Fonseca is a modern sans serif inspired by art deco and typography poster in early 20th century. The key of this all-caps family is simple straight geometric forms and modernized letterforms. This display family is perfect for headlines, posters, logos, branding projects, magazines, and packaging. The modernized retro-look makes this family great to presents any contents related to travel, history & culture in the present/modern way.

A remixed variation, available in three weights, of the popular Talbot Type geometric sans Kaleko 105 . The addition of occasional flourishes at the intersections of strokes, in both upper and lower case, adds character charm, making the font a perfect titling font to accompany Kaleko 105, or a display font in its own right. Kaleko 105 Remix features a comprehensive glyph set including accented characters for central European languages.

Lansere is an art-deco typeface inspired by lettering of Russian graphic artist, painter and sculptor Evgeniy Lansere (1875–1946). A strongly geometric lettering style of his late book covers and an elegance of early ones has been combined in a modern typeface . This all-caps font has two versions for each letter and more than 60 discretionary ligatures (both Latin and Cyrillic). The initial graphic idea by Denis Bashev.

ND Gogo is a bold and playful sans serif font that combines the clean lines of modernist typography with the raw energy of brutalism. With its monolinear stroke and lack of ornamentation, this font is all about simple geometric shapes and bold visual impact. But don't be fooled by its simplicity – ND Gogo also has a quirky side that comes through in its idiosyncratic letterforms and playful details.

Chapeau is loosely inspired by a Johnny Cash letter written on an old IBM typewriter. The original typeface called “Doric” was a rare example of a proportionally aligned typewriter face, supplied by IBM in the late 1960s. Based on simple geometric shapes, Chapeau is a low contrast sans-serif with rounded endings. The letterforms have been carefully aligned to avoid exceeding width and to achieve an efficient, contemporary appearance.

Parus is a impacted modern sans serif geometric font, includes upper and lower case characters, Latin, Cyrillic, Latin Eastern Europe, Turkish, Baltic and other. The Parus family consists of 8 fonts, divided into 2 subgroups (according to the type of style - St, Obl), and have the 4 types of thickness in each subgroup. Parus fonts will be useful in a word processing, developing a brand, creating posters and other graphic products.

Paget is a modern exploration of Tuscan design. Here you'll find simple geometric outlines with an 'Arts and Craft' charm about them. Paget is beautifully clear and easy to read, but offers a distinctive charm that conventional sans serif and serif faces don't. Paget is offered in regular and oblique forms and is an ideal way to merge tradition and all that is new and fresh in your designs.

Introducing, HS Broxy! An Experimental Display Font with the contrast geometric touch. It looks authentic and personality that can be used for all your project needs.This font can be used at any time and on any project. So, HS Broxy Font can't wait to give its touch to all your design projects such as magazine, book, poster design, movie, personal branding, promotional materials, logotype, product packaging, etc. Thank You HS

Quiche Flare is a high-contrast, flared serif typeface featuring foxtail ball terminals, swash capitals, and geometric proportions. With weights ranging from Thin to Black with matching italics, it’s useful for a variety of display applications across products, packaging, labels, invitations, stationery, fashion, etc. The design exhibits both elegance and a touch of whimsy with the foxtail terminals and the flared serifs add more interest, beauty, and movement to the characters.

Hasan Alquds U is an Arabic display typeface. It is useful for titles and graphic projects where a contemporary, streamlined look is desired. The font is based on the simple lines of Kufi calligraphy, and the uniform slope of its strokes gives it a structured, geometric feel. It supports Arabic, Persian and Urdu languages. Hasan Alquds is the first released typeface of collaboration between Hasan Abu Afash and Mamoun Sakkal.

Luengo is a modern geometric sans serif font family. Rounded corners give a natural and overall home-felt feel with an accessible air and an elegant touch. Luengo is for display purpose, but it also looks great in longer copy, making this family of 5 weights perfect for a range of uses such as brand identities, packaging and editorial. Luengo offers ligatures and alternatives with manual kerning and spacing.

Roveron is a futuristic wide display font that has a unique geometric shape. Roveron is inspired by space explorers with a strong contemporary feel. The Roveron features a highly expanded alternative style as well as a discretionary ligature. You can use this font in a modern and sophisticated design. This font is perfect for various projects such as: logos and brand identity, headlines, posters, signs and many more.

