Presenting Weekend Mood! An Aesthetic Font in 2 Versions. This font made with the perfect combination of each character. You can combine to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Weekend Mood looks unique and playful style on design projects. So, Weekend Mood can't wait to give its touch to all your design projects such as quotes, crafted, kids design, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? 1. Weekend Mood Regular (Version One) • The first version comes with uppercase, lowercase, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Weekend Mood Alt (Version Two) • The second version comes with uppercase, lowercase, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). A Million Thanks Colllab Studio

Afical update 2.0 version Afical Composed of 3 set families, consists of 35 fonts matching italic: Afical Std, Afical Neue, Afical Stencil. families all with distinctive qualities and features but share the same basic construction and proportions. Afical has been carefully crafted to focus on Text sizes and legibility with a high x-height, we developed it with Manual TrueType Hinting. Afical It's a perfect choice for publication, Packaging, logo, branding, Signage, wayfinding design systems, as well as web and screen design OpenType features: Alternate Characters SS.01, SS.02, SS.03, SS.04, SS.05, Denominators Case-Sensitive Forms, Tabular Lining, Fractions, Ordinal, Ligatures, Discretionary Ligatures, Subscript, Superscript, Language Support: 63+ (Latin based) languages Afrikaans, Albanian, Asu, Basque, Bemba-language, Bena, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Gaelic (Irish, Scots), German, Gusii-language, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Cornish, Luhya, Luo-Language, Machame, Madagascan, Makhuwa-Meetto, Makonde, Malayan, Manx, Morisyen, North-Ndebele-Language, Norwegian, Bokmål, Nynorsk, Nyankore, Oromo, Pare, Portuguese, Rombo, Rwandan, Rukiga, Rundi, Rwa, Samburu, Sango, Sangu, Swedish, Swiss German, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Taita, Teso, Vunjo, Zulu Behance Looking for custom Afical? Please send us an email at hello@formatypefoundry.com Designed 2017 Published 2021 2021 Copyright © Formatype Foundry All rights reserved

Freundschafts-Antiqua AR is based on a 20th-century German type design. Freundschafts-Antiqua (which was also called Chinesische Antiqua) was designed by the Chinese calligrapher Yü Bing-nan when he was a student at the Hochschule für Grafik und Buchkunst at Leipzig in 1960. It was cast in 1964 by VEB Typoart, Dresden, in 9-pt and 28-pt (Didot). The design combines the best German traditions with the Chinese bamboo pen. It is a unique, wholly modern, yet quiet and dignified typeface which is well suited for text-setting in many sizes. The original design was carefully crafted with all non-kerning letters (none of the letters overhangs its side-bearings); the lower-case f was designed so that no ligatures were needed. The AR fonts include the type's ch and ck logotypes, monetary signs and all the standard accents. The letterfit of the original design is retained and, as can be seen in the attached printable .pdf, text composed at normal sizes is very agreeable indeed. Freundschafts-Kursiv AR A features old-style (non-lining) figures and 'kerning' letters; Freundschafts-Kursiv AR B contains lining (cap-height) figures and all non-kerning letters following the original design of the face.

Introducing Magilio - A Chic Serif Fonts Beautiful and soft fonts in a contemporary style that can make your design projects look modern, elegant and luxurious. Made with many alternative characters to make it easier for you to do various design projects and give you fun while typing. You can apply them to designs like social media posts, logos, merchandise, book covers, posters, video content thumbnails, quotes, landing pages, wedding invitations and much more which you can make with this great item for any design :) Features: -Uppercase -Lowercase -Numeral -Punctuation -Multilingual -Opentype Features & PUA Encoded Multilingual contained: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu. Note: Use a program that supports the Opentype features and the glyph panel is available, so you can see the various alternative characters available. Examples of programs such as Adobe Illustrator, Corel Draw or Affinity Designer.

