Everybody likes to have a picnic: some fresh fruits, cheese, ham, wine and so on. Like a “typographic picnic,” Typnic font system gathers many fonts with different flavors too, and you can enjoy them mixed or on their own. Typnic was drawn and calligraphed by hand and is made with eighteen typefaces, including three totally compatible yet different styles. It also has enhancement sets containing labels, dingbats, patterns and ornaments. The Headline style has six layered fonts that can be mixed in a wide variety of combinations to obtain powerful mastheads and headlines. It can be used to construct very nice advertising pieces. If you need to write informal texts, then use Typnic Script, which also comes in six variants and additionally has a complementary font with tails, double letters and ornamented ascenders. Finally, use Typnic Roman to add some secondary texts without losing the general appearance of your work. Typnic has a cool and natural feeling and could be used in all sorts of projects. Typnic is a very ambitious project and we will be working on it to further expand the whole system. Please check out our Typnic Headline Slab.

The idea behind Strikt Sans was to made a grotesque family with exaggerated curves combined with low contrasted aspect. Letters such as G, S or C are completely closed in any styles. The italic has a very accentuated angle at 30°, which gives a stressed and interesting appearance. This family contains many OpenType features, such as Alternates, Proportional Figure, Tabular Figures, Old Styles Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals and Fractions, which make that typeface useful in various projects. Strikt Sans family supports Latin and Cyrillic, all these languages are covered: Latin language support: Afar, Afrikaans, Albanian, Asturian, Azeri, Basque, Bosnian, Breton, Bulgarian, Catalan, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Faroese, Filipino, Finnish, Flemish, French, Frisian, Friulian, Gaelic, Galician, German, Greenlandic, Hungarian, Icelandic, Indonesian, Irish, Italian, Kurdish, Latin, Latvian, Lithuanian, Luxembourgish, Malagasy, Malay, Maltese, Maori, Moldavian, Norwegian, Occitan, Polish, Portuguese, Provençal, Romanian, Romansch, Saami, Samoan, Scots, Scottish, Serbian, Slovak, Slovenian, Spanish, Swahili, Swedish, Tagalog, Turkish, Walloon, Welsh, Wolof Cyrillic language support: Adyghe, Avar, Belarusian, Bulgarian, Buryat, Chechen, Erzya, Ingush, Kabardian, Kalmyk, Karachay-Balkar, Karakalpak, Kazakh, Komi, Kyrgyz, Lak, Macedonian, Moldovan, Mongol, Permyak, Russian, Rusyn, Serbian, Tatar, Tofa, Tuvan, Ukrainian, Uzbek

Type Tiles JNL is based on a ‘completed’ version of ‘Alpha-Blox’ by American Type Founders, circa 1944. The capitals, lower case and numerals shown in the sample sheet put out by ATF depicted type made with five-high blocks comprised of modular units spaced two points apart. These units could be combined in varying ways to create custom type of varying heights and widths and was available for purchase in both linear (multi-line) and reverse (white on black) formats. Using the 'reverse' model shown on the sample sheet, all of the characters were re-created digitally, and missing punctuation, foreign characters and other glyphs found in a basic computer font were drawn and added. The 'J' and 'T' in the type sample had truncations, so a more complete character was created for each of those letters. For those wanting an unbroken string of words or blank end caps, there is a double column space on the vertical bar key. A single column space is located on the broken bar key for shorter end caps. Type Tiles JNL is available in both regular and oblique versions

The Vtg Stencil fonts from astype are based on real world stencils from several countries. In the case of French stencils the challenge was special, because of the varieties of different widths and weights between the stencil sets – so I made France No. 1, No. 3 and No. 5. The most unique and eye-catching elements of typical French stencils are the figures 1, 2, 3, 7 and a specially 5. The figure 5 changes in style on smaller stencil sizes, its bobble getting replaced by something like a “breve”. The letters J and Q can differ in style too. While the local stencil lettering styles are gradually disappearing in other countries, there are regions in France, such as Normandy and Brittany, where these stencils are still in use today. They are used for technical lettering, which is what stencils were originally intended for, but also for ads and information signs in a more artistic or patriotic context. Over the time, these stencil letters became a globally recognized landmark of French design and French taste. All styles offering an extended Latin character set. » pdf specimen «

Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Blood Blaster a Bouncy Cartoon Font Blood Blaster a Bouncy Cartoon Font, Inspiring from playful bouncy cartoon style typography. This bouncy cartoon font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Blood Blaster font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

London-based designer David Quay designed ITC Quay Sans in 1990. One of the precursors to the long run of functionalist European sans serif faces that has been a dominating force in type design since the 1990s, ITC Quay sans is based on the proportions of 19th Century Grotesk faces. Grotesk, the German word for sans serif, defines an entire branch of the sans serif movement, which culminated in the 1950s with the design of Helvetica. ITC Quay Sans is made up of very simple, legible letters. The weights of the strokes throughout the alphabet vary very little. Microscopic flares on the ends of each terminal add a bit of dimension to the design. This helps prevent the onset of the monotony, a danger when one repeats countless near mono-weight stroked letters throughout a large body of text. ITC Quay Sans is a very readable face; it works equally well in all sizes. Six fonts of the ITC Quay Sans typeface are available: Book, Book Italic, Medium, Medium Italic, Black, and Black Italic. ITC Quay Sans is similar to Hans Eduard Meier's Syntax, and Tim Ahrens' Linotype Aroma."

The origins of Bembo go back to one of the most famous printers of the Italian Renaissance, Aldus Manutius. In 1496, he used a new roman typeface to print the book de Aetna, a travelogue by the popular writer Pietro Bembo. This type was designed by Francesco Griffo, a prolific punchcutter who was one of the first to depart from the heavier pen-drawn look of humanist calligraphy to develop the more stylized look we associate with roman types today. In 1929, Stanley Morison and the design staff at the Monotype Corporation used Griffo's roman as the model for a revival type design named Bembo. They made a number of changes to the fifteenth-century letters to make the font more adaptable to machine composition. The italic is based on letters cut by the Renaissance scribe Giovanni Tagliente. Because of their quiet presence and graceful stability, the lighter weights of Bembo are popular for book typography. The heavier weights impart a look of conservative dependability to advertising and packaging projects. With 31 weights, including small caps, Old style figures, expert characters, and an alternate cap R, Bembo makes an excellent all-purpose font family.

Southern Hills calligraphy an elegant new font! This font is made especially for those of you who need a touch of elegance to design your next project with perfect and amazing results. Southern Hills is equipped with lines that are perfect for use for various purposes. Such as titles, signatures, logos, correspondence, wedding invitations, letterhead, sign boards, labels, bulletins, posters, badges, Branding, Greeting Cards, etc. So beautiful on invitations like greeting cards, and more !! Southern Hills includes alternative glyphs and stirs beautifully in fonts including set styles, ligatures etc. The Open Type feature can be accessed by using Open Type savvy programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this font has provided a unicode PUA (special code font). so all alternative characters can be easily accessed in full by craftsmen or designers. If you do not have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all alternative glyphs using Font Book (Mac) or Character Map (Windows). If you have questions, don't hesitate to contact me via Gmail: Cooldesignlab@gmail.com. Thank you and love to design :-)

Hello, Are you looking for a playful sign font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Crafty Signs a Playful Sign Font Crafty Signs a Playful Sign Font, Inspiring from playful signage style typography. Crafty Signs font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for signage style, craft, book cover, children book, comic, poster, packging, merchandise, logotype and much more. Crafty Signs font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

This font has sort of a rustic an ancient look, like stone carvings... The lowercase j has been redesigned to better fit with the other letters, and I've also made an alternate f (as an OpenType contextual alternate) to make a tighter fit with following tall letters. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Introducing the new font Automobile Contest - Handbrush, the new version of Qillsey Einstein Font, a type of script that has a natural scratch texture. I made by using a brush pen that makes the impression seem natural. My font is complete with two StylisticSet which will make the writing more beautiful and charming. This typeface is suitable for use in a variety of design fields, such as event advertisements, product promotions, book titles, activity titles, logos, adventure, and others. This font can when paired with serif font types will make your design project more beautiful and perfect. I highly recommend using a program that supports OpenType featuresand Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. This font is encoded with Unicode PUA, which allows full access toall additional characters without having special design software. Mac users can use Font Book, and Windows users can use Character Map to view and copy one of the extra characters to paste into your favorite text editor / application. I hope you enjoy the font, thank you.

