Alskar sans is an elegant contemporary wide sans-serif typeface with strong stylistic geometric, authentic contrasts, drawing on the aesthetics and representing the shifting contemporary aesthetics. The distinctive stance gives the right visual consistency for branding and communications. Alskar sans is perfectly suited for headlines, large-format prints, brand identities, social media, advertising, editorial design, posters, magazines, logos, headings, body copy, digital and more.

SQUADZONE it’s a young & sportive unicase style font, having both uppercase and a few smallcase alternating letters that gives it a unique look. It’s geometric anathomy of the letters may have two different types of endings or detail: straight and sharp cut out angles at 45 degrees. This offers a few alternatives in headlines or even logotype purposes that are realy encouraged to use for.

Constellation started with a simple geometric concept in the manner of Art Deco which gradually developed to a complete typeface, both upright and italic, total of seven weights. The concept allowed the font to be designed from Ultra Light in both very light and quite black styles. This Pro font is packed with all European and Cyrillic alphabets, small caps, variable figure sets and features .

The idea for Cambalache was conceived back in 2008 and was to create a geometrical font based on tangential modules into structure. The serif would be arranged, looking to approach to the lettering shapes. The creative concept has a feel from the mid-30s of last century, reaching a taste of retro and vintage style. Includes oldstyle numbers, slashed zero, standard and discretional ligatures.

Flex Rounded display typeface was designed in 2000 by Vladimir Pavlikov as alternative 'soft' variant to the original Flox face. In contrast to Flox there are rounded stroke ends and curved shapes in most of Flex characters. The project was aimed to create a decorative vivid alphabet of geometric shapes. Cyrillic was developed in 2005. For use in advertising and display typography. Licensed by ParaType in 2005.

Malebu is a new sans serif font that was created based on grotesque and humanist models with certain geometric features. It’s clear, simple, gentle and friendly, can be used in text sizes. Its easy to read in long texts, magazines, books and the like. The rounded shape makes it friendly and fluent. A short x-height is functional and adds economy without losing consistency.

This big family summarizes and develops the tradition of boldface squared-off 45° shear sanserifs. Known from the middle of 19th century and actively used in different times (1920s, 1970s) is still usable now, thanks to its brutal expression, monumentality and possibility to fully maximize the flatness without loss of readability. This font is especially good for filling letters with photos or to create geometrical “constructivist” compositions.

Koysan is made for vivid headings, but it can also be used to type small paragraphs and texts. In a text set, it gives sharp, barbed textures, but compensates with half-ovals. The font combines the linear counteraction of thin vertical and horizontal lines with sharp and rigid strokes and smooth geometric ovals. Koysan supports Basic Latin, Extended latin and Cyrillic. Font designed by Victor Pesotsky.

Garnet as a modern font kit inspired by fonts and calligraphy of XX centure. It includes Capitals (6 Styles) and Script so you can combine them as you like. Geometric Sans + Handwritten Script is a modern and fresh looking combination which can be used for many tasks. Garnet is good for headlines, posters, packaging, book covers, cards and as a starting point for logotypes.

Beckman is a modern and minimalist sans-serif font family. The combination of minimal and geometric elements renders a modern design. Beckman includes 6 fonts, clean and modern caps, thereby creating more variability. This is irreproachable sans serif to diversify your headlines, branding visual identity, poster, logo, magazines and etc. Six weights Alternate glyphs Latin alphabets Thanks for looking, and I hope you enjoy it.

This decorative, headline or logotype geometric font consists entirely of uppercase letters. The glyphs of uppercase are rounder than their lowercase counterparts, allowing playful interaction within words, contrasting round and square shapes. The font is an extension of the Paragraph fonts family, however the capitals of ParaCap and lower case glyphs of Paragraph are not designed to be used together. That said, you are welcome to try :)

Ovaltown is a geometric font family with three weights in which the letters are derived from ovals or ellipses. It does to have true lower-case letters but many of the characters in the lower-case slots differ from the corresponding characters in the upper-case slots. Ovaltown is strange, unusual, and bizarre and can be useful when one wants strange, unusual, and bizarre lettering.

SK Brushwood is an experimental geometric font based on chaotic lines. It is inspired by the Greek stone script, but nevertheless it is modern. The main component of the letter shape is straight and sloping lines ending in straight corners, which makes it look like brushwood. This is why the font gets its name. SK Brushwood is perfect for headlines, posters, print work, and the Internet.

A 1920 Dutch poster for Public Placement Services by Johan Dijsktra provided the inspiration for this crisp geometric typeface. Instead of the normal underscore (_), this font features a set of parallel lines flush to the tops of the caps and small caps, which offers some intriguing design possibilities. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.

