Yoshida Soft is the cheeky partner in crime to Yoshida Sans. Based on the original sans, we've gone heavy with the curves to create a unique font that again comes in 2 widths and 8 weights and which has a multitude of uses from branding to posters to digital applications. Have fun with this big softy.

Media Blackout is a handmade font with rugged good looks. The Media Blackout Family consists of three fonts: Normal, Italic & Marker. Media Blackout Marker takes the handcrafted look one step further by adding heavy hand etched lines for a truly unique look. For an even more handmade look, switch between uppercase and lowercase for a change of etching.

Something New has been designed with logo designers and typographers firmly in mind. This feature-packed display font is a perfect addition to your design arsenal, ready for your next logotype, heavy heading or beer label. "A stylish mix of serif and blackletter" Great for; logos, branding materials, business cards, gift cards, t-shirt, print, posters, quotes, etc.

Bold Bavarian is a heavy version of my Royal Bavarian that was commissioned by King Ludwig 1st of Bavaria about 1834. I always thought, that I should design a really bold version and now finally I did. But I think it should not be mixed together with the normal version. Your lover of Blackletter typefaces, Gert Wiescher

Zara Amorett is a modern urban handwritten script. Heavy and rounded shape. Zara Amorett’s attractive letterforms can be enhanced with extravagant swash, alternates, and endings. Complement your design with 24 underline swash. Try mixing your design with this font. Don't hesitate to pair it with serif or serif in your work idea. Find interesting layouts to complement your project.

Cyclic Sans is a legible and highly distinctive type family in four weights, running from Light to Heavy. A stoic sans, imbued with strength and charm, the fonts can be paired with their Cyclic Serif counterparts to stunning effect. Cyclic Sans is a stylish modern face and a versatile all-rounder, ideal for both text and headline use.

A strong, heavy font that really packs a punch. Muscleman is there when your design needs a little extra lift. Originally created for a poster project, the font juiced up and grew quickly into the large fat size it is today. It works well for logos, posters, and t-shirt designs and has a slight deco look.

Corvone is a heavy bullnosed display family, inspired by the post war era's ideas of modernity. Two faces are offered, plain—a solid black face, and regular—which employs a three-dimensional pipeline effect to add real emphasis. Use Corvone to give work a retro feel, and/or where you want to really drive your point home.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Tutorials Photoshop: https://youtu.be/qfUNZr0m4n8 Procreate: https://youtu.be/R_5O_pfPBIY Sabersong is a carefully crafted font, which features a very heavy black metal feel. Sabersong suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

German type designer Jürgen Huber created this display FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Angst provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

The agressive moves, the lateral spurs and the heavy leaf endings of Trochera resemble the silvan plants behavior giving it a very expressive and festive personality. Its features make Trochera very useful for flamboyant and colorful purposes, but it is also attractive in black and white, the saturation of the ornaments will give an appealing texture to headings.

French Clarendon was an extremely popular wood type font. Characters are heavy and condensed with bracketed serifs, which measure approximately 1/4 to 1/3 the height of the letter. Dozens of decorative wood type designs have been created based on French Clarendon. It was marketed as a wood letter by William H. Page & Company in 1865.

Schuss News Poster ist the very heavy headline font (titling/display/poster) of Schuss News. (No italic, no additional figures, no tabular figures, no small Caps, slyghtly different heights as the other font of the Schuss superfamily (Sans, Slab, News and Serif). The character set is different to the other styles. It is not developed for small text sizes.)

Bagor is a sans-serif typeface with a heavy touch. The concept is a big x-height and small ascender. Comes with 3 widths, namely: normal, wide, and expanded. And also a round version, making it 6 styles. Complete with ligature, alternative glyphs become an attractive choice. Bagor is perfect for branding, titling, headline, and more.