Hello, Are you looking for a stylish and unique font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Milky Berly a Bold Stylish Font Milky Berly a Bold Stylish Font, Inspiring from playful stylish quirky style typography. This Bold Stylish font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Milky Berly font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Cotillion is an original design Jim Rimmer finished just before the turn of the century. Alongside its evidence of Jim's nostalgia at the deco type designs he was exposed to as a child, it distinctly shows a type designer who has become very comfortable with that rarest of design abilities: Bringing efficient typographic solutions to what is essentially a calligraphic endeavour. This design has all the elements of what made a traditional deco typeface display unmistakable elegance and luxury: The expressively low x-height, the precisely calculated upwards comfort and reserved grace of the vertical metrics, the subtle fusion of calligraphic ornamentation and clean minimalist type technique, and the unique indentity of the original lowercase flow. Cotillion was refined and remastered in 2012 to include a weath of aesthetic and functionality improvements. This Cotillion Pro set includes small caps, true italics, ligatures, seven types of figures, automatic fractions, extended Latin language support, stylistic alternates that include lowercase serif angle options, and plenty of extra OpenType features like caps-to-small-caps substitution, case-sensitive positioning, ordinals, and extended class-based kerning. At over 780 characters, each of the Cotillion Pro fonts is the equivalent of three fonts in one.

Chalky Spritely and full of personality, FS Sammy is a hand-drawn font with a chalky texture, available in one weight only. Give Sammy a run in branding, packaging or billboard advertising for a fresh, informal, honest personality. Calligraphic Too many script fonts have a rushed and thrown-together feel about them. It’s a deceptively complex feat to achieve forms that hold together neatly in text yet still have the breezy, natural air of real handwriting. That’s FS Sammy: considered and crafted. Pencil FS Sammy was originally drawn for a drinks manufacturer by Fontsmith’s calligrapher, Sehmi Satwinder, who made handwritten impressions with a large soft pencil on textured watercolour paper. The digital interpretation of Sehmi’s letters was pushed to its limits and, after a lot of experimentation, a balanced alphabet was achieved. Texture and spirit FS Sammy’s success and uniqueness within the script font category is down to its versatility. In the large text of billboard advertising or headlines, all of its texture comes to life, and small, on menus or booklets, it conveys all of the spirit and personality of a considered piece of handwriting.

Daiquiri is a revival of a handlettered font in two weights, from an ad for Puerto Rico Rum dating back to the forties or fifties. I found the ad on a French antique market on my last visit for Mardi Gras in Nice. The ad read "Breeze through the heat, be a Daiquiri fan". That's why they had this "fan" in the illustration! Did they want you to rotate like a fan when you had enough Daiquiris? Or did they just do it for that little "Jeu des mots"? Anyway I found the handlettering very pretty, so I took those few letters and made a whole font out of them. I think Daiquiri has that touch that brings those happy and uncomplicated times back when advertising was still fun. I started something like 20 years later in advertising and things had gotten more stringent. We already had to satisfy those marketing guys with their scholarly attitude. They have taken all the fun out of the job, for the creators as well as for the consumers. I would like to see more uncomplicated ads like this again, yours Gert Wiescher

The Macarons font family consists of a monoline version, regular and bold weights, and a set of gestural catchwords, which reflects the use of the ruling pen as a freestyle tool. Ornaments and dingbats are also included. Macarons is a display type based on the classic Garamond typeface. It’s inspired by the foodie culture and the slow food movement, which began as a rebellion against fast food and has now grown to a global scale. Every day, thousands of people around the world take pictures of their food, look for new recipes to try and recover old ones, enjoy wine-pairing, and value locally produced food. Macarons is a fresh and spontaneous looking typeface that has been designed by Coto Mendoza, who also has developed a hand-made product line (Ride my Bike, Ride my Bike Serif, Four Seasons, D.I.Y. Time, Dans le Cuisine and In a Jar). This font is not constructed out of modules: each character is drawn by hand. Macarons is ideal for cookbooks, menus, liquor bottle labels, food packaging, wedding invitations, greeting cards, tea boxes, food blogs, small shops, cupcake bakeries and so on. Try! A freshly-baked homemade macaron!