Broken letters or Gothic letters, also known as German letters, are the typeface used in Europe West from the 12th century to the 17th century. Meanwhile, Danish spoke it until 1875 and German, Estonian and Latvian spoke it well into the 20th century. Fracture is one of the broken typefaces that is often considered to represent the entire broken typeface. Broken letters are sometimes also called Old English, but not in the Old English or Anglo-Saxon sense that was born centuries earlier. This group of letters is so named because it contains Latin letters that have breaks in the curvature of the letters, either in part or in whole designs. The fracture arises from a sudden dip when writing certain parts of the letter. In contrast, letters with perfect, unbroken curves, such as Antikua, are created from smooth, flowing writing movements. Callimathy is a font inspired by the Blackletter typeface, made with a modern impression but still looks strong and unique. In addition, Young Best font is also supported with multilingual characters that can be used in several international languages. Callimathy font is very suitable for use in making music album cover designs, tattoo logos, wishkey labels, packaging pomades and so on which are made with dark and strong concepts.

Reminiscing the old era of historical books (seriously, that old), circa 19th century. We crafted the letters by connecting the dots from the past with research for every flow, ornaments, look, and feel, to precisely aim for that perfect shape. Ephemera Blackbooks are born with a dark and robust personality. Feel the European historical mood right away, even with just typing it with your keyboard. You don't even realize when the design is done cause we make it so easy as a one-click-time-machine to your works using Ephemera Blackbooks font. It will be a perfect armory for a vintage headline, old book cover concept, sign, posters, playing cards deck design, vintage labels, beer labels, bar decoration, apparel, merchandising, you name it. OTF Features : Stylistic Set 01 to 07 and Ligature Glyph Count : 355 glyphs Language support : Afrikaans, Albanian, AsuBasque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, VunjoZulu

A complete figurative alphabet was published by one Peter Flotner (ca. 1485-1546) in 1534. In Flotner’s alphabet, naked or nearly-naked figures are posed singly or disposed in pairs to form the various letters. Unlike de Grassi’s alphabet, we find only human figures here, no other animals. And unlike Tory’s illustrations, these letters seem an end in themselves, rather than the means of demonstrating a design strategy. Flotner’s alphabet was imitated by other engravers. The letters G and N are reproduced from an alphabet published by one Martin Weygel in Bavaria in 1560. Peter Flötner , c.1485-1546, German medalist and artisan, possibly Swiss by birth. He was active in decorative sculpture, wood carving, and other crafts, making medals and plaques and furnishing designs of classical motifs for silversmiths. He was in Nuremberg by 1522 and did most of his work there, although he made two trips to Italy. Flötner is now regarded as a pioneer of the German Renaissance. His Kunstbuch was published in 1549. In the Metropolitan Museum are five of his bronze plaques illustrating biblical episodes. A stylistical tip : Use this caps with SchneiderBuchDeutsch, as shown in the banners above, to create a perfect historiated layout.

Dream Within a Dream was the title of exhibition of Czech art inspired by the work of Edgar Allan Poe curated by Otto M Urban and Veronika Hulíková. Three dozens of artists exhibited their works in the Czech National Gallery in 2020. The cataloguje was printed with the use of the present typeface. Artists took significant interest in Poe's literary oeuvre only after the writer's untimely death. This was mainly thanks to the poet Charles Baudelaire who translated Poe's works to French. As early as in the second half of the 19th century, prominent artists such as Edouard Manet, Odilon Redon, James Ensor and Gustave Doré created remarkable artworks inspired by Poe. Although the first Czech translations of Poe's woks date to the 1850s, artworks inspired by them only appeared several decades later, at the turn on the 20th century. Poe's poems and short stories inspired František Kupka and soon after him, Josef Váchal, Jan Konůpek and František Kobliha. Alfred Kubin, a German artist born in Bohemia, made illustrations for the German translation of Poe's collected stories. Later on, Alén Diviš and František Tichý created further Poe-inspired artworks. Poe was a source of inspiration for Jan Švankmajer and more recently, František Štorm and Jaroslav Róna.

