Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

DT Augustina Slab is an original Clarendon's style slab serif font family of 98 styles including 7 weights, 7 widths plus Italics. There is no such a big choice of Clarendons with a wide range of styles on a market. Super wide range family will satisfy almost any request. Ultra Lights and Light styles will add elegance and lightness to your headlines, especially with using Italic swashes. Regulars, Mediums and Semi Bold will make your text blocks readable and stylish. Combine with Italics and Small Caps for sub-headers and highlights to get an incredible result. And finally Bold and Extra Bold for massive and heavy text headers. Strong, stable and reliable. The whole family has been working well in almost any type of a project: Websites, Apps, E-Books, Books, Magazines, TV broadcasting, Packaging. The family has an Open Type Features like a Ligatures, Italic Swashes, Small Capitals, Case Sensitive Forms, Tabular Figures, Old Style Figures, Tabular Old Style Figures, Circled Figures, Black Circled Figures, Fractions, Superscripts, Subscripts, Stylistic Sets, Localisation forms for Moldavian / Romanian, Catalonian and Turkish.

An original slab serif design inspired by the slab serif designs of the 19th century, with a modern geometric look.

Rude was designed as a dichotomy between the Grotesque and Humanistic typographic shapes: a no-nonsense Sans and a very muscular Slab Serif companion. Showing the historically demanded consistency for such kind of typefaces, this is one of DSType's most wide-ranging and flexible type systems, introducing seven weights across seven widths, from Thin to Black and ExtraCondensed to ExtraWide, along with a wonderful set of Icons.

German type designer Erik Spiekermann, American type designer Christian Schwartz, and New Zealand type designer Kris Sowersby created this slab FontFont in 2009. The family has 14 weights, ranging from Thin to Ultra (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries as well as web and screen design. FF Unit Slab provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Unit super family, which also includes FF Unit and FF Unit Rounded.

From fine print and red ink in corporate annual reports to huge three dimensional signage, Neutraface has become the definitive designers’ workhorse. Now this geometric juggernaut boasts even more font firepower with the addition of the Neutraface Slab family. Neutraface Slab features five display weights, four text weights with italics plus a unique stencil style that work together like a typographic symphony or can stand alone like accomplished soloists. Just like its sans-serif counterparts, Neutra Slab Text includes small caps, seven figure styles and a host of other sophisticated OpenType features that have been integrated in a single seamless package. The complementary display weights afford an uncompromising statement that can range from thin and delicate to bold and bombastic. FEATURES: MORE ALTS: Neutraface Slab comes with several alternate characters, accessed through either OpenType stylistic sets or through the Stylistic Alternates feature. TITLING ALTERNATES: The distinctive lower crossbars of the original Neutraface are included in Neutraface Slab as the Titling Alternates OpenType feature. TEXT FIGURES: All variations of Neutraface Slab Text feature seven figure styles. Included are text figures for use in running text, lining figures for use with uppercase forms and small caps figures. Each of these styles is supplemented with tabular figures for use in columnar settings. Plus, superscript and subscript figures are included for use in fractions, footnotes, etc. NEUTRAFACE SLAB CREDITS: Typeface Design: Christian Schwartz, Kai Bernau, Susana Carvalho Typeface Production: Ben Kiel, Hannes Famira Typeface Direction: Christian Schwartz, Andy Cruz, Ken Barber Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Meet Pristine Pro, the epitome of elegance and precision in typography. This Slab Serif font, meticulously developed with a humanistic touch, promises unparalleled sophistication for your projects. Its 18 versatile font families, ranging from Thin to Black, offer a tailored solution for every design need. Explore the seamless blend of clean lines and firm structure that defines Pristine Pro. This font isn't just a typeface; it's a statement of modernity and style. With support for 89 international languages, including English, French, Spanish, and German, Pristine Pro caters to a global audience, ensuring your designs communicate effectively worldwide. Desire perfection in your designs? Pristine Pro delivers. Craft compelling branding, striking posters, or editorial layouts with confidence. Its immaculate precision and extensive language support empower your creativity. Your desire for flawlessness finds its match in Pristine Pro, promising visuals that captivate, leaving a lasting impression on any audience. Ready to elevate your designs? Take action now. Download Pristine Pro and witness your creativity flourish. Unleash the power of clean Slab Serif typography with international appeal. Dominate the digital space, ensuring your projects rank high and capture attention. Seize this opportunity and transform your designs into timeless masterpieces.

Dada Slab Pro is simple in form but an elegant font with huge language support and open-type features like ligatures, stylistic alternates, fractions, four variations of numerals and many more... It is suitable for large headlines in applications like magazines or newspapers.

