message to us Thank You! MJB Letters

One of my dreams as a type-designer was making a good looking chancery cursive. Full of life, like some of the best calligraphers around the world do on their artworks. With Julian Waters, John Stevens and Denis Brown (just to name a few of them) (1) chancery, or italic script, was transformed into a new, exciting and very fresh style of calligraphy mainly at the end of 20th Century. Dream Script may be that dream named above made true. I have been practicing chancery in the way I learnt from those calligraphers for many years now. Making a font out of my ink-sketches was a tough work, since they were closer of -being art- than of -being type-. However, this font rescues many aspects of handmade calligraphy: You have to look at it really close to notice it is actually a font, and that was one of my goals. The secret of a good looking chancery is on its subtle details: pen angle is constantly changing, even on the strokes which seem straight. Capitals and swashes have to be done a little faster than lowercase letters. The rhythm has to be even, in spite of its playful look. The fact that makes Dream look alive is that it has many alternates per glyph. This makes each word look unique like it happens in calligraphy: you will find alternates for the beginning/ending of a word/phrase, some for the middle of it, some interchangeable. Also, to accompany the script, you will find Dream Caps, which was inspired in the eternally beautiful trajan capitals. Place them like I did on the posters and you will have great results for sure. The font works great in small, middle and big sizes and can be a great selection for magazines, wedding invitations, perfumes, and posters. Close your eyes, and Dream with me... TECHNICAL Dream Script Pro is the most complete style, it contains all the alternates and ligatures (OT programmed, better if you use Adobe applications) If you plan to use the font for text, be sure to activate the less decorative capitals, which are placed in the “salt” group of alternates. Dream Script Standard has less glyphs than the Pro one, it contains just some ligatures for a better legibility. (OT programmed, better if you use Adobe applications) NOTES (1) Not only are they great artists, but also good people, who are always willing to share with their students all what they know. I would also like to thank Ricardo Rousselot, whose work inspired me this time to make “The Dream Script” exlibris; and to Alisara Tareekes, a very talented friend which international calligraphy conferences gave me: She kindly helped me with some tips to make this font better.

In the world of typography, Golften – Art Nouveau Serif Font stands as an epitome of elegance. It gracefully channels the beautiful and harmonious flow, drawing inspiration from the Art Nouveau style. Let’s delve into why Golften is an exceptional choice for those seeking refined and graceful design. Elegance at Its Core First and foremost, Golften exudes elegance through its graceful serifs and harmonious lines. It encapsulates the very essence of Art Nouveau. Moreover, its flowing curves and intricate details create a captivating visual experience, making it the ideal choice for designers aiming to create visually stunning projects. Versatile Beauty What sets Golften apart is its versatility, which knows no bounds. It seamlessly adapts to various design projects. Whether you’re crafting wedding invitations, establishing elegant branding, or designing artistic posters, Golften adds an exquisite touch that elevates your work. Furthermore, this font’s adaptability makes it suitable for a wide range of creative endeavors. Inspired by Art Nouveau Golften draws inspiration from the Art Nouveau movement, celebrated for its organic forms and ornate aesthetics. This font mirrors those principles, making it a perfect choice for projects aiming to capture the timeless allure of this influential style. With Golften, you can effortlessly infuse your designs with the spirit of Art Nouveau.

Introducing Echo Soul; a free-flowing and carefree brush font duo, hand painted with love. Echo Soul speaks from the heart and doesn't hold back. With elongated brush strokes and a natural flow, it's the perfect choice for handwritten quotes, product packaging, and logo designs with a personal and affectionate touch. The Echo Soul family consists of; 1. Echo Soul • A handwritten script font containing upper & lowercase characters, numerals and a large range of punctuation. 2. Echo Soul Alt • This is a second version of Echo Soul, with a completely new set of lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. 3. Echo Soul Sans • An all-caps font containing uppercase-only characters, perfect for supporting text to compliment the Echo Soul Script font. Also includes numerals and a large range of punctuation. Stylistic Alternates • Are also available for several lowercase characters - these have elongated tails and look great when placed at the end of a word. These can be used by turning on 'Stylistic Alternates' in OpenType capable software, or accessing via a Glyphs panel.