Proudly present Silver Linings Typeface. Say hello to Silver Linings A classy eighties magazine inspired serif condensed - with a complementary lowercase version. In true Eighties style, they also come in varying degrees of Condensed form - mix and match them to create eye-catching effects. Don't forget to use all caps too in your mixing and matching - it adds contrast and impact to your type design. Design tips! : Tighten your letterspacing for larger titles to create a range of looks. Comes with alternatives and ligatures, and helps to create stunning magazine imagery, quotes, posts, blog posts, branding projects, logo, poster and much more. Font Features : Lettres, numbers, symbols, and punctuation 20+ alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin). Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Introducing Seafont - serif typeface , 24 fonts + 26 swashes Seafont is elegant and timeless typeface loaded with 24 font styles (narrower, narrow, regular, wide, wider, widest) 26 swashes, 87 languages support and ligature glyphs to make you typography truly unique! Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusi,i Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian, Bokmål, Norwegian, Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish, Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss, German, Taita, Teso, Turkish, Upper, Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Narrower - 4 weights Narrow - 4 weights Regular - 4 weights Wide - 4 weights Wider - 4 weights Widest - 4 weights Multilingual support - 87 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!

Best Swashed is a beautiful, versatile serif font. This font is characterized by a serif style with a luxurious style in a modern form, but also a friendly and playful style in bold, Best Swashed has glyphs to give crafters more options in designing. This modern style will make a design appear more classy, elegant, unique and edgy. Best Swashed is a font suitable for many projects, for modern or even retro vintage designs, branding, logos, crafts, stickers, sublimation, wedding invitations, and more. This font is suitable for a variety of projects such as logos, branding, magazines, signage, fashion, and many more. -Uppercase and lowercase letters, Numbers and punctuation, Multilingual support, PUA encoded fonts, Alternative styles and ligatures Language Support: Afrikaans, Albanian, Basque, Bemba, Bena, Bosnian, Catalan, Chiga, Congo Swahili, Cornish, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Romansh, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Language Support: Breton, Catalan, Czech, Danish, Estonian, English, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Romanian, Scottish Gaelic, Slovak, Slovenian, Spanish, Swedish. Thank You

Vintage Glamour comes with an aesthetic style, and its serif-type tagline is Vintage and elegant. This font comes in eighteen thickness levels, from thin to black, to suit your needs. Vintage Glamour is also equipped with the latest professional characteristics that can present an elegant and attractive identity for your company or project for business purposes. It goes well with modern serifs and scripts that depict or stand firm as titles and brand representatives for an elegant look. Vintage Glamour has 18 font styles ranging from thin to regular and italic. This will go a long way in creating the perfect impression, giving you many options you'll want to use in each design. Vintage Glamour also comes with multiple languages, making any country and language easy to use. It also comes with alternative Ligatures and styles to make your designs more attractive. Vintage Glamour is suitable for branding projects and various design purposes such as business cards, name tags, and uniforms as a brand enhancement. Advertisements, posters, invitations, branding, logos, magazines, merchandise, presentations, etc. Supports languages: Afrikaans, Albanian, Asturian, Asu, Azerbaijani, Basque, Bemba, Bena, Bosnian, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Icelandic, Igbo, Indonesian, Irish, Italian, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Low German, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Turkmen, Upper Sorbian, Vietnamese, Vunjo, Walser, Welsh, Western Frisian, Yoruba, Zulu A guide to accessing all alternatives can be read at http://adobe.ly/1m1fn4Y Adobe Photoshop go to Window - glyphs Adobe Illustrator go to Type - glyphs Features: A – Z Character Set a – z Characters set Numerals & Punctuations (OpenType Standard) Multilingual Thank you and have a nice day

Virtuosa Classicis the 21st century OpenType re-release of a classic Hermann Zapf design, his very first script typeface, Virtuosa. Based on the same sketches that would inspire Zapfino 50 years later, Hermann Zapf developed Virtuosa in 1948-49. It was originally released in metal in 1952. Virtuosa nova is an English copperplate script with character. The font includes two form variants for each capital letter, and there are a number of lowercase alternates and ligatures, too.

