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  1. Gf H2O Sans by Gigofonts, $24.75
    Humanist sans serif typeface.
  2. Deco Experiment 5 by Intellecta Design, $9.00
    a naive typeface from Art Deco ages
  3. Ornaments 5 AR by ARTypes, $30.00
    Ornaments 5 are based on the Amsterdam Primula ornaments designed by Imre Reiner, 1949.
  4. VA Script No. 1 SB by Scangraphic Digital Type Collection, $26.00
    Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). The most obvious differentiation can be found in the spacing. That of the Bodytypes is adjusted for readability. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting. The kerning tables, as well, have been individualized for each of these type varieties. In addition to the adjustment of spacing, there are also adjustments in the design. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.
  5. 5 Fingered Goth SWTrial - Unknown license
  6. KR Irish Kat 5 - Unknown license
  7. Calligraphia Latina Soft 5 by Intellecta Design, $20.90
    One of the most successful ornament fonts is CalligraphiaLatina. It is part of a trend that’s been quite popular lately: messed-up calligraphy. CalligraphiaLatina is a worldwide best-seller from IntellectaDesign. Besides the original CalligraphiaLatina, its family of fonts (13 different sets) represents a complete solution of intricate fleurons and ornaments for use with various styles of artworks.
  8. Rolling No One - Personal use only
  9. Plastic No.25 - Unknown license
  10. Plastic No.20 - 100% free
  11. Minster No 1 - Unknown license
  12. Plastic No.29 - Unknown license
  13. Got No Heart - Unknown license
  14. Plastic No.28 - Unknown license
  15. Grotesque No. 9 by URW Type Foundry, $35.99
  16. News No. 14 by Monotype, $39.00
  17. Oldsman No. 1 by Serebryakov, $49.00
    Oldsman No. 1 is an uppercase font family. It was specially designed for logotypes and experimental editorial design projects. Geometric, rhythmic, modern... Try it!
  18. Baskerville No. 2 by Bitstream, $29.99
    This redesign is made from proofs, rather than the metal, and so is heavier, with particular attention to the Harris and the Monotype revision, which was made from proofs of Baskerville’s Great Primer (16pt).
  19. CA No Dr. by Cape Arcona Type Foundry, $30.00
    No Dr. was inspired by an old movieposter lettering for the 1962 movie "James Bond: Dr. No". Just like the original Dr. No, No Dr. has a diabolical charm. It was developed into a font family that combines distinctiveness with versatility. It has a good readibility as a textfont but also looks great as a Headline. The two widths and the two weights give you a big choice. Intended to become an interesting alternative to the much used DIN Schrift, it has now developed into a highly functional family of it's own.
  20. No Entry JNL by Jeff Levine, $29.00
    The hand lettered titles and credits from the 1958 war film “The Young Lions” command your attention with a bold block slab serif type style. This design has been digitally recreated as No Entry JNL, which is available in both regular and oblique versions.
  21. Edgar No 9 by Type Innovations, $39.00
    Edgar No. 9 is an original design by Alex Kaczun. Edgar No. 9 is a derivative work based on his Big Boy typeface series. It was designed specifically for display headlines, logotype, branding and similar applications. Primarily a display, this extremely versatile font has generous proportions, large counters and loose fitting which also allow the font to work well across a wide range of text sizes. Edgar No. 9 is a heavy baroque slab serif and although it shares the underling skeleton of 'Big Boy', it is a much more compact in overall proportions and spacing. A handsome bold headline font that works well in text as well as display sizes—ideally suited for publications and advertising. Alex plans to expand the font series to include a large range of weights along with corresponding italics numbering 1 thru 9, as well as, true small capitals and old style figures. Distressed version(s) will also be available in upcoming releases. Stay tuned, more to come soon. The large Pro font character set supports most Central European and many Eastern European languages.variations to expand this 'hip' new font series. Groovin' baby.
  22. Modern No. 20 by Bitstream, $29.99
  23. No Bad Days by Cardigan, $25.00
    Get RAD with this unique, fun, handwritten font by Cardigan. This pack includes two fonts. A bold, brush font with a supporting thin, handwritten script font. These typefaces ooze good vibes, adding a fun and edgy style to any design. Whether you need a hand drawn feel to a logo or a bold organic font that jumps off any page. No Bad Days has your back and is a total dream to work with.
  24. MPI No. 510 by mpressInteractive, $5.00
    No. 510 is a friendly, slim gothic face. Strokes have a gentle inward curve at the median with the tops and bottoms of the letters slightly wider and thicker. The design was first introduced by William H. Page & Company around 1887.
  25. Bodoni No. 2 by URW Type Foundry, $35.99
  26. Poldi No 1 by 066.FONT, $9.99
    Poldi No 1 is a display font in which each letter has been handwritten, giving it an authentic and original character. It exudes a varied and extravagant style, and with its daring and sophisticated letterforms, Poldi No 1 attracts attention and gives projects a touch of nonchalance. It is ideal for creative projects such as posters, invitations or branding materials, where a striking and distinctive text finish is sought that stands out. Remastered in 2022.
  27. Garamond No. 2 by URW Type Foundry, $35.99
  28. Synchro No. 2 by URW Type Foundry, $35.99
  29. Black No.7 by Typocalypse, $20.79
    Inspired by the famous Tennessee whiskey logo from 1866, the Black No.7 has over 400 glyphs including ligatures, alternates and special characters. Download the font for the price of a bottle Tennessee Whiskey. Note: If you plan on using the logos from the font for any commercial purpose then it is recommended that you contact those companies and request guideline information along with their official artwork. The Black No.7 has not been approved as official artwork by the company.
  30. Show No Shame by PizzaDude.dk, $20.00
  31. Gothic No.13 by Bitstream, $29.99
    A dark, condensed, nineteenth century sanserif made popular by Linotype, the capitals deriving from Barnhart Brothers and Spindler, the lowercase from Farmer.
  32. Sans No. 1 by Monotype, $39.00
  33. KG No Regrets by Kimberly Geswein, $5.00
    A hand-drawn sketchy serif font.
  34. Page No. 508 by HiH, $10.00
    Page No. 508 was designed by William Hamilton Page in 1887 as one of a series of designs for die-cut wood types for the firm of Page & Setchell of Norwich, Connecticut. Page & Setchell was the successor to The William H. Page Wood Type Company and was sold to the Hamilton Manufacturing Company of Two Rivers, Wisconsin in 1891. 508 is a heavy all-caps font designed for headline work. It has a strong presence that reverses out well (light-colored type on a dark background). Great for retro style posters.
  35. Make No Sense by Atom, $14.00
    Make No Sense is a natural, bold and powerful handwritten font. This will turn any design idea into a standout! Make No Sense make unreasonable designs outstanding!
  36. Garamond No. 4 by URW Type Foundry, $35.00
  37. MPI No. 508 by mpressInteractive, $5.00
    No. 508 is a chunky, friendly, modulated gothic font. Strokes have a gentle inward curve at the median, with the tops and bottoms of the letters slightly wider. The face was introduced by William H. Page & Company in 1890.
  38. No Parking JNL by Jeff Levine, $29.00
    No Parking JNL was inspired by a hand-cut stencil of those words painted in an area of a department store's parking lot.
  39. Futura No. 2 by URW Type Foundry, $39.99
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