Make your mark with Checkmark; a slick, high energy signature-style script font guaranteed to make a big impression. Digitally hand-drawn, it's super-clean smooth flow and high-intensity pen strokes make an unmistakeable impact in logo/branding projects, large header text and product packaging. Checkmark is packed full of extra features to give you plenty of customization options. This includes; a full set of upper and lowercase alternate letters, 20 ligatures (double letters) to help the script lettering flow more naturally, 26 swashes and a full set of lowercase end forms to give your text that extra flair and finesse. Here's a run through everything in more detail; Checkmark • A smooth-edged signature style font containing upper & lowercase characters, numerals, and a large range of punctuation. Checkmark Alt • This is a second version of Checkmark, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Checkmark Swash • A third font containing 26 hand drawn swashes. Simply type any a-z or A-Z character in this font to generate a swash. Perfect for underlining your Checkmark text and adding a bit of extra flair! Ligatures • 20 ligatures (double-letters) are included to help your lettering flow more naturally. Many programs will automatically have this feature switched on for you, but if you need any help accessing them, please feel free to drop me a message. End forms • Are available for all lowercase characters when using the Checkmark font. Use these characters at the end of your word to add a stylistic 'end-swash'. These are accessible via software with opentype capability, by turning on 'Stylistic Alternates', or via a Glyphs panel. Language Support • Checkmark fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Economica Pro is a font especially developed for design in complex situations: It is ideal for use in small sizes on screen and in print. It has been tested successfully for use in very small sizes without losing legibility. Its ink traps ensure smooth operation even on low quality papers. It is an ideal font for newspapers, news portals and all designs requiring space saving. Now also in Cyrillic!

Ratcaps and Ratkeys were designed as a set of highly-legible keycap fonts for use in software and systems documentation destined for in-house printing. They were specifically designed for clarity and legibility even on low-resolution (300 dpi) laser printers. Ratcaps consist of representations of the basic alpha-numeric keyboard keys. Ratkeys contains the special function and modifier keys. Both fonts also come in a 3D-effect version.

The Collegeblock family is reminiscent of straight lined letter forms found on collegiate sweaters and in the sports world. This blocky display font features only angled lines with stubby serifs and available in 3 styles including 3D Extrude. The characters are more vertical in nature with a low contrast for high legibility. Many different languages are covered including Cyrillic. Use Collegeblock 2 for a t-shirt, logo, or web graphics.

An elegant sans with a low lower-case x-height, diamond-shaped dots and a reweighed complimentary italic with subtle calligraphic touches. With its generous spacing and leading, Argent is very readable in extended text settings, appearing warm and open. The wide range of weights, from thin to heavy, provide all the necessary options for headline and text, the basis of any comprehensive design system. Perfect for brochures and magazines.

Legibility. Flexibility. Personality. No need to pick two; Novaletra Serif CF has it all. Liven up body text, captions, and headlines with Novaletra’s smooth, low-contrast design set across seven weights with italics. Versatile and easy to read at any size, Novaletra includes useful features like wide language support across Latin and Cyrillic scripts, international currency symbols, fractions, tabular numbers, and more. Includes lifetime updates, technical support and feature additions.

RNS Miles font family combines geometric shapes, open forms and grotesk mood for achieve a harmonic, neutral and low contrast shapes. Clearly influenced by Modernism it’s designed specially for headlines, titles and subtitles. The family consist of 7 weights ramping from thin to black, each weight having a matching italic. Take advantage of Mile’s extended OpenType features, including alternate glyphs, fractions, arrows, oldstyle figures, numerator / denominators and a variety of symbols.

Blanc is a functional humanist sans typeface with a marked personality and great style that make it ideal for use in headlines. Blanc is an ode to neutrality: a geometric face characterised by low contrast between thick and thin strokes with calligraphic features that emphasise specific glyphs. 
 Blanc comes with 8 weights and an inline version that make it well-suited for headings and subheadings, corporate designs, advertising, publishing, etc.

Normative Lt is a sans serif type family by Green Type, a low cost version of Normative Pro, includes only a Unicode Latin 1252 character set. Normative Lt is a font with wide sphere of application, legible from very small size to very large ones. Can be used both in technical documentation, office work, business communication, as well as in advertising, visual communication, magazines and posters, in branding and packaging.

Surimi is a condensed display typeface available in six styles. Designed to stand out with its low crossbars and its unicase alternates, this cool little family will be great for titling and logotypes. The fonts include diacritics for western European langages, tabular and proportional figures, and 4 stylistic sets : ss01 : unicase alternates (A,E,W,Y) ss02 : alternate lowercase g ss03 : alternate lowercase l ss04 : alternate W and w

Liferdas is a mix of Old Style Roman Serif styles. The glyphs are formed in extended width, smooth strokes, moderate stem contrast, and soft edges to pursuing clarity, quick recognizable text, and a warm personality. The italics style is 13 degrees low slanted with redrawn lowercase which has shown in more organic and flowy forms. This font contains 9 weights with more than 245 glyphs that support extended multilingual.

