When I started working on this font, I had the radio on. Ed Sheeran was singing his song ‘Castle On The Hill’ and when I looked at this new font of mine, I couldn’t help but notice it had a bit of a medieval look. So I named it Castle On The Hill. COTH is a very lively, messy handpainted serif. It was made with a Japanese brush pen. I actually had a different look in mind, but this is what came out of the pen and I quite liked its looks. It is especially useful for children’s book covers, apps and posters, but be my guest and use it as you like. All it needs is a designers’ touch, a nice tune and a sunset.

German type designers Erik Spiekermann and Ole Schäfer created this sans FontFont between 1996 and 2000. The family has 10 weights, ranging from Regular to Bold (including italics) and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Info Text provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 1998, FF Info Text received the The Big Crit award. This FontFont is a member of the FF Info super family, which also includes FF Info Correspondence and FF Info Display.

Linotte is a rounded sans in 7 styles designed by Joël Carrouché. Small irregularities give the typeface a warm and naive look, while the simple geometric construction provides good legibility in long texts and small sizes. Linotte is an ideal choice for food or kids related products, or anything that needs to convey a human and friendly feeling. Originally released in 2014, Linotte was updated in 2021 with Greek and Cyrillic support, two new styles, and other small additions. Linotte Semibold is 100% free for personal and commercial use. The fonts, provided in OpenType format, include diacritics for most European languages, a set of arrows & icons, and a variety of advanced features like stylistic alternates, case-sensitive forms, sub and superscript, automatic fractions, etc.

Sinkin Sans Narrow is a simple, pleasantly proportioned and easy to read sans-serif, available in all 9 standard web weights, 100 to 900, plus italics, so the face is a comprehensive illustration of the CSS web font numerical scale. Sinkin Sans fonts are designed with tiny, inconspicuous notches that sink into verticals at the intersections of strokes, adding highlights to congested corners. The incisions make right angles appear sharper and improve definition in more intricate characters. Sinkin Sans Narrow inherits the enviable clarity and readability of the luxuriously wide original family. The Narrow typeface, however, is designed to economise on space within busy web pages and has been sensitively condensed for maximum legibility. Each weight of Sinkin Sans Narrow is supplied with a free Italic.

American type designer Michael Abbink created this sans FontFont in 2001. The family has 9 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, logo, branding and creative industries, small text, wayfinding and signage as well as web and screen design. FF Kievit provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super—and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. FF Kievit received several awards: the Bukva:raz award in 2001 and the ISTD award in 2001.

Luke is a contemporary adaptation of historic English Blackletter, inspired by the creativity of leading English type-creator: Caslon Foundry. Their highly unique 19th century Blackletter typeface provided the core elements of Luke, with the name paying tribute to the Caslon family tomb in the churchyard of St Luke Old Street in London. This modern and versatile type family offers a wide range of styles — from thin to thick contours, and with half-filling to complete — allowing it to work best for headlines, short text and branding. Details include twelve styles and 641 glyphs. Opentype features include superscript, denominators, numerators, scientific inferiors, ordinals, stylistic alternatives, case-sensitive forms, fractions, contextual alternates and discretionary ligatures. Luke supports 37 languages, covering South, East and Western Europe.

German type designer Ole Schäfer created this sans FontFont in 2000. The family has 30 weights, ranging from Regular to Black in Condensed, Normal, and Extended (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Fago provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Fago super family, which also includes FF Fago Correspondence Sans, FF Fago Correspondence Serif, and FF Fago Monospaced.

German type designer Verena Gerlach created this display and sans FontFont between 1999 and 2011. The family has 10 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Karbid provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Karbid super family, which also includes FF Karbid Display, FF Karbid Slab, and FF Karbid Text.

Slovenian type designer Mitja Miklavcic created this serif FontFont between 2008 and 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, small text as well as web and screen design. FF Tisa provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. In 2007, FF Tisa received the TDC2 award. This FontFont is a member of the FF Tisa super family, which also includes FF Tisa Sans.