Hello, Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Cruch Branch a Bold Bouncy Font Cruch Branch a Bold Bouncy Font, Inspiring from playful bouncy cartoon style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Cruch Branch font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

There are a lot of script fonts out there - but Goldney isn't your average one, it's designed to be your go-to modern handwriting font. Goldney produces incredibly realistic letterforms and free-flowing sentences - this was achieved by writing out hundreds of individual words, then hand-picking the most natural looking letters. Also hand-picked was a whopping 90 Ligatures - these unique letter combinations give even more authenticity to each word layout. It's the perfect choice for genuine handwritten logos & branding, advertisement text, quotes, headers and product packaging. Goldney consists of 4 fonts files; Goldney • A handwritten script font containing upper & lowercase characters, numerals, and a large range of punctuation. Goldney Alt • This is a second version of Goldney, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. Slanted Versions • Are included for both regular and alternate fonts. These can be used for a more italicised, fast-hand flow to your text.

Bintank is a playful script font made in freehand and abstract nuances but still beautiful and elegant when used. This font is designed beautifully in each letter, there are alternate options in lowercase letters so that when written, it can produce words or sentences that are pleasing to the eye so that it automatically beautifies the visual appearance in your design project. this font also offers the beauty of abstract typography harmony for a wide variety of design projects, including digital natural handwriting for designs, wedding invitations, quote designs, for social media business designs, advertisements, trademarks, food and beverage promotion banners, text, posters, a signature, and all designs require handwriting or whatever design you want. This font is equipped with uppercase, lowercase, numbers, punctuation marks, swhases, and several variations on each character including multi-language. What's Included: Font file Web Fonts Standard glyph Binder Works on PC & Mac It can be accessed in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even works in Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish

Every designer has a favorite geometric sans serif. For a century, they've been a staple for text that needs to be clear, strong, architectural, and objective. Mimolette offers a sans serif family that's great for text and display alike—the panache of Neutraface, the readability of Avenir, the sleekness of Avant Garde, the strength of Mark, the architecture of Gotham, and the classic lines of Futura—but she's entirely her own creature, and she's designed to offer maximum versatility and beauty at an affordable price. And she's got some nifty features, too! Her italic is a true italic, not just an oblique. Are the uberpointy diagonals (AMVW) not working in a particular context? Activate Stylistic Set 01, and they become flat-topped! Want more playful cursive alternatives in the italic? Activate Stylistic Set 02, and you've got them in the A, E, K, Q, R, and k. She's got true small caps in all styles! She's got true fractions in all styles, as well as oldstyle (small cap) and lining numerals, in both tabular and proportional widths. Best of all, perhaps, Mimolette was made with love, as always, by yer pals in the Ampersand Forest.

VLNL Beatbox is a solid tech heavy straight stencil-face with a lot of character. It was originally designed as a logo for dj Markus Schultz back in 2004, who rejected it. His management couldn't read it, or thought people wouldn’t be able to read it. But Chef Donald DBXL found the concept interesting enough to finish it and has used it in many projects since. It was the identity font for the Battle of Amsterdam, a talent showcase in beat boxing and other skills. Beatboxing is a style of hiphop music (beats) made with the mouth and a microphone. A box is a handy container to store stuff. Like food, or fonts. We use a lot of boxes at the VetteLetters office. VLNL Beatbox is best deployed big, like in logos or headlines. Or flyers, album covers, posters and signage. As a display and headline typeface it’s got a lot of character. We could definitely see it painted on the side of a tank, or an airplane. It’s heavy, but not at all dangerous. Use it without risk. VLNL Beatbox comes in two variations; Regular and Small (smallcaps)

