Hello, Are you looking for a Comic/Cartoon font? Do you want of creating Something that stand out and inspire creativity, imagination, and endless fun? Wait no more, we will give you the best choice. Square Blast a Playful Square Font Square Blast a Playful Square Font, Inspiring from playful bouncy cartoon style typography. This font is perfect for a design that makes it more attractive and playful. made with a very good level of aesthetics making this font suitable for book cover, children book, comic, poster, packging, merchandise, logotype and much more. Square Blast font includes Multilingual Support, among others : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Cornish, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Luo, Luxembourgish, Luyia, Machame, Makhuwa, Meetto, Makonde, Malagasy, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Uzbek (Latin), Volapük, Vunjo, Zulu FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype

Cyber ​​Graph is a rounded futuristic font with 2 styles light and regular. This font is very suitable for headlines, logos, movie titles, game titles, labels, sci-fi magazines, packaging, or all kinds of advertising purposes. This font is equipped with PUA Encoded so that the OpenType feature (ligatures & Stylistic alternates) can be accessed on design software such as Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and even work on Microsoft Word. To access all characters in Microsoft Word "click Insert-Symbol-More Symbols" If you have any questions, don't hesitate to contact us; we will be happy to help. Support for 82 languages Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Hungarian, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu.

Proudly present Meler a modern ligature serif font with a touch of elegant. Meler a modern ligature serif font that draws inspiration from the iconic style of the era. Its regular and edgy lines make it the perfect choice for creating retro-inspired logos, fashion brand, magazine, clothes, lettering, quotes, and other design materials. With Meler, you can effortlessly infuse your work with a touch of nostalgia and capture the essence of the 90s in your designs. Font Features : Lettres, numbers, symbols, and punctuation 33 alternates and ligatures No special software required they may be used even in canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Kindly check over on Instagram! https://www.instagram.com/clevustudio/ Have a Good Day !

Hello Everybody Hurry up and take handwritten works with natural scribble effects to design your product to make it look more memorable & attract everyone's first glance ! Real Dreams is a stylish and brushed handwritten font. This gentle font will look gorgeous on a variety of design ideas. It will add a joyful and romantic touch to each of your projects! Features: – Swash Collection – Unique Ligatures – Special Underline – Multilingual Support 83 Country – PUA Encoded – Numerals and Punctuation Language Support : Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Catalan, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, Embu, English, Esperanto, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Inari Sami, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalaallisut, Kalenjin, Kamba, Kikuyu, Kinyarwanda, Latvian, Lithuanian, Lower Sorbian, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, Northern Sami, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Serbian, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Tait, Teso, Turkish, Upper Sorbian, Uzbek (Latin), Volapük, Vunjo, Walser, Zulu. Thank you and happy design !

Hua type family is a sans-serif with very humanist details to represent the essence of nature. It features 14 weights from the very thin to the very bold, generously covering a wide range of the natural spectrum. Aiming to represent the soft and elegant side of nature, Hua features very unique italics that have their own take on the identity. The letterforms of the italic fonts are inspired by the lineage of both traditional calligraphic approaches for serifs and much simpler forms for sans-serifs. Hua provides very crisp performances on screens and its large x-height combined with fine-tuned proportions help it retain legibility very well on smaller sizes.  Features: • Support for 200+ Latin languages • Double & single storie “a” & “g” • Unique italic letterforms • Low contrast with unique details • Small caps with symbols • Arbitrary and defined fractions • Support for superscript & subscript in normal & scientific alignments • Proportional lining, proportional old-style, tabular lining, tabular old-style

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

The Clearface types were originally designed by Morris Fuller Benton in 1907. Their forms expressed the Zeitgeist of the turn of the 20th century; typical and distinguishing characteristics are the forms of the a" and the "k." The ATF version did not include an accompanying Italic. In 1978, ITC's Victor Caruso was licensed by ATF to develop a new serif typeface and matching italic based on the forms of Clearface. The result was ITC Clearface, a serif typeface with marked stroke contrast and italic weights. The teardrop-formed endings of the lowercase a, c and f (also found in Caslon) define the character of the face. The type's design is also distinguished by its small -- almost slab -- serifs, a large x-height, and little stroke contrast. ITC Clearface, with its historical touch, is good for both texts and headlines, but its slightly condensed nature performs at its best when it is allowed its space.

