Signque is a contemporary sans serif typeface based on geometric shapes. The persistent tension between precise lines and accurate curves as well as the ongoing contrast between open and closed contours constitute the main characteristics of this fresh and modern font family. While unconventional letterforms make up signque’s distinctive appearance, extended widths, tall x-heights and clear shapes provide good legibility and nice readability. With its unique look and feel, signque will perform outstanding for headlines as well as for almost any other type of analogue and digital application. The signque font family comes in nine weights and includes unique letterforms as well as extensive ligatures, fractions, and figures.

Add a stylish touch to your design with the new duo Sunny Citrus font. Consisting of textured sans-serif capital letters and bold offers you many possibilities in your professional design projects. Perfect for creating beautiful typographic designs - perfect for branding, posters, book covers, social media, merchandise and more. This font is filled with a whole bunch of amazing additions - bold strokes and rough pieces. Font Features • character set A-Z, a-z; • 1 languages (English); • numbers and punctuation marks, symbols It is recommended to use it in Adobe Illustrator or Adobe Photoshop Made with love ♡ Thank you for stopping by, and I wish you a creative day!

Sans serif signage typeface.

Plain Sans Serif Face.

Black Slab Sans Serif

Medium weight, sans serif.

Standard sans serif face.

A grunge sans-serif.

Gumela is a unique-sans family, based on rounded sans serif whose edges end with unique shapes. Gumela consist of 6 styles: Light, Light Italic, Regular, Italic, Bold and Bold Italic.

A decorative Sans Serif, mechanically drawn and intended for display use at 24 point and above. Complements a wide range of text typefaces. Redeye Sans requires subjective display kerning and compensation.

Your designs are your self expressions and should represent your personal styles. Without the right font, it will be hard to be prominent and to impress your audience. Lost Buster is here to assist you. Lost Buster is a capitalized handwritten font in brush details to produce a manual brush-looking display adding creativity values to designs with this font. It also gives more personal, natural impressions to make people feel close to the brand or design displayed. The advantages of a brush-detailed handwritten font are first, the unique display to get the brand or the design easily remembered and noticed, and second, legible, applicable for various media. You can also apply this font for various text sizes for its legibility reason and enjoy the available features here. Features: Alternates Multilingual Supports PUA Encoded Numerals and Punctuations Lost Buster fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, invitations, name cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sebastian Bobby is an authentic & organic hand-drawn script font, crafted using a real fountain pen. This font has been carefully designed to re-create natural handwritten text, and includes 78 custom ligatures to achieve those free flowing pen strokes. Sebastian Bobby lends itself perfectly to handwritten quotes, signature-style logos, stylish branding projects, and hand-crafted product & stationery designs. This product includes 4 fonts; Sebastian Bobby • A handwritten script font containing upper & lowercase characters, numerals, and a large range of punctuation. Sebastian Bobby Alt • This is a second version of Sebastian Bobby, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Regular & Alt Slanted Versions • These can be used for a more italicised, fast-hand flow to your text. FAQs; Accessing Ligatures • Ligatures are supported by most desktop graphics & text software (not just the fancy ones!), including Photoshop, Illustrator, InDesign, Word, Pages & Keynote. Many programs will automatically have this feature switched on for you. Language Support • Sebastian Bobby supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Rusty Forest is a typeface that takes you back to the days of golden design, when travel and adventure were celebrated in striking posters. This font's rustic appearance, created by its brush-style strokes, evokes images of a cabin in the woods, surrounded by the beauty of nature. It's as if you can smell the campfire smoke and hear the rustling of leaves in the wind. This font is perfect for designers looking to add a touch of vintage charm to their projects, whether it be a poster for a national park or a logo for a wilderness-themed brand. Its 1950s-inspired style will transport viewers back in time to a simpler era, where the call of the wild was all one needed to feel free. The Rusty Forest family includes Bold, Italic, Bold Italic, and Regular, offer a range of options to suit different design needs. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Kadupul Flowers is an incredibly unique handwritten,The shape is modern and style is very natural.modern calligraphy font. Masterfully designed to become a true favorite, the name of this font is also inspired by the name of a flower that is popular in the world this font has the potential to bring each of your creative ideas to the highest level! Kadupul Flowers features a varied baseline, gorgeous glyphs, and stunning alternatives. Hand-drawn design elements allow you to create many beautiful typographic designs in an instant like branding, web design and editorial, prints, crafts, quotes, It's great for logotypes, wedding invitations, romantic cards, labels, packaging, spelling of names and others. Kadupul Flowers includes OpenType stylistic alternates, ligatures and International support for most Western Languages. To enable the OpenType Stylistic alternates, you need a program that supports as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Kadupul Flowers is coded with PUA Unicode, which allows full access to all the extra characters without having special designing software. Mac users can use Font Book , and Windows users can use Character Map to view and copy any of the extra characters to paste into your favorite text editor/app. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

