Denmas Font is Engaved Bold Decorative Font that ornamental. This Font is Best as tittle of the novel, Poster, Theatre, Logo and also tatoo. This font is bold , strong , classic and luxurious in the same time.

Introducing Offaly, a funky geometric sans serif font. Offaly comes with a smooth and clean characteristics. Combine the upper and lowercase to get the harmonic letter combinations. Suits best for branding, headline, quote/poster design, etc.

Eterea LC (Lower Case) is based in Eterea using the same Capitals but changing the lower case set. You can use this version of Eterea to give a more readable and soft aspect to your work.

The sight refracted through glass is mysterious. The san serif font was designed to look like it is visible through glass. Try using beautiful fonts. I put a lot of effort into each and every letter.

An antique, hand-cut metal stencil for the Chicago-Burlington rail route stating “CB&Q RR – Private Property” inspired the sans serif stencil design Midwest Railway JNL, which is available in both regular and oblique versions.

DELUXES – Beautiful Classy Sans font with a stylish touch inspired by the famous minimalist logo and DELUXES has 8 font styles is perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Sagata Normal Font Duo, perfect for product packaging, branding project, magazine, social media, and much more. Explore the best your side. FEATURES Sans Serif & Script Ligatures Uppercase and Lowercase letters Numbering and Punctuations Also Multilingual Support

Christine is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Originally created by Craig Frazier, San Francisco designer and illustrator, for The Alphabet Critter Playbook, the clever creatures of Critter tell you their names by the letter they represent. A helpful hint: x" is for xenopus."

Mariana is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Aotani is a thin lettered and simple sans serif font. Masterfully designed to become a true favorite, this font has the potential to bring each of your creative ideas to the highest level! Email : rezamukhtazar6@gmail.com

Wardrum is an expanded sans with two styles. Use this font for your new project. Suitable for branding, poster, or your headline! This font contain uppercase only with numbers, symbols, punctuation and also multi-lingual support.

Slightly condensed with a taller lowercase, Gallivant carries itself very well. Similar to classic thick-and-thin san-serif faces with stems slightly facing inward. Note: OpenType variants may only be accessible via OpenType-aware applications.

Hello. Arizona Futur is a pixel font with little pixel guys. Easy to use to make cool artworks. The little guys have the same size than the alphabet. So you can mix the words with illustration.

Introducing Overwave - Display Sans the wave model with a unique arch. very suitable for the title, logo, typography, clothes, magazines, brochures, packaging and much more for your design needs, making your designs more modern and professional.

Alpha is an intuitive, clean and modern sans serif typeface crafted to depict change, the new normal, and unbridled opportunities. It has excellent legibility and is ideal for usage in displays, headlines, labels, and website design.

The hand lettered sans serif title on the sheet music for the 1930s song "I'm Alone Because I Love You" was the inspiration for Radio Singer JNL, which is available in both regular and oblique versions.

Campland from Magpie Paper Works is a rustic, hand-lettered, sans-serif font chock full of summer-camp fun. This Opentype font features decorative glyphs and interlocking borders, as well as a complete uppercase & lowercase alphabet.

Alveru is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Hi... Thank for your visit :) Salovad logotype is a sans serif with brush, featuring a simple style and unique feel. This font suitable for social media posts, advertisements, decoration, logos, movie title and more! Happy design..

A rough hand-drawn plain sans serif that would be good for non-formal use. Do not expect a polished set of fonts from a professional, this family is hand drawn, hand spaced and hand kerned.

A light sans serif designed for Susanna Lakner’s 22 Days mail art project. The characters were drawn on each of 22 evenings throughout November 2004. In December the drawings were scanned to create the Susanna font.

Pixettish is a fun-font, a slightly ornamental sans serif typeface with curls to the upper and lower case characters. The zip files contain both OTF and TTF versions of the font - install one version only.

Introducing Fransen Typeface - a bold sans serif font that is very fresh and unique style handmade. Fransen Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Brik is a constructivism inspired sans serif typeface. Great for signage, the bold characters are made to create impact Available in Regular, Rough, alt and Lined. Great for mixing and matching and layering with each other.

Reanimatic, a futuristic scifi font. This typeface is a modern display sans serif packed with a reimagination of a dark future technology. This font is perfect for a big size display or title and even logo.

Melatea is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Scratch me here and scratch me there - use my font to get some atmosphere. A quirky sans with scratchy lines, with contextual alternates in 4 different versions of each lowercase letter and multilingual support. Enjoy Scratchers.

Brough is a carefully crafted bold sans serif font. You can use it for a variety of design projects like posters, business cards, invitations, games, covers, social media posts, quote photos, branding, editorials, and much more.

Conmersa is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Aperture Display is a san-serif typeface which combines the “standard” forms of grotesks and the modern takes on the use of ink traps. It is a display typeface designed mainly for branding and printed matter.