Warm and human, yet reliable and precise. Catchfire blends humanist proportions and geometric features. The result is a sans serif typeface with strong personality traits, but that can fulfil everyday needs. It is very legible due to its open counters. It boasts a large character-set, OpenType features, circled numbers, wide range of weights, cursive italics : everything needed to become your new companion for years to come!

www.Stat-Type.com Complementary Type Family Stat Display Pro Stat Text Pro is an information design sans serif type family which was developed as a complementary to Stat Display Pro. Stat Text Pro retains many characteristics of its display counterpart, while giving readability a greater importance. It has simpler letter shape details which enable it to accomplish a constant rhythm whiles being read. Its main intended use is to accompany Stat Display Pro in places where longer passages of text are needed. In this way the visual character of the composition is retained and at the same time readability of text is given attention. As its display counterpart it has a large character set with multiple weights, which are defined by optimal size ratio, wide aperture and balanced counters. It contains nearly 700 glyphs, including diacritics, ligatures, small caps, old–style figures, arrows and more. This enables it to achieve wide language support. It consists of four weights (Light, Regular, Medium, Bold) which are accompanied by their corresponding obliques. Stat Text Pro type family has higher than average x height (72% of cap height) which is accompanied by matching ascender and descender size ratios. The development of the type family was based on research in legibility to achieve highly legible letter shapes, while not diminishing their visual character. A detailed description of Stat Pro type family is available at Stat-Type.com where a DEMO font can be downloaded.

Sealt Typeface is inspired by the oldest saltworks in Eastern Europe, founded in 1390 in Drohobych. Sealt means salt in Old English, so most letters are rough and sharp like salt crystals and seem to be carved out of the rock. View PDF Specimen: https://michaelrafailyk.com/typeface/specimen/Sealt.pdf Variable font: Sealt VF has weight axis and includes hundreds of weights ranging from Light (300) to Bold (700), so feel free to choose the most accurate weight that you need, using a slider. Localized Forms: 47 character substitutions for Azeri, Bulgarian, Catalan, Dutch, German, Kazakh, Moldavian, Polish, Romanian, Tatar, Turkish. Glyph Composition/Decomposition (Diacritics): Full Latin and based Vietnamese set of diacritics (561 characters). Precomposed. Ordinals: adehnorst. Superscript, Subscript, Numerator, Denominator: 0123456789. Fractions: ¼½¾⅐⅑⅒⅓⅔⅕⅖⅗⅘⅙⅚⅛⅜⅝⅞⅟ (precomposed). Any other fractions (even those typed through a slash) will also be displayed correctly, with the automatic replacement to Numerator + fraction + Denominator. Slashed Zero: All 0 figures, including Lining, Superscript, Subscript, Numerator, Denominator, and Fractions. Contextual Alternates: ΆΈΉΊΌΎΏ. Greek uppercase accented characters lose their tonos accent and retain only dieresis in All Caps mode. Turned on by default. If you need tonos accents in All Caps then turn off Contextual Alternates (calt) feature. Standard Ligatures: OO TT tt fi. Turned on by default. Language count: 480+. Kerning Class pairs: 4295. The promo images used photos of Albin Berlin, Hervé Piglowski, Karolina Grabowska, Scott Webb from Pexels and Dollar Gill from Unsplash.

Clean and welcoming, the distinct look of Yorkten is remarkably satisfying to the eye. Straight to the point, Yorkton features a fashionable, geometric composition with angled main stems. There are no fewer than fifty-four fonts in the family, all of which are characterized by one of three widths – extended, normal or condensed. Each individual subfamily is equipped with eight weights from Thin to Black with respective Italics, giving Yorkten a breathtaking range of fonts to boast. The greater value for you, though, is its members’ ability to work well together. With a deep toolbox of weights and widths to choose from, this family provides you with significant value and a broad number of design solutions, making sure you have the tools you need for each challenge. So where should you use the font? Jeremy Dooley designed Yorkten’s underpinning structure to be compact. Combined with its superior features and terrific legibility, this versatile font can be used effectively for many jobs, whether in print or on screen. Use it freely for e-books and apps. Yorkten is particularly great for headlines, banners, posters, and websites. As with all insigne fonts, fonts that are well received by the market are expanded into future variants such as rounded or slab serif types. Yorkten’s later expansions will increase the versatility and functionality of the family. There’s no need to wait for these future releases, though. This new face already complements a number of other insigne faces, such as Grayfel, Look, or the Cabrito Superfamily. So what are you waiting for? Get Yorkten today and bask in the rich potential it offers! Get Yorkten and luxuriate in its straightforward multifunctionality!

