New Gerbil Sans Serif Modern has distinctive characteristics, such as bold thin lines and strong bold lines, as well as highly geometric letterforms with sharp corners. The color of this font tends to be monochromatic with white as the base color, making it suitable for use in designs that are modern and stylish. This makes this font easy to apply to various media, be it for poster designs, logos, business cards, banners, and various other design purposes. New Gerbil Sans Serif Modern is a very flexible font that is suitable for a variety of design purposes. With a modern and stylish design, this font can give your design a very luxurious and elegant impression.

Dx Dynamix is a modern minimalist design typeface with geometric type and more feature alternative characters. there include some ligature. It is inspired by hype and urban design a font suited for lifestyle with trend design. Dx Dynamix comes with elegant style, strength, and contrasts, with features an extended Latin character set of 367 glyphs covering over 85 languages. It has been designed as a variable font to give lots of options and access to unique type looks, however, it also includes nine weights to give just as much access to creativity to those without access to variable supporting software. Its distinctive character and many variables make it a versatile, stylish workhorse, great for interfaces and design.

Zagore (zɑːgɔːrɛ) is the name of a beautiful place in Bulgaria. There is no contrast between horizontal and vertical stems, typical for geometric fonts. The typeface is built under strict rules and logic, by using the stroke as skeleton for each glyph. Although the structure of the font remains the same, there is a noticeable visual diversity throughout different styles. Middle weights suggest paragraph use, while the ones at the extremes are more suited for display text. The typeface offers support for Basic Latin, Latin-1 Supplement, Latin Extended-A, Greek and Coptic, Cyrillic, and Cyrillic Supplement Unicode ranges. Included OpenType features are localized forms, to suit multi-language designs, tabular and proportional lining, basic ligatures, and extra symbols.

Agent Sans is an intentional departure. It ignores the cold, unemotional flavor of geometric typefaces and current trends, and instead opts for warmth, personality, movement. In order to stand out, Agent Sans is filled with everything it can—small caps, 6 numeral sets, fractions, super- and subscripts, case-sensitive glyphs, dingbats, expanded language support, and true italics drawn to complement the uprights… not just to skew alongside them. Agent Sans is economical while maintaining its distinctive, expressive look. Perfect for branding for print and screen, and digital usage, the flexible weights available allow for pinpoint selection at whatever size. Simply put, Agent Sans is meant to be used, and used how you see fit.

This is a font imitating the stage of outline construction of letters using drawing tools - compass and ruler. It is very geometric (with auxiliary lines, axes, centers of circles, tangents, and conjugation of circles), although the circles are somewhat compressed from four sides. The second style, which plays the role of Bold style, is a hatched version of the Regular style. The font has very small elements that appear in a sufficiently large size, so it is better to use it for large compositions, in particular, advertisements, posters, large headings, etc. The family is named "Khachatur" after the name of the father of designer Ruben Tarumian — architect Khachatur Hakobyan, his first master.

A font where "each word that's set approaches becoming its own logo" is how some have described this unique typeface. Originally inspired by an enamel sign he picked up at a Paris flea market, Michael Doret says that the seven letters contained in the sign were enough to suggest to him that here were letterforms put together in a way that he had never seen in a contemporary digital font. Always eager to create something a little out of the ordinary, he took up the challenge to flesh out the forms into a complete font. Orion can be defined as a geometric, connecting script that is at once contemporary, yet classic and timeless.

Trinos is a strong character font that combines racing style and techno with a slightly expanded letterform and sharp edges. The sharp spur on the top of letterforms, bold weight, and fully geometric represent strength, honor, and brave. Speed up your pulse with Trinos font available in Stencil and Solid style. This all-caps font is perfect for sports, great for automotive, and looks cool for techno themes. You can apply this font for jerseys, decals, flags, logos, posters, magazines, packaging, and many more! Not only that. Trinos is equipped with much of alternates characters, and elegant ligatures to boost your design look more powerful! What you'll get : Uppercase & smallcaps Numbers & punctuation Multilingual support Stylistic alternates Ligatures Sincerely, Ramz

Provan is a contemporary humanist sans serif with roots in calligraphy and incised letters. These timeless inspirations result in a typeface family that transcends fashion and adds a strong sense of authenticity to brands. The regular version of Provan has angled stem endings and oblique stress in curved shapes which add to its friendly and legible warmth. Provan Formal straightens these stroke endings to bring a more refined alignment of letters. The typefaces include swash capitals, small capitals, old style figures and special Celtic capital variants. The Inline version of Provan is useful for drop capitals, book covers and posters. Provan bucks the ubiquitous neutrality of geometric typefaces and exudes a sense of humanity, craftsmanship and warmth.

