Yseult is a ultra-romantic, elegant handwritten font, reminiscent of pre-Raphaelite beauties and classical paintings. It refers to the opera Tristan und Isolde (also spelt as Yseul, Isolda etc.) in three acts by Richard Wagner. The opera was based largely on the romance by Gottfried von Strassburg. Its design was influenced by Genevieve and, less directly, by Silver Dagger. Suggestions for use: - wedding stationery - greeting cards - valentines day media - beauty product media - lingerie tags - women's magazine pages - classical music media - theatre posters The font is fully professional: carefully letterspaced and kerned. It contains over 235 characters - (upper and lower case characters, punctuation, numerals, symbols and accented characters are present). (It has all the accented characters used in the major European languages).

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next to its agreeable and reader-friendly general impression, also on a relatively robust typeface character which does not sacrifice its power of impression and elegance even when confronted with poor paper and printing qualities. In the 1970s, a bullish and robust design style took over the area of consumer goods which then required a corresponding advertising face. Harald Brödel re-worked the Liberta Ultra for phototypesetting, and, with great sensitivity, designed a matching cursive variation. Both types work especially well as an attention getter for advertising and for emphasis purposes.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

Bouquet or in Turkish, Buket Font Collection includes 18 styles and textures which are different but compatible with each other. Decorative and script sans fonts include several useful ornaments. It can be created elegant and decorative typographic designs and additionally, eye-pleasing designs can be made even in miniscule texts.

Mix Catchphrase is a fun and playful handwritten font that tries its best to be a serious serif (although it fails at being serious, in case you were wondering). With its clean handwriting style and serif details, this font is perfect for adding a quirky, DIY feel to your projects. Use Mix Catchphrase to give your designs a creepy edge, perfect for Halloween or any other ghoulish occasion. With the right styling and color palette, this rough and rugged font is sure to bring personality and character to all of your projects. Add some fun to your designs with Mix Catchphrase. MIX CATCHPHRASE includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>‹›:;'”,.|/?{}<>“”‘’-–—_ …©®™<>«»°¹²³ªº¡¿₱¢€£¥¶§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõøōőœŕřśŝšșťțúùûüůűūųẃẁŵýŷÿźẑžżþß

When master letterer Hugh Gordon and his student, Ross F. George developed a set of lettering pens between June 16, 1913 and Sept. 1, 1914, they had no idea that their invention (which they named Speed-Ball®) would still be in use nearly a hundred years later. The C. Howard Hunt pen company [originally of Camden, New Jersey] became the original (and sole) distributor of these pens. By 1915 an instructional booklet entitled "Modern Pen Lettering" was produced, and it was copiously illustrated with examples of layouts, lettering techniques and an assortment of alphabets for the user to learn. Nouveau Poster JNL is Jeff Levine's interpretation of a sanserif design found within the pages of this vintage publication.

The Linotype® Gujarati typeface was originally developed in 1983 by the Linotype letter-drawing studio under Fiona Ross’s art direction. This revival was designed by Gunnar Vilhjálmsson and Kalapi Gajjar with Fiona Ross as a consultant. The family has five weights from Light to Black. It is a traditional design, optimized for setting lengthy text copy for print projects or for use on screens. While faithful to the original design, Linotype Gujarati introduces many design improvements, additional weights, and an extended character set. This new Linotype Gujarati is part of a project to refresh the pivotal Linotype Bengali and Linotype Devanagari typefaces and make them available for the first time in the popular OpenType font format.

Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it is not shy, reserved or demure. The design blends the stroke weight stress of Bodoni with the urgency of handwritten letterforms, conveying the energy and immediacy of a design that’s bigger than life – and outside the fence. OpenType® Pro fonts of Wola provide for the automatic insertion of ligatures and alternate characters. These are in addition to a character set supporting most Central European and many Eastern European languages, including Cyrillic and Greek. All this makes Wola a comfortable – if boisterous – world traveler.