LOGX-20 is a geometric, all-caps display typeface. This is the brother of the LOGX-10 font. It obviously refers to the previous one, but considering the construction it is a different typeface. LOGX-20 is designed to create elements of visual identification, various creative projects and outstanding graphics. It looks great in arrangements with different text sizes, headers, sentences and longer texts. Both on websites, print or applications.

The typeface of Betm Rounded is based on the successful Betm font family by font foundry Typesketchbook. Font designer Chatnarong Jingsuphatada created Betm as a Rounded version to Betm. Both type families consist of ten weights plus with italic versions. Betm’s typeface has a friendly and modern sans serif appearance. This modern geometric font is very legible and can be used for headlines as well as small and long text.

Mestizo is a term traditionally used in Latin America and Spain for people of mixed heritage or descent. In some countries it has come to mean a mixture of European and Amerindian. The font Mestizo is based on a strict grid system – but combines it with ethnic symbolism. Six weights can be combined in various ways. Accius, Alerio & Amias display the basic geometric shapes, Balbo, Belus & Borba represent the playful icons.

SK Primo is a monumental geometric grotesque created to stand out. An unusual combination of smooth rounded contours and sharp square shapes creates a visual contrast that is noticeable. Carefully adjusted shape and attention to detail make this font a great help in the work of the designer. SK Primo is ideal for headlines, posters, banners, and text highlighting. Two styles, solid and outline, were developed to address all communication needs.

Designed at ParaType in 1996-2002 by Tagir Safayev. Inspired by works of Russian Constructivists of the 1920s and 30s: Alexander Rodchenko, Varvara Stepanova, Vladimir and George Stenberg, Gustav Klutsis and others. A geometrical, caps and small caps only, sans serif design. The glyphs are formed using straight lines only. Totally simplified, this face is perceived as a symbol of Russian Avant Garde. For use in advertising and display typography.

Museo Sans is based on the well-known Museo . It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use. This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors, Museo Sans also has a ‘case’ feature for case sensitive forms.

Ligione is a multi function font family, consist of uppercase and lowercase with 4 weight and 4 width option making it a big 8 styles in total. This typeface is a modern display sans serif packed with a geometric modular assembly in mind, combine the regular and expanded style for a unique touch on your design. This font is perfect for a big size display, title, body text and even logo.

Quiche Sans is a high-contrast, sans serif with monoline stroke endings, angled stems, and geometric proportions. A sibling to the Quiche family, with the ball terminal endings removed. The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression and tapers out the stroke endings for a sophisticated monoline appearance.

Metroland inspired by urban and modern life on a metropolis city. Metroland have a Subway vibe and a transportation theme that relate to our routine. Metroland is simple and modern sans serif display family font. it has a monoline geometric, and simple atmosphere. Metroland came with 9 weight and 9 italic fonts. It can easily be matched to an incredibly large set of projects, and good for communicating your brands.

Cogenta Text is a geometric sans-serif typefaces. It showcases reduced contrast and a more neutral appearance compared to the lowercase joint of Cogenta. Its low cap height makes it an ideal choice for mobile and web applications. Precise kerning enhances readability, ensuring a satisfying user experience. Cogenta Text effortlessly complements diverse design applications, including logos, branding, posters, editorial design, websites, and more, consistently delivering exceptional quality results.

Based upon H. Broedel's Hogarth Script, Gillray Pro, an RMU design, comes with two weights: Light and Medium. This formal script font is ideal for invitations, diplomas, certificates, book titles, ads etc.

Firefly was designed by Miranda Hopper during her time in Patrick Griffin's type design class of 2010 at Humber. It is a light, narrow alphabet that works well in casual, leisurely design.

Download this cool font when you've got friendship on your mind. Its thick wavy lines and slightly uneven character are perfect for light-hearted scrapbook pages, journaling, greeting cards, and other publications.

Banana and Sun is light handwritten font. It’s very suitable for the fashion industry and culinary. This font is crazy but readable, so it can be used for large amounts of text.

Striptease JNL is the bold, brash, "your-name-in-lights" companion to Showgirl JNL, and was inspired by a scene in an old television show depicting a burlesque house of the 1930s.

A light handwritten script font that is feminine and informal. Will lend a casual yet elegant feel to any design. Contains language support for both Latin-based and most Eastern European languages.