Arista Pro is the definitive version of the successful Arista typeface, designed by Francesco Canovaro, first released in 2007 as Arista Z and then reissued as Arista 2.0 in 2010. The pro version of Arista features the geometric and soft approach of the original typeface but comes in a full range of weights and two alternate versions (Arista Pro Regular and Arista Pro alternate version). The typeface has been expanded with the inclusion of Greek and Cyrillic alphabets as well as an extended range of latin characters. A companion icon typeface, Arista Pro Icon, has been developed, allowing for variable-width monoline icons that can be used to faultlessly match the typeface line width, up to semibold weight.

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside. This font family of four weights includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more. Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt Cyrillic or just get in touch via email to hi@seventype.com. Klapt Cyrillic is the extension of Klapt.

GP Metro® is a faithful version of the Dwiggins 1930 urban classic: Metrolight, Metromedium, and Metroblack. In 1929, English type designer, William Addison Dwiggins, (WAD) was commissioned by the Merganthaler Type Foundry to design a warmer, more humanistic, and less mechanical sans to effectively compete with Futura, a highly-popular geometric sans designed by Paul Renner in 1927 and first released by Meganthaler's arch-rival, the Bauer Type Foundry in Germany. FontHaus has licensed from GroupType updated files with additional styles including 2 rough versions and a soft together with the classic Regular styles and weights. These new styles will offer designers a wider range of options to design with these amazing classics.

Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a 'unicase' character set. Foros is a development of a modern pattern of rough geometric shapes in combination with open humanistic forms that produces a mixture of obstinacy and delicacy. Quadratic shapes of ovals bring stability and firmness, but angular terminals of diagonals in several letters together with curved junctions of bowls with verticals stems add emotions and elegance. Such variety in image make it possible to use the fonts in different kinds of display typography. Foros type family was designed by Oleg Karpinsky. Released by ParaType in 2013.

Meet our new exploration Cherione, a playful Sans Serif font family. Cherione has a unique letterform with the lowercase designed in the same height as the uppercase, which gives a playfully look. Cherione has a geometric shape and was carefully adjusted to look elegant and minimalist. Perfect for fashion, minimalist, luxury, kids, and other joyful themes. Cherione font family consists of 3 weights: Light, Normal, and Bold. So you can use this font set for many purposes such as logos, storefront, social media design, quotes, name cards, menus, magazines and editorial, signboards, posters, and more. There are 30+ unique ligatures which give you many variations of typography designing. Also complete with accents, swashes, and alternates.

yLab is geometric typeface compose of 10 fonts (5 weights and oblique declination) Perfect for titles and text, yLab supports many languages (Latin pro..). 11 OpenType Features (Alternative; Fraction; Numerator; Denominator; Superior; Inferior; Tabular figure; Ordinals; Discretionary Ligature; Stylistic Set; Case Sensitive Forms). • Ordinal feature includes the Latin alphabet (Uppercase & Lowercase). • Five Stylistic set for “a”, “g”, "i" and "l", includes accents. • Discretionary Ligature includes “AE”, “IJ”, “OE”, available in lowercase. • Contextual Alternate includes ligatures for arrows : <- -> ^| v| <-> v^| Add parentheses around period, numbers or arrows, add n or d for numerator, denominator. Add n, d or +, for numerator, denominator or case arrows. All Case sensitive characters become after the uppercase and number.

This font family is display stencil sans-serif with different stylistic layers available as open type font. The main characters are geometric and neutral but when we change the contextual alternates open type feature the letterforms activate the cursive stylish set. The word composition is divided by initial, medial and final forms, available for all uppercase and lowercase, the diacritics for Latin encodings (Western and central Europe and Baltic countries) are available. However the contextual alternate features (cursive mode) can only work on Adobe CS Indesign and Illustrator softwares. This typeface also has uppercase swash and stylish alternates. A large group of discretionary ligatures are also available to improve better legibility and readability on specific characters combinations.