NarrowWay is a family of 18 condensed and ultra-condensed sans-serif typefaces. The family started with the ultra-condensed widths, then the condensed and regular widths (the regular is still quite condensed) were added. All widths have three weights and each weight has an italics style. These 18 styles lack a true lowercase but rather have a set of alternative characters, some based on lower-case forms, on the lower-case keys. Some alternative letters can be reached with the OpenType feature of stylistic sets. The character spacing in most of the styles is quite loose and it can be tightened with an application's character spacing if needed. These typefaces are display faces that can be useful for squeezing tall lettering into tight spaces. They are not readable at small point sizes.

Block Marys is a blocky display sans font. Block Marys is well-suited for advertising, branding, logotypes, packaging, titles, headlines and editorial design. This font comes in 4 styles, Regular, Oblique, Outline, and Outline Oblique Version. This font is encoded with Unicode PUA, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. We highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We hope you enjoy the font. Thanks for purchasing and have fun!

Earlier this year, my eyes fell upon a discarded wedding invitation on the sidewalk. A closer look at it revealed that it had at one point been victimized by rain. Some of the fancy script letters were not quite broken, but sort of melted and run-down, while the rest were still somewhat intact. That's how Scroll was conceived, as an idea for a script where thicks and thins blend to produce a wet appearance. Unlike most available broken scripts, the Scroll script was originally drawn in its own juiced context, and not based on any existing script. This font is great for atmospheric antiquity, deep natural poetry, still life captioning, gothic music posters and collateral, or horror literature and poetry covers.

This typeface was designed as the house style by and for design studio Mysterian. It was drafted and completed during most of 2020. The intention of the design of the forms was to develop a unique signification in the mind, but one that could have potential relevant associations such as with sci-fi. The solution, brought along with a fascination with this rarely seen pattern in type, was to taper round forms. The name 'Multipolar' was inspired by the term used by game theorist Daniel Schmachtenberger, which is a kind of event that seemed relevant to the Covid-period in which the font was made. Alternate characters include: Two Ampersands Upper and Lowercase PI Upper and Lowercase Eszett Latin Characters

Originally released in 1995 as a three font family, Paradigm forcefully addressed the emaciating effect that digitization was then exerting upon traditional serifed typography. Investigating the new media of a much previous era, Nick Shinn deconstructed the first roman type, designed by Sweynheym and Pannartz in 1467, and gleaned, from its minuscules, the low contrast and discreet serif treatment (portrayed by a novel convex effect), which he subsequently applied to both capitals and lower case of a classically proportioned Venetian invention. In 2008 the glyphs, metrics and hinting of the 1995 fonts were refined, Extra Bold and Light weights added, a full range of OpenType features instituted, and the number of characters per style increased almost threefold. A major upgrade to a unique typeface.

Floriste is an elegant, stylized and expressive script font inspired by those beautiful calligraphies of yesteryear, but with a modern point of view. Its informal and friendly appearance refers to traditional flowing writing. Floriste includes many stylistic variations, swashes, stylistics sets, ligatures, contextual and stylistic alternates to create more authentic and varied connections between letters and to assure almost infinite combination possibilities. In addition, the font includes a set of very useful ornaments to combine and give an ornamental aspect to the calligraphic text. It has Central European language support to suit your design. Floriste works perfectly on greeting cards, invitations, weddings, posters, magazines, fashion world, brands, logos, packaging, etc. Floriste is friendly, cool and fun to use in your works. Enjoy it!