Bieta is a sans-serif font family designed by Naghi Naghashian in four weights. Bieta Light, Bieta Regular, Bieta Bold and Bieta Heavy. Width of this font family is almost condensed therefore specially space saving. Bold and heavy versions are suitable particularly for big titles. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Bieta design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Bieta’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Bieta was developed for multiple languages and writing conventions. Bieta supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

ARTA is an ArtDeco style font, inspired by classic font like Newport Classic with elongated typeface with high waisted uppercase letters which curve in an geometric and elegant way. It consisted of really condensed lettering which had little space available. It's a well complet font with 315 Glyphs for most latin languages as "English, French, Spanish, German, Icelandic, Afrikaans, Catalan, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbo-Croatian, Slovak, Slovene, Sorbian, Turkish and Welsh". ARTA will give to your design an chic presentation, you will be able to generate beautiful writings,thanks to 3 differents type "Light, Regular & Bold". It can be used for Shop, Restaurant, Jewelry, Cosmetic, Press identity & more. I started to work on this typeface at the creation of a logo in 2017 for the butcher shop of my uncle in Luchon in France named "Le Louchébem". I always had in mind to complete & share it. So after some years, I decided that it was time to finish it. This was my first Typography creation and I wanted to make it as an Art Deco typeface. I really love this elegant, high & classy lettering style. I want to bring this 1910's vibes back to be more use in our days.

Jaleh is a sans-serif font family designed by Naghi Naghashian in tree weights, Jaleh Light, Jaleh Regular and Jaleh Bold. Width of this font family is Extra-expanded; a unique typeface. It is extremely legible even in very small size. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Jaleh supports Arabic, Persian ( Farsi ) and Urdu. It also includes proportional and tabular numerals for the supported languages. Jaleh design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Jaleh’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Jaleh was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

The design of Cyan was inspired by features found in classic Roman and styles like Trajan and Bodebeck. The characters stay true to the same features as the capitals, resulting in an unusually distinctive style. The Capitals version contains Roman numerals. Cyan's weight is similar to Trajan's but the horizontal strokes are slightly bolder resulting in better legibility for small sizes, especially for lowercase characters. Cyan Sans evolved out of the hugely successful Cyan Serif family. Cyan Sans retains the same geometric Roman proportions with open centers in B,P,R b, d, p . This helps create a thick and thin stroke illusion since the actual strokes don't vary much. There are many subtle details in Cyan Sans that become more interesting in larger sizes. The beauty of Cyan Sans is that it has no features that "jar" the eye. The result is a very pleasing and distinctive sans that scales well. Cyan Sans is a robust font that will exceed expectations in areas never explored before. The name is inspired by the Greek word cyan, meaning "blue". Blue as a primary color that has many hues and uses. Cyan the font, we hope will be seen in a similar light. Obviously Cyan Sans is a perfect companion to the Cyan Serif family.

Litza is a layered, condensed, all-caps cross stitch display type family. It is made up of 10 layers that show different stages of stitching and can be stacked, moved around, and coloured separately in order to create interesting effects. The ten layers come in 3 weights; Light, Medium, and Bold. The 3 weights can also be mixed with one another to create a vast range of combinations when stacking the layers. Litza has multilingual support and includes glyphs for a wide range of Latin and Cyrillic languages. The family also contains a set of ornamental borders and over 80 decorative symbols in the shape of various animals and objects. Combining the various Litza layers allows you to create eye-popping, intricate, experimental typographic compositions that are rich in detail - with ease. The condensed, geometrics sans-serif letterforms and playful nature of the Litza layering system give a contemporary feel - while at the same time retaining a nostalgic and tactile quality due to its reference to traditional needlework techniques and patterns. Ideal for use at larger point sizes where the unique, stylish effects can be best expressed - Litza will add a touch of intrigue and work best in headings and emphasised text for poster design, editorial design, packaging design, and motion design.

