Venti CF is a geometric font family with a warm, engaging character. Inviting and versatile, Venti's subtle human overtones are well suited to headlines, logos, and short text. Venti includes Latin and Cyrillic scripts across eight weights with obliques.

Customize your lettering project with this cool and clever font. Download it for fanciful journaling on scrapbook pages and greeting cards. Try it on Halloween party invitations or wherever you might want to add a whimsical touch to a unique publication.

Skammefy holds a detailed set of letters, that are intended to be both readable when small - and charismatic when large. Strong details of letters like e, a, g, f, y draws attention to headlines, signs or wherever it might be used.

Heroic Condensed is an idealized narrow grotesque: a fusion of clean geometry and optical balance. Its constructed framework exudes technical refinement tempered by humanist curves across a family of eight weights. Heroic Condensed includes small caps, tabular figures, and stacked fractions.

Introducing FSY Deko, a typeface inspired by the art deco style that you might be able to use for design projects with classic, retro, vintage styles to make it even cooler. It can also be used with contemporary design styles.

Herbie is a uppercase display font with alternates on every character (upper/lowercase), based only on circles and geometric lines. Herbie is inspired by, as the name might indicate, Herb Lubalin’s work and the decorative style and kerning of his era.

The cover of the vintage sheet music for "This Little Piggie Went to Market" (from the 1934 film "Eight Girls in a Boat") features a hand-lettered sans serif with intermittent chamfered angles. This became the model for Shopping Basket JNL.

This font offers the images of a used stamp. There are a wide variety of numbers, months, and years. Just that what you might have in your office to stamp your incoming mail. Tagesstempel is part of the TakeType library.

Nothing is hidden in the simplistic forms and overt aesthetic of Anya Danilova’s Rezak font family. Rezak is not a type family directly from the digital world, but was inspired by the stout presence of cutting letters out of tangible material: paper, stone, and wood. With only a few cuts, the shapes remain dark and simple. With more cuts, the shapes become lighter and more defined, resulting in a dynamic type family not stuck within one specific category. The Black and medium weights began as one approach before separating into display and text categories. The four text weights were created through pendulum swings in design direction that experimented with contrast, angles, tangent redirections, and the amount of anomalies allowed. The text weights are vocal when set larger than ten points and subtle at smaller sizes. The tech-heavy Incised display style came last, employing a surprising range of trigonometric functions to make it behave exactly as desired. Its look can result in something distinctive and emotional or completely over-the-top. Most normal typefaces change only in thickness; Rezak changes in intention, highlighting the relationship between dark and light, presence and absence, what’s removed and what remains. Rezak’s Black and Incised display styles are like a shaft of light in reverse and are perfect in situations of impact: websites, headlines and large text, gaming, call-outs, posters, and packaging. The tone works for something from youthful or craft-oriented to organic and natural products. Try these two in logotypes, complex print layering, branding, and words-as-pattern for greater experimentation. The text styles are bold, energetic, well informed, and round out the family with four weights (Regular, Semibold, Bold, Extrabold) and matching italics for a family grand total of ten. These jaunty styles work well in children’s books, call-outs, movie titles, and subheads for myriad subjects such as architecture, coffee, nature, cooking, and other rough-and-tumble purposes. Rezak’s crunchy letters are meant to expose rough, daring, or dramatic text. A further benefit is that this family is not sequestered within one specific genre or script, so it can be easily interpreted for other scripts, such as its current Latin and extended Cyrillic which supports such neglected languages as Abkhaz, Itelmen, and Koryak. Rezak’s push toward creativity and innovation, with an eye on typography’s rich history, reinforces our foundry’s mission to publish invigorating forms at the highest function and widest applicability.