Offense is an unyielding rectangular slab-serif face designed with consistently balanced letterforms and a refined finish. It’s extremely angular geometric form commands attention in display settings, yet is also legible in short text blocks. Numerous alternate character sets allow room for customization, while the expanded ligatures push letter combinations to the limit. Stylistically, Offense’s almost crude, sharp-cornered construction is balanced by it’s sophisticated finish and attention to detail, often unrealized in similar faces of this genre. The upright weights are complimented by pairings of true italics, completely rebuilt, slightly narrower in width with modified letterforms, increasing their contrast and flow. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (fi, fl, ff, fh, fj, ffl, ffi, ffj) Discretionary Ligatures set including (ft, rt, ae, oe, st, ft, ct, oc, oo, ry, AE, OE, AL, TH, HE, AK, AN, TT, HD, AM, AP, AR, NF, NE, NH, NL, NB, FL, ND, FE, AB, OB, OD, OF, OG, OH, OK, OL, OM, ON, OO, OP, OQ, OR, OU, AH, UE, UF, UB, UD, UH, UK, UL, UM, UN, UP, UR, UU, MP, XY, YX, KY, WY, VY, AF, FF, FI) Alternate characters (O, o, S, s, a, h circumflex, @, ®, ¶, $, &, _, and various ligature alternates) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Introducing Rose Avenue, an extra bold serif font with soft, charming rounded edges and curves. Rose Avenue brings chunky retro typography to the modern era, and includes 70 additional special characters with additional flair and flourishes - providing you with a variety of captivating custom text arrangements. Whether it's a fancy retro-inspired logo, or engaging bold header text - Rose Avenue is able to deliver. Accessing Alternate Characters • Many letters of this font have multiple alternate versions (see final image). In order to access each one, simply make sure 'Standard Ligatures' are enabled, and follow your letter with a number. For example, typing 'A1, A2, A3, A4, A5' will generate the 5 alternate versions shown for capital A. Accessing Ligatures • There are 10 lowercase ligatures (double letters) included. In order to access these, simply make sure 'Standard Ligatures' are enabled, and the ligatures will automatically generate as you type. All special characters can also be accessed via a Glyphs panel. Language Support • Rose Avenue supports the following languages; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian

Neue Reman Grotesk It has 70 font styles in total family + 1 Variable. This typeface is designed to be used very practically. Each style can be changed easily. Has a variety of alternative letters that can be selected to make typography designs more attractive. The family comes in 7 weights with matching italics + Variable Font File and includes multilingual latin pro characters. 1. Extra Light - Condensed - Expanded - Slanted Italic 2. Light - Condensed - Expanded - Slanted Italic 3. Regular - Condensed - Expanded - Slanted Italic 4. Medium - Condensed - Expanded - Slanted Italic 5. Semi Bold - Condensed - Expanded - Slanted Italic 6. Bold - Condensed - Expanded - Slanted Italic 7. Heavy - Condensed - Expanded - Slanted Italic Neue Reman Grotesk contains 750 glyphs, a Latin Pro Fonts. This is the second version of Neue Reman Family. Complete with Stylistic Alternates, Stylistic Set, Caps Swashes Letter, Standard Ligatures, Discretionary Ligatures, Tabular Figures, Proportional Figures, Superscript, Subscript, Scientific Inferiors, Fractions, Ordinals, Arrows and a variety of figures and fractions. Neue Reman typeface suitable to use in multipurpose projects such as on websites, systems, printing, embedding, servers, screens, display, digital-ads, branding, logos, titles, headlines, teks, and everything else. Need something else? Get in touch with us on propertype.foundry@gmail.com Thank you

Lemon Squish is a fun and funky sans-serif font that is perfect for adding a touch of humor and whimsy to any design. This font is inspired by the 70s hippie culture and has a retro feel that is reminiscent of comic books and graffiti. Lemon Squish comes in ten different styles, including Bold, Bold Italic, Italic, Light, Light Italic, Regular, and four Outline variations. These various styles provide versatility and allow you to create dynamic and eye-catching designs. The playful and lighthearted nature of Lemon Squish makes it ideal for anything from branding and logos to social media posts and advertisements. Its fun and quirky design will add a touch of humor and personality to your projects and bring a smile to your audience's face. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Dirty Claws is an all-caps aggressive dirty brush font. With a bold, aggressive style, it will add a bold and strong touch to your projects, inspiring you to create something bold as well. Besides that, this font is also equipped with Alternative Characters, Standard Ligatures, and multi-language support. Dirty Claws is ideal for headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotype, and album covers.

A NEW STYLISH BOLD FONTS WITH LIGATURE & ALTERNATES, Hillray! Hillray is a stylish bold sans that contains ligatures and alternates each characters! You can make a unique branding with this fonts. This stylish bold fonts also included extrude and outline style that will compliments the regular style! This fonts suitable to use for poster, branding, merchandise, and any street art style! Also support multilingual and already PUA Encoded! Thank You!

