Bought Something is a simple, quirky and adaptable handwritten font. Its informal style and casual vibe will make this font a go-to choice for each of the creations that require a relaxed touch. Bought Something is PUA encoded which means you can access all of the glyphs and swashes with ease!

Hello Babies is a quirky and laid-back handwritten font. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. Hello Babies is PUA encoded which means you can access all of the amazing glyphs and ligatures with ease!

City Tour This theme font is very beautiful when used as wall hangings or as your trade product, make logos, symbols, and several other design works, there are several families that you can choose and adjust to your design, make sure this will change the way you see the font design more modern

A cool looking bouncy font, with its unique characters, you can actually mix caps and lowercase letters in the same word. Sugar Shack allows you to be as creative as you want, it has its own designed animation built into the font. Experiment with the characters and you will be quite satisfied.

Christmas calligraphy is a dazzling formal calligraphy font that exudes sophistication and elegance. Fall in love with its ravishing style and use it to create beautiful designs. This will make the Christmas moment more classy and glamorous. This font is PUA encoded which means you can access all the glyphs and sweeps easily!

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Minimal" because of the minimal decoration and simplistic design. The first "Alef" has a "hamzit wasel", this indicates that the name can be pronounced both as "AR-RAHMAAN" or "R-RAHMAN" (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). This calligraphy is not only minimal in its design but easy to read, very few letters overlaps and the decorative symbols are at minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing ---------------------------------------------------------------------------------------------------------------------------

We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Handwriting" for obvious reasons. The first "Alef" has a "fatha", this indicates that the name can be pronounced only one way, "AR-RAHMAAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). The calligraphy is very easy to read, no letters overlaps and the decorative symbols are at minimum. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Saad & Ta". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran. Here is a link to all the extra files you will need: https://drive.google.com/drive/folders/1Xj2Q8hhmfKD7stY6RILhKPiPfePpI9U4?usp=sharing

Since the release of Wood Bonnet Grotesque No.4 the font became popular for packaging and adverts. But the font styles were limited to one worn and one clean font in a medium weight only. Bonnet Grotesque Nr [Narrow] will fill this gap. It’s based on Wood Bonnet Grotesque No.4 but slightly modernized with sharp corners. Some letters need more space now – so tracking is not the same. The Medium family style shares the same weight as the wood font version.

I will spare you the long-winded description this time and all of the motivations and witty innuendoes. Quite frankly, I forgot about creating this typeface and it sat on my hard drive for almost a year. Luckily, my daughter Isobel saw the initial drawings one day and ask me about those pretty letters and I remembered… yep, that happened. That said, time made this a better typeface… with fresh eyes and time, much was redrawn, retooled and expanded to something I truly enjoy playing with. Shameless makes extensive use of Contextual alternates to create a proper ebb and flow from letter to letter. Interestingly, there are only a handful of ligatures… instead many special combinations are accounted for solely by relying on Contextual Alts. Mix in Stylistic Alts, Swashes, responsive Titling Alts, numerous Style Sets, etc and you can have a lot of fun. I created 2 versions. A ‘Standard’ version that has 2200+ characters and a ‘Deluxe’ version that has 2400+ characters and an interesting caveat… I plan on expanding the Deluxe version any time I have an idea to add to the typeface… and as such, buyers will receive all of those updates at no charge (with updates going directly to the distributors). You get what you pay for… no insane discounts. Oh, and if you are wondering… Shameless is based on my handwriting using Kuretake Zig CocoIro pens. I love these pens.