Darka is a splendid, mysterious dark lady reincarnated in digital vectors as an original blackletter font. Her gothic, medieval, nocturnal attributes take the form of sharp terminals, seductive curves, calligraphic flair and complex character. Darka blends the balance of Textura, the flow of Fraktur and the elegant lowercase-to-uppercase ratio of Bâtarde into a stylish, inventive typeface with a Mexican soul. Starting as a personal, calligraphic hand, Darka slowly evolved into digital type, developing alternate glyphs, flourishes and special signs to preserve its hand-written origins and delicate tension, making it an excellent display typeface and, surprisingly, even a distinctive, crisp font for short texts. Darka received an Award of Excellence at the Type Directors Club of New York annual competition.

An innovative combination between Persian Nastaliq calligraphy and Bannai script. Beshkasteh is designed so that the letters are attached to each other while going up the baseline. In result it creates an experience of typing a Kufic Bannai script like it is a Nastaliq or Tahriri calligraphic font. This inventive approach to Persian And Arabic calligraphy scripts is what a creative designer wants for his artistic projects. Shahab Siavash, the designer has done more than 30 fonts and got featured on Behance, Microsoft, McGill University research website, Hackernoon, Fontself, FontsInUse,... Astaneh text and headline font which is one of his latest designs, already got professional typographers, lay-out and book designers' attention as well as some of the most recognizable publications in Arabic/Persian communities.

Them Bones is a hand-drawn, spooky, ghost pirate, cartoon font for Halloween. Them Bones is a hand-drawn and spooky font made from the remains of ancient skeletons and ghostly pirate ships. It has a fun, light-hearted design inspired by campfire tales, Saturday morning cartoons, kids adventure movies and vintage comic books. This unique all-caps font comes in two flavours - a novelty design that’s drawn to appear like old bones, and a clean, versatile alternative that works great on it’s own or as contrasting characters. Each of these come with a hand-drawn outlined version with their imperfections intact for an authentic inky look. It’s a great choice for light-hearted Halloween designs or adventure stories with a fun, gruesome edge!

Airbolt is sporty, futuristic, and sharp font. It will make your design looks sporty and also futuristic design. Airbolt is a great fit for retro, futuristic, automotive, and gaming themed designs. Just look how it performs on the preview that I have provided, you will see its capabilities. But it will also work well with other themes. I can’t wait to see what you guys will come up with with using this font!

Invertigo is an experimental font mainly for designers who love to play with type as you will see in my examples. There are many alternate letters for you to work with, and I will be creating new characters which I will add to Invertigo from time to time. If you purchase Invertigo, you will receive updates at no additional charge. It also makes an interesting looking setting somewhere between contemporary and futuristic.

Kate Slab Pro Ultra Expanded is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro Ultra Expanded is its biggest asset in world of uniformity. Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro Ultra Expanded such an amazing and versatile font family that stands out. Kate Slab Pro Ultra Expanded doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer’s needs, Kate Slab Pro Ultra Expanded comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro Ultra Expanded manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro Ultra Expanded.

Kate Slab Pro Expanded is a sophisticated and robust modern Slab Serif Typeface that works in a variety of design scenarios. It is designed to work in big attention grabbing headlines as well as in smaller text and even body text. The recognition value of Kate Slab Pro Expanded is its biggest asset in world of uniformity. Ranging from “100 Thin” all the way to “900 Black” makes Kate Slab Pro Expanded such an amazing and versatile font family that stands out. Kate Slab Pro Expanded doesn’t only work great in lifestyle and fashion related contexts but will also look amazing for restaurants, coffee shops or and other use cases that ask for character and identity. To fill all the gaps of a designer’s needs, Kate Slab Pro Expanded comes with an italic style with every weight. Those italics are equipped with unique and real italic characters and will make you love it. Being a Slab Serif Kate Slab Pro Expanded manages to remind you of a classic Font Family with a modern and timeless approach that will make you happy for decades. Monday Type can’t wait to see the beautiful designs you are going to create with our Kate Slab Pro Expanded.

