Conqueror Slab consists of 12 faces and is part of the Conqueror superfamily. The font is intended for headings and logos. Conqueror Slab — an intermediate link between the sharp Conqueror Display and quiet Conqueror Sans.

Fander font family is designed to create minimalist logos, wordmarks, titles, taglines. Each letter of the font has up to 12 alternates. You can mix default characters and alternate characters to get the best combinations.

Bombtrack is a reference to hip hop terminology where the word 'bomb' means 'the greatest'. With splatter of inks looks alike in every glyph, produces moments of pure awesomeness. This kind of typeface proves its usefulness from time to time. You can use it for headlines, apparel, branding, and many more. Bombtrack contains 215 glyphs. Supporting more than 67 languages, from English to Zulu. Bombtrack is raw, casual, carefree, and authentic. Handcrafted with passion and love for your awesome projects.

Shedaytia is a handwritten typeface with classic root. a beautiful formal script and elegant touch. It works perfect in the world of weddings, logos, greeting cards, branding, print ads, quotes, signage, magazines etc. Shedaytia features 312+ glyphs and 147 alternate characters, including initial and terminal letters, alternates, swashes, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions.

Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a elegant choice for your type library. The Encorpada family began in 2011 with the release of Encorpada Black. After that instant success, in 2012, dooType brought to us Encorpada PRO. Encorpada Classic retains the main look and feel of his predecessors, but is designed with more functional considerations. With 14 styles, Encorpada Classic is a fine choice.

Ekela family has 216 styles in 5 versions: Normal, Round, Circle, Punch and Round Punch. Ekela family is a neat, unique sans serif simple font with minimal and round letters. It can easily be combined with an incredibly large set of projects, so add it to your creative ideas and notice how it sets them apart! Suitable for a wide variety of designs thanks to its neat styling, Ekela family has the potential to become your favorite font, whatever the occasion!

Catterpilar is a stylist handdraw font. The Catterpilar font works great for any design project, be it web, printing, logotype, posters, badges, signage, product, brand, t-shirt design, etc. Catterpilar font contains almost 215 glyphs with several OpenType Features; Stylistic Alternate, Standard Ligature & Multylangual support. The OpenType Feature can be used to create your own custom typography of your design. The Catterpilar font is a beautiful example of stylist fonts. Please contact me for more information about the font terms and condition.

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

Handu, designed by Alex Jacque in 2012, is an affable hand-drawn sans-serif inspired by the hand-painted type and signage on the streets of Kolkata, India. Fitting then that it come to life with brush and paint. When used for display purposes the organic, painted texture of Handu's glyphs really shines. At smaller point-sizes the hand-drawn aesthetic still translates. Handu comes in two styles, regular and shadow. Use each independently or overlay them for a little youthful emphasis.

This is a special font for use creating US Postal Service "Intelligent Mail" barcodes. Those are the barcodes you see on most cards and envelopes. Commercial mailers get the best pricing by printing barcodes when they address the mail, saving the Postal Service a step. The barcodes are also used on reply mail and Share mail, and for "Informed Visibility" tracking. Software to create these barcodes, including the USPS Intelligent Mail Small Business (IMsB) tool, typically provide an output of 65 characters, each character being an A, D, T or F, corresponding to each of the styles of bar. SmartBars 12 replaces those characters with the corresponding bar. When doing a mail merge to print addresses, the user would set the barcode field on their merge template to be printed using SmartBars 12, at 12 point, regular, and the barcode will print with the correct bars and at the required size to meet USPS requirements.

High Class – Handwritten Font High Class is a handwritten font, with high-end style and embodies the most desirable elements of fashion, setting an impression of classiness. This font truly brings on the vibe of high society. While this font comes with over 122 hand-drawn ligatures, it has been carefully kerned to give results as if they were all handwritten. It comes with a clean base look and all over the place forms with imperfect letters, messy style ligatures, and ampersands that make it complete. Easy to use, you can create a great impact on your work. High Class font is perfect for branding projects, logos, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, and any projects that need handwriting taste. High Class features: A full set of upper & lowercase characters Numbers & punctuation 122 Gorgeous ligatures A full set of alternate upper & lowercase characters Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Lev is a slab serif font, the rectangular serifs and the straight angled shoulders and links contrasting the curves and loops. Lev Serif is characterized by thick, block-like serifs. Lev contains 12 high quality fonts.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

A family with a retro feel with 12 styles in 6 weights, for both headlines and body text use as well editorial and corporate design from advertising to packaging and digital design. Supports Central/European languages.