Description Giane sans. is contemporary and stylish sans serif with large x-height, low/minimal stroke contrast and large chunky sans with closed apertures. Giane san is matching pair with Giane Serif (https://www.myfonts.com/fonts/xdcreative/giane/) Giane sans Perfectly suited for graphic design and any display use ( for the logos, t-shirts, the web as well as for print, and also great for headings), Thank You _xd

Inspired by Germany Type, Naveid comes with Old Style with different nuances. It was carefully designed to combine the cuppped serif on top and the tinny Subtle Flaring on the terminal, which makes this font look elegant. Naveid designed with low contrast, consists of 18 styles from thin to black with each matching italics, it makes this font not only great for Headlines, but also great for paragraph, text and printing.

Ratcaps and Ratkeys were designed as a set of highly-legible keycap fonts for use in software and systems documentation destined for in-house printing. They were specifically designed for clarity and legibility even on low-resolution (300 dpi) laser printers. Ratcaps consist of representations of the basic alpha-numeric keyboard keys. Ratkeys contains the special function and modifier keys. Both fonts also come in a 3D-effect version.

Double Pivot , a condensed sport inspired Regular, Low, & Mix typeface. Double Pivot has six Style with sans serif and matching italics. This typeface has a clean and athletic look, glyphs and extensive Latin script support. Double Pivot is bold, vibrant with sharp sans serifs and competitive appearance, therefore excellent to use for headers, logos, captions and posters, especially for the sports branding industry, but just as good for any other projects.

Martin Wilke designed the dynamic calligraphic typeface New Berolina in 1965. The light line of the strokes and the strong stroke contrast lets New Berolina dance across the page. Broad, generous capitals complement beautifully the narrower lower case characters with their low x-height. The capitals can also be used as initials. Used carefully and with generous line spacing, New Berolina will lend any text a fresh, lively look.

This is our first experience of creating serif fonts. It resulted in a modern slab serif family designed with symmetrical bracketed serifs for uprights and cursive serifs for Italics. Crafted with low contrast strokes, it makes this font versatile and can be used for text and printing. Counte contains many International diacritics and OpenType Features. It consists of 9 weight, going from Thin to Black with matching italics.

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

The Kymer Awon font family includes 5 weights and 20 styles. Whereas traditional Sans Serif typefaces show low contrast, this family has high contrast. And It brings out modern elegance through curved variations of glyphs with diagonal bars. Alternative fonts with Small Caps inherit the vertical stem width of the default capitals. These elegant and contemporary styles have an affinity to fit into any of your design work.

Neuville is a geometric and low-contrast sans serif for everyday use related to typography. The shapes of the characters are clear, simple and balanced to allow for legibility and help the typeface deliver the contents with a neutral and objective voice. The Neuville family includes three weights and has a wide range of OpenType features such as tabular figures, numerators and denominators, superscript and subscript numbers, and case-sensitive forms.

Inspired by the work of Hendrik van den Keere, Tobias Frere-Jones and David Berlow designed a family of typefaces focused on the challenges of newsprint publishing. This version of the family is part of the Reading Edge series of fonts specifically designed for small text onscreen, having been adjusted to provide more generous proportions and roomier spacing, and having been hinted in TrueType for optimal rendering in low resolution environments.

Fitzronald is a body text typeface with a strong personality combined with a good legibility in small sizes. It is an excellent book typeface, but it can be used in e.g. advertising and packaging as well. Due to its good legibility at low resolution, it is a superb website and e-book typeface. Fitzronald is based on Ronaldson, an American typeface originally cut by MacKellar, Smiths & Jordan in 1884.

This font family is simplified Arabic which was inspired from the modern Naskh style, where the reverse contrast is low and the counter forms are open. The original design is from the Lisboa Sans typeface (Latin), published on 2005 and after some years, this multi-script family is the compromise and balance between these two different scripts. This typeface contains characters for setting Arabic, Persian and Urdu languages.

oook is a sans serif variable font designed to be used at very low size but it works with great personality also as display font. Uppercases and lowercase heights ratio is designed to improve readability at very very small texts. A feature that can’t be ignored in the smartphone era. With its wide eyes on letters and numbers you’ll be surprised by the improved readability of Excel or LibreOffice spreadsheets.

