Stone Man is a decorative font with a Rock decoration characters. It will elevate a wide range of design projects to the highest level, be it branding, headings, wedding designs, invitations, signatures, logotype, wall art illustration, apparel, labels, and much more!

Van Wyck JNL was inspired by some old printing found in a catalog.

The February 19, 1923 issue of The Film Daily contained an ad for Mack Sennett's new Ben Turpin comedy entitled "The Shriek of Araby". No doubt this was a spoof of the popular Rudolph Valentino film "The Sheik". The ad tries to emulate Mideastern or Arabic typography via a standard Western alphabet. It somewhat captures the flavor, but its free-form hand lettering comes off as more of a novelty-type style. This is now available digitally as Desert Sands JNL in both regular and oblique versions.

An extremely low midline marks this offering, based on an “elegant” alphabet found in Samuel Welo’s chapbook, Lettering: Modern and Foreign, published in 1930 by Frederick J. Drake and Company. Definitely different, and Deco at its most debonair. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Hans Kendrick SE is geometric sans typeface inspired by Avenir and Futura. It is the second edition of the Hans Kendrick typeface improving on its geometric consistency, weight distribution, and overall rendering quality.

Fruity Mellow Sun is a lovely script font featuring charming, playful characters that seem to dance along the baseline. Add this font to your most creative ideas, and notice how it makes them stand out!. This script font is supporting Multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. So what's included: Basic Latin A-Z & a-z. Numbers, symbols, punctuations and ligatures. Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank You.

Introducing Bright Sun Light, a playful display font from Epiclinez! With its unique character and happy vibe, this font is sure to make your designs stand out. Whether you're creating logos or product packaging, or want something fun for your headlines, look no further than Bright Sun Light. Its cute, bubbly, and laid-back style brings joy to everyone who sees it! Get ready for some sunny vibes with Bright Sun Light! Bright Sun Light font includes : Basic Latin Uppercase and Lowercase Under Swashes Numbers, symbols, and punctuations Multilingual Support. Simple Installations works on PC & Mac Thank You!

The original version from this display sans-serif typeface was Van Condensed, published during 2004 (Latin, Greek and Cyrillic). Van Condensed Hebrew is the last script update, where the Hebrew characters follow the same design approach from the Latin characters (geometric structure, round corners). The only big difference between the Latin and Hebrew characters is the contrast, Hebrew letterforms contain reverse contrast.

Hand Of Sean was created from the designer's own handwriting in 2008 for a personal project, but was made available to the public and quickly became very popular. The font was updated in 2013 with redrawn glyphs, improved spacing, better kerning and OpenType features. NEW OpenType features: if you type two of the same letter, the font will automatically substitute with two slightly different characters to make the font look more natural. This also happens with words containing the same vowel either side of a consonant, such as ‘solo’ or ‘data’. Please note that OpenType features are only available in programs that support them, such as Illustrator, Indesign, Quark or Photoshop.

A dingbat/decorative display font featuring many different styles of flourishes and ornaments. Great for a vintage antique feel. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

Hello Everyone, introduce our new product Demon Say Hi is Rebel Typeface Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. This font is PUA encoded which means you can access all of the magical glyphs with ease!

He's a man of character; a Man for All Seasons. He upholds the values of Truth, Justice and the American Way and he's never averse to a slice of Ma's homemade apple pie. He's not a man of yesteryear, nor a man caught in the here and now. He's a human being of great honor, a citizen of the world -- a Man of Tomorrow!

LE MANS - CLASSIC is a font inspired by vintage motorsport racing. In particular, advertising posters from the 70's. This time period was important as it showcased not only the cars that changed but also the illustrative styles & typography. Features: Offered in 2 Styles - Regular & Compressed Extensive Language support Specialised Kerning on all character combinations Designed by KAZER STUDIO

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

Banana and Sun is light handwritten font. It’s very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito and Gans Fulgor .

Historical printers ornaments researched by Intellecta Design; from the 1882 very rare Richard Gans first catalogue. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno, Gans Lath Modern, Gans Titular Adornada, Gans Ibarra, Gans Antigua, Gans Antigua Manuscrito, Gans Fulgor, Gans Radio Lumina, Gans Carmem Adornada, Gans Italiana, and Gans Titania.

Looking similar to a Deco-era classic typeface, Van Alt JNL has slightly different character shapes, but pays due respect to its inspiration by the original...