Pluto - and its straight companion Pluto Sans - was designed by Hannes von Döhren. The whole family consists of 16 Pluto Uprights, 16 Pluto Italics, 16 Pluto Sans Uprights and 16 Pluto Sans Italics; 64 fonts in all. Type designer Hannes von Döhren has created Pluto, a sweet type family consisting of 16 Uprights and 16 Italics; 32 fonts in all. The fonts are informal and friendly at first sight and lend themselves to display settings, however the straight and upright architecture of Pluto also makes it perfect for longer copy. Because of its large x-height, it even performs nicely in very small sizes. This contemporary type family is ideal for use in retail, cosmetics, food and hospitality applications and advertising. Pluto is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.

Capital is a multifunctional super family with modernist roots. It is comprised of two distinct subfamilies: Gothic and Serif. Both share the same structure and proportions and come in seven weights – thin, light, regular, bold, extra bold and black, along with corresponding italics. Both Capital families are equipped with a full set of Cyrillic characters, making them a versatile choice for multinational use. All Capital fonts come with the following Open Type features: Small Caps, Old Style Figures, Fractions, Numero-sign & Ligatures.  Features specific for Gothic roman versions only are Circle Numerals, Titling alternate for the R character and Arrows. The Gothic italics have a Titling alternates feature where the true italic forms are omitted and replaced with simpler stroke endings. Both Capital gothic and Serif families are true workhorse fonts that can carry out almost any typographic task. Combine them both for the best results – multi-pack available for a no-brainer price.

Menara is a captivating vintage serif font that effortlessly blends elegance and charm with a touch of nostalgia. This condensed typeface showcases the beauty of traditional letterforms, infused with a contemporary twist. Its italic variant adds a dash of dynamic flair, creating a truly versatile font that is perfect for both classic and modern design projects. With its refined and sleek appearance, Menara exudes a sense of sophistication and refinement. The condensed letterforms allow for maximum impact, making it ideal for headlines, titles, and branding materials. Whether you're designing a vintage-inspired logo, packaging, or editorial layouts, Menara delivers a timeless aesthetic that commands attention. The italic style of Menara introduces a subtle sense of motion and playfulness to the font. It adds an expressive quality that can bring emphasis and character to your designs. Perfect for adding an extra touch of elegance to wedding invitations, book covers, or product labels, the italic variant of Menara lends a unique personality to your typography.

Marlin Soft is a rounded corner version of our Marlin Geo font family and like its parent font also includes two sets of italics. The standard italic is set at twelve degrees and the slant version set at six degrees, the slant version is perfect for signage and headlines where you may want the look of an italic but are limited on horizontal space. Marlin Soft includes many alternates which may be accessed using opentype aware applications, with over three hundred alternates to choose from your creative possibilities are great. Whether you're looking for a round dot or a square dot Marlin Soft is one font family that delivers both set up as two separate fonts so you may change a whole page of text at one time. Your projects are sure to look nice and cozy with the warm feeling Marlin Soft will bring to your product label or page design. Three free sample basic fonts are available which are fully functional minus the alternates.

Please welcome Frock! It is a sans serif typeface for broad range of usage. It is designed with a slightly slanted oval shaped counters, medium contrast and based on American gothic typefaces with "not so formal" feel. The italic styles are flowy and almost true italic. Swash alternates for some uppercases and lowercases are useful for logo, display and poster. This family comes with 16 styles, uprights and matching italics, consisting of 8 weights from thin to ultra. It is also equipped with useful OpenType features such as Ordinals, Superiors, Stylistic Sets, Proportional Lining Figures, Standard Ligatures, Discretionary Ligatures, Fractions, Numerators & Denominators. Each font has 770+ glyphs including swash alternates which covers Western & Eastern Europe, and other Latin based languages – over 200 languages supported! Frock will be suitable for many creative projects. This typeface will be perfect for logos, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quotes, advertising, invitations, packaging design, books, book title, and more!