The Bunken Tech Sans superfamily: A reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. •See other members of the Superfamily: Bunken Tech Sans •For further details, view the Specimen PDF. Bunken Tech Sans Wide follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design. The shapes of the letters are therefore reduced to the most essential elements: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleasing to the eye than certain historic role models and make for a harmonic, flowing style. Use In particular Bunken Tech Sans Wide stands out as an easy, distinctive headline font with its straight-lined, technical design. Open counters and large x-height make it equally suited for use in shorter texts. It is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon). Features Available in 16 styles with widths ranging from Light to Heavy with associated Italics. All of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, Oldstyle, Tabular and Small Cap Figures), ligatures, alternate characters, numerous Opentype functions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters! Each style is available in a professional (Pro) standard (Std) and Small Caps (SC) edition with a different range of functions. (Language support, OpenType features and number of glyphs). Details can be found on the respective pages. Bunken Tech Sans Wide is part of the Bunken Tech superfamily and is available in Condensed, Normal and Wide. Also of interest: The slab serif variation Bunken Tech Slab Features in Detail: 16 Weights: -Light -Book -Medium -SemiBold -Bold -ExtraBold -UltraBold -Heavy and corresponding Italics 3 Widths: -Condensed -Normal -Wide Alternate Characters: A, E, F, L, S, e, f, t, s, y, etc. Small Capitals 5 Sets of Figures: -Lining Figures -Old Style Figures -Tabfigures -Old Style Tabfigures -Small Cap Figures Automatic Ordinals Automatic Fractions Extended Language Support and more...

Migae is a versatile and elegant display font designed to captivate and engage audiences across a wide range of design applications. With 14 distinct weight variants spanning from delicate Light to commanding Black, and complemented by a refined set of italics, Migae offers a harmonious balance of strength and elegance to fulfill your typographic needs. Key Features: 1. 14 Weight Variants: Migae's extensive weight range, including Light, Regular, Medium, Semi-Bold, Bold, Extra Bold, and Black variants, allows you to choose the perfect weight for your design, whether it's a subtle headline or a bold statement. 2. Italics: In addition to its standard upright styles, Migae boasts a comprehensive set of italics that adds versatility to your typography, conveying an air of sophistication and style. 3. Strong to Elegant Styles: Migae's design philosophy seamlessly combines strength and elegance. Its strong weights provide a bold and impactful presence, while the lighter weights exude an effortless elegance, making it suitable for a wide array of creative projects. 4. Modern Aesthetic: Migae's clean, contemporary lines and carefully crafted details make it an ideal choice for modern graphic and web design, editorial layouts, branding, and advertising. 5. Legibility: Migae prioritizes legibility across all weights and styles, ensuring that your messages are communicated effectively, regardless of the chosen variant. 6. Versatile Applications: From branding and packaging to posters, editorial design, and web headings, Migae adapts to various design contexts, making it a versatile choice for graphic designers, typographers, and creative professionals. Design Inspiration: Migae draws inspiration from the harmony of nature, where strength and elegance coexist. Its name, derived from the Korean word "미래" (miraee), meaning "future," reflects its forward-thinking design approach that is equally rooted in tradition and innovation. Ideal Usage: Migae is an ideal choice for those seeking a display font that can effortlessly transition between bold and delicate, exuding confidence and refinement in every style. It's perfect for branding, packaging, advertising, editorial layouts, and any design project where typography plays a pivotal role. Migae is more than just a font; it's a design companion that empowers creatives to achieve a perfect balance between strength and elegance in their visual communications. Explore the world of Migae and let your design projects shine with its captivating charm and versatility.

Sweepy is based on his popular Pooper Black but it is lighter and has connecting letters. Sweepy is a brush script that is casual and fluid. In the expanded OpenType version Sweepy is loaded with over 50 alternate characters and ligatures that offer more flexible lettering options. (Sweepy Basic includes 230 glyphs, Sweepy Pro includes 462 glyphs.)

Discover Alumina, a typeface that exudes elegance and authority. Its robust weights demand attention, while lighter variants display grace. From bold statements to subtle emotions, Alumina empowers your creativity effortlessly. Suitable for diverse mediums, Alumina remains legible and versatile. Unleash customization with OpenType features like ligatures and fractions. Embrace Alumina as your creative companion, sparking change and expression.

Good ideas never will die. Based on the concepts of former Leipzig student Volker Küster in the mid-1960s, I redrew and digitized the basics and extended them into a complete multilingual caps-only poster font which I named “Brocken”. Its letter-forms strongly remind me of the mighty rocks covering the highest peak, Brocken, in Northern Germany.