Sign Man JNL is a reworking of Sign Shop JNL, with a lighter font weight and a number of changed characters (including extended horizontal crossbars on the B,E,F,H,K,P and R).

Gans Rasgos Escritura shapes (108 tails) was selected and freely interpreted from the vignettes catalog by Fundicion Gans published in 1920. You can combine these ornaments with your favorite fonts. We suggests the use of Pretoria Gross.

Fresh round strokes look so childish and happy.

Cul De Sac is a beautiful cartoon-like font. It was hand drawn, using an old fashioned pen and India ink. Use it for your ads, posters and websites.

Gans Antigua Manuscrito is a revival font by Intellecta Design. researched at the rare catalogue from the extinct Fundicion Richard Gans, from Madrid. See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada , Gans Ibarra , Gans Antigua , Gans Fulgor and Gans Radio Lumina .

I was listening to an old Van Halen album when I made this font. I named it after one of my favorites: ‘Ice Cream Man’. Ice Cream Man is a happy, sloppy, wobbly kids font. Use it for your book covers, posters and ice cream packaging!

In The Sun is a SVG font made from pencil handwriting and doodles. The SVG format allows for the texture of the pencil to be captured in a realistic way. In The Sun looks best at smaller sizes and will also look great in all caps texts. Use In The Sun in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. In The Sun includes: In The Sun handwritten font In The Sun Extras font, with underlines, circles, arrows, and small floral illustrations in: SVG format and Vector format, with the texture preserved Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+ No SVG support? No problem! I have also included a OTF vector version of the font

Our fonts are supported by most design software, please make sure it can read the OpenType fonts to be able to access all ligatures. Please be informed that while our font works well in Canva, but Canva itself doesn’t support advance opentype features such as special characters.

Bromrose Sands Signature is a lovely signature font that comes with LOTS of ligatures that makes this font look natural. Bromrose Sands is perfect for quotes, logos, branding, magazines, wedding invitation, packaging, stationary, or any advertising purpose. To access the underline just type _+(number 1-8). Example: woodland_1 woodland_2 etc.

See also other font families inspired by Gans' original typefaces: Gans Tipo Adorno , Gans Lath Modern , Gans Titular Adornada, Gans Ibarra , Gans Antigua , Gans Antigua Manuscrito , Gans Fulgor , Gans Radio Lumina , Gans Carmem Adornada , Gans Italiana and Gans Titania .

Dans le toilette is a fun dingbat inspired by things that happen fast in the bathroom every morning. You can use them on posters, covers, patterns, brands and all kind of image with a vintage touch. Dans le toilette is part of the dingbats series designed by Coto Mendoza including Dans le cuisine, Dans le jardin and Dans le Noël. Make your day with a fun morning Dans le toilette!

Dear and Fans is all class. A stylish modern font that is a mix of serif and sans serif. It's soft curves mixed with high contrast glyphs lend it self to both feminine and masculine qualities. With a contrasting light italic, Dear and Fans works great in layout design for quotes or body copy. The Elegant curves also make for a unique logo or masthead. Dear and Fans comes with multilingual support also. Full upper/lower case, numbers, punctuation and multilingual support. Full italic style included also.

JY&A’s most distinctive calligraphic font, Yan Series 333 is usable at all resolutions and remains legible. Even though it has a strong calligraphic influence, the Yan Series is ideal for text settings that have to appear special. Designed by Jack Yan, the family was developed between 1987 and 1993. Yan studied the effect of a nylon-tip, rather than steel-nib, pen on paper.

This quirky font features tons of personality in curls and swirls. Use it for titles & small snippets of text. (Don't try turning a term paper written in this font!)

In 2002 Matthew Carter was commissioned to create a new design to be cut in wood by the then nascent Hamilton Wood Type Museum. This was significant in that this was the one format for which Carter had not yet designed type. The new design emerged as a two-part chromatic type to be cut specifically in wood. Originally called Carter Latin, the font was renamed Van Lanen after one of the Museum's founders. The first cutting and printing of the type took place in late 2009 and although it has been available through the Museum, contemporary wood-type production is expensive and few have acquired this font in wood. The digital version of the pair of Van Lanen fonts is now available. The design recalls Antique Latin wood type, but with a refined sensibility and intentional quirks (like the sideways ampersand). It is a wonderful addition to Carter's oeuvre, and to the ongoing history of wood type.

Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.

A Hand-drawn font loosely based on Dan’s handwriting. Full of personal charm and interesting upper & lowercase characters, numerals and a large range of glyphs(Including Greek & Cyrillic).