The Exileon is a Script&Serif Font with a modern style. Soft curves are combined with high contrast glyphs, conveying both feminine and masculine qualities. This font consists of 3 Regular Serif Fonts, Italic Serif and Script, with many unique ligatures provided. Great in layout design for quotes or body copy, best used as a display for headings, logos, branding, magazines, product packaging, and invitations. Mix between Script and Serif to create a unique and very beautiful look, and add italics to complete the sentence you want. What do you get: The Exileon Serif Regular and Italic, Exileon Script, Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even works in Microsoft Word. Encoded Characters Fully accessible without additional design software. Fonts include multilingual support. Images used : All photos/images/vectors used in the preview are excluded, for illustration purposes only. Feel free to follow, like and share. thank you very much for checking my store!

French Typewriter is a slab serif typeface created in 2019 by Jean-Renaud Cuaz. It takes roots in the typewriting font styles with a French flair. In the history of this font style, early typewriters were initially thought to be replacements for printing and so featured proportional fonts, before being replaced by monospaced typefaces. French Typewriter was created with proportional design, departing from the constraint of identical width and space. Designed for vintage and modern use with a script influenced italic, French Typewriter provides a large range of weights from Extra Light to Black with matching italics offering a large palette of styles for both vintage and modern design. A series of swash capitales has been created for all 6 italic weights along with ligatures and alternative a, g, y signs to provide opportunities for attractive text design. Fine tuned kerning has been implemented to make this slab serif font family greatly legible in small size. Condensed styles will be available in 2019.

Modica Pro is here to expand upon the success and versatility of the original Modica typeface (2019). Modica has been compressed, condensed, narrowed, widened, and extended to a mega-family of 108 fonts that now includes small caps as well as additional language coverage. Modica Pro is a nimble typeface that can handle a multitude of applications – everything from body copy to retail fashion to corporate identities... why not put Modica Pro to task today? There are 108 fonts in this family, ranging from Hairline to Ultra weights across six widths in both roman and italic. A single variable font (included with the full family) covers all weights, widths, and italic angle with every increment in between to suit whatever style you prefer. Modica Pro has a character set that covers all Latin European languages. Key features: 1 Variable Font 9 Weights in Roman and Italic 6 Widths Small Caps Full European character set (Latin only) 650+ glyphs per font.

Zalika is an exquisite italic calligraphy handwritten font that exudes a classic and timeless appeal. The font is inspired by the traditional italic style of calligraphy, bringing back the nostalgic memories of this beautiful writing art form. Zalika offers two options for a more versatile design: Regular and Rough. The Regular option is sleek and smooth, while the Rough option provides a more textured and hand-drawn appearance. This variety in options allows designers to choose the perfect look for their project. The font also features beautiful flourish alternates that add a touch of elegance and sophistication to any design. These alternate characters offer an array of choices for the perfect flourish and allow designers to personalize their creations with a touch of uniqueness. Overall, Zalika is an exceptional font that blends the classic beauty of italic calligraphy with a contemporary style. Its elegant curves and beautiful alternates make it perfect for invitations, wedding stationary, logos, and any project that demands a touch of sophistication and charm.

Marco is a lively text face, with an informal touch, inspired by 15th century Italian letter-forms with strong calligraphic traces and intended to be used primarily in continuous and intensive reading conditions. Marco is full of features required for high-quality book typography, including: strong language-support in extended Latin, Cyrillic and polytonic Greek, a multitude of swashes in the italic styles of Latin and Cyrillic, stylistic alternates to obtain the best possible solutions and other typographic niceties. Inspiration for Marco goes back to Italian humanist typography such as those of Nicholas Jenson or Aldus Manutius, and general influences from calligraphy. As a result, Marco has matured into a personal and unique text face where its lively and somewhat informal style is an ideal counterpart to its careful and ingenious crafting. Toshi Omagari’s Marco features a huge set of over 1900 characters per style —and almost 2600 in the italics— and is available in Regular, SemiBold, Bold with matching Italics.

Compatil from Linotype is the first comprehensive type system which enables all typographical elements to be used to full effect in order to reproduce the message conveyed by text information. Four different type styles with a total of 16 weights including italics have been merged into a unique typographical network. There are now no limits to the font user's creativity.The system is a product of technical innovation and constitutes a new design approach which meets the highest aesthetic standards. Compatil is a typeface family from the Platinum Collection. This series was created for the highest quality demanded by professional typography and includes complete families digitized using the newest technology, serving the specific needs of corporate design and similar projects. This Value Pack contains four different type styles of the Compatil type system: Linotype Compatil Exquisit Pro Regular, Italic, Bold and Bold Italic. These Pro fonts include the small caps and Adobe Central European character set for OpenType-supporting applications like Adobe InDesign.