Gonzi is a geometric sans-serif typeface in 30 styles. Its circular lowercase letters and large, expressive capitals combine to create a modern, clean typesetting with a distinct personality; all the while keeping accessible and legible. Gonzi consists of five weights, each one as narrow, medium and wide: Thin, Light, Regular, Bold, Black Condensed, Medium, Extended Each one of font styles is also provided as Italic, totalling 30 high-quality styles. Also includes a variable font! Only one font file, but the file contains multiple styles. Use the sliders in Illustrator, Photoshop or InDesign to manually set any weight and width. This gives you not only the predefined styles, but instead more than a thousand ways to customize the type to the exact look your project requires. More info about Variable Fonts: https://mansgreback.com/variable-fonts The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

TT Bells useful links: Specimen PDF | Graphic presentation | Customization options About TT Bells: TT Bells combines the elegant softness of antiqua with a complex and daring temper reflected in straight stroke terminals and arrowheaded serifs. The family is based on broad nib, which was typically used for old style fonts and creates these hallmark terminals and serifs. We've taken the best from old style fonts created before the digital age and added sharp and contemporary geometric shapes to the traditional style. That’s how TT Bells refers the spectators and font enthusiasts to the origins and, at the same time, reminds us that we live in the digital era when geometry and screens rule the world. TT Bells is suited for different types of text–from the shortest headings to large text arrays. When the font size is decreased, the boldness and sharpness of the font soften, it becomes more classic. The font family is created according to the traditional TypeType formula (Thin, Light, Regular, Bold, Black & Italics). FOLLOW US: Instagram | Facebook | Website TT Bells OpenType features: tnum, onum, pnum, numr, dnom, frac, case, ordn, subs, sups. TT Bells language support: Acehnese, Afar, Albanian, Alsatian, Aragonese, Arumanian, Asu, Aymara, Banjar, Basque, Belarusian (cyr), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Cebuano, Chamorro, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Embu, English, Erzya, Estonian, Faroese, Fijian, Filipino, Finnish, French, Friulian, Gaelic, Gagauz (lat), Galician, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Judaeo-Spanish, Judaeo-Spanish, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Kashubian, Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Laz, Leonese, Lithuanian, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malay, Manx, Maori, Mauritian Creole, Minangkabau, Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Swiss German, Tagalog, Tahitian, Taita, Tatar, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Vepsian, Volapük, Võro, Vunjo, Xhosa, Zaza, Zulu.

Introducing The Neon Sci-fi Futuristic Font called Leegione A unique font with a futuristic style can make your futuristic logotype more interesting. Inspired by real world neon light signs, this font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Leegione fonts with 9 unique ligatures are ideal for your project and will allow you to create beautiful designs, headlines, posters, logos, badges, and much more. It is also best used for posts, logos, posters, labels, and more.

Galigo is a captivating hand-drawn font that seamlessly blends artistic flair with versatile functionality. This unique typeface showcases a delightful variety with both light and regular forms, allowing you to effortlessly convey different moods and styles in your projects. Whether you're designing invitations, posters, branding materials, or any other creative endeavor, Galigo provides the versatility to express your ideas with finesse. Features: Regular & Light Uppercase & Lowercase Basic Latin Glyphs Multilingual Support Numeral and Punctuation Ligatures & Alternates Thankyou for picking up this font, hope you enjoy it. Regard. Grontype

This is a family of "Gothic" types from the Monotype Design Studio. The faces named "Gothic No. 1 through 4" were produced by Compugraphic. Gothic No. 1 is a condensed, late 19th century American-style sans serif typeface. Gothic No. 2 and Gothic No. 3 are based on the Metro #2 series, designed by W.A. Dwiggins for Mergenthaler Linotype during the 1920s and 30s. Gothic No. 4 looks vaguely like Gothic number one, but is heavier and smaller on the body. Gothic Extra Light Extended is a very light and wide design.

Alathena was inspired by the French art decade between art nouveau to art deco, comes with 2 style, Alternative swash and Modern deco, with some modified ligatures. Available with 6 Weights, Thin, Extra Light, Light, Regular, Bold, Extra Bold with support 75+ language (Latin Pro), and contains OpenType features. - Matching small caps for all weights. - Old Style Figure. - Full "f" Ligature set. - 20+ Optional (discretionary) ligatures. - Over 400+ Swash Characters. - Automatic Fractions. - Automatic Ordinals. - Extended language support for most Latin-based Western and Central European languages, including all the swash and alternate characters.

Rock it! is a type family that let's you create instant graphic design for any ROCK, PUNK, HARDCORE, HORROR and so on -gig, poster, logo, and whatever you need. Just type your texts and combine all the tree versions for authentic look! Rock It! includes three ultra condensed sans fonts with different eroded textures and partially different letter shapes. Different versions of Rock It! are set as "Light," "Regular," and "Bold", where Light and Regular have eroded holes in them whereas Bold has "dirty print stains" all over the characters.