We RECOMMEND that you purchase both of these fonts to get the look like in the font preview image. Youtube Tutorials : https://www.youtube.com/@madhalinestudio Mask n eyes is a carefully crafted font, which features a very heavy black metal feel. Mask n eyes suitable for metal band logos, merchandise, clothing, apparel, or anything that needs a black metal feel.

Ebdus is a thin, modern, lightweight font, occasionally a little gawky and tall, sometimes a little plump and rounded. The font is available in 5 weights from Thin to Heavy but they all lean towards all things anorexia. It looks as good in copy as it does in headlines, it’s perfect for an angry letter to an uppity android.

Malvie is casual, groovy and friendly font. Made for titling and products, branding, packaging, display, signage and other fit-for-bold medium. Each glyphs shown dynamic curves, especially with the stems which is personalized by heavy swinging stroke. Its contain 270 glyphs with latin standard character set and two opentype features; Stylistic Alternates and standard Ligatures also extra swashes.

Rebrand is all about geometry, a typography that boosts confidence. However, contrary to pure, cold mathematics, this font seeks a more jovial and friendly face. The goal with Rebrand is to offer a Geometric Sans Serif font that can work in various instances, from symbols and titles, to text, and everything in between. It also creates a whole lot of personality, ideal for branding. There are two versions: Display, which is more fluid and dynamic with nine programmed weights for a wide array of intensity. This version also has various alternative characters and swashes. Text, which has the same attitude as Display, but is a little more serious with seven programmed weights to provide distinctive extremes and subtle variations among the mid-tones. Both cover basic Cyrillic and come in small caps. Both create one phenomenal typography: Rebrand.

Nora Grotesque is a modern sans serif type family of five weights plus true matching obliques, all completely equipped with opentype features, fractions, lining numbers, old style figures, capsular numbers, superscript and inferiors. It has been designed parallel within the neogrotesque universe of typefaces and is inspired by humanist proportions and humanist-grotesk features in multiple languages, support Central and Eastern European as well as Western European languages. Working on Nora Grotesque type family, we've aimed to create a modern geometric grotesk with the widest implementation range, a reliable workhorse. Nora Grotesque is equipped for complex, professional typography with a high x-height for maximum legibility and a powerful personality then other alternates. We've been especially careful working on the uniq geometry of each glyph, both from the point of view of visual correctness and forms continuity.

Graphie is a modern geometric sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 16 style: eight weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the clear-cut-corner, vibrant straight lines and large x-heights give them legibility, readability and keenness. The basic skeleton of their letterform was designed geometrically and optically corrected. The sophisticated geometric design gives them universality, neutrality and sense of unity and make it possible to be used across a wide range of applications in all medias, all purposes. Graphie supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.

Karmina Sans follows the steps of its successful award winner cousin, Karmina Serif. It shares the same technical excellence and it achieves similar stylistic features, but the new sans serif version proposes a much more versatile tool for editorial designers. Karmina Sans has six different weights with their matching italics, from light to heavy and from continuous text to headlines to small text. The heavy weight delivers one of the darkest and most powerful impressions out there while the text weights are perfect companions for Karmina Serif. The OpenType Pro package of Karmina Sans includes nearly 900 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, complete ordinal and inferior alphabet, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet.

One of the more popular pupils in the Comicraft Academy of Lettering Arts, Dash Decent, has been working on his penmanship, thanks to a grant from those lovely learning specialists at Brainzy and Education.com. Developing learning games for Pre K, K and 1st grade, Brainzy requested a font that was fun and clean to help children learn to print. Dash to School is an all new revision and expansion of the Dash Decent family and features fun bold/heavy/outline and drop shadow weights for display, guidelines and dashed lines to assist learning and understanding and a healthy dose of decency! Dash Decent has graduated 1st Grade and with Dash to School’s help, so can you! See the families related to Dash To School: Dash Decent Features: Nine fonts (Regular, Bold, Heavy, Outline, Shadow, Guides, GuidesDashed & GuidesSolid) with upper and lowercase alphabets.