fracaso is an experimental font and was inspired by abstract / cubism artworks. My initial goal was to made it have a rather surreal and fancy mood. I painted the glyphs with seamless strokes and achieved an unusual style by developing an individual form for each glyph. So, due to contrasting various letter height and form each word have a unique, catchy, surreal rhythm. You may want to have fracaso font if you need to make a design with an abstract, surreal look for music / art subject. Great fit for posters, covers, clothes prints, packaging, logos, and everything you want to grant a fancy artistic mood. Features: Carefully tuned kerning (preview above doesn't always show it correctly) 3 Font styles each fits better for different design style Stylistic Alternates for each small letter and digit (mostly for the "original" and "dirty ends" style) Contextual Alternates for small letter and digit pairs; for punctuation depending on a glyph height 10 Standard and 7 Stylistic (Discretionary) ligatures for most common letter pairs Wide Latin language support (Western European, Central European, South Eastern European) If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using fracaso!

Dilemma is a sans/sans serif type system with 42 styles; it is inspired by the anonymous Polyphème, Cyclopéen and Extra Condensé designs from the early 1900s at the Peignot Fonderie. From these initial points of reference, Sudtipos went further and reimagined these projects for an actual use by blending them into a unique and complex type system. Dilemma is defined as ‘a situation in which a difficult choice has to be made between two or more alternatives, especially ones that are equally undesirable’ and that is exactly how we designed this font. We created a workhorse system where each style functioned well alone but would be more powerful when working as a team, pairing the sans styles with the serifs. Dilemma comes in 3 different widths and 7 weights in both the sans and the serif, ranging from the more economical yet legible condensed styles, to the opulent bold and expanded weights. Dilemma also contains 2 Variable Fonts. We imagine Dilemma being used in a limitless array of graphic projects including identity systems, digital platforms, public spaces, editorial design and beyond. Now the Dilemma is yours.

Karlie is a neat combination of a friendly script & a modern all-caps serif in five widths. The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages. The combination of two different font styles (script and serif) also performs very well on product packaging. As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter. We've also included some extras with ready-made words and symbols for more design freedom. The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the family’s charm. The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.

Presenting Relost Brush! An All-caps Brush Font with Texture. This font made with the perfect combination of each character. You can combine with Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Relost Brush looks strong and wild on design projects. So, Relost Brush Font can't wait to give its touch to all your design projects such as quotes, Adventure themes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? Relost Brush • It comes with uppercase, lowercase (All-caps), ligatures, numeral, punctuation, symbols, Alternates, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). Extra Swashes • Included 9 Underline Swashes. You can feature all with typing c_1 until c_9 (Opentype Feature) or using Characters Map. A Million Thanks Colllab Studio

A classic "wild west" or circus type font - perfect for oldstyle posters and anything needing an antiquated look. I have switched a few letters around, and made the uppercase M narrower - and then kerned it and expanded the character set. "Howdy pardiner!" ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

In 1972, VGC released two typefaces by designer friends Dick Jensen and Harry Villhardt. Jensen’s was called Serpentine, and Villhardt’s was called Venture. Even though both faces had the same elements and a somewhat similar construct, one of them became very popular and chased the other away from the spotlight. Serpentine went on to become the James Bond font, the Pepsi and every other soda pop font, the everything font, all the way through the glories of digital lala-land where it was hacked, imitated and overused by hundreds of designers. But the only advantage it really had over Venture was being a 4-style family, including the bold italic that made it all the rage, as opposed to Venture’s lone upright style. One must wonder how differently things would have played if a Venture Italic was around back then. Chopper is Canada Type’s revival of Venture, that underdog of 1972. This time around it comes with a roman, an italic, and corresponding biform styles to make it a much more attractive and refreshing alternative to Serpentine. Chopper comes in all popular formats, boasts extended language support, and contains a ton of alternate characters sprinkled throughout the character map.

