In comparison to the powerful and commanding original, Sancoale Gothic is a more sober version of Sancoale. The medium contrast between thick and thin strokes makes for a typeface that stands out with striking clarity in longer texts, yet is very readable. This new addition to the Sancoale family is a perfect alternative if you want to use a different style than the original family. Using the utmost care and restraint, the designer strove to avoid overbearing futurism in favor of a typeface with clean lines and clear forms. Show your customers the world with Sancoale Gothic, a versatile sans with a wide range of styles, from delicate thins to bold, hefty weights that dominate the page and screen with confidence and futuristic flair. A fresh, friendly voice for all kinds of uses, from corporate statements to fashion, Sancoale Gothic is a versatile sans with a wide range of styles, from delicate thins to bold, hefty weights that dominate the page and screen with confidence and futuristic flair. Sancoale Gothic has a distinct personality, which allows you to create a wide range of projects, including posters and websites. The Sancoale Gothic fonts come in many varieties, so you can go with a light or thick weight, depending on what fits your project best. With their sweeping curves, the heavy fonts are meant for huge headings on posters and websites. The Sancoale Gothic family is made up of 48 distinct styles, with 660 glyphs and supports 70 languages, allowing you to communicate with your customers all over the world. Small Capitals and other OpenType features abound! The design is sleek with no stems or spurs in the default character set, but OpenType alternates have alternates with stems. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. The superfamily offers an array of optical sizes, contrasting weights, and contrasting optical sizes to discover the right balance, contrast, and optical size for your design. Prepare to be blown away by Sancoale Gothic’s smooth curves and captivating allure. Sancoale Gothic is perfect for both a contemporary and forward looking style. Sancoale Gothic is both practical and unique, in a standalone capacity or with the companion Sancoale fonts. Use it to make an impact today.

Geometric Sans for any use. Strong, modern, new.

Big modern sans-serif family, for multiple use.

This is a sans serif version of Flexy.

a round sans serif with optical art effects

Display Dots Three Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Three Sans and Serif include an uppercase alphabet, numbers, and punctuation.

Display Dots Four Sans and Serif are display fonts not intended for text use. They were designed specifically for display, headline, logotype, branding, and similar applications. Display Dots Four Sans and Serif include an uppercase alphabet, numbers, and punctuation.

Hypatia Sans is a geometric sans serif with humanist undertones. Its rich features and wide range of weights make this family both versatile and expressive at larger sizes yet still clear and readable at text sizes in short paragraphs.

The Joanna® Nova design, by Monotype Studio designer Ben Jones, is an extensive update to Eric Gill’s original Joanna typefaces and brings this much admired – but underused – slab serif typeface into the 21st century. Joanna Nova features 18 fonts – more than twice as many as the original Joanna – with a wide range of weights including thin and ultra black, which were not available in the original design. Every glyph has been redrawn using a variety of reference sources, including Gill’s original sketches and the copper patterns used in Joanna’s initial production. When Jones set out to design Joanna Nova, he saw that the ‘real Joanna’ was not immediately evident. “Some of Gill’s original drawings have a sloped ‘M’; there is also a ‘K’ and ‘R’ with a curled leg and a letter ‘d’ without the flat bottom,” he explained. “Is this Joanna? Or is it the version used to print Gill’s Essay on Typography? Or is it the digital version with which most people are surely more familiar than any other version? Ultimately, I think, none of these and all of these were ‘Joanna’ because, as with any typeface, it is more the idea or concept behind the typeface that makes it what it is. My approach was to create a version of Joanna that appears in your mind when you think of Joanna.” Jones noted that one of the most distinguishing aspects of Joanna is the italics; and that, for reasons unknown, many of the characters in the current versions are much more condensed than those in the hand-set fonts of metal type., The newer designs being almost unusable at small sizes. The italics in Joanna Nova have been reworked to be more legible and closer to their original widths. Joanna Nova expands the original Joanna in several ways that open up new typographic possibilities, These additions include several new weights, support for Greek and Cyrillic scripts, small caps for all scripts in both upright and italic styles, several numeral options and a host of context-sensitive ligatures. The Joanna Nova typeface family is part of the new Eric Gill Series, drawing on Monotype's heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

Jambo ('hello' in Swahili) is a cute and bouncy typeface. I guess you can say that it is didone-ish in nature, but comic would also be an apt description. Jambo has generous curves, swirls and curls and comes with a jumbo amount of diacritics.

Drawn with a loose hand and keeping the eye off what's considered right (regarding typefaces) Bonkey saw the light of day on a napkin during dinner, and was scanned, cleaned up (just a bit) It's an unpredictable font that just wants to have some fun!

DF-Stromboli doesn’t look like it but in fact it is a script typeface. It was written with a coffee spoon, acting like a broad pen, in the ashes of the Stromboli volcano right on top of a scanner. This typeface evokes orientation and fear, the dichotomy of Stromboli’s personification. A tribute to il faro del mediterraneo: the mediterranean lighthouse.

Belinda New is an updated version of the original Belinda which I designed in 2011. Belinda New is a smooth and lining brush script font with a vintage and retro feel. It has two sets of uppercase and many alternates for lowercase letters. It is a good choice to use in logos, headlines and packages. You can also match it with a serif or sans serif fonts and use it as a secondary font in web design, magazines and branding.

Justin Brown is a Sans serif display font with a modern, classy, fun, unique and versatile style. It looks amazing on any screen size and is easy to read in any text size. This font also has tons of unique alternatives and binders that will make for stunning design projects. This will add a fun and friendly touch to any of your projects. This font is PUA encoded which means you can access all the glyphs and sweeps easily and more.