Crafter Pieces - Multi-Style Font is a truly unique font that offers multiple styles within a single typeface. With a total of 8 different styles accessible through alternate characters, this font provides versatility and creative options for various design applications. From super bold and stencil to thin, slab, serif, sans-serif, sport, and postage stamp styles, Crafter Pieces is a font that can be applied to any design and suit any theme or style. Each style can stand on its own or be combined with others, making it a perfect choice for branding, logos, posters, quotes, books, magazines, headlines, and more. The versatility of Crafter Pieces is truly exceptional, as it allows you to experiment with different styles within a single font. The availability of 8 distinct styles in one typeface opens up a world of possibilities for your creative projects. Whether you need a super bold look for a striking poster, a stencil style for an edgy branding design, or a thin font for an elegant quote, Crafter Pieces has it all. With Crafter Pieces - Multi-Style Font, your design possibilities are endless. Whether you're working on a modern or vintage theme, an edgy or elegant concept, this font will be your go-to choice, offering a wide range of styles to suit every project and creative vision.

Rodeo Clown is a revival of an old classic font that you may have known under the name of Carnival. The Rodeo Clown family includes Fill fonts that you may layer behind the letters to add color or set to white so any background image doesn't show through the letters. The half fill should be layered on top to change the color of the top inlay design. The fill font for Rodeo Clown may also work as a stand alone black weight. In our sales images you'll see a sample of the fill font being used, we've intentionally offset the fill font to give it a misaligned printed look which was common to see with fill fonts in the 1800's

The first Clarendon was introduced in 1845 by R. Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual.

The first Clarendon was introduced in 1845 by R. Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual.

The first Clarendon was introduced in 1845 by R. Besley & Co, The Fan Street Foundry, as a general purpose bold for use in conjunction with other faces in works such as dictionaries. In some respects, Clarendon can be regarded as a refined version of the Egyptian style and as such can be used for text settings, although headline and display work is more usual.

The design of the Newspoint typeface is based on the tradition of the American sans serif faces of the last century. This form expression was greatly influenced by the News Gothic type which was created by Morris Fuller Benton in 1908, and has, once again, become very popular. When the development of sans serif types such as Futura and Kabel by Renner and Koch began in 1925, the design of American sans serif types receded somewhat into the background. In the 1950’s, however, they experienced a renaissance which continues to this day. Thanks to its clean design and the relatively large x-height, the Newspoint is well suited for informative texts in newspapers, magazines, and brochures. In packaging design, as well, the Newspoint can display its strength in small print. Newspoint was developed as a customer-specific variation of the News Gothic. In contrast to the News Gothic, however, the face appears to be softer and more appealing thanks to the changed interpunctions. If so desired, the alternative characters give the typeface expanded individuality and a richness of design options.

Luminaire is an intriguing and modern sans serif font. With its clean and minimalist characteristics, Luminaire exudes a professional and contemporary impression when used in designs. One of the captivating features of Luminaire is its alternate style, specifically the display style. This unique feature allows users to combine two different styles within a single word, creating a distinct and eye-catching visual appearance. In display mode, Luminaire offers experimental and striking variations of letterforms. Certain characters exhibit alternative shapes with artistic touches, such as curved lines or changes in the basic structure of the letters. This grants greater design flexibility and makes words written in Luminaire font stand out. Luminaire also maintains the essential aspects of clarity and legibility expected from a sans serif font. When used in longer texts or paragraphs, this font remains easy to read and provides a professional and well-organized appearance.Overall, Luminaire is an appealing sans serif font with a modern style and a unique alternate style feature. It can add artistic touches and uniqueness to your designs while preserving the important aspects of clarity and legibility.