Chapeau is loosely inspired by a Johnny Cash letter written on an old IBM typewriter. The original typeface called “Doric” was a rare example of a proportionally aligned typewriter face, supplied by IBM in the late 1960s. Based on simple geometric shapes, Chapeau is a low contrast sans-serif with rounded endings. The letterforms have been carefully aligned to avoid exceeding width and to achieve an efficient, contemporary appearance.

A universal text type was designed by Natalia Vasilyeva for ParaType in 2007. The type family is consist of 8 styles. Also corresponding decorative italic with calligraphic swash capitals was developed. The type has low contrast characters and narrow proportion. It is rather space-saved but very legible even in small sizes. For use in text and display typography. The upgraded version with extended character set was released in 2010.

Debright is a fat handwritten display font. With low bold contrast stroke, fun character. To give you an extra creative work. Debright font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Debright font. Cheers, Maulana Creative

Museo Sans is based on the well-known Museo . It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use. This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors, Museo Sans also has a ‘case’ feature for case sensitive forms.

Cogenta Text is a geometric sans-serif typefaces. It showcases reduced contrast and a more neutral appearance compared to the lowercase joint of Cogenta. Its low cap height makes it an ideal choice for mobile and web applications. Precise kerning enhances readability, ensuring a satisfying user experience. Cogenta Text effortlessly complements diverse design applications, including logos, branding, posters, editorial design, websites, and more, consistently delivering exceptional quality results.

Gothic Round was first introduced as wood type by the George Nesbitt Co. in 1838. The font is a softened variation of a standard heavy Gothic typeface. The style evokes a much more recent history of the 1960s and 70s and can be seen in such places as donut shops and on children's toys as well as inspiration for such fonts as VAG Rounded. Gothic Round has not previously been available as a digital font until now. The font was digitized by Miguel Sousa from a wide variety of historical sources, including visits to the Cary Collection at RIT (Rochester, NY), WNY Book Arts Center (Buffalo, NY) and the Hamilton Wood Type Museum (Two Rivers, WI). The result is a very solid and contemporary font with a 175 year history. For more information about this release, check out the Hamilton Wood Type Foundry website .

Be the center of attention through your sophisticated design with the awesome Retrim. It is a display font that portrays cute looks. While it’s easy to read thanks to all-capped characters, there are also distinctive styles or layers for optical effect. Slay your design with Retrim’s best features so you’ll look your best on what ever your design is, all the time. You also get 15 illustrations as special extra that you can use as you wish. Features: Ligatures Multilingual Supports Uppercase and lowercase PUA Encoded Numerals and Punctuation This font would looks great on your branding, logos, social media quotes, stickers, posters, wall art, merchandise, social media, and many more. Get more inspiration about how to use it by seeing the font preview. Thank you for purchasing our fonts. If you have any further questions, don't hesitate to contact us. Happy Designing.

Introducing “Kidyba Font” – Where Playful Typography Takes Center Stage! Unleash your creativity with Kidyba Font, a whimsical display typeface that injects fun and energy into your designs. Kidyba Font is the perfect choice for projects that require a playful touch. Its charming and lively characters make it ideal for children’s books, eye-catching posters, and playful branding that stands out. With Kidyba Font, your designs will instantly capture the essence of playfulness, drawing your audience in. Whether you’re designing a cheerful invitation or a vibrant logo, this font adds a joyful and spirited element to your work. Elevate your creative projects and let your imagination soar with Kidyba Font. Infuse your designs with a sense of fun and wonder, and watch as they come to life with this delightful typeface. Embrace the playful spirit of Kidyba Font today! – PUA Encoded Characters – Fully accessible without additional design software.

Inspired by the hand-lettered sound effects found in comic books, Dave West takes a three-dimensional deep dive into the genre with his extensive onomatopoeic alphabet originally designed for Photo-Lettering, Inc. The sonorous voice of Kerpow’s caps captures “cartoon” brilliantly, while the accompanying lowercase provides options for broader applications. Turn to Kerpow for eye-catching children’s book covers, fast casual restaurant marketing, or family fun centers, and…BAM!…all eyes will be on your design. Originally drawn in the late 1960s, Kerpow was digitized by Allen Mercer in 2011. Please note that the shaded version of the typeface is composed by layering the Regular font and a separate Drop Shadow font. Some assembly required. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.