Künstler Grotesk ML is one of a number of typeface designs that attempts to reconcile Germany’s blackletter tradition with the international familiarity of roman letterforms in a simple, robust design suitable for meeting the demands of a modern industrial economy, while rejecting the extraneous ornamentation of the departing Victorian era. It is an all-cap design with a number of playful ligatures. It has an appealing boldness that reverses well. Künstler means ‘artist’ in German. I had always assumed it was a person’s name until I came across the translation. Lesson: conjecture is not fact. Grotesk refers to a sans serif letterform tradition. Kunstler Grotesk was originally released by Bauer'sche Giesserei of Frankfurt am Main circa 1900. Künstler Grotesk ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 350 glyphs, 260 kerning pairs. 2. Added OpenType GSUB layout features: pnum, salt, dlig (19) and hist. 3. Revised vertical metrics for improved cross-platform line spacing. 4. Redesigned mathematical operators. 5. Included tabular (std) & proportional (opt) numbers. 6. Refined various glyph outlines. 7. Made CcNnOoSsZz-kreska available (salt). 8. Incorporated alternate glyphs in lower case.

Hermann Zapf’s Melior exhibits a robust character through classic and objective forms. Versatile and extremely legible, it can be used for a variety of texts and point sizes.

Irrlicht is based on C. H. Kleukens’ 1923 typeface Judith Type . Whilst Dunkle Irrlicht is a fairly faithful rendition and extension of Kleukens’ typeface, the Licht style was initially added as a stand-alone stencil version; yet, the two styles work perfectly together – for different nuances, for emphasis or simply stacked/layered. Irrlicht is equipped with upper- and lowercase ligatures, contextual and stylistic alternates, fractions, superior and inferior figures, extended language support and a few extra goodies. Additional information – How Irrlicht came to life Christian Heinrich Kleukens cut his Judith Type in 1923, at the peak of German expressionism, exclusively for publications with the Ernst-Ludwig-Press, such as a limited series of biblical prints – the first being the Book of Judith , hence the original’s name. I stumbled upon this typeface a couple of years ago in a nice little 1930 booklet of the Gutenberg-Gesellschaft and was struck by its forceful darkness on paper and its seemingly simple, crude letterforms. The lack of a long-ſ in the final version of Judith Type – quite unusual for a German typeface of that time – adds to this feel of crudeness and spontaneity*. Judith Type seemed to me like a semi-blackletter cousin of Rudolf Koch’s typeface Neuland (cast in the same year). Besides its apparent affinity with expressionism, it reflects a lot of that deeply spiritual craftsmanship of the era – much like Neuland. A few months later, when I was working on a stencil project and looking for a typeface that could be cut into thin wooden plates easily, I remembered those dark, sharp letters that seemed to be lacking any curves at all. After enlarging a few letters and tracing them by hand, the whole set was redrawn digitally, using only straight lines. As for spacing, the goal was to keep the letters tight but to avoid touching characters – without ironing out all the original’s tension and rhythm. Deliberate kerning, subtle contextual alternates and ligatures help to deal with critical glyph combinations. Two additional versions were developed: a stencil version with open counters and, in reference to a popular style of the 1920s and inspired by dry, cracked wood, an inline version. These two additional styles were later merged into one font – Lichte** Irrlicht was born. — AARHAUS * Consequently, the original typeface’s German eszett is simply a ligature of the “round s” and standard z . In some of his publications, Kleukens dispenses with using eszett altogether and sets double s instead. Irrlicht , however, does feature a more common eszett (ß); the original, among other more faithful letter forms, can be accessed via the stylistic sets feature ** licht – literally bright – being the German term for inline typefaces – not to be confused with leicht ( light )

Schneidler-Initialen (initials) was designed in 1936-37 by Friedrich Hermann Ernst Schneidler (1882-1956). Originally known as Schneidler Mediaeval, the font was revived and released by GroupType in 1994.

Surprise Pro is designed by Naghi Naghashian. It is a delicate decorative headline font. The character set of this Font supports most western languages including: Afrikaans, Basque, Breton, Catalan, Danish, Dutch, English, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Norwegian, Portuguese, Sami, Spanish, Swahili and Swedish. There are 17 additional symbol characters: euro, litre, estimated, omega, pi, partialdiff, delta, product, summation, radical, infinity, integral, approxequal, notequal, lessequal, greaterequal, and lozenge. It also includes the characters necessary to support the following central European languages: Croatian, Czech, Estonian, Hungarian, Latvian, Lithuanian, Polish, Romanian, Serbian (Latin), Slovak, Slovenian and Turkish.