Shistella is a new elegant font with two variations Regular, Italic. This font has also been embedded with some pretty ornaments that you can access immediately for each lowercase letter. This font is made especially for those of you who need a beautiful touch to design your next project with perfect and stunning results. With a flower-shaped swash, it is perfect for many purposes. Such as titles, signatures, logos, correspondence, wedding invitations, letterheads, nameplates, labels, newsletters, posters, badges, Branding, Greeting Cards, etc. Perfect for invitations, as greeting cards and more!!! Shistella includes alternative glyphs and beautifully rendered fonts including set styles, ligatures, etc. The Open Type feature can be accessed using Smart Open Type programs such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7 and Microsoft Word. And this font already provides unicode PUA (custom code font). so that all alternative characters can be easily accessed in full by craftsmen or designers. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Version, you can access all the alternative glyphs using Font Book (Mac) or Character Map (Windows). Thanks and love designing :-)

The font Arsena was designed for a contest on the creation of modern Ukrainian business font "Arsenal" and awarded the 3rd prize. A little squared figure which is enlightened from the middle, unobvious, but the existing modular grid, simplified, but not a primitive design of letters, mathematically defined optimum inclination angle, counterbalanced ratio of thickness, an optimum spacing and a manual kerning - all of this is for the best reproduction in any conditions as well as for the maximum clarity and readability. Asymmetric slab serifs make the font Ukrainian and at the same time have a modern and dynamic look. Besides its highlighting function, Italics also have an independent assignment. The Italics are made under calligraphic traditions in a modern style of mono-thickness (but optically compensated) and in particular, in combination with alternative initials of the same style and it is relevant to use it in a private letter, or in the design of the official greetings, etc. It is also promoted by four typographic ornamental motives. Due to the above-mentioned qualities this font can be used successfully for a wide range of tasks - from business to mass media, publishing, advertising and accidental.

Shelflife is a display typeface with some extras under the lid. It features all the Standard Open-Type features you'd expect, like Class Kerning and Ligatures, plus some other useful additions and of course accented characters for most European languages and others. In essence it's an easy-to-read headline font with clean lines and a bit of character. There's an outline version that can be layered with the standard version to give the shadow effect seen in the accompanying graphics, simplicity itself to do. There's boxed headlines for SALE, SPECIAL, DISCOUNT (20 in total) all ready-made, plus some which can be tilted at an angle, and done automatically - just easily typed in; easy-to-do bullet numbers; a choice of square or rounded dots on j,ffi, and so on in Stylistic Alternatives; and shorter alternatives for U and N with accents. Details are included in the zip files. The zip file will contain both the OTF and TTF versions of the font. Install only one version, either the OTF or TTF, but not both - otherwise you will get all sorts of incompatibility issues and problems.

Pliego is a textface designed to offer a comfortable continuous reading, with humanist proportions, an even texture, and informal calligraphic details noticeable only at big sizes, that gives it a contemporary feeling. Pliego has been named after Pliegos de Cordel, the Spanish word for the popular books that were common during the XVI, XVII and XVIII centuries. These were rough, cheap books that basically consisted in a folded sheet attached to a string, hence the name. Their content was varied, from popular tales to ballads and songs, but also crimes and mysteries. They were cheaply made, roughly printed and bound. The name Pliego evokes the idea of a rough look, angular edges, informal taste, but classical look. To cover today’s needs, Pliego includes five weights with matching italics. Designed and engineered for continuous reading, the Book, Regular and Medium weights will perform at their best under 14 points. However, don’t be scared to use for headlines and titles: because of its quirky details and calligraphic flavour, Pliego’s personality is accentuated when enlarged. With an extensive Latin character set, Pliego covers a wide amount of Latin-based languages, including Latin Plus encoding and Vietnamese support.