CAPITALIZED, geometric, bold and round. If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way. Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently. The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness. The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow. The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet. The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ. There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes. And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left. The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.

Leroy is a font family of 5 members designed from geometrizing Roman and Gothic skeletons. Its purpose is to provide optimal reading of titles and paragraphs with strong mechanical flavor. Because of this, its variables are designed to sort information in media such as labels, signs and industrial atmosphere packaging related with the Soviet Union’s fonts in 1920. This idea matured white horizontal lines superimposed on alphabets drawn with an ancient architectural team known as “Leroy K & E Controlled Lettering System”. Then that evolved into a family concept unifying its proportion to the same X height for its members, resulting in a versatile type system. Therefore, Regular and Bold variables have low contrast between thick and thin strokes. Its upstream and downstream are extremely short, generating a suitable interline that clogs the vertical area. Its overall width equal to its X height, supports its tight spacing that compacts the horizontal area. Therefore, the variant with black caliber has plenty of contrast between thick and thin strokes. The light variable has a “blind” effect radiating light halos, ideal to propose hierarchies and combinations with orthogonal projection. In that sense, Leroy’s modular character reminds constructivist ideology merged with typographical variants suitable for graphic design with geometric look. To achieve this, I studied the softening of forms and counter blocks into a typographical system specially designed for composing useful information to attract attention. In that sense, the dingbats were obtained through a careful process of research and testings done with drawings that provided full and empty visual strategies that with the passage of time helped to forge the major decisions of a metamorphosis from industrial tools, birds and humans from pictogram mixing various genres.

Introducing Betaphid, a sleek and modern display typeface designed to embody the principles of science and technology. Its minimalist aesthetic, inspired by the bold lines and raw textures of brutalist architecture, evokes a sense of futuristic innovation that is perfect for science fiction themes. But Betaphid is more than just a visually stunning typeface—its austere features are also designed to enhance the technical precision and geometric accuracy of your creations. With its clean lines and perfect proportions, Betaphid will lend a sense of order and logic to your designs, making them appear more polished and professional. Whether you’re creating a website, a product label, or a scientific report, Betaphid is the ideal font for conveying a sense of scientific authority and technical expertise. So why settle for less when you can achieve perfect geometric precision with Betaphid? Try it today and take your designs to the next level. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Gotico™, meaning Gothic, is a Blackletter script (sometimes referred to as Old English). The original Gotico design was first brought to market by the Fundicion Tipografica Richard Gans type foundry (1888-1975) in Spain. The designer of Gotico is unknown and for many years the font was formerly sold only in Europe.

This font is very beautiful if we combine it into a design that wants to appear bold, bold and unique, there are several alternatives that you can use to make this font as support for your design project.

Crypton is a modern geometric design by Alex Kaczun. It’s an alternate style variation based on his popular Contax Pro family of fonts. The look is clean, smart and sophisticated—the chiseled end strokes reflect the rage of the 1980s; lettering that represented something to do with electronics, computers and outer space. It’s a futuristic sans-serif exploration of shape and form. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong and dynamic—it can be widely used in publications and advertising. Crypton is a futuristic, techno-looking and expressive typeface with the appearance of machined-like parts—round geometric shapes and sharp edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

Finador is a modern, soft geometric sans family. The functional style of a geometric sans has been soften by open apertures and rounded corners. This makes it functional and friendly. The default version has open, modern apertures. Stylistic Set 2 includes the whole set with closed, classic apertures. A slightly different look. It´s like having a second font in just one font. So it´s up to you to choose the right look for your projects. The Finador family includes 8 weights, from thin to heavy + their matching italics. With 900+ glyphs per style it supports over 200+ latin based languages, includes an extended currency symbol set and a lot of Open Type Features like small caps, ligatures, fractions, alternates and many more. The lightest and boldest weights are good for display usage, while the middle weights can be also used for body text. As a versatile allrounder Finador supports almost every of your needs. It has the ability to become your next favorite workhorse family.

Capires - Art Deco Font is a captivating fusion of two iconic art movements, Art Deco and Art Nouveau, blended into a contemporary typeface that pays homage to the rich artistic heritage of both styles. This font beautifully combines the geometric precision of Art Deco with the intricate, organic motifs of Art Nouveau, resulting in a harmonious masterpiece of design. Capires is the perfect choice for projects that demand a unique and mesmerizing synthesis of these two influential art movements. Whether you're working on branding, packaging, or editorial design, Capires brings a sense of timeless elegance and artistic richness to your work. With Capires, your designs seamlessly bridge the gap between past and present, making it an exceptional choice for projects that seek to capture the essence of both Art Deco's geometric refinement and Art Nouveau's flowing, ornamental beauty. This font transforms your creations into an elegant and visually captivating experience, where tradition meets modernity in a harmonious embrace.