Correntino Railway is a product of argentine typographic archeology project called “Tipografía Histórica Ferroviaria” (Fabio Ares & Octavio Osores, since 2012). Is about the signboards of the stations of the line of the Argentine Correntino Economic Railway (1892-1969). The letter of this signboards can be described as display type, with elementary geometric shapes, vertical line modulation and slight contrast.

Pleased to introduce you to Boedimant new grunge display font! The letterforms have slight quirks to them, giving this bold sans-serif display font a perfect imperfection. You can use it for making special event logos, such as a skateboard or off-road bike races. This unique font is perfect for posters, T-shirt prints, and other promo designs.

Arequipa is a Latin font with serifs generally top left. The style is influenced by Aztec and Inca designs the Bold weight is excellant for Headline and the lighter weights work well in limited text. The geometric shape of the serifs, ij dots, full point, comma and cap Q give the font an unusual and distinctive look.

With an obvious nod to Art Deco, this font offers a stylish design with distinctively elongated ascenders and descenders. Includes: Western European, Central European, Baltic & Turkish sets. Due to the modular nature of this design there may be a slight lack of smoothness to the curves at very large point sizes (around 100 pt and above).

Oxford was designed by Arthur Baker for Agfa Compugraphic in 1989. A calligraphic typeface with a slight incline, fine lines, and delicate serifs, Oxford is easily identified by its quirky lowercase b. Oxford is a functional display type for headings, announcements, and brochures that also works for setting small amounts of text, such as ad copy.

Introducing Polyglot Typeface. The unique and fashionable font with tons of ligatures uppercase and lowercase. and supports multilingual languages. the straight lines combined with a slight curve make polyglot look minimalist and elegant. Create unique & elegant logotype, use it as an elegant for your next project headlines, logotype designs, posters or t-shirts, business cards. Thanks!

Tectura is hand drawn letters that come to you from the typefounders. It's all about those slight-but-telling imperfections that separate hand lettering—which this really is—from machine drawn imperfections. Use it for any work that needs an authentic touch of the human hand, it's genuinely hand drawn, yet clear and legible at all sizes.

A strong, heavy font that really packs a punch. Muscleman is there when your design needs a little extra lift. Originally created for a poster project, the font juiced up and grew quickly into the large fat size it is today. It works well for logos, posters, and t-shirt designs and has a slight deco look.

Halliday JNL was redrawn from impressions made by a rubber stamp sign printing set, thus providing the slight imperfection of line widths that gives a hand-made approach to the typeface. The lettering style is based on Beton Open Condensed, a clean and popular slab serif used for decades in print display titling and rubber stamp manufacture.

Look well, Fontlovers, we wouldst have words with thee! By Odin's beard, let the naysayers beware, for 'tis true, Thor doth speak --and shouldst speak -- Mighty Words! Yay there shall be a "Thee" and a "Thou" and a "Thy" and a "Smite!" Verily, 'tis understood that Elizabethan English dost suit the Gods of Asgard, mortals can never get enow.

Heroum is stylish and beautiful sans serif font. It will look perfect in photography designs, watermarks, social media posts, advertisements, logos, branding, and various other projects. To use stylistics and ligatues, you don't need to use software that supports opentype, because we have made it separately so it's very easy to use. Features? Stylistic Alternates Ligatures Multilingual PUA Encode

Helmut Matheis originally designed Slogan for the Ludwig and Mayer type foundry in Frankfurt, Germany. Slogan is an informal script of medium weight, with some variation in color. Its caps are flowing and the lowercase letters are close fitting. A lighter, more upright companion was designed by Helmut Matheis as well; its design is named Charme.

This strong angular cousin of RM Hunky offers a bold display face. The distinctive nature of this design will be a welcome addition to any designers collection of useful fonts. Due to the nature of this design there may be a very slight lack of smoothness to the curves at extremely large point sizes (around 200 pt and above).

Reading is fun; legible with a playful wiggle, a bit of texture, and a lively set of double-letter ligatures. Reading wants to be read aloud and sounded out - lightened by comic relief and sweetened by a bit of style. The upper case is relatively straight, the lower case - slightly jumbled, and Reading’s numbers have excellent curls.