Get the handwritten, labeled look you love with MIX LABEL – the perfect font for creating clean, thick designs. Inspired by the look of school supplies labeled with a Sharpie marker, this font is ideal for replicating the handwritten style of labels and addresses on mailers. Whether you’re looking to add a personal touch to your branding or simply want a unique font, MIX LABEL has got you covered. Don’t settle for boring, generic fonts – label your designs with MIX LABEL and stand out from the crowd. Includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@$#%^&*()`~♥❤✿•· ÷×+−±≈=≠≥≤[]‹›:;'",.|/?{}“”‘’-–—_ …©®™«»°¹²³ªº¡¿x₱¢€£¥§№† ÁÀÂÄÃÅĂĀĄÆĆĈČÇÐĐÉÈÊËĖĒĘĜĤIÍÌÎÏĪĮĴŁŃÑŇ ÓÒÔÖÕØŌŐŒŔŘŚŜŠȘŤȚÚÙÛÜŮŰŪŲẂẀŴÝŶŸŹẐŽŻÞ áàâäãåăāąæćĉčçðđéèêëėēęĝĥıíìîïīįĵłńñň óòôöõøōőœŕřśŝšșťțúùûüůűūųẃẁŵýŷÿźẑžżþß Discretionary Ligatures: bb dd ee gg kk ll mm nn oo pp tt

Patriotica JNL was inspired by some hand lettering designed by the late Alf Becker for Signs of the Times® magazine. The alphabet was modified and the character set extended in this digital version. Special thanks to Tod Swormstedt of ST Publications, Inc. and the American Sign Museum in Cincinnati for providing a copy of the original lettering for use as a work model. Patriotica JNL is available as a complete font or in a set of two layers (stars layer and stripes layer) for creating two-color graphics. As always, keep in mind that there are some slight variations between drawing programs, so some adjustments may need to be made in the alignment of the layers.

ITC New Baskerville is one of many contemporary type families based on the work of John Baskerville (1706-1775), a writing master and printer from Birmingham, England, whose types were cut by the punchcutter John Handy. Baskerville produced a masterpiece folio Bible for Cambridge University, and today, his types are considered to be fine representations of eighteenth-century rationalism and neoclassicism. ITC New Baskerville is a late 20th-century interpretation of Baskerville’s style, designed by John Quaranda. It makes an excellent and very readable text face; its sharp, high-contrast forms make it suitable for elegant advertising settings as well. ITC New Baskerville® font field guide including best practices, font pairings and alternatives.

Trasandina is a very unique font-family: a modern, versatile, workhorse typeface with a special personality, given by the mix of humanist and geometric models, remaining far from both extremes. This typeface has 9 styles plus their matching italics, it has an incredible wide range of weights, from very thin to an ultra thick stem. This was made following the Luc(as) de Groot’s Interpolation Theory. Trasandina’s versatility also resides in the +800 characters that each weight includes, having several open type features and language support for more than 200 languages. This font has been specially designed for web (using hinting instructions), making it work in small and large sizes on different types of screen resolutions. Trasandina’s most interesting feature is its flexibility: On one hand, is easy to read thanks to its humanistic letterforms which allow this typeface to be legible in small sizes while remaining neutral (specially around its middle weights). And, at the same time, it’s perfect for logos and posters that need a lot more personality, this is mainly due to its more geometric nature in light and bold weights. Thank you for your support! It’s people like you that allow our team to keep enjoying creating new fonts. That’s why we’d like to hear from you! Send us your work using our fonts: info@tipotype.com, and you'll have a special 50% OFF on Tipotype at Myfonts

Sada is a text font designed with hand held devices and ebooks in mind. Glyphs are designed to be larger than usual and very clear with soft visual characteristics and many traditional Arabic calligraphic transitional features incorporated to improve legibility. The word “sada” means “echo” in Arabic. Even though Sada is a cursive style font it offers clearly distinguished and visually unified letter shapes in every position of a word. Sada supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It comes with three weights, regular, bold, and ultra-light. Each weight has normal and left-slanted “italic” styles. The script design of this font family follows the Arabetics Mutamathil Taqlidi style and utilizes varying x-heights. The Mutamathil Taqlidi type style uses one glyph per every basic Arabic Unicode character or letter, as defined by the Unicode Standards, and one additional final form glyph, for each freely-connecting letter in an Arabic text. Sada includes the required Lam-Alif ligatures in addition to all vowel diacritic ligatures. Sada’s soft-vowel diacritic marks (harakat) are only selectively positioned with most of them appearing on similar lower or upper positions to emphasize they are not part of letters. Kashida is zero width glyph.