Ethna is a modern sans-serif font. It perfectly represents modern and vintage esthetics. The font includes uppercase and lowercase letters and multilingual support. This font looks amazing as standalone words and as full text blocks. Also it good for bright captions and unforgettable logos. Language support for more than 30 languages: Afrikaans, Basque, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Filipino, Finnish, French, Galician, German, Indonesian, Irish, Italian, Latvian, Lithuanian, Malay, Norwegian Bokmal, Portuguese, Romanian, Russian, Slovak, Slovenian, Spanish, Swahili, Swedish, Zulu etc. Download Ethna for your next project today! Thank you and have a great day!

German type designer Hans Reichel created this sans FontFont in 2004. The family has 6 weights, ranging from Light to Black and is ideally suited for editorial and publishing and small text. FF Dax Compact provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Dax super family, which also includes FF Dax and FF Daxline.

Linotype Mhai Thaipe is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. The work of German designer Markus Remscheid, the name is not hard to recognize as an English-Asian play on my type and describes its general character. The small circles which ornament the alphabet and the unusual flowing forms which look like a mixture of Arabic and Sanskrit combine to give the typeface an ornamental, exotic look. Linotype Mhai Thaipe is best used for headlines with point sizes of 12 or larger.

German type designers Hannes von Döhren and Livius Dietzel created this sans FontFont in 2010. The family has 16 weights, ranging from Extra Light to Black (including italics) and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Basic Gothic provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

#boldisbeautiful, and there's a whole lotta bold in this hand painted brush font, Stay Bold! With extra chunk in the trunk and a rough paintbrushed edge, Stay Bold cuts straight to the point; ideal for designing big impact merchandise, eye catching social media & marketing posts, and attention-grabbing product packaging & branding projects. Stay Bold supports uppercase, lowercase, numerals and a large range of punctuation. Includes multilingual support for the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norweigen, Danish, Dutch, Turkish, Polish, Finnish, Indonesian, Filipino, Malay Thanks for checking it out, and don't forget; Fortune favours the bold.

The Qewek Font Face Family created according to the 20th Century's famous fonts structure adopted and recreated to use for today's platforms. The Font Family Supporting European Languages such as Spanish, French, German, Swedish, and Turkish. The Qewek family could be using postmodern, modern, surreal, and many design styles. Also, Qewek has a so unique and sweet look with a functional shape that is completely awesome for use in print base media and also digital base magazines and newspapers. Just imagine you reading a magazine with a font that is at the same time completely new and also has a classic shape.

Polites is a millennial generation serif font family, made with a very soft touch and it comes in 12 upright weights. Polites works great in any branding project, for logos, magazines, films. The different weights give you a full range of applications, while the outlined fonts give a real modern feel to any project. Multilingual support for various languages, including: French, German, Spanish, Portuguese, Italian, Dutch, Finnish, Swedish, and more. OpenType features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office. They can also be accessed through the character map.

German type designers Henning Wagenbreth and Steffen Sauerteig created this display and serif FontFont in 2000. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, film and tv, editorial and publishing as well as poster and billboards. FF Prater Serif provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Prater super family, which also includes FF Prater Block, FF Prater Sans, and FF Prater Script.

German type designer Siegfried Rückel created this sans FontFont in 2011. The family has 10 weights, ranging from Regular to Black (including italics) and is ideally suited for film and tv, logo, branding and creative industries, software and gaming as well as web and screen design. FF Nuvo Mono provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, super- and subscript characters, and stylistic alternates. It comes with tabular oldstyle, proportional oldstyle, and tabular lining figures. This FontFont is a member of the FF Nuvo super family, which also includes FF Nuvo.

A slightly regularized digital version of a late Baroque Fraktur type, probably from the beginning of the 18th century, issued by the Norstedts type foundry in Stockholm in 56 point size as "Sju petit fraktur nr 2". This digital font is designed for rather large sizes, at least 30 points. The font includes accented letters for all Western languages, as well as a long s and the usual Fraktur ligatures, e.g. ch, ck, st, tz. The font can be used for logos, packaging, posters, restaurant menus, beer and wine labels etc. associated with traditional German and Scandinavian culture.