Made up of sixteen individual weights and spread over three different optical sizes, Essonnes is designed to bring utility back to the Didot genre. It’s a common belief among designers that Didones don’t work for text. This wasn’t true in 1819 and it isn’t true today. Like its forbearers, Essonnes is a truly optical family—not just a study in adjusting contrast. The text and display weights have been designed from the ground up for their intended roles. This means that everything from the height of the uppercase & lowercase letters have been specifically tuned for their intended purpose. Like many typefaces, Essonnes started after falling in love with a piece of history. In this case, it was the eccentric forms of Pierre Didot’s Type and the evolution of the High contrast Didone throughout the 19th century. It was out of curiosity and love for these forms that led to the first draft of what would become Essonnes back in 2011. These unique situations—screens, modern printing methods, the previous 200 years of typographic innovation since the original design, my own life experiences—have led to a typeface that, while based on history, is not stuck in it.

Dragonflight Pro is a script collection of four modern calligraphy fonts. Each glyph was hand-drawn with a brass folded pen dipped in ink. The tip of the folded pen resembles the shape of a dragonfly’s wing, hence the name. By tilting the pen variations in line width are made. This produces fun, expressive letters with a spontaneous personality. The regular and rough version of Dragonflight Pro have alternate glyphs that can either be accessed by the swashes feature, stylistic set 1, or the glyphs panel, depending on the application you are using. There are lots of discretionary ligatures that offer even more variation. By typing _1 to _10 you can access bonus swashes that are part of Dragonflight Pro Regular and Rough. Both fonts have 567 glyphs. Dragonflight Pro Sans is an all caps font with 402 glyphs, also hand-drawn with the folded pen, that compliments the other styles perfectly. Dragonflight Pro Extra offers an additional 117 swashes, doodles and ink splatters. With Discretionary Ligatures activated you can type an underscore in front of a letter and (when available) this gives you the rough version of the glyph.

Sweet Blues Monoline Script is a signature font that you can use to make a design for Photography logo, logo branding, poster headline, magazines, advertisements, product designs, wedding invitation, signature or handwritten quote, business cards, fashion, . Sweet Blues Monoline Script font including alternates, 15 ligatures and includes textured swashes. Enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Indesign, Adobe Photoshop, CorelDraw & Microsoft Office. a font that made the hand by having the character up and down like a dancer. Freestyle has a very unique style of signature, it is very suitable for use in the work of modern design. Alternative ending character you can use character + underscore ( a_ ) = ending a with swash to open ligature just tap double character [ l l = ll (ligature)] Features: Basic Latin A -Z and a – z Number International Symbol International glyphs Alternate Ligature Languages supported: Breton, Catalan, Czech, Danish, Estonian,French, German, Hungarian, Icelandic, Italian, Romanian, Scottish Gaelic, Slovak, Latvian, Lithuanian, Norwegian, English, Finnish, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Welsh. Basically, all european languages that are based on latin alphabet.

A Monogram is a lettering character made up of the main letters of a name and sometimes all of them. It is a kind of design which dates from the earliest times of our history. It is a distinctive mark that everyone could have themselves, to apply to documents and many purposes. The signatures of ancient Kings were Monograms. Today this brand, for the people of taste, must have the cachet of this era or the evocative feelings of ancient times. Our predecessors knew how to create it by using the capital that preceded Gothic and the other characters. The Vintage Monograms collection contain hundreds of ready to use in alarge of shape of the letters, with styles from Victorian, to Art Nouveau and to mediaeval like in the old manuscripts. Ready to use fonts, Vintage Monograms collection is a classic that features elegant and intricate monograms perfect for branding and personalization. Its ornate designs evoke the timeless style of vintage logos and can be used to add a touch of sophistication to invitations, stationery, and packaging. Monogram brings an air of refinement and exclusivity to any project.

Blanchard is a revival and elaborate extension of Muriel, a 1950 metal face made by Joan Trochut-Blanchard for the Fonderie Typographique Française, that was published simultaneously by the Spanish Gans foundry under the name Juventud. Blanchard is a script that embodies the post-war narrow decorative aesthetic that would become the instantly recognizable feature of that era’s design. Its high ascenders corners make it the tuxedo of fonts, with slight and casual angles gradually revealing a trustworthy confidante, and sharp corners signaling a most expressive ally. Font. James Font. This digital version updates the original metal shapes to work within today’s design tools and designer needs. Some of the questionable metal shapes were optimized, plenty of alternates were added, and as many as five ending forms were built for most lowercase letters. Overall, this is one of the most useful packages for book cover, magazine and packaging design. Blanchard is available in all popular formats. Blanchard Pro combines all five fonts into a single one that makes use of OpenType’s cross-platform compatibility and programs that support OT’s fine typography features, like recent versions of Adobe InDesign and QuarkXpress.