Alanta is an inky brush script with heavy downstrokes, and skinny loops and upstrokes. It was made with my favorite brush pen and retains a playful handwritten look for all your designs and will be perfect for use in your projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great in mugs, cards, gorgeous typographic designs, stationery and much more. Alanta Heavy Handwritten script font includes a full set of gorgeous uppercase and lowercase letters, numerals, a large range of punctuation. Extensive language support is included. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian, and Kazakh languages.

Phillip Kelly first drew the Croissant typeface in 1978 for Letraset. Back in the 1970s and 80s, Letraset's rubdown lettersheets were a popular means of designing with type. Today, many of these nostalgic classics are available in digital format. Linotype is pleased to re-present Croissant. This experimental typeface is built up out of round, brush-like strokes, creating heavy, and black letters. These forms are best used for display signage and headline text. If you are designing for a local bakery or donut shop, this typeface may be the perfect fit. The dark, heavy character that Croissant lends to the page is similar to Cooper Black , one of the most renowned American type designs ever produced. If you are looking for a typeface with Croissant's feel, but need to set smaller headlines or text, check out that family's offerings."

Eskander the first version designed at 2018, and re-designed at 2021. Eskander is Arabic typeface with rounded edges and friendly. For web, digital applications and prints, supported languages (Arabic, Persian and Urdu). Eskander is a trademark of Protype Foundry Ltd, Design by Ibrahim Hamdi.

Core Sans N SC is the Small Caps version of the Core Sans N that is a part of the Core Sans Series (Core Sans N SC, Core Sans N Rounded, Core Sans M, and Core Sans G). Letters in the Core Sans N SC Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans N SC Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans N SC Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Weekly: a slab serif that wants to be a sans. The font was created under the premise that it can be used as a sans: a fresh design without that retro feel typical of slab fonts. As a result, we developed an Egyptienne font—more simple compared to others of its kind, a feature that gives it its unique personality. Weekly was based on fonts with humanist proportions, such as ‘Oficina’ and ‘Caecilia’, both created in the ’90s. Typefaces like these give designers the possibility to use them in books or magazines, in contrast to geometric slab fonts or early 20th century fat faces, which are mainly used for advertising or display text. Another feature that reminds us of humanist sans fonts is the small difference between x-height and cap-height. Some characters in Weekly like ‘a’ or ‘g’ lack serifs and some like ‘c’ or ’s’ have short serifs, giving it a semi-serif air. Weekly comes in both light and heavy weights. The heavier ones bear resemblance to Egyptienne slab serif typefaces with strong personality. These variants are ideal for use in posters and big, powerful headings.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans NR Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

The Core Sans M Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N Rounded, Core Sans N SC, and Core Sans G. This font family has open and square letter shapes, and overall rounded finishes provide a soft and friendly appearance. Simple and modern shapes with a tall x-height make the text legible and the spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans M Family consists of 2 widths (Condensed, Normal), 7 weights (ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy), and Italics for each format. Small Caps versions are also available. It supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. The Core Sans M Family provides both OpenType (.OTF) and TrueType (.TTF) versions in the same package. We highly recommend it for use in books, web pages, screen displays, and so on.

Afshid is a sans-serif font family in three weights and tow width. Afshid Regular and Afshid ExpandedRegular, Afshid Bold and Afshid ExpandedBold, Afshid Heavy and Afshid ExpandedHeavy. This font family is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement and provides more typographic flexibility. Afshid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Afshid design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Afshid’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Afshid was developed for multiple languages and writing conventions. Afshid supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

A blocky and bold geometric sans with inner angles and outer curves. No ascenders; lower case characters are as big as the upper case. Mix cases for variety.

This happy font family derives its geometric shapes from old Hebrew typefaces with added a modern twist. Suitable for any point size with a variety of 4 weights.

PlatformOne is a 10 font family consisting of 5 weights with italics. A clean geometric font with precise corners inspired by commuter travel on Britain's public transport networks.