Introducing Clasifa font a retro bold script style typeface. Inspired by retro typography and lettering in the '70s and '80s combined with bold typography style. This Font is perfect for vintage and retro design, badges, logos, posters, branding, packaging, signage, book cover and so much more! Multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. Hope you enjoy our font!

Inspired by the Art Nouveau movement in Belgium we've created a new and bold typeface. Amberes® is a sans serif font, it can be a loud and proud hero or a humble supporting actor, upgrading your lay-outs in no time. 3 weights plus matching Obliques. The font is distributed in OpenType format, including kerning and other features. This font also includes Latin extended glyphs, so it supports languages such as: Dutch, French, Vietnamese, German, English, Afrikaans, Catalan, Croatian, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbian, Slovak, Slovene, Sorbian, Turkish and Welsh.

New York designers Ed Benguiat, Victor Caruso, and the staff at Photo Lettering, Inc. developed the ITC Korinna typeface family during the 1970s. ITC Korinna is based on an older German design that was originally cast at the beginning of the 20th century. That ITC Korinna was created speaks to the status that Art Nouveau had for designers during the 1960s and 70s. Thanks to their keen reviving of this ever-popular style, computer users can still use this type style today. ITC Korinna is perfect for display and advertising typography, as well as for headlines in newsletters and magazines.

Dellico stylish font is a signature hand-painted typeface designed to help you create the look of stunning custom hand-lettering. The Uniqueness comes with upper and lowercase characters, punctuation, numerals, supports international languages, and OpenType features with Stylistic Alternates, Contextual, and ligatures Dellico Handwriting Font multilingual support: Afrikaans, Albanian, Catalan, Danish, Dutch, English, Estonian, French, Finnish, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanish, Swedish, Zulu, and many more. What’s Included : Standard & Multilingual glyphs Ligature Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. Hope you enjoy our font!

PiS Malefiz is inspired by the hand-drawn type on the package of the german 60's version boardgame „Malefiz“, also known as Barricade or Barricata. Extended to five hand-drawn weights PiS Malefiz turned out to be the weird lovechild of Saul Bass and Ralph Steadman, fun and childish plus angry and strange. Just as playing the boardgame, PiS Malefiz is a wild and superfast rollercoaster ride of emotions! Combine the five interchangeable weights for total whackyness or use the clean and legible thin and regular versions for sleek and slender slanting. Have fun! Keep the dice rolling!

Helmswald Post is a handsome Blackletter that's been years in the making. There's a mix of wispy terminals, flamboyant caps, and the use of negative space to create contrast. Elements from High German, Old English, and many other styles make their way into this gorgeous display font. The result is a medieval looking script with cleaner, more modern feel. In addition to European accents Helmswald Post is equipped with Cyrillic, alternates and ligatures. Old world numerals are present by default but may be substituted by accessing the stylistic sets. Use it for a book cover, web headings, or a restaurant logo.

German type designer Ole Schäfer created this sans FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, small text as well as wayfinding and signage. FF Fago Correspondence Serif provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining figures. This FontFont is a member of the FF Fago super family, which also includes FF Fago, FF Fago Correspondence Sans, and FF Fago Monospaced.

Linotype Vision is part of the Take Type Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contests of 1994 and 1997. Created by German designer Dan-André Neimeyer, the font contains five weights. The characters look as though they are constructed of fragments fitted only loosely together. Just enough of each character is put onto paper so that the eye of the reader can complete the conventional form. Based loosely on sans serif forms, the font has a futuristic, mathematical feel. Linotype Vision is exclusively for headlines in point sizes of 18 and larger.

Skate Story is a stunning hand brush font with a graffiti-style feel. Get inspired by its unique charm, and turn any design project into a true stand-out. This brush typeface is supporting multi-Languages, which include: Afrikaans Albanian Catalan Danish Dutch English Estonian Finnish French German Italian Norwegian Portuguese Spanish Swedish Zulu. Skate Story will look outstanding in any context, whether it’s being used on busy backgrounds or as a standalone headline! You will get : Skate Story Basic Latin A-Z & a-z. Numbers, symbols, and punctuations Swashes Multilingual Support. Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you