Introducing "Summerlane," a captivating bubble retro display font that transports you to the carefree vibes of summer. This font is a playful blend of nostalgia and modernity, reminiscent of vintage signage with a contemporary twist. Each character in Summerlane is carefully crafted to evoke the essence of retro summers, where the air is filled with joy and the sunsets are endless. The bubbly, rounded design adds a touch of friendliness to your creative projects, making it perfect for posters, logos, and any design that craves a bit of retro flair. With its versatility, Summerlane offers a delightful journey into the past while staying relevant for your present-day designs. Elevate your projects with the whimsical charm of SummerLane and let the good vibes flow.

Rufo — condensed geometric sans serif with the closed forms. Contains 12 fonts. 6 regular and 6 italic. From thin to black. A rich palette gives full freedom for creativity and bright decisions. Extensive area of use. The versatility of the sans serif typeface covers various aspects of graphic design. Web, printed materials, clothing, logos, posters, labels and much more. Rufo is pragmatic typeface. Can save space and will accommodate a large amount of information in a limited space. The font was designed so that condensed letters remains readable even in small sizes. Opentype: alternate numbers, oldstyle numbers, arrows, fractions and automatic fractions, case sensitive forms, superscript and subscript, numerators and denominators. Support: cyrillic, cyrillic extended, latin, latin extended (Western European, Central European, South-East).

BIG is an elegant condensed display font created for strong and impactful headlines. It comes from a series of hand printed specimens taken from wood type found in Andrew Howard’s Studio in Porto (Portugal). A wooden type that reassembles the industrial victorian style which has now been expanded to 20 cuts, ranging from ExtraLight to Bold, with Italics and a stencil version, covering all your needs for a striking visual effect just with plain type with distinctive features and personality, standing out from the crowded world of display sans serif. The font was engineered with essential OpenType features, that allows the user to compose the headlines in two different heights, with case-sensitive punctuation, symbols and special ligatures such as “the”, “of” and “le”.

Gradus is a multi-purpose typeface designed to properly mix elegance and rhythm. The balance between modern and sophisticated touches and styles can achieve the effect of harmonizing well with any device and channel. The hardness of the rigid stem of the grotesque typeface is transformed into a soft touch that organically matches words and sentences. Langages. Basic Latin. Western European, Central European, South Eastern European, South American, Oceanian, Basic Cyrillic, Ukrainian OpenTypeFeatures. Standard Ligatures : fi, ff, ffi. Discretionary Ligatures : ai, ia, il, ill, illi, ma, md, mi, mu, na, nd, ni, nu. Fractions, ss01, ss02, and more.

Recta was one of Aldo Novarese’s earliest contributions to the massive surge of the European sans serif genre that was booming in the middle of the 20th century. Initially published just one year after Neue Haas Grotesk came out of Switzerland and Univers out of France, and at a time when Akzidenz Grotesk and DIN were riding high in Germany and Gill Sans was making waves in Great Britain, it was intended to compete with all of those foundry faces, and later came to be known as the “Italian Helvetica”. It maintains traditional simplicity as its high point of functionality, while showing minimal infusion of humanistic traits. It shows that the construct of the grotesk does not have to be rigid, and can indeed have a touch of Italian flair. While the original Recta family lacked a proper suite of weights and widths, this digital version comes in five weights, corresponding italics, four condensed fonts, and small caps in four weights. It also includes a wide-ranging character set for extended Latin language support.

Herschel ventures into the elaborate world of late 19th-century typography to bring its winsome charm and compelling aesthetics into modernity. Staying true to the spirit of its historical era of inspiration, Herschel was designed with extreme attention to detail. Although its aesthetic roots are firmly planted in the treasury of Gilded Age typography, it has been technically constructed to withstand all the rigorous demands that modern technology places on type today. Herschel’s nostalgic, flared, and gently bifurcated serifs shine brightest when employed as display type, but are suited well for any application where inimitable character is needed. Named after designer Brian Brubaker’s maternal grandfather, a retired dairy farmer of more than 60 years, Herschel is available in six delectable weights: Skim, One Percent, Two Percent, Whole, Creamline, and Butter. Features overview: • 800+ glyphs per weight • 120+ stylistic alternates • Upper and lower case • Titling/Drop capitals with multiple and contextual ligatures • Lining, oldstyle, proportional, and tabular figures • Standard and discretionary ligatures • Unique dingbats and special characters • International language support for 200+ latin-based languages, including Vietnamese

