Fresh new type from the Netherlands. An original, lively, eclectic semi-slab serif intended for general use. Quirky yet seriously usable, the family features enough weights to fit any design situation and all fonts are suitable for screen and print. Full Latin-script language support, including Maltese, Turkish, Vietnamese, Greenlandic, Azerbaijani, Afrikaans and localized Polish and Romanian. Download the Quick Start Cheat Sheet here to help you get the most out of Ipsum Semi. For requests or remarks, feel free to get in touch.

KREAK is a bold display font with 6 various styles for your needs. KREAK has uppercase, lowercase, alternative, and ligature letters. It’s fun, pop, vintage, and playful! WHAT'S YOU GET ? Unique Letterforms Works on PC & Mac Simple Installations Accessible in the Adobe Illustrator, Adobe Photoshop, Microsoft Word Fully accessible without additional design software. I really hope you'll get pleasure using Pagers font and it will be perfect addition to your font collection! Contact me with an inbox message If you have any question. Thank you! Happy Creating

Plenti is the fat font to add to your visual communication toolbox. Friendly, square, and quirky all at the same time. It is itching to get used on posters and websites.

Nicholas is a headline version of Goodchild , Shinntype’s version of Jenson . It has been specially modified with very fine details and an ultra-tight fit for headlines that really get noticed.

The design of this typeface was inspired by old Slavonic handwritten fonts. This font includes about 500 Cyrillic ligatures.

A simple, modern sans serif; clean and elegant, just like its inspiration. The name is a play on Futura.

A round modular typeface inspired by British movie posters of the 1970s such as Stanley Kubrick's A Clockwork Orange .

Designed inspired by video technology and meant for the use on television, but never really made it there. Yet...

For the creation of this font I was inspired by the old fonts created not one hundred years ago.

Wild curves, flavours and experimentation. That is Dans Le Cuisine, a set inspired by 60’s Chile cooking magazines.

Gandul is inspired by the old american typography and also in the "gandul" lifestyle, that means slacker in Spanish.

A fine font for monumental projects. It inspires and perfectly motivates for success and stability. Created from handwritten calligraphy.

This is a set of ornaments inspired by the art nouveau style. Frames, corners, rules and flowers are included.

1920s Art Nouveau hand lettering from the sheet music for Puccini's "Madame Butterfly" is the inspiration for Debutante JNL.

A real urban style font, inspired by the city. A total of 203 characters: UPPERCASE, 
lowercase, numerals and 
Punctuation.

This font was inspired by music from the band Silverstein. The main characteristics are the incredibly thin, orgainic lines.

Ciento is a multi purpose sans serif, inspired in old style typefaces, have 5 weights and four stylistic sets.

A highly decorative font inspired by victorian and flourish like designs. Great in header and large vintage style designs.

Mercurio is a sans serif type, inspired by scientific symbolism. It has a soft grey appearance suitable for text.

Inspired by Santa Catarina mountains, the shapes of the characters refers to the winding contour of the mountain Cambirela.

Audio Sans is a loud geometric sans-serif font family, set in six weights, inspired by vintage album covers.

Estandar is a retro and vintage wayfinding sans serif font, inspired by old signal in central park and Europe.

Inspired by H. Trafton's Quick, released by Bauer in 1933, Parfum is an elegant script font for many purposes.

An offbeat, fun, and frightful serif typeface inspired by the 1969 Rankin Bass animagic classic titled, Mad Monster Party.

A decorative font, plain and simple. Ordered and square. Inspired by space. It can be used easily with contour.

Bauhaus Geometric, economical, functional... The good, wholesome, modernist values that once fired up the tutors and students of the Bauhaus became the inspiration for FS Dillon after an exploration of the work of the pre-war art and design powerhouse in the Fontsmith studio. The font combines simplicity and directness with a characteristic Fontsmith warmth. Letterforms are compact, with a generous x-height, and built for maximum clarity and impact. The Bauhaus sought beauty through function. FS Dillon achieves it. Made for TV The weights of fonts for TV sometimes have to be adjusted so as not to “blow” on-screen. FS Dillon was originally drawn for the on-screen presentation branding of Film Four, whose primary colour was red. Black type on a red background looks heavier than white, so Dillon needed two weights that would allow white and black type to be used together, looking balanced and equal. Type design is an organic process. Years after developing FS Dillon, we revisited it, redrawing elements and adding italics to maintain consistency. Olympic You don’t get a much higher confirmation of the functional fitness of a typeface than to have it selected to guide visitors around an Olympic complex. FS Dillon was selected as the font for signage at some of the key venues at the London 2012 Olympic Park, helping to get spectators, athletes and officials from all over the world to their seats and starting blocks on time.