Satigof by Holyline is a playful sans serif font family, This font very playful and unique comes in nine weight, thin to black . It's very unique, fancy, playful very easy to combine with multiple design style. Satigof perfect for headline, sub headline ,custom logo,packaging, quote, invitations, watermark,social media posts, label, anything for your creativity and Satigof is perfect font if you want something new with your project, and you can pairing this font with the weight, its very satisfy. Happy creating!

This is the rounded version of Penta! »Penta« is a new Sans typeface, designed in the American tradition with contrast between the up- and downstrokes. The contrast is hardly visible on the »thin« cut, but the heavier the weights get, the more contrast becomes visible. That makes this font very useful, almost linear in the lighter weights and very distinct rhythm in the heavier ones. »Penta« is extremly versatile, it can be used for bodycopy in the lighter weights and for heavy headlines.

Primore Castle is a unique sans serif typeface. Very suitable for logo, headline, tittle, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual alternates PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Spoon is a fresh and contemporary sans-serif that can be used in wide range of project. Its skeleton of letterform is geometrically-based and minimal but the body was designed with a touch of humanistic outlines as though they were handwritten. This not only make the font clean, legible and functional, but also make it possible to give natural, friendly and soft impressions. Spoon comes in seven weights with matching italics and includes diacritics for most European in each weight.

Chamelton, a vast layered font family, provides a creative spectrum through layers, colors, and weights, including 109 Sans Serifs, 3 script weights, + 198 extras. You can use the family as a complete design kit or a component of your work. Most styles are stand-alone fonts, but some layers work only in combination. Creating a multi-colored layered font is simple and compatible with any layer-supporting graphic software, including Adobe Suite, Sketch, Figma, etc. See Specimen PDF for more details.

Sierra Danielle is a modern sans serif font with feminine characteristic. Its charm can speak to your audience, telling your story in a way that is both beautiful and meaningful. Very suitable for headlines, titles, advertising, vintage mood board, branding, logotypes, packaging, editorial design, blog/websites, social media quotes, wedding branding, vintage designs and much more. Feature : - Alternates and Ligatures - Multilingual Language - Works on PC & Mac - Simple installations - Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works on Microsoft Word.

Andreash – Sans Serif Font. It has a elegant, classy look and beauty. It’s a great font for fashion, apparel projects, signature, album cover, logo, branding, magazine, social media, & advertisements, but also works great for other projects. Highlight: - Easy instalation - Work on PC or Mac - PUA Encoded Support - Basic Latin A-Z and a-z - Numbers - Symbols - No special software is required, The fonts can be opened and used in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.

Aglaia is an elegant geometric sans serif typeface that comes in three weights. Designed in part inspired by Art Deco, but with a modern minimalist approach that makes it a versatile and excellent contemporary display font for titles, editorials and short texts. Font features: Uppercase & Lowercase Numerals, Punctuation & Symbols Alternates & Ligatures Multiple Languages Support (Latin characters + Diacritics) How to access Alternate Characters: The alternate characters can be accessed via the glyphs panel in your favorite software. Or with OpenType features turned on.

Rawkner is a sans serif font. Inspired by ink trap. The first concept is the letter "W" and "K", then the other letters refer to both. Come with four styles, regular, oblique, round, and round oblique. Rawkner is perfect for the headline, and subheadline. There are alternative glyphs that you can choose according to your project. Also, the ligature of the uppercase and lowercase will make it more perfect. Rawkner is an option that you should try for your creative project.

Ekela family has 216 styles in 5 versions: Normal, Round, Circle, Punch and Round Punch. Ekela family is a neat, unique sans serif simple font with minimal and round letters. It can easily be combined with an incredibly large set of projects, so add it to your creative ideas and notice how it sets them apart! Suitable for a wide variety of designs thanks to its neat styling, Ekela family has the potential to become your favorite font, whatever the occasion!

Ropan this is a modern geometric sans-serif font that includes nine weights from thin to black. This multi-purpose font captures a huge range for the design and creation of your project. Ropan will perfectly cope with a variety of tasks and he will always look stylish and modern. With it, you can create logos, labels, use in advertising, packaging, branding, book covers and magazines, cosmetics, banners, posters, headings, descriptions and much more. This font is easy to use has OpenType features.

Saturday Lunchtime Font is a delightful combination of handwritten sans serif in uppercase and charming script in lowercase. Crafted with a cute and playful vibe, this font is perfect for creating logos for children's brands or adding a touch of whimsy to quotes. Its versatility allows you to use either the uppercase or lowercase alone, and you can activate swashes by typing underscore followed by numbers 1-3. Elevate your designs with the joyful and dynamic aesthetic of Saturday Lunchtime Font!

You can Download All 36 Demo Fonts The Lexis font family is a sans serif “super” family consisting of two sub-families - Lextis & Lexis Alt. While the first one follows the humanist model, its alternative version Lexis Alt dives way deeper into the geometric aesthetic. It’s simple yet versatile, packing great amount of well balanced weights, extensive character set and numerous Opentype features. The Lexis typefamily comes in 9 weights plus their italics, two distinctive styles and support for over 200 languages.

Alinea is a typeface in 3 styles (Sans, Incise, and Serif) conceived for being mixed in the same document. Alinea incise is a flare serif (incise in French). It finds its origin in the roman letters carved in stone. The great advantage of such a style is that it can be associated to any other style of typeface. The most famous flare serifs are: Optima of Hermann Zapf, Pascal of José Mendoza, Amerigo of Gerard Unger and Alinea Incise of course!

Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in headlines. Stem Text is fully compatible with Stem , so the styles of Stem can be used as display styles together with Stem Text in text setting. Design -- Alexandra Korolkova with the assistance of Maria Selezeneva and Isabella Chaeva. Released by ParaType in 2015.