Halcyon is a post-geometric typeface made up of 16 fonts across 8 weights. Each weight contains an upright with a corresponding true italic. Halcyon's design builds on the foundations of classic typefaces such as Futura, Gill Sans and ITC Avant Garde Gothic, by mixing their geometric structure with more modern humanist qualities and attributes. The result is a friendly and approachable personality with a sophisticated and serious edge. Halcyon feels familiar, but unique, playful but not asinine. The versatility of its character makes Halcyon a reliable choice for any design decision. With a large variety of weights, and a whole host of Open Type features, Halcyon can adapt to fit the tone of your communications. The lighter weights present a more refined and formal voice, while the heavier, oversized weights grow more exuberant. It's large x-height and open apertures increase it's legibility, making it perfect for setting large display headlines or small sized, long form text. Halcyon is a multilingual family with hundreds of accented characters, and allows for customisable characters through diacritic combinations. All European languages are already covered, alongside many more within the Latin alphabet.

Geliat would be the youngest brother of Creo, retaining the letterform and proportion but has more geometric looks. This font family comes in two versions which has some different default glyphs. Geliat family has similar letterform with Creo, while the Alt version has common geometric letterform. Italic styles of Geliat were designed using semi-rotalic method. The round parts have 5 degrees italic angle, while the vertical strokes were made in 10 italic degrees. The result gives the styles look more circular than most geometric typefaces with the same 10 degrees italic angle. Each version of Geliat has 2 variable fonts along with 10 different predefined weights from Thin to Heavy with matching italics. Each family member of Geliat also equipped with useful OpenType features such as Ordinals, Superscripts, Scientific Inferiors, Stylistic Sets, Tabular Lining, Standard Ligatures, Fractions, Numerators & Denominators. Each font has 500+ glyphs which covers Western & Eastern Europe, and other Latin based languages. Geliat will be suitable for many creative projects, from logos, posters, presentations, headlines, lettering, branding, quotes, titles, magazines, headings, web banners, mobile applications, art quotes, advertising, packaging design, book title, and more! Sky is the limit!

Keep it fresh with South Coast! A cool and confident brush font designed to deliver refreshing script lettering to a range of design projects. South Coast consists of: South Coast • A handwritten brush script font containing upper & lowercase characters, numerals, and a large range of punctuation. South Coast Alt • This is a second version of South Coast, with a completely new set of both upper and lowercase characters. If you wanted to avoid letters looking the same each time to recreate a custom-made style, or try a different word shape, simply switch to this font for an additional layout option. South Coast Swash • A third font containing 23 hand drawn swashes. Simply type any a-z or A-Z character in this font to generate a swash. Perfect for underlining your South Coast text and adding a bit of extra flair! Ligatures • 15 ligatures (double-letters) are included to help your lettering flow more naturally. Language Support • South Coast fonts support the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

We’re really excited to unveil our all-new line of ‘HAND SHOP FONTS’. As the name suggests, these are fonts that have a hand-made or hand-typography feel reminiscent of shop signboards from the past with an attentive focus by the shop owners, always looking to discover exciting and unique ways to promote their products or services. While for decades typography has strived hard for perfection, one of the routes taken by the typography world as a whole has been to eliminate any form of ‘human imperfection’ in the typesets, but what about the times when you DO want to send across emotions of a personal human touch through your fonts? We did a step back...these fonts will give your shop-signs a personal touch, telling your buyers that they will get personalized attention, be it through an online or an offline business…We hope you love them as much as we do. The “Hand Shop EXTENDED Pack” containing a total of 14 fonts from the “Hand Shop Banners & Elements Pack” (3 fonts) , the “Hand Shop Typography Pack 01” (8 fonts) and the “Hand Shop Typography Pack 02” (3 fonts)