Get in the swing with Metairie. This high-contrast script from Jeremy Dooley sets the rhythm for your next headline or short phrase with its fresh, expressive forms. Metairie’s (sometimes exaggerated) scrawled letterforms play on the colorful world of calligraphy to bring you a fully developed personality of its own. Inspired by elixirs and pharmaceuticals of the 1800s, this design has forms that dig down deep to the soul. It brings a unique, vibrant feel for your next message. The typeface supports all major Latin languages, and the expanded OpenType capabilities let you slide elements easily and quickly into your design. Metairie also includes a number of distressed options. Improv a bit, too, with Metairie’s decorative ornaments, variations on the fleur de lis. Ornaments and tails are accessed through the glyph palette or using the Swash function. An extensive set of ligatures gives you more options for humanizing the handwriting on the page. Then take it up a notch by using the glyph palette to find the perfect solution for project. You have full access to this amazing capability with InDesign, Illustrator, QuarkXpress and similar software. We recommend that you explore what this font can offer by using the glyph palette. Get a glimpse of ​​the font’s strength by looking over the brochure in PDF format in the "Gallery" section. Ready to step in? Take a stab at your next design with Metairie. It could be just the color you need.

Clementhorpe is inspired by the lettering on an early 20th century enamel advertisement-for chocolate. From the dozen or so hand drawn letters found in that source Greater Albion Typefounders have constructed a family of Roman faces for display and text work, with bold weights, an italic form as well as condensed, small capital and title forms, all preserving the fun of their inspiration. The Clementhorpe family provides a complete solution for early 20th century inspired design work with Character, offering all the faces needed to complete a project or a range of projects within one family. Give this flexible family a try in your next project!

TT Ricordi Marmo useful links: Specimen | Graphic presentation | Customization options TT Ricordi Marmo extends the series of experimental projects within the TT Ricordi fonts collection. The main goal of the TT Ricordi project is to look for gems in old signs and on stone and bringing those inscriptions back to life in the form of contemporary fonts with the umbrella name TT Ricordi. TT Ricordi Marmo is an original experimental project by Eugene Tantsurin inspired by inscriptions at Basilica di Santa Croce in Florence. Working on it, we wanted to create a contemporary typeface that would unite the elements of a Florentine sans-serif mixed with more traditional visual solutions typical for the period's serifs. As a result, we got a bright and somewhat provocative typeface with irregular serif distribution, some unusual contours and a free spirit. In small body size TT Ricordi Marmo makes a neutral impression, but as the size gets bigger, the user is taken on a playful quest to search for interesting moves, graphic peculiarities and unusual solutions. TT Ricordi Marmo is great for poster design, packaging, and setting large and medium-sized inscriptions. Thanks to its idiosyncrasy, the typeface may look nice both at a poster in a grand academic theater and at an acid rave party. You can find a set of icon patterns that can be used in several ways. First, you can substitute letters with these patterns, thus getting an inscription with a visible graphic element. Then you can also construct borders and interval marks, or just use them as icons. All patterns are perfectly adapted to the design of letters in the font. TT Ricordi Marmo consists of 2 styles and one variable font. Each of the styles contains over 630 glyphs and 18 OpenType features. As we have conceived TT Ricordi Marmo as a poster typeface from the very beginning, it features small capitals instead of lowercase characters. In addition, the typeface has a set of interesting ligatures, stylistic alternates, pointers, hands, and pattern icons. TT Ricordi Marmo OpenType features list: AALT, CCMP, LOCL, NUMR, ORDN, TNUM, PNUM, CASE, SS01 (Alternative latin E), SS02 (Alternative Eszett), SS03 (Alternative Cyrillic I), SS04 ( Alternative Amper- sand), SS05 (Romanian Comma Accent), SS06 (Dutch IJ), SS07 (Catalan Ldot), DLIG, CALT, SALT.

DiaBolo is the result of a few broken slide frames glued together. It is no problem to build any letter with a simple slide frame. DiaBolo is a digitally and organic font.

Is a unique font, Sanwich sans is made with a messy character arrangement and an expanded width to get a silly and playful impression, suitable for use in casual themed graphic designs.

This display type family was developed with large headlines in mind. While the fonts work will at large size, they are not overbearing and get the point across without being too “shouty”.

Hinge is a modern font with a tradition feel on it. Inspired by curves and round touches of classic feel.

The unconventional structure of this typographic family was inspired in my fonts: Rosadelia, alcira, Navaja, Ninja 1, and Ninja 2.

Kalgellise is an elegant brush font with a bold twist. It will inspire any design projects with its authentic charm.

Inspired by an old document from the New York and Western Railroad, American West brings the olden days to mind.

This carefully crafted Display Serif Typeface was meticulously with inspiration from the beautiful Douro valley in the north of Portugal.

Godiva is vintage font family inspired by vintage lettering. It works perfectly for achieving that vintage aesthetic with your designs.