Chucara next is the newest font designed by Juan Pablo De Gregorio, a typeface aimed at high readability when set in paragraphs or large chunks of text. Its predecessor "Chúcara", born in 2003, sought after increasing readability by achieving big and simple counterforms. This time around Juan Pablo went further by increasing the X-height and trimming both ascenders and descenders, thus the font appears to be much larger than it is and can be readable at smaller sizes. The DNA of the whole font is marked by the terminal of the "a" character. Juan Pablo used a specially crafted cut to design this counterform, and this shape together with the graceful and winding forms of the letter resembles the form of a horse, hence the name Chúcara, or untamed. The italic version has a 10-degree angle and a 10% condensation, making it way more streamlined than a regular italic font. The Philosophy of a larger counterform is maintained through and through in the italic variant. This version looks different not only due to its inclination, but the sheer effort put into carefully taking care of the condensation and the gestures allow the italic to enrich the texts gracefully, for the highlighting of the words stands out without affecting the grey of the paragraph. Chucara next is a typeface optimal for being used in books, newspapers, magazines, texts, printing, headlines, editorial, quotes, corporate identity, and lo res printing. The typeface has 8 weights, ranging from “thin” to “black”, and two versions: "regular" and "italic". Its 16 files contain 635 characters with small caps, stylistic sets and different kind of numbers. It supports 219 Latin-based languages, spanning through 212 different countries. Chucara next supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotc?k (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, M?ori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi, Zapotec, Zulu, Zuni.

History is always in sight; it is constantly being reconsidered and reformulated in the context of now. We see approaches to art, fashion, textiles, homewares, furnishings … not to mention music, graphics and everything else that culturally enriches our daily lives, revisited and made anew for today.    Address Sans indulges in the spirit and aesthetics of mid-century Modern – Italian industrial design, sleek coffee makers, stylish cars, seductive jazz pressed on vinyl – with a charm and charisma that defies time. It evokes history but is decisively created for today.    Its design, in reality, is rooted in the condensed structure and block modulation of early 1950s German lettering intended for use in street signage, but when we started to work on the various weights and widths, the result was a set of fonts in a style similar to the typographic work developed by Butti and Novarese in the 60s. The multitude of potential applications for Address Sans then became clear.    In a range of 3 widths and 8 weights each, Address Sans includes little verses, true italics, small caps and numerous alternative signs for a total of 48 fonts. The result is a functional typeface that is effortlessly seductive, with geometric features and design details that ooze cool, and take it away from mere reinterpretation towards typographic forms that adapt perfectly for contemporary use.

Say hello to new Modern Luxury Serif Font, Kangoro! Introducing Kangoro, an exquisite modern luxury serif font that embodies timeless elegance and aesthetic appeal. This typeface is designed to elevate your designs with a touch of sophistication, making it the perfect choice for projects that require a blend of contemporary luxury and classic charm. Kangoro features gracefully crafted letterforms with clean lines and delicate serifs, exuding a sense of refinement and opulence. Its sleek design captures the essence of modern luxury, while the carefully designed serifs add a touch of traditional beauty, creating a harmonious and captivating visual experience. Versatility is another hallmark of Kangoro, as it complements a wide range of design applications. Whether you're working on high-end branding, editorial layouts, invitations, or any project that requires an aura of luxury, Kangoro will deliver unparalleled elegance. Here's what you get: Kangoro Regular Kangoro Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