Shackle One is a geometric Sans Serif with a twist. As a modern classic that does not wear out visually it is suitable, for example, for luxury items, leather goods, watches and jewelry, high-class sports, documentation of historical technology or graphics in the field of art and design. It works excellently for huge headlines, but can also show particular strengths in continuous text – its gray value is almost flawlessly uniform. All line connections and terminations are perpendicular, which means that slopes or curves have a light bend at their ends, similar to the lordosis of the cervical spine. This makes the font look upright and straight and at the same time agile and dynamic, like an athlete with good posture – a typeface that is powerful and confident without appearing steely or violent. Shackle One is a classic but casual looking font with sophisticated details. It has a classy appearance without being pretentious. It can appear stern and serious as well as playful and humorous. Its strong character also makes it an excellent corporate font for certain branches. You will love it.

The Rocaie fonts are base on antique Rococo letters from an gilding workshop. I was very lucky to acquire this set of metal letters in early 2018. Each of the letters has ornaments engraved by hand into its cast brass shapes. When drawing the digital outlines, I tried to preserve the handmade look of the original leaf engravings. Each of the letters uses a slightly different ornament pattern: no pattern is repeated identically. I expanded the very limited character set of the original, adding all the missing characters that today’s commercial fonts are expected to contain. I made additional font styles to easily add colour layers, outlines, and 3D shadows to the typeface. It’s up to you to decide how to “build” your colour font! You can combine the predefined font styles Regular, Pearl, Solid, Outline, and Magnum with each other, or with the Fill font styles. But you don't need to use all font styles to compose something nice! Have as much fun as I did with this Baroque beauty and enjoy the vintage.

Spectrum font is based on a design by Jan van Krimpen, who worked on his font from 1941 to 1943 for use in a Bible of the Spectrum publishing house in Utrecht. The bible project was later cancelled but the font was so beautifully formed and universal that the Monotype Corporation in London completed it. Distinctive are the reserved elegance and unmistakeable beauty of form. The italic was kept fine and is a wonderful complement to the other weights, making it perfect for emphasis in text. The form of the lower case italic g is reminiscent of van Krimpen's italic for Lutetia and Romanée. A similar font in form is the Perpetua from Eric Gill. It displays not only similar forms to those of Spectrum, both fonts also have uniquely designed old style figures. The 7 is particularly unusual with its slanted horizontal stroke and marked bend to the left in the lower third of the form. Spectrum is an extremely legible font even in smaller point sizes and is just as suitable for headlines as for long texts.

This font is an orphanage where all the beautiful details of classical grotesque typefaces from the early twentieth century are gathered, and thus living together, are forming a ‘new’, happy family. The aim was to collect my favorite characters in one font. The start was an eclectic collection orientated on British types from the Caslon Doric No. 4, the Monotype Grotesque, the Gill, the Franklin Gothic up to the Transport. In this amalgamation I avoided the narrow apertures in the ‘e’, ‘c’ and in the numerals ‘5’, ‘6’ and ‘9’ and enlarged the x-height dramatically. To the classical slanted form of the italics I added real italic forms for ‘a’, ‘e’ and ‘g’ in order to obtain a more distinguished italic style. DF-Dejavu Pro supports all Latin-based languages (Western, Central-European, Eastern-European, Baltic and Turkish) and includes small capitals, ligatures, inferior & superior numerals and letters, fractions, various numeral styles: proportional lining, tabular lining, proportional old-style, tabular old-style and last but not least a slashed zero.

SATURDAY CHAMPAGNE is a monoline modern calligraphy script. Perfect for titles, headings and logotypes for blogs, ads, quote prints, home decor, book title, invitation, birthday, custom product, lifestyle imagery (like quotes and stuff). This font is written by the amazing hand letterer and fellow artist of mine, Leah Chong, and is a collaboration project. The character set contains Western and Eastern European accents and extra characters, symbols and the following open type features: Ligatures: ff ll oo rr th tt ty Finals: b c d l g p y z Instagram: @leahdesign @rolandhusedesign https://leahdesign.sg https://rolandhuse.com Awesome background image for main poster by Simon Buchou from Unsplash https://unsplash.com/@simon_buchou Background mock ups for Girls Night Out and White Sea Cosmetics are from graphicburger.com http://graphicburger.com The Quote "Reality aligns with your mindset" is my favorite and is from Matt Lopez from the Lambo Goal podcast, picture is taken and photoshopped by me. Thank you I hope you like this font & good luck with your project! Roland

Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930’s frontage and distinctively rounded letterforms in the sign above the door. Houschka Pro is the follow up to the original Houschka type family which first appeared back in 1999. Character shapes have been improved, kerning and spacing refined, and OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own (particularly in signature glyphs A, G, Q, W, u & w). The monolinear structure, rounded corners and rolling curves give Houschka a soft and friendly appearance. Houschka Alt Pro is a carbon copy of the Houschka Pro family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates.

Founded on a rigid structure of modernist type, Calypso E has a determined tone without an authoritative tang. It is an updated interpretation of a Neo-grotesque model Egyptian with a hint of Humanist lightness in its forms. Seriously big x-height, square basic form and sturdy serifs create firm text regardless of the weight. This makes Calypso E well suited for various media, from sharp plotter images to low-res television screens. Calypso E includes four suitable body copy styles. Book, Regular, Normal and Medium can be applied according to, for example, the size of text and quality of paper. All styles in the family are equipped with an expanded character set, small caps, case sensitive forms, discretionary ligatures and much more to make even the most elaborate typographic detailing possible.

In the early 1960s, the Duro Decal Company of Chicago, Illinois added to its line of water-applied decal lettering a retail sign cabinet of die-cut, pressure sensitive vinyl letters and numbers. Four of the six sizes offered for sale were cut from white plastic with a black outline and a secondary gold inline for a tri-color effect. Sign Stickers JNL emulates as closely as possible the look of these nostalgic pieces, complete with the slight shifts in line weight due to hand-cut silk screens and the printing process. For those of you who prefer to make your own multi-colored letters, a three piece fill font set is available for the low price of a single font purchase. Combine the backfill, midfill and frontfill layers for a truly retro look!

Chronica Pro is a new contemporary font family focusing on balance and quality for high professional use. Designed with a lot of attention to details and versatility, Chronica Pro could satisfy all kinds of demands such as editorial design, brand creation, graphic design, signage as well as on screen, apps, web sites, ebooks, etc. With its 18 fonts, Chronica Pro can be defined as a humanist spirit in a geometric body and supports international communication extending to Central, Western and Eastern European languages. This typeface contains professional OpenType : alternate letters, case sensitive forms, proportional figures, tabular figures, numerators, superscripts, denominators, scientific inferiors, subscript, ordinals, fractions, arrows, ligatures. Chronica Pro has been also designed with a high level of Pro kerning to meet the needs of complex editorial design.

Rational is a contemporary representative of the Grotesk genre inspired by drawings dating back to the early 20th century. It is a highly utilitarian family focusing on clarity and simplicity by approaching the design with a strong modernist fused attitude. Rooted in Swiss traditional and pragmatic design, Rational contains ingredients like horizontal terminals and uniform widths which result in a highly functional and flexible font. This is juxtaposed with circular and subtle calligraphic elements creating a warm and approachable layer within an objective surrounding. With more than 800 glyphs per font, the family is optimized for numerous scenarios. It comes in 10 weights with matching italics containing opentype features like small caps, stylistic sets, case sensitive shapes, tabular figures and many more, making Rational the perfect choice for modern, contemporary and professional typography.

German type designer Hans Reichel created this sans FontFont in 2005. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, poster and billboards, small text as well as web and screen design. FF Daxline provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Dax super family, which also includes FF Dax and FF Dax Compact.