TG Frekuent Mono a new modern geometric sans serif with monospaced style. This typeface is made with precise calculations so that it displays a beautiful and modern appearance. Besides this new typeface is also equipped with six different styles, ranging from ultra light to extra bold plus variable font. This typeface also has various alternative characters that can be used according to the needs in the design. Alternative characters that exist in this type of font have a touch of script typeface so that it makes the alternative character of this type of letter a little quirky and different but still fits well with the combination of modern main characters. And supports approximately 100 languages.

CHICAGO MOONSHINE is an Art Deco serif All Caps display font. Please note that this is primarily for headlines, logos posters in large size. The character set contains Western and Eastern European latin languages, basic symbols and punctuation. The Capital letters has geometric patterns and in place of lowercase letters there are filled in Capitals. Inquiries, feedback, customisation requests and/or extra characters please contact@rolandhusedesign.com or via rolandhuse.com * * * Background image (taken from Unsplash) credits: Chicago at night : Prafulla Chandra https://unsplash.com/@prafulla90 Moon I photoshopped onto the night skyline: Jason Darrell https://unsplash.com/@zebedeerox Moonshine Enjoy & Cheers : bartender holding a shot of liquor by Joel Herzog from unsplash https://unsplash.com/@joel_herzog Street Sign: Bruno Martins https://unsplash.com/@brunus

Although initially designed as a rational/geometric font, Triplex developed into one of Zuzana Licko's most intuitive typeface designs at the time. Its first extensive use was in Emigre magazine #14, a special issue devoted to Swiss designers published in 1990. Triplex was intended as a friendly substitute for Helvetica. The name Triplex refers to the three versions that make up the entire family; Triplex, Triplex Serif and Triplex Italic. Each version of the typeface comes in light, bold and extra bold. The italic was designed and drawn by type designer and sign painter John Downer, and was designed to work with both the serif and sans serif versions. See also Triplex Italic OT.

Kamerik 105 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look. It's a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. It includes old style non-aligning (lower case) numbers, both proportional and tabular and accented characters for Central European languages. The Kamerik 105 family comprises of six weights, and is closely related to Kamerik 205. The most notable differences between the two variations, are the single-storey lower case a and g in Kamerik 105, where they are two-storey in Kamerik 205.

Ferryman is a Blackletter typeface for the contemporary reader. Unfamiliar Blackletter characters have been replaced with adapted common Latin characters (Antiqua) or with letters from other historical scripts that are more legible to a modern audience. Ferryman is the antidote to the overused geometric and neogrotesk styles. An expressive display typeface with a strong character, it is perfectly suited for counterculture projects and progressive concepts e.g. in visual art, indie music, and alternative lifestyles. With nine weights and corresponding italics Ferryman offers a wide range of creative possibilities. Each style offers 590 glyphs supporting all Western-, Eastern- and Central-European languages and comes with four sets of numbers and various currency symbols.

Kontora is elegant, universal and laconic geometric sans. Kontora has minimal amount of decor, mostly modern proportions and letterforms, but at the same time shows a touch of retro constructivist aesthetics. This version of Kontora sans comes in 9 weights, it has 590 glyphs, therefore it supports Latin Extended A (Western and Central European) and Cyrillic (Russian, Ukrainian, Bulgarian) languages. It has basic ligatures and two sets of stylistic alternates. Kontora is perfect for clean and minimalistic design, as well as it can be a breath of fresh air to a fully loaded complex layout. Use it for bold typography, headlines, posters, branding, packaging, it looks great in all caps and vivifies design as a text font.

Simple - The Bilingual Font. The process of Simple began with the usual alphabets followed by a series of icons and soon it was an avalanche of Chinese characters. The pool of proposed Chinese characters were loosely determined by the needs of a lunar calender. In a nutshell, Simple is a single-weight, minimal, grid-based Sans-serif display. Prudent with details and sturdy in form, the geometrically-driven structure marks the foundation of a cross-cultural assortment of Latin alphabets, Chinese characters and thematic icons. After months of extensive typesetting, Simple is also realized to be well-catered for use in graphical information design in games and tournaments, logotypes, advertisements and headlines. http://www.behance.net/gallery/Simple/847905

This is of Novecento Sans, a font family inspired by European typographic trends between the second half of 19th century and first half of the 20th. It looks rational and geometric. However, it is optically corrected and balanced. NEWS: you can add a layered effect with Novecento Carved as top layer. This font face is designed to be used mostly for headlines, visual identities or short sentences, both in big and small sizes. Lighter faces provide a more contemporary and design look and feel, while the bolder ones definitely look retro. Novecento Sans family comes in 32 styles, speaks 76 latin based languages, has 590 glyphs and 16 stylistic opentype features for advanced typography.