The Posterama™ typeface family contains 63 fonts and is a true journey through space and time. Designed by Jim Ford, each Posterama family contains 7 weights from Thin to Ultra Black, in 9 distinct families. What makes Posterama so unique and versatile are the eight alternative display families. By making use of a collection of alternative glyphs, Posterama sets an evocative flavor to visualize an entire century of futuristic reference points from art, architecture, poster design and science fiction into one family. Posterama Text is the base family. It has the most robust character set including upper and lowercase glyphs and pan-European language support (including Greek and Cyrillic). Note: all the other Posterama variants described below do not have lowercase letters or Greek and Cyrillic support. Posterama 1901 recalls the decoratively geometric style of Art Nouveau from the turn of the 20th century. Letterforms such as the slender, snaking ‘S’, the high-waisted ‘E’ and the underlined ‘O’ revive the spirit of Charles Rennie Mackintosh and the designers of the Viennese Secession. Posterama 1913 pays homage to the Armory Show, or 1913 Exhibition of Modern Art, which brought the revolutionary work of European artists such as Picasso, Duchamp and Kandinsky to the US for the first time to the shock and astonishment of press and public. Near-abstract, angular characters such as the ‘A’, ‘E’ and ‘N’ hint at cubism’s jagged and clashing planes. Posterama 1919 uses a small, but important, variation to set a tone when the Bauhaus was founded, and the surge in radical European typography that followed. The straight-sided, roundheaded ‘A’ adds a flavor of 1919 – this style of ‘A’ can still be seen in the Braun logo, designed in 1934. Posterama 1927 captures the year of Metropolis, The Jazz Singer and Paul Renner’s pioneering, geometric Futura typeface from 1927, which had a profound influence on design in the US and Europe. Posterama 1933 – With its low-waisted, sinuous designs, the Posterama 1933 typeface family echoes lettering of the Art Deco period, which in turn had its roots in Art Nouveau, the key influence on Posterama 1901. The two fonts make a great team and can be used interchangeably. Posterama 1945 features a few Cyrillic characters to conjure up an era when Russian art and political posters made their mark in cold war propaganda, espionage and also giant aliens and monsters. Posterama 1984 takes its typographic influences from George Orwell’s classic novel, publicity for the dystopian action and sci-fi movies (Blade Runner, Videodrome and Terminator) and games like Space Invaders and Pac-Man that made an impact at that time. Posterama 2001 was inspired by Stanley Kubrick’s science fiction masterpiece, which made extensive use of the Futura typeface. Posterama 2001 finds its cosmic orbit with its nosecone-style ‘A’ from NASA’s much-missed ‘worm’ logotype. There’s an echo, too, in Bauhaus designs from as early as 1920, whose minimalist, geometric lettering also featured a crossbar-less ‘A’.

An unsold 1973 TV pilot for the series “Catch 22” (based on Joseph Heller’s 1961 book and the subsequent 1970 movie) had its title hand lettered in an extra bold stencil type style. Heller coined the phrase as a satire on absurd military rules and bureaucracy. Although the show’s title provided only five characters to work with, there was enough inspiration there to create the military styled Enlisted Stencil JNL, which is available in both regular and oblique versions. According to Wikipedia: “A catch-22 is a paradoxical situation from which an individual cannot escape because of contradictory rules or limitations.”

Slabber is a big ol’ chunky serif that’s specifically designed for display purposes – headlines, logotype, branding, titles, packaging, signage, etc. Its characteristics include heavy bracketed serifs with a strong 19th century wood type influence, while a very large x-height combined with a small cap height creates an awkward tension that delivers a strong, stylish, contemporary typeface. Slabber is enhanced by 22 alternates that will allow you to add flourishes to your typography. All Latin European languages are covered in this 6-weight typeface. Key features: 6 Weights 22 Alternates European Language Support (Latin) 500 glyphs per font.

Kiara typeface is a typeface designed for informal titles with very expressive letters. It also contains more than 12 variants (Thin, Light, Regular, Bold, Black) as letter alternatives and options such as "Black Shadow-Black Shadow Alternative".