Introducing TT Lakes Neue in version 2.0! Please note that the TT Lakes font has been removed from platforms, but you can still order it by sending a request to the studio's commercial department: commercial@typetype.org We have released a continuation of the geometric sans serif inspired by Finnish functionalism. The new version provides more opportunities, because we not only increased the character set and improved the font technically, but also reworked its visual character. What changed? Font character. TT Lakes Neue 2.0 has become calmer, as we have removed the display details in the characters of the main set, making the font more versatile. New stylistic sets were created, thanks to which the nature of the font can be controlled, making it more expressive. Changed the forms of the characters "Кк", "ЖЖ", "Дд", "Лл", lowercase "b" and alternative "g". Added alternative forms for all types of the number "1", for the characters "Mm", "DD", "Ll". Added technological character sets, with which the font looks stylish and expressive. You may notice that in these sets, the forms of lowercase characters with arches (r, m, n) are changed, and there are gaps in the places of infusions and connections of all characters. Scope of application. The scope of TT Lakes Neue 2.0 have become even more diverse, because the sans serif has become more neutral in character and more functional. TT Lakes Neue 2.0 is the perfect font for the gaming industry. Suitable for game interfaces of different genres. Technological sets can be used in architectural projects, in the headlines of posters and magazines, on outdoor signs. The font is suitable for logo design, looks great in branding. Character set and technical characteristics. We have significantly improved the set of the font, increasing the number of characters from 736 to 921. The font has become more functional due to the updated technical stuffing and new features, of which there are now 36 instead of 24. Added characters of extended Latin, fractions, arrows. Created new kerning and hinting. Updated variable font. Added new OpenType features. The TT Lakes Neue font has 5 subfamilies: Compressed, Condensed, Regular, Extended, Expanded. In total, there are 91 styles in the font: 9 upright and 9 slanted in each subfamily and 1 variable font. Each style has 921 characters and 36 OpenType features.

After the success of our best-selling Mr Black, we decided to once more use my grandfather’s dry transfer lettering sheets. My grandfather was a Polish military cartographer and he left us some used-up sheets. The letters didn't transfer so well but we liked the way they were damaged. Mr Tiger has upper- and lowercase characters with up to four alternate glyphs. First three variations are only slightly damaged but the fourth one is usually more distorted. All of the glyphs have a very high resolution so they can be used in a large scale and they will still look great. One of the best things in Mr Tiger is the OpenType Contextual Alternates feature. It will automatically set alternate glyphs depending on frequency of appearance of the same character. The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand.

Forget everything you know about TT Smalls because we have re-released the font! TT Smalls useful links: Specimen | Graphic presentation | Customization options TT Smalls is now a decorative font that makes it easy to attract attention. Use it to design expressive headings, in the packaging design or to highlight text on a site. Be sure that the text set in TT Smalls will arouse the interest of the audience. Once TT Smalls was a neutral geometric sans serif, and the inline version was an alternative stylistic set. However, the TypeType collection of universal fonts is extensive, so we focused on creating a unique and expressive font and released an updated TT Smalls. The font contains only uppercase characters in the inline version, and glyph designs are based on a geometric sans serif. With an increase or decrease in weight, the number of strokes in the font goes up or down, respectively. Stylish and easy to use, the TT Smalls font can complete a collection of eye-catching decorative typefaces. Font TT Smalls contains 12 styles: 6 upright and 6 inclined. The character set of the font is 172 glyphs. It has basic Latin and Cyrillic and the main punctuation marks. The standard OpenType feature calt has been added to the font.

Allow me to introduce Hello Blushberry - Font Duo is a playful script containing many choices of alternative characters to choose from as well as ligatures that look natural to add to the authenticity of letters. A collection of strange and initial swash tips is also included to add finishing touches or fill the design space in your type design. Hello Blushberry a modern handwriting fonts, loaded with awesome opentype features, and full alternative upper and lower case character sets. make custom letters a dream thanks to all the extra decorative choices you can enter for beautiful and unique customizations - swash, endings, alternative letters and ligatures all make it the prettiest little thing since tutus and tiara. Designed to work harmoniously, this duo font consists of super fine and casual signature scripts and a complete and clean set of all sans serif letters. Sans Serif fonts consist of two outline fonts of different weights, and a regular version. Layer them with different colors and turbidity to get a million different views. This font is perfect for branding, logos, web and editorial design, branding, prints, invitations, crafts, quotes, and more. Includes Files: • Hello Blushberry Script • Hello Blushberry Script Capitals Need help? If you need help or advice, please contact me by e-mail at Greatstudio92@gmail.com.

Norsy, A Display Typefaces with Variable Weight and Width. Norsy is a modern elegant variable font. Basically this is a Sans with a small touch of serif on every letters. A Simplicity yet very legible with various width and weight that you can explore, combine, create and help you designing something. In a Total of 21 Style Font files or even more if you are using the Single Files Variable, you can slide the weight and width on the sweetest spot of Norsy.

Hey Guys! My new Font Kidplay is a funny and playful sans serif, perfect for child magazine cover, comic creations, branding projects, headlines, posters and packaging! Kidplay font has three styles allow unique and versatile design options! Furthermore it is a unicase font, so you can also play with uppercase and lowercase initials. But that's not all! it is equipped with multilingual accents, so it can be used in several Latin languages. I hope you enjoy my creation. Thank you!

