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  1. Velour Raw by SilkType, $35.00
    Velour Raw is a simpler, less contrasted version of the display typeface Velour. Velour Raw is legible suitable for text in smaller sizes. Velour Raw is available in 6 weights, from Thin to Bold, and supports Western, Central and South Eastern European languages.
  2. CounselorScript - Unknown license
  3. Mika - Unknown license
  4. ArtBrush - Unknown license
  5. Karate - Unknown license
  6. exotica - Unknown license
  7. Omibez by PizzaDude.dk, $20.00
    Omibez contains a number of more-or-less weird and funny drawings. The font was used for the first pizzadude poster which contains 18 of these pizzadudeish drawings.
  8. Six Minutes Narrow by Rawblind Basetype, $11.99
    SixMinutesNarrow is - as the name suggests - a narrow version of SixMinutes. Just as quick, dirty and tasty as SixMinutes, but it will fit more text in less space.
  9. Catellos by madeDeduk, $14.00
    Really excited to introduce Catellos is a serif family and comes with with two variant: Medium and Bold with many alternates and ligatures. It is suitable to create any branding, product packaging, invitation, quotes, t-shirts, labels, posters, logos and more.
  10. HVD Bodedo - Unknown license
  11. New Venice - Unknown license
  12. Metrolite #2 by Linotype, $29.00
    In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had little to do with cool geometry; for twelve years, until the introduction of Spartan, Mergenthaler lost ground to Intertype’s licensed version of Futura.
  13. Wood Poster Display JNL by Jeff Levine, $29.00
    Wood Poster Display JNL is a more casual sans wood type, with a bold and friendly appeal. This font offers a pleasant design which lends itself perfectly to titling, price cards, event notices and any print or web design that prefers a less formal structure to its typography.
  14. Diablo - Unknown license
  15. VTC-BadEnglischOne - Personal use only
  16. SF Grandezza - Unknown license
  17. SF Beaverton - Unknown license
  18. TypographerFraktur - Unknown license
  19. Pacific Script by Scholtz Fonts, $19.95
    Pacific Script is a font inspired by an alphabet created by Howard Trafton in the 1930s. However, I felt it needed some changes to bring it to the cutting edge of 21st century font design. Though designed as a display font, it works very successfully in longer passages of text, however, it should not be used in font sizes less than about 15 point. Small x height in contrast to extravagant caps gives the font a very dramatic feel. Though it has cursive qualities, the characters in this font do not connect, making it slightly more legible and less like handwriting. The inclusion of 26 alternate upper case characters give the user the freedom to create a hand crafted design. Language support includes all European character sets.
  20. Orca Pro by (v) design, $49.00
    Orca Pro is a modern sans-serif font family. Its lowercase letters are inspired by the well known OCR-A font, however every single glyph has been more or less revised. Capitals, numerals and all other characters and punctuation marks are entirely new. Feel free to download the PDF Specimen for detailed info and examples. The Orca Pro family consists of 10 fonts – light, regular, medium, bold and heavy weights including real italics. It supports many OpenType features like automatic fractions, ordinals, proportional/tabular figures, numerators, denominators, superiors, inferiors or case sensitive forms and offers great multilingual support for most of Latin-based languages (including CE). Orca Pro contains a number of standard and discretionary ligatures, numerals as well as 62 bullets, symbols and arrows. Orca reveals its soft, rounded character in bigger sizes while it remains distinct and legible in small sizes.
  21. Zesty Lime by Hanoded, $15.00
    Zesty Lime is a condensed typeface, hand made with a small brush and China ink. Zesty would look good on book covers, posters and packaging - but I guess you're not limited to those three options. Just enjoy! Comes with a generous squeeze of diacritics.
  22. Orbitron - 100% free
  23. Shady Characters - Unknown license
  24. Hinwil - 100% free
  25. DS UncialFunnyHand - Unknown license
  26. SF Beaverton SC - Unknown license
  27. Capitalis Goreanis - 100% free
  28. Peppa Pig - Personal use only
  29. Diotima LT by Linotype, $29.99
    Diotima was designed by Gudrun Zapf von Hesse in 1948, the italic even earlier, in 1939. Diotima is a festive font particularly well-suited to invitations, programs and poems. The delicate italic draws attention to text which should be emphasized. Zapf von Hesse’s Ariadne Initials and Smaragd are perfect complements to Diotima.
  30. Zega Grot by Isaco Type, $24.00
    Celebrate good times with Zega Grot family! This font is the companion of Zega Text but less “serious” than its predecessor. The Grot version has old vertical proportions, with higher capitals and asc-descenders, height difference between capitals and ascenders, beyond the redesign of various glyphs, giving a less formal tone, more rounded and cheerful. The family consists of 14 styles, 7 weights plus their respective italic versions. The fonts are available in OpenType PS and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Zega downloading the free trial font in Extrabold version (TT only).
  31. Waxtrax - Unknown license
  32. Alcuin by Linotype, $29.99
    Gudrun Zapf von Hesse designed the first sketches of Alcuin in 1986. The namesake of this typeface was an advisor of Charlemagne and was responsible for the writing reform of the Carolingian era. Alcuin was born in 735 in England, became an abbot in Tours and died there in 804. It was the idea of Zapf von Hesse to develop a modern text type based on the forms of the Carolingian minuscule. To create a text type that is excellent for a wide variety of applications, typical handwritten elements had to be discarded while still retaining the flow and character of handwriting. Alcuin with its strong calligraphic expression may be used in books, magazines, and also in the area of printed office communication.
  33. Pricetag - Personal use only
  34. Spin Cycle OT - 100% free
  35. Nakata by Hanoded, $15.00
    Mr. Nakata is another one of my favorite Haruki Murakami characters. Nakata typeface is handwritten, sloppy and messy, but comes with intelligent features like alternates and ligatures, to make it look more like handwriting and less like a font. Of course, Nakata speaks most Roman-based languages.
  36. Ziro by Wilton Foundry, $29.00
    Ziro expresses itself boldly and spontaneously. It consists of two different sets of capitals to help create natural handwriting effect. The letter "I" is treated like a lowercase "I" and the letter "O" has a dot in the center. The lowercase variation does not have a dot in the center for those less adventurous applications. Ziro is loose and raw in larger sizes and therefore has many useful applications that may include restaurant logos, menus, boutiques, packaging, etc.
  37. Ambient - Unknown license
  38. Backfire - Unknown license
  39. Numpty by Hanoded, $15.00
    Numpty is a word of Scottish origin and means ‘someone who, by speech or action, demonstrates a lack of knowledge’. I use this word quite often (as this world, unfortunately, seems to be full of numpties). And guess what? Now you know what it means, you can use it too! Hooray! Numpty is a fat, rounded display font. A little uneven, a little weird, but with enough panache to make your designs stand out.
  40. Urbane Adscript by Device, $39.00
    Urbane Adscript is a script companion to Urbane. A monoline semi-linking sans, it has the same number of weights and the same cap height and x-height as the Urbane family, meaning the two can be used together harmoniously. It features swash capitals that can be toggled on or off in the Opentype panel, or chosen individually from the Glyphs menu according to taste. Almost every capital has a swash alternate, and many have two. In Adobe Illustrator, the more decorative swash can be found under “swash”, the less decorative as an alternate. Also includes lining, tabular and old-style numerals.
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