Frankfurt - a clean, display sans serif with great versatility. With multiple weights, this typeface can be used to create a wide range of designs looking to achieve a fun, modern, and youthful look.

Negative sans-serif capitals in squares with rounded corners, looking like tiles, pushbuttons or computer keys. The font can be used for logos, signs and labels, and for markings on maps and charts.

BRONKEY Typeface is a sans serif font that has a bold, sporty feel to it. It comes in several styles, including regular, italic, outline, square, and rough, providing a versatile range of options for designers. The font has a high body, making it stand out when used in large sizes, such as for headlines or titles. It contains 700 glyphs, including ligatures and alternates, allowing for greater flexibility and creativity in designing. Additionally, it supports PUA codes and is multilingual, making it accessible to a broad range of users. Overall, BRONKEY Typeface is an excellent choice for those looking for a modern, bold font with a range of styles and features. Its sporty feel and high body make it a great choice for projects related to sports, fitness, or any project that requires a dynamic, attention-grabbing font. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Potter Alaska is Nice Bold Script Font - A stylish and quirky new bold script. Potter Alaska font was created to look as close to a readable bold script as possible by including a couple ligatures.

Dynasty is an extensive and versatile family that exploration and modernisation of the typographic quirks associated with the 'American Gothic' type school (in much the same way as English Grotesque was an exploration of Gill/Johnston idea-space) and adds chamfered elements to dots and tails to emphasise and extend the early machine-made aesthetic. Elegantly clean and readable at headline and small text settings, where (as with all fonts in small sizes) the introduction of tracking will improve legibility.

Seriguela is an ultra condensed sans serif typeface with a unique personality. It comes in normal and display versions, each with 9 weights, as well as italics and reverse italics totaling 54 fonts. Seriguela is flavor in motion and each part of its system works together to captivate you, combining emotion and usability, allowing you to create attractive and unique designs. Seriguela followed a very distinctive recipe to design its alphabet: it started with a grotesque base and applied movement and joy in a very original way. The blacker and more contrasted, the tastier. The contrast in its display version is one of the most important features of Seriguela: the unconventional relationship between thick and thin lines, as it does not strictly follow any historical model of contrast construction and makes it noticeable. Its high contrast is not present in every single character and it is often in the “wrong” places. The original charm of Seriguela is maintained throughout all its styles. With peculiar details: the verticality and its proportions, as well as terminals that resemble hooks in some curves, a characteristic that breaks with the vertical modular rhythm. Seriguela is a versatile font system, designed primarily for display uses with a need of visual impact.

Lokales is a fat handwritten display font. With bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Lokales font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Lokales font. Cheers, Maulana Creative

Blippys is a cartoonish handwritten display font. With extra bold rough stroke, fun character with a bit of ligatures. To give you an extra creative work. Blippys font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Blippys font. Cheers, Maulana Creative

Smithmagis is a handwritten brush display font. With bold brush stroke, upright and fun character with a bit of ligatures. To give you an extra creative work. Smithmagis font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Smithmagis font. Cheers, MaulanaCreative

Cremotic Sans is stylish with extreme cuts, sharp angles, and interactive straps. Affected characters are spread across three capital-only subfamilies, with distinct styles, and distinct personalities. The bold separation of characters and the considered standard of ligature create a type that is solid, modern, and attractive. Cremotic is a modern fashion serif font, each letter has been carefully crafted to make your text look unique. Don't hesitate to send me a message if you have any questions!

Jekatep is a sans-serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing. Jekatep font has three weights; light, regular, and bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. Currently Available for Mac and PC, in Open Type, PostScript or TrueType.