The Bartender Collection its a 14 fonts created multiple that could work together seamlessly. Six different typefaces comes with clear and pressed styles. This collection help you hit the target with your design projects. You can create vintage looks graphics with pressed style and serif fonts, or you can use sans and be more modern. Perfectly for branding, prints, t-shirts or posters. Goes with some alternates (Aa, Bb, Hh). Create dozens of font combinations and get really unique typographic for your project.

Introducing the Thole font, a very elegant and clean san serif family, with a characteristic width and graceful impression, for designs with feminine or masculine themes, this font will look strong and strong in your design projects. There is a strong impression in this font, both from the width of the letters, the corners in this font are also equipped with ligatures and alternates to complement your needs. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, clothing, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text. start using our fonts for your amazing projects.

Volka is a modern sans serif font with clean and minimal lines with high contrast looks. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with script, sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Diversa is a typeface that takes a very different path from the most fonts, both in terms of appearance and usability. Diversa is a single typeface with 9 fonts within, containing 2760 glyphs*, divide in 9 stylistic sets, but the main difference is that all the glyphs are kerned with each other, which means you can swap glyphs between stylistic sets and keep them properly kerned - unbracketed serifs, bracketed serifs, engraved, stencil, sans, slab, baroque, stencil sans, stencil slab and a stylistic set that mixes them all in a rotative feature. Diversa: Because uniformity sucks! *requires applications which have Open Type access/features.

Tokyo Style is a Modern sans serif display font that special created for Modern needs with unique style. A New Display font that we created special for Unique branding needs, with weird style that ready to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more unique and urban. Tokyo Style Unique Sans Serif font ready with: All Uppercase characters Numbers and Punctuations Preview as a inspirations that you can do with Tokyo Style font Available for PC and Mac Wish you enjoy our font. :)

Heading is an Unique sans serif display font that special created for Modern needs with unique style. A New Display font that we created special for Unique branding needs, with weird style that ready to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more unique and urban. Heading Display Sans Serif font ready with: Lowercase and Uppercase characters Numbers and Punctuations Ready with Regular and Italic Style Preview as a inspirations that you can do with Heading font Available for PC and Mac Wish you enjoy our font. :)

Magnificent is A Modern Feminine Vintage Font Magnificent font is a feminine retro modern vintage font with a fancy, playful, unique, and versatile vintage sans serif that you can combine to get a beautiful typography. It is a Sans Serif font with moderate contrast that perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects, it makes with a high level of legibility. What's Included: Character set A-Z Uppercase & Lowercase Numerals & Punctuation Accented Characters (West Europe) Works on PC & Mac Wish you enjoy our font. :)

Introducing, Daymore Font duo! Daymore is a duo font that complements each other. By using Daymore, you can simply use one font family without thinking about other fonts to complete the design you need. In the process of making this font, I was careful in choosing what font concept would be able to complement a bold sans serif font so that it could be balanced so that it would produce a blend of firm and strong sans serif fonts, as well as handwritten fonts that flowed naturally. The Daymore font duo is perfect for use as wedding invitations, branding, logos, etc.

Upcoming is an Unique sans serif display font that special created for Modern needs with unique style. A New Display font that we created special for Unique branding needs, with weird style that ready to add value of your brand. It's so nice to leverage designer or product owner that need solutions to make their design look more unique and urban. Upcoming Unique Display Sans Serif font ready with: Lowercase and Uppercase characters Numbers and Punctuations Ready with Regular and Italic Style Preview as a inspirations that you can do with Upcoming font Available for PC and Mac Wish you enjoy our font. :)

Filosofi 3 Finger Sans Serif Font that we created special for Display, Logo and Branding A new Serif font that is nice to leverage designer or product owner that need solutions to make their design look more gorgeous and vintage. And specially for this font, We prepared any characters to help you create gorgeous for your creative needs specially for headline, and typography needs. Filosofi 3 Finger Sans Serif font ready with: Stylish Shape to get creative Preview as a inspirations that you can do with this font Ready with All Uppercase characters Wish you enjoy our font. :)

So many designers hate Comic Sans. They think people who don't know design are overusing this funny little friendly font, which is nearly every time out of place. Some years ago, type designer Hannes von Döhren created a free alternative to Comic Sans. The difference: It has serifs and a much cooler look. The big success of the HVD Comic Serif pushed Von Döhren to create a Pro Version with an eastern, central and Western European language support. “The HVD Comic Serif should spread all over and make the world a little bit better.” says Hannes.