ZT Kloftel has three variants of handwriting with different auras and also gets one variant of icons with a sketch style, this helps add depth to the art of handwriting. ZT Kloftel Stalle is a well-matched and Beautiful Style with natural lines, with a very large difference between uppercase and lowercase letters, and can produce a very natural writing style. ZT Kloftel Wortugo with a wider groove, with a messier concept, it also has its own uniqueness, such as children's writing which is suitable for branding explanations, or graffiti explaining your designs. ZT Kloftel Zlamora with a small and chubby style exudes a relaxed aura, perfect for vintage branding or your sad sunset caption I hope you have fun using ZT Klotin Thanks for using this font ~ Khaiuns X zelowtype

Jano Round™ is a sans serif type family with a friendly and synergetic profile. Designed with rounded forms, low contrast and a somewhat techie feel, Jano Round™ is a highly legible typeface suited for any text application and typographic reproduction. Jano Round™ has 18 styles and its a workhorse type system. It covers 290+ languages, including extended latin, cyrillic and greek writing systems. With over 1800 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localized forms in latin and cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more. The engaging personality and the huge set of features and glyphs makes Jano Round™ an excellent choice for branding, editorial, web and broadcast.

A classic serif font with a twist. WBP Emperio has an interesting shape. She has rounded corners and a slightly 'curvy' look. The little indent makes her stand out above the rest. A sensation in the making. Emperio has two styles. The Regular: Great for designing friendly corporate identities. And there's the Hand Drawn style: Great for design posters of prints with a handmade feel. Combine the two and you can go infinite. WBP Emperio was a sketch I designed when I started my company. So you can say it's been five years in the making XD. When I was invited to add two pages to the Typodarium 2022, I speeded up the process and added the hand-drawn style. The end result is awesome. A classic serif font, with a crazy extra style.

Nominee is a cinematic font family made up of 11 weights, 3 widths, and matching italics, that equates to a substantial 66 font styles that feel individually crafted but also part of a larger structured system. The versatile font styles range from an elegant Hairline to a dominant Heavy, Condensed to Extended, which creates such an extensive range of uses and applications, from web and apps to editorial and branding, and everything in between. The increased x-height gives the font more readability at smaller sizes and the contemporary shapes mean the font likes to be shown off at large sizes. The font features details such as case sensitive characters, numerators and denominators, and support for Central and Eastern European along with Western European languages and Basic Cyrillic.

Gianluca is a typeface of glyphic serif, or “flare” inspired by Aldo Novarese’s fonts from the 70s, with a fresh and modern touch. It is a type family that can be elegant in its normal version, or very playful, to compose from extensive texts to flashy headlines in books, magazines, labels, posters, branding and more. It has many discretionary ligatures in capital letters (with its diacritics) to play with the text, 5 stylistic sets: among them medieval style or references to Herb Lubalin, and some special letters. Gianluca consists of 5-weight fonts, from Thin to Extra Bold. All of them with matching italics. It has a nice set of small capitals, modern and old style numbers, and capital-sensitive punctuation, among other striking glyphs. Play with Gianluca!

Mastro is a contemporary design comprising 72 styles. With 9 weights and 4 optical sizes: Caption, Text, Sub-head and Display. A super versatile font family ideal for editorial, graphic design, branding and web. Filled with iconic unusual shapes, yet with a super rigorous professional look this design will stand out and work efficiently. Caption styles are meant for very small text like footnotes; Text styles are meant for long strings of text; Subhead styles are meant for sub-headlines; Display styles are meant for large size type setting. Mastro has many OpenType features such as Small Caps, Standard and Discretionary Ligatures, Superscript Letters, Case Sensitive Forms, Lining Figures, Old Style Figures, Tabular and Proportional Numbers, and more. If you want to enlarge this font family make sure you get its sans counterpart: Mastro Sans.

Empathic • Contemporary • Versatile • Corporate A typeface specially designed for corporate identity. Trust Sans is a friendly typeface, with a flowing ductus and humanist features, specially created to help designers face everyday challenges. This font comes in a variety of weights—perfectly suited to establishing an effective typographic hierarchy—and contains an extensive character set, including small caps, different figure styles, case-sensitive forms, contextual and discretionary ligatures, etc. The family glyph set supports over 200 Latin-based languages. Trust Sans is composed of two complementary sub-families: a standard, formal font and an alternative, more casual, version. Each family comes in 6 weights, from Thin to Black, with matching true italics. All these characteristics make it an ideal typeface for a range of applications such as editorial design, immersive text, corporate identity, branding or packaging.