Dolphinero is a modern and adaptable sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

A very expanded sans serif font in capital letters inspired by the inscription on a bank note Old bank notes tend to have a very typical typography. Usually they carry decorative and elaborately designed markings. For one thing, they must be practically impossible to forge and for another, they should make a respectable and legitimate impression. And in the days of copper and steel engravings, that meant nothing less than creating ornate, shaded or otherwise complicated scripts. Designing the appropriate script was literally in the hands of the engraver. That’s why I noticed this bank note from 1948. It is the first 20 mark bill in the then newly created currency ”Deutsche Mark.“ All other bank notes of the 1948 series show daintier forms of typography with an obvious tendency toward modern face. The 1949 series which followed shortly thereafter reveals the more complicated script as well. For whatever reason, only this 20 mark bill displays this extremely expanded sans serif variation of the otherwise Roman form applied. This peculiarity led me in the year 2010 to create a complete font from the single word ”Banknote.“ Back to those days in the 40’s, the initial edition of DM bank notes was carried out by a special US-American printer who was under pressure of completing on time and whose engravers not only engraved but also designed. So that’s why the bank notes resemble dollars and don’t even look like European currency. That also explains some of the uniquely designed characters when looked at in detail. Especially the almost serif type form on the letters C, G, S and Z, but also L and T owe their look to the ”American touch.“ The ingoFont Banknote 1948 comprises all characters of the Latin typeface according to ISO 8859 for all European languages including Turkish and Baltic languages. In order to maintain the character of the original, the ”creation“ of lower case letters was waived. This factor doesn’t contribute to legibility, but this kind of type is not intended for long texts anyway; rather, it unfolds its entire attraction when used as a display font, for example on posters. Banknote 1948 is also very suitable for distortion and other alien techniques, without too much harm being done to the characteristic forms. With Banknote 1948 ingoFonts discloses a font like scripts which were used in advertising of the 1940’s and 50’s and were popular around the world. But even today the use of this kind of font can be expedient, especially considering how Banknote 1948, for its time of origin, impresses with amazingly modern detail.

Alt-Gotisch Verzierte is a typeface of decorative initials that is Victorian in style and bears a close family resemblance to the many ornamental tuscans cut throughout the nineteenth century by British foundries. Instead of the bifurcated terminals of the archetypical tuscan (see Figgins Tuscan by HiH or Stereopticon by Dan X. Solo), these letters display what Nicolete Gray might call a “wedge and bite” design -- as if they started with the wedge serif of a latin form and someone came along and took a perfectly round bite out of the wedge. We need not dwell on the lack of teeth marks. The calligraphic curls and flourishes are often graceful, sometimes a bit contrived, but always complex. There is a busyness that marks the style of the period. If you ever see an old photograph of a well-appointed Victorian parlor, you will recognize that same quality of busyness. Overdone is a word that frequently comes to mind. Alt-Gotisch Verzierte means “adorned or decorated old gothic.” The typeface is attributed by Alexander Nesbitt to an unidentified German foundry of the nineteenth century (Decorative Alphabets and Initials, Dover, New York 1987, plate 92). The designer is unknown. Our font is supplied with a lower case that is similar to the upper case, but is 15% shorter and is simplified by the omission of the decorative vines. For the lower case, alternate letters A, E, & T; and ligatures LE, OT & LY have been supplied. In addition, a few small decorative vines were planted here and there for optional use. An accented upper case is not part of the original design and is not here supplied. This design is also seen under the name “Sentinel” -- as always, it is worthwhile to compare the completeness of the character set and the faithfulness of the rendering. We believe you will agree that we provide a balance of quality and value that is unmatched in the contemporary marketplace. Alt-Gotisch Einfach is a simplified version of Alt-Gotisch Verzierte. The vine-less lower case of the Verzierte font is the upper case in Einfach. For a lower case for Einfach, the letters were further simplified by stripping away the three-dimensional outline, down to the bare bones and bites, as it were. Einfach, in fact, means “simple” or “plain.” It is interesting to note that this bare bones & bite lower case bears (I have a special license to use two homonyms in the same sentence) a striking resemblance to the 15th & 16th century ornamental letters from Westminster Abbey shown in Plate 47 of Alexander Nesbitt’s Decorative Alphabets and Initials (Dover, New York 1987).

This is a large group of typefaces inspired by those borders and patterns you see going across documents from the Middle Ages and Medieval times, eventually becoming this collection of fonts where you can scroll various repeating patterns across a page, for example. You can get a repeating pattern that scrolls seamlessly by repeating the same letter. The default text displaying on the web-page is bbbbbbbb, for example. There's over 2 dozen basic styles, and each style has 52 designs within it, using the characters Upper Case A - Z and lower case a - z, with the lower case being the negative/reverse colour of the Upper Case version, it will be the corresponding design just reverse coloured and with an edging strip. There's also a space - but nothing else. The styles in these fonts usually have groups of six characters (A to F, G to L, M to R, S to X), and where the second group is a variation on the first - usually thicker lines - and the third grouping is another variation on that, usually thicker lines again, making the first 24 letters. (Sometimes there's three groups of eight characters). The pattern within a group normally starts off plain then gets busier as it progresses - such as there'd be a more complex pattern of circles and diamonds as you go through the letters. Then the letters Y & Z are somewhat different to the rest. There's four versions starting with Z, and they're a little bit different, and they're grouped in fives - getting bolder as you progress through the letters, but with similar patterns within each group of 5, and that makes the first 25 characters. The letter Z character is extra busy. Again, lower case is the reverse colour of the Upper Case. Mostly you can get patterns and borders that combine seamlessly by using letters within the same group of 6 or 8 (like maybe abdcedcb). There are a few occasions when that doesn't work out, because there may be circles or diamonds at the sides of the letters that don't match up with another letter that has a different pattern at the side. But you can create a pattern with the exact level of complexity you want perfectly easily. You can see examples of this in the poster images. Neighbouring letters without embellishments at the sides of the letters will usually fit together. Have fun with it, that's what it's there for. aah yes fonts

Core Gothic E is a simple and modern sans-serif Korean font consists of 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy & Black). Character set is consist of Korean 11,172 characters, Hirakana & Katakana, Latin and Korean symbols. It is well balenced between Korean and Latin characters. Latin typeface (Core Sans E) was adjusted to be matched with korean typeface. Spaces between individual letter forms are adjusted in detail so that it makes perfect typesetting. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean. We recommend to use for books, web, screen displays and so on.