Say hi to "The Jakarta" a stylish display sans typeface is the latest collection from @faldykudo "The Jakarta" basic technical and anatomy comes from the genetics of the "Magnify" family (Geometric classification of typefaces) with several stroke modifications and a combination smooth curves for a minimalist, elegant and modern sans serif. The Jakarta is perfect for the logo, product, headline or any of display design. The Jakarta has a complete characters A-Z, a-z (including stylistic Alternates), Numeral, Punctuations, and standard ligature. thanks, hope you would like and accept "The Jakarta" as part of your family. thank you in advance

Demiella is an elegant beauty sans serif. Simple letter shapes with playful swash & stylistic, keeping its legibility high. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. Featured: Standard Uppercase & Lowercase Numeral & Punctuation Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ Alternate & Ligature PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

Lupio comes as 102nd family in our catalogue. It is geometric sans serif family with humanistic elements. Lupio family contains variable and classic versions, so you can pick which one suits better for you and your project. Classic version is additionally fine tunned to get overall character look more equalised and uniform. When it comes to distinction – in sea of dozen other sans serif famlies, we made Lupio decently recognizable. You won't mistaken him with others. Lupio is designed as working horse family, to be used in all possible situations – from websites to packages, editorial design and applications.

A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial-style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

A nice, black display face - for a retro/western poster look. I have kept the quirky “t”, increased the dot above “i” and “j” slightly, improved the spacing/kerning and modified/added all the usual diacritics. A pretty easy reworking of a good quality font. Nick Curtis says: "An old favorite, Bernhard Antique Bold Condensed, cleaned up and fattened up. Warm, charming, personable … suitable for any occasion." ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

It shouldn't be a surprise to anyone that these letter shapes are familiar. They have the unmistakable color and weight of Cooper Black, Oswald Cooper's most famous typeface from 1921. What should be a surprise is that these letters are actually from George Auriol's Robur Noir (or Robur Black), published in France circa 1909 by the Peignot foundry as a bolder, solid counterpart to its popular Auriol typeface (1901). This face precedes Cooper Black by a dozen of years and a whole Great War. Cooper Black has always been a bit of a strange typographical apparition to anyone who tried to explain its original purpose, instant popularity in the 1920s, and major revival in the late 1960s. BB&S and Oswald Cooper PR aside, it is quite evident that the majority of Cooper Black's forms did not evolve from Cooper Old Style, as its originators claimed. And the claim that it collected various Art Nouveau elements is of course too ambiguous to be questioned. But when compared with Robur Noir, the "elements" in question can hardly be debated. The chronology of this "machine age" ad face in metal is amusing and stands as somewhat of a general index of post-Great War global industrial competition: - 1901: Peignot releases Auriol, based on the handwriting of George Auriol (the "quintessential Art Nouveau designer," according to Steven Heller and Louise Fili), and it becomes very popular. - 1909-1912: Peignot releases the Robur family of faces. The eight styles released are Robur Noir and its italic, a condensed version called Robur Noir Allongée (Elongated) and its italic, an outline version called Clair De Lune and its condensed/elongated, a lined/striped version called Robur Tigre, and its condensed/elongated counterpart. - 1914 to 1918: World War One uses up economies on both sides of the Atlantic, claims Georges Peignot with a bullet to the forehead, and non-war industry stalls for 4 years. - 1921: BB&S releases Cooper Black with a lot of hype to hungry publishing, manufacturing and advertising industries. - 1924: Robert Middleton releases Ludlow Black. - 1924: The Stevens Shanks foundry, the British successor to the Figgins legacy, releases its own exact copies of Robur Noir and Robur Noir Allongée, alongside a lined version called Royal Lining. - 1925: Oswald Cooper releases his Cooper Black Condensed, with similar math to Robur Noir Allongée (20% reduction in width and vectical stroke). - 1925: Monotype releases Frederick Goudy's Goudy Heavy, an "answer to Cooper Black". Type historians gravely note it as the "teacher steals from his student" scandal. Goudy Heavy Condensed follows a few years later. - 1928: Linotype releases Chauncey Griffith's Pabst Extra Bold. The condensed counterpart is released in 1931. When type production technologies changed and it was time to retool the old faces for the Typositor age, Cooper Black was a frontrunning candidate, while Robur Noir was all but erased from history. This was mostly due to its commercial revival by flourishing and media-driven music and advertising industries. By the late 1960s variations and spinoffs of Cooper Black were in every typesetting catalog. In the early- to mid-1970s, VGC, wanting to capitalize on the Art Nouveau onslaught, published an uncredited exact copy of Robur Black under the name Skylark. But that also went with the dust of history and PR when digital tech came around, and Cooper Black was once again a prime retooling candidate. The "old fellows stole all of our best ideas" indeed. So almost a hundred years after its initial fizz, Robur is here in digital form, to reclaim its rightful position as the inspiration for, and the best alternative to, Cooper Black. Given that its forms date back to the turn of the century, a time when foundry output had a closer relationship to calligraphic and humanist craft, its shapes are truer to brush strokes and much more idiosyncratic than Cooper Black in their totality's construct. Robur and Robur Italic come in all popular font formats. Language support includes Western, Central and Eastern European character sets, as well as Baltic, Esperanto, Maltese, Turkish, and Celtic/Welsh languages. A range of complementary f-ligatures and a few alternates letters are included within the fonts.