Unique and fashionable font, the straight lines combined with a slight curve that makes Zolina looks modern and pretty. Try uppercase for clean and elegant look. Zolina is perfect for website header, logo, instagram story, or fashion related branding. This versatile family consists of 9 weights, variable styles as well as multilingual support, numbers, and currency symbols.

The hand lettered film credits for 1937’s “Make Way for Tomorrow” were done in a sans serif design with an ever-so-slight flare and a slightly semi-calligraphic look. Unusual in both style and varying character thicknesses, the lettering has been digitally redrawn as Retirement JNL, which is available in both regular and oblique versions.

Time to EMbrace the new EMerging typeface from WiltonFoundry : EM consisting of EM Regular, EM Italic, EM Bold, EM Bold Italic. Loosely based on our very popular Cyan typeface, EM is EMphatically the most distinctive and modern typeface we’ve created yet. Slight variations between thick and thin with stenciled effects, and Flared stem EMphasis for character. Go get’EM!!

The Buro is a text font, monospace, sans-serif with rounded endings. It is characterized by its monolinear outline (slight optical corrections) and its discontinuous Roman structure. He tries to reproduce the outline of a letter drawn with a pen. The design of the Buro is inspired by the cursive letters used in Olympia typewriters of the 1950s.

The condensed version of Hans van Maanen's Aragon is a headline star. The elements that made Aragon a popular "Dutch Garamond" text repeat here, with the slight stress shifts and tapering stems optimized for headline use. Aragon Condensed also comes in bold and italic variations. All three fonts contain extended language support, superiors and inferiors, and class-based kerning.

Makeba Retro Funky Groovy Font is a fun and funky display font that brings back the spirit of the 70s. Its bold, rounded letters feature groovy curves and playful embellishments that exude a retro vibe. This font is perfect for creating eye-catching titles and headlines for posters, album covers, and other retro-inspired designs. The font’s energetic and upbeat personality is sure to make any project stand out.

Havoks is a Hand-lettered font inspired by the vintage 70's sign board, music, shop and movies, it has a rough stroke outline and then we fill it. Havoks includes opentype features Ligatures. It support multilingual more than 100+ language. This font is good for logo design, Movie Titles, Books Titles and any awesome project you create. Make a stunning work with Havoks Rough sans font. Cheers, Maulana Creative

Kaviron is the name of a street in a Greek city. A city that has many civilizations. This font is designed in a more classic way. So it has its own experience in using it. This font is synonymous with 70s or 80s style design visuals, Bold and strong. I hope you enjoy using this font and can come up with clever and brilliant ideas in your designs.

Radial is a multi-line retro sans-serif font that is reminiscent of fonts from the 70s / disco era. It is all caps, but the lower case glyphs have rounded edges for a subtle difference if you are looking for a softer look. Use open type for some discretionary ligatures of common letter pairs (when set in all caps). Great for use on posters and in headline copy.

Enjoy Font Kitchen’s all-natural Pastrami! This rounded geometric sans is served with a tall glass of ligatures, a heaping portion of all kinds of fractions, and your choice of stylistic alternates. Inspired by warm, whimsical typefaces of 70s American diners, Pastrami is perfect for adding a stylized charm to your next piece. Available in seven weights, Pastrami is sure to add a dash of flavor to your next project.

This typeface is inspired by 60s and 70s Chilean murals and posters artwork. On the walls, big and heavy letterforms were presented pictorially for political propaganda. Muralista is a low contrast condensed typeface, similar to classic forms of the early nineteenth century humanist grotesque. The sinuous, rounded and asymmetric terminations remind us the artist’s brush strokes. This typeface is ideal for editorial sentences and logo designs. Designed by Jorge Cisterna.

Dive into a realm where retro meets mystique with the Mystice Times font. Channeling the enchanting ambiance of 80s thriller movies, this serif typeface echoes tales of mystery wrapped in professionalism. Its characters, though rooted in the cinematic charm of yesteryears, are tinged with an unpredictable, slightly eccentric flair. Yet, there's an undeniable allure in its design - a suave nod to 70s funk, blending seamlessly with 80s charisma.