Krimhilde was originally designed by Albert Auspurg and released in 1933 with the type foundry Ludwig & Mayer. The design mixes elements of German blackletter typefaces and geometric sans-serif designs, which became popular in the 1920s in the movement known as New Typography. The FDI version of Krimhilde offers both original styles (regular and bold) as “version A” with a full Latin 1 character set. “Version B” has alternative shapes for some letters to make the design more legible for people who are not familiar with the German blackletter shapes. In addition, there are optional display styles available (outline, shadow and fill), which can be used separately or together to create a chromatic layout.

Holgada font family has been designed for Graviton Font Foundry by Pablo Balcells in 2020. It is a geometric sans serif typeface with refined rounded endings that provide a soft and friendly appearance. Its generic shapes make it suitable for any kind of project, text length and size. Thanks to its clear legibility, it can be used in long body texts in very small sizes, in big size headlines and everything in between. The rounded endings not only provide a particular softness when used in body text, but also a distinctive touch when used in display situations such as logos and headlines. Holgada consists of 12 styles, each containing small caps and glyph coverage for several languages.

Delauney is a display font, inspired by the Art Deco style from the 1920s. Delauney visualizes luxurious looks, elegance, and wealth. This font is an all-caps font designed with geometric shapes and firm strokes that gives a clear look and minimalist. Delauney also has some OpenType features and accented characters to give you many alternatives in your creative process. A great choice for your headline, title, label, editorial, logotype, quotes, typography, and more! Delauney provides three styles : Regular: The main style for display or headline Shadow: Secondary style that you can use to beautify the Regular one. Catchwords: Available in three languages; English, Spain & Bahasa. Complete your words to look more decorative. Thank you for visiting Happy designing!

Eligra is a modern and elegant sans-serif typeface family inspired by old and new classics like Helvetica and Gotham. Its geometric and precise strokes create a versatile and timeless font. However, Eligra has unique features, like its subtle swirls and curves, that add a dash of personality while still maintaining the font's simplicity and clarity. Eligra has more than 800 glyphs, with a large set of Latin, Cyrillic and Greek characters, several alternates, and different styles of numerals. It is clean, clear, stable, and contemporary, making it a perfect choice for branding projects, websites, advertisements, documents, presentations or any other occasion where you want to convey evenness while maintaining a contemporary and innovative look.

Catfish is a monoline geometric script with a touch of classic and vintage and can be used for various purposes such as logos, badges, t-shirt design, signage, labels, book cover design, posters etc... The font is best used in an OpenType-aware software such as Adobe Illustrator, InDesign, MSWord etc. Please note that OpenType capabilities differ from one application to another. Underline feature was tested in Illustrator, InDesign, Photoshop and MSWord and works perfectly. The package contains a how-to pdf explaining how to use the underline feature. If you are working in Adobe Photoshop, to get an access to all glyphs you may need an additional software (for example, PopChar http://www.ergonis.com/products/popcharx/).

Minimal Nahidha is a minimalist sans serif typeface with a casual and trendy outlook. Minimal Nahidha was built to balance the geometric qualities of a san-serif typeface with all the benefits of traditional serif fonts, like readability and personality. Minimal Nahidha comes in Regular and Slant version, each with its own unique set of characters & it has ligatures and stylistic alternates that make it easy to customize your designs. The fonts works best as display typefaces or as beautiful headline fonts, but can also be used in other ways to create stunning designs. Features : - Minimal Nahidha Family Font - Ligatures - Stylistic Alternates - Multilingual, US Roman, Latin 1 Support Hope you enjoy with our font! Attype Studio

We're excited to unveil our newest font. Relaxed and unpretentious, "The Secret Things" script gives any design an instant dose of natural flair. 45 ligatures allow you to make writing that seems completely handwritten, not like it was made using a font.

This hand-lettered italic script is another versatile font produced by Jeff Marshall. Named after the late Ron Aplin, who mentored Jeff as an apprentice sign writer early in his career. This font includes 19 unique ligatures and 15 alternate special ending glyphs.

On October 15, 2006 we became proud parents of three babies. To commemorate (and help pay for diapers) I decided to release this baby-themed dingbat set. All proceeds for the next few years goes to pay for lots and lots of diapers.