Montana is an elegantly playful handwritten font family with separate fonts for icons and illustrations included. This font is based on tight, condensed Grotesk typefaces, combining geometry and legibility with the originality of handwritten strokes. The result is a fresh font family perfect for headlines, typographic posters, t-shirts, food packaging and other print works. Its optimized legibility, simple structure and low contrast was made to perform excellently with e-books and mobile apps in mind.

Delator font is a display typeface, inverted contrast, and condensed. Inspired by the personal experience of the designer who, with resilience and daily struggle, managed to get ahead. Its name is linked to the song of an Argentine rock artist called "Corazón delator", this means that it is a typeface that does not go unnoticed, it attracts attention for its shapes and its way of being and above all, when it is present, it automatically "gives itself away".

Palio is a family of fonts derived from the classic Didone, its capitals are slightly condensed and the lower case definitively abandon the reminiscent of the baroque endings strokes, which are still endure in many typefaces. It is an elegant font especially the slant version that actually is a truly italic. This version very readable and is enriched with a series of alternative variables and swashes that make it more expressive for certain projects that need some flowering.

Charles Wright is a full typeface in the style used for British vehicle license plates. The standard Bold weight is based on the condensed bold ‘2001’ style with an uppercase which conforms to UK registration plate specifications for character heights of 79mm and widths of 50mm. The 9 font family also includes previously unavailable Medium and Regular weights, Obliques , and a newly designed lowercase. For platemakers, the wider '1935' and lighter 'Motorcycle' fonts are also included.

Original Foundry: TypeType Original typeface name: TT Cottons Pinatas Cottons is a friendly hand-drawn typeface with condensed proportions. Each separate style of Pinatas Cottons was drawn by using different instruments. For instance, the black style was painted with a real brush, and the thin one was created with a pen. We tried to keep this analog feeling of hand drawing while we digitalized each style of the typeface. Pinatas Cottons is your ideal design helper.

Fonzie redefining versatility. With four charming styles seamlessly blended together, it offers the perfect balance between tradition and innovation. Fonzie's basic style embodies timeless elegance with a Space-saving Condensed form with a modern twist. The SS01 explores futuristic aesthetics with a geometric style, or embraces the sophistication and form of the Extended with the SS02 features, and for the SS03 it is added for those of you who like the extreme extended style that is now a trend.

Isra, designed by Almamoun Ahmed in 2005, is a modern Kufi and a winner in Linotype’s first Arabic Typeface Design Competition. The highly geometric and condensed form make it ideal for magazine headlines, advertising, and general display usage, while the large body height and clear forms make it suitable for short text settings. The font includes a matching Latin design and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.

The Demos® Next typeface family is a complete renewal and expansion to Dutch type designer Gerard Unger’s classic from 1975. This enhanced typeface design introduces subtle changes to character shapes, proportions and spacing to improve legibility and readability in print and on screen. The new expanded family now has 6 weights of regular and condensed designs, each with a complementary italic for a total of 24 typefaces, and provides a welcome set of OpenType® typographic features.