"Introducing Maison Paris - Where Modern Elegance Meets Timeless Sophistication! Maison Paris is the font that defines contemporary style, making it an absolute must-have in today's design scene. This font effortlessly marries modern chic with timeless sophistication, embodying the very essence of what's trending now in the world of typography. With a versatility that knows no bounds, Maison Paris is your key to creating stunning designs that demand attention in today's competitive landscape. Whether you're crafting a high-end brand's logo, a cutting-edge editorial layout, or a minimalist wedding invitation, this font adds an element of tasteful extravagance that's currently sought after. Don't miss the chance to infuse your designs with the most sought-after modern stylish serif font of the moment. Maison Paris is your ticket to ensuring your projects are impeccably current and stylish. Embrace the future of design today with Maison Paris!" Here's what you get: Regular, Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Nomadic Dreams: Modern Serif Elegance with Infinite Possibilities Nomadic Dreams is meticulously crafted with sleek, well-defined letterforms that convey a contemporary charm. The serifs are thoughtfully designed to bring a touch of class and readability to every character, making it suitable for a variety of design applications. What sets Nomadic Dreams apart is its diverse range of alternates and ligatures. These design elements offer a playground for creativity, allowing you to customize and tailor your text to evoke different moods and styles. Whether you're looking for a classic look or something more whimsical, Nomadic Dreams provides the tools to bring your vision to life. This font is not just a static typeface; it's a dynamic expression of your design narrative. Nomadic Dreams is perfect for editorial design, branding, invitations, or any project where the seamless integration of modernity and classic elegance is paramount. Here's what you get: Regular & Italic All Multilingual symbol Opentype features ( ligature, alternate ) Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters - Fully accessible without additional design software. Multilingual character supports : (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Follow my shop for upcoming updates, and for more of my work, Thank you!

Graphique-AR is a digital version of a type designed by Hermann Eidenbenz and issued by the Haas foundry in 1946.

Haiku is a very modern old-style typeface. Inspired by late Renaissance-era typography, and carefully optimised for both display and text, digital and print. Featuring ligatures, old-style numerals, wide language support, and true italics.

Nema is a sans serif family built in calligraphic structure. It consists of 14 styles including 7 weights and italics. Even if the character structure is constructed in classical geometric proportions, some letters were treated flexibly.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

Danielle Smith describes her friendly, hand-drawn typeface family, available in roman and italic, as ‘non-élitist and accessible’. Originally created for a theatre project at Massey University, Dandy is reminiscent of Pablo Ferro’s hand-lettering.

A clean humanistic sans-serif typeface which complements its serif version Diplomat Serif. It has preserved several of its original characteristics and comes complete with true-italics with a distinct flowing structure. Supports Latin and Greek.

Spring#7 is a 1900s-style font based on text on postcards found after the turn of the century. Italic in nature, it works nicely for text and graphics that need a humble old-timey look.

Sunskin is a fresh new font, Made in its own style,Sunskin Has 2 types of fonts namely Regular font and Italic font. Sunskin fonts are suitable for : Branding, Logotype, Posters, Social Media and many more.

Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.

Wind Factor is a display typeface with rough features and roman italic essences. This type features elements of crafting and design along with a bold elegance. Ideal for brochure design, menus, invitations, package design, and advertising.

Paying homage to the 1960s and 1970s designs of Tom Carnase and Herb Lubalin, Homage Condensed is a digital revival and recutting of LSC Condensed in two weights along with italics and numerous stylistic alternate characters.

Eu Alonira is elegant serif font that look aesthetic Perfect for Logo brand, advertisement, product packaging, social media post, clothing brand, magazine headers and many more complete with ligatures alternates regular italic icon kerning multilingual support

In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e." Jenson Old Style™ was designed by Freda Sack and Colin Brignall for Letraset in 1982. Because of its darkness, this version is best used for display designs that call for a sense of old-world elegance and solidity."

DonJulio is a handwritten most-of-the-time connecting script, that dates back to the 1930s in Germany. We tried to keep it as true to the original as possible, conserving the shaky and uneven appearance of those days. DonJulio can be mixed together with its very embellished sister font Donna Julia.

Zebra was originally designed by Karlgeorg Hoefer in 1965 for the Stempel foundry in Germany. This unique font was designed as a two-color script face and is now available digitally for the first time. The P22/IHOF release presents six separate fonts based on the original painted drawings and Stempel proofs.

The headline across the October 7, 1918 edition of the UK’s Daily Mail stated: "Germany Asks the Allies for Peace". Set in extrabold sans serif lettering, it’s now available digitally as Tabloid Edition JNL in both regular and oblique versions. This is another “redrawn from the headlines” typeface from Jeff Levine Fonts.