Slope Sans is an original design that combines a technological shape model borrowed from the early Macintosh system fonts with organic, open elements looking futuristic in a retrospective manner. Designed as part of a font family without different weights, Slope Sans Pro provides OpenType features for alternate letter forms in two stylistic sets. The basic version works similar to a stencil font, an alternative set has consistently closed shapes and a more rigid appearance, while the second stylistic set offers some alternative letter forms. Headlines and shorter texts set in Slope Sans provide a variable, modern appearance. Slope Slab Pro goes very well with Slope Sans Pro and can be used as style variant or display.

Domosed Slab Serif typeface was build during lockdown. As a result of home sitting it appears in two weights. It refers to Italian futurism when all generation understand global changes of industrial revolution. The forth industrial revolution appears with new rules but the main idea is the same – simplifying the processes. Causing the vibe of a bright phenomenon I want you to use my font to match to zeitgeist.

All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.

Everybody likes to have a picnic: some fresh fruits, cheese, ham, wine and so on. Like a “typographic picnic,” Typnic font system gather many fonts with different flavors too, and you can enjoy them mixed or on their own. Typnic Headline Slab is just a piece created to complement the Typnic font system and as in the first headline version it comes in six layered fonts that can be mixed in a powerful variety of combinations to obtain outstanding texts.

The Standard Shaded family is an homage to the grandiose Woodtypes of yesteryear. Standard blends a contemporary sense of craft and proportion with a dash of Woodtype-era personality to keep things interesting. The Standard Shaded family features OpenType conventional ligatures, discretionary ligatures and stylistic alternates as well as a standard set of accents and symbols to provide a versatile end-user experience. The Standard Shaded family has seen action in the print, web and motion arenas for clients such as IFC, Showtime, Nike Women's Training, Nike Sportswear, Target and Starbucks.

Breve was designed for use in editorial projects. Simple but with enough personality to stand by is own, in a quest for a more forceful and contemporary appearance. All the fonts in Breve superfamily, share the same exact structure, both in terms of anatomy and functionality. The Text versions provide a softer and warm feel to the typographic palette and is intended for use in much longer passages of text, while the Title versions are distinguished by non-descending letterforms, making the titles and headlines much more uniform and interesting. The News version is more classic, with ball terminals and classic proportions, while the Display is, somehow, the set of fonts we had to design: extra-black, ultra-contrasted, proud-display fonts.

FF Milo Slab is not just the sans with slabs attached. It has undergone a wide range of careful adjustments from increased contrast, longer ascenders and descenders and modified glyphs in the heavier weights. All these changes amount a typeface that feels enough like Milo but also can stand on its own as a new and fresh typeface.

Bommer Slab Rounded designed by Eduilson Coan is the softer sister of Bommer Slab released in April 2014. This family includes 14 weights: seven uprights and seven italics and opentype features such as: all caps, ligatures, ordinal, fractions, numerator, denominator, superscript and subscript.

Contains characters A-z, 0-9, and ampersand in two variations totaling 74 characters.

Geometron has its origin in a custom typeface that I was commissioned to design for an architectural project. The concept was a "back to basics", minimalist typeface constructed mainly with straight lines and circles or circular arcs, but without departing from the classical style of Roman & Greek lettering. Notable requirements were: an extensive character set needed for multi-language documentation, as well as a full collection of symbols and alternate glyph forms (e.g. superiors & inferiors) for scientific use. Special care was taken to obviate the almost identical similarities that were prone to appear between letters like uppercase "i" and lowercase "L" or between Latin and Greek letters such as "a" and "alpha". This was also a prerequisite for scientific notation where ambiguity is not acceptable. All in all, the font would have to blend a modern design with a wealth of functional features. Consequently, all of these were made possible by choosing the OpenType format for development, resulting in a comprehensive and feature-rich font family specifically targeted for use in high-end design/typesetting applications.

Geometron has its origin in a custom typeface that I was commissioned to design for an architectural project. The concept was a "back to basics", minimalist typeface constructed mainly with straight lines and circles or circular arcs, but without departing from the classical style of Roman & Greek lettering. Notable requirements were: an extensive character set needed for multilanguage documentation, as well as a full collection of symbols and alternate glyph forms (e.g. superiors & inferiors) for scientific use. Special care was taken to obviate the almost identical similarities that were prone to appear between letters like uppercase "i" and lowercase "L" or between Latin and Greek letters such as "a" and "alpha". This was also a prerequisite for scientific notation where ambiguity is not acceptable. All in all, the font would have to blend a modern design with a wealth of functional features. Consequently, all of these were made possible by choosing the OpenTypeÆ format for development, resulting in a comprehensive and feature-rich font family specifically targeted for use in high-end design/typesetting applications.