The Sajola font is a contemporary sans-serif designed in four variants. Font designs range from formal and non-formal modern styles with a coherent typography system that has the same amount of weight, identical character sets, and vertical dimensions. Professional typography that supports using individual variants as main headings, sub-headings, sentence and paragraph texts, making this font complete as your choice. This font is designed with space-sensitive environments in mind. Environments such as interfaces, forms, and pathfinding applications. Font spacing is adjusted in a way that allows switching of weight and style without having a significant impact on overall space consumption. No matter the topic, this font will be an incredible asset to your fonts' library, as it has the potential to elevate any creation.

Point™ aims to be an epitome of the Geometric Style. Inspired by intemporal classics such as Futura, Avant Garde or Avenir, passing through more contemporary approaches of the same style; ignited by the overarching narrative of the Modernity (Perfect Geometric Shapes) and careful design decisions, Point™ is a font that references the past as well as projects itself to the contemporaneity. With a total of 10 weights, with respective hand adjusted obliques, Point™ has a total of 20 styles with Extended Latin support as well as Cyrillic, all with the most needed Opentype features, such as fractions, tabular and oldstyle figures, alternates, case sensitive forms, etc. Point™ has a superb versatility and can be used in almost every circumstance, try it for yourself and see what point Point™ makes.

Museo... it all started with my love for the letter ‘U’. This uppercase letter just came to me as an image in a daydream. The top of both stems bent into semi-slab serifs. From this principle I worked out the rest of the uppercase letters. My first intention was to make it an all-caps display font, but after a while, I changed my mind. I wanted it to be a bit more versatile, so I decided to add lowercase and adjust spacing and kerning to increase legibility. This OpenType font family comes in five weights, and each weight comes with support for CE languages, even Esperanto. Besides ligatures, contextual alternatives, stylistic alternates, fractions and proportional/tabular figures, Museo has a ‘case’ feature for case-sensitive forms.

Magnetic Pro is a typeface inspired by typewriter characters with a mechanical aspect. Equipped for professional typography, this font family has many OpenType features such as small caps, case sensitive forms, tabular and old style figures, pro kerning, circled numerals, ligatures, and extra graphics. It comes in 8 weights with corresponding italics and it's suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Magnetic Pro has true italics with a 'mechanical script' aspect to give more style in long texts. It has also an extended character set to support Central and Eastern European as well as Western European languages. Magnetic Pro has also an extra graphics style for those who wants to add catchwords, special titles, arrows and geometric shapes to their creative projects.

Longa Iberica is a serif typeface inspired by ancient scripts (Visisigothic, Proto-Gothic, Gothic). It has a long ascender and descender, small x-height and low-profile lining figures. Include automatic ligature creation, stylistic alternates and historical letterforms, lining and oldstyle numerals, fractions, Roman numerals adjusted to figure height (lining and oldstyle) and ordinal letters. Character set contains the complete Unicode Latin 1252 (Western European; ANSI), 1250 Latin 2 (Central European), 1254 Turkish, 1257 Baltic. Supported OpenType features: Acces All Alternates, Alternative Fractions, Capital Spacing, Case-Sensitive Forms, Contextual Alternates, Contextual Swash, Fractions, Historical Forms, Kerning, Lining Figures, Localized Forms, Oldstyle Figures, Ordinals, Proportional Figures, Slashed Zero, Stylistic Alternates, Stylistic Set (1-20), Superscript, Swash, Tabular Figures. Kerning is prepared as single ('flat') table for maximum possible compatibility with older software.

Elioth is a humanist font with angled terminals as a identity of this product. Comes with a modern look, this font suitable for display and body text. Elioth is perfect for advertising, packaging, logo, editorial and publishing, branding and other creative industries. This family of 9 weights from Thin to Heavy along with italics contain several OpenType features: Stylistic Alternates and Figures Variation (circled number, fraction, tabular lining, numerator, denominator). With over 752 glyphs per style, Elioth supports around 150+ languages in Latin and Cyrillic script. Family overview: 9 weights (from Thin to Heavy) + italics Extended Latin Cyrillic 752 glyphs Variable Font 150+ languages OpenType Features: Localized Forms Subscript and scientific inferiors Superscript (Superiors) Numerators and Denominators Fractions Lining Figures Tabular Figures Oldstyle Figures Circled Number Case-Sensitive Forms Standard and Discretionary Ligatures Stylistic Alternates