The Znak Symbols family includes 2 fonts (Znak Symbols 1 and Znak Symbols 2) each with set of 94 strictly geometric symbols. The original concept and highly applied graphics from Znak Symbols recommend it for miscellaneous purposes, from ornamental and vignette use to visual communications.

The Meez is a geometric, extremely extended sans-serif typeface strictly intended for use as a display font. The family consists of three styles: Light, Regular and Bold. In each weight, all letterforms retain the same width, which make it ideal for titling use.

Inspired by the modern world, the Brink font appears with an extra expanded style combined with geometric letterforms, making this font look stylish, this font is included in the display font category that is suitable for use in graphic design, especially those with futuristic themes.

Neeskens, by Enric Jardí. A few years ago we used to talk about Neeskens as the font preferred by the crew of Ganimedes' commercial vessels. Now we see it as one of most solid geometrics of our typefaces. Neeskens has two versions: solid and inline.

Kentledge is a grotesque sans type family based on geometric forms that have been optically corrected for better legibility. The family includes extended language support (over 200 languages), alternates, ligatures and more. It is best suited for graphic design and any display / text use.

Mazzard is a superfamily of three geometric grotesques with three different x-heights (H, M, and L). It features rich language support including Cyrillic, and offers a wide variety of alternate forms to choose from. Also check Mazzard Soft - the soft version of Mazzard.

EggsGalore consists of 52 decorative eggs along with 10 pedestals. These egg-shaped illustrations feature various decorative patterns ranging from geometric to frilly - great for greeting cards, posters, invitations. The EggsGalore font collection is a sure addition for your Easter or other decorative inspirations.

A text and display font with square proportions, inspired by the type styles of soviet-era Russia. Very shallow ascenders and descenders and a large relative x-height, exaggerate the compact and geometric look. Related to Kursk 205 , its cousin with a rounder look.

Burnish Font family comes in 2 distinctive wide and condensed forms. Burnish is a contemporary typeface family with strong stylistic geometric contrasts representing the shifting contemporary aesthetics. Its distinctive stance and wide-open counters allow the right visual consistency for branding and communications projects.

Plak is a typeface originally created by famous German designer Paul Renner in 1930. Paul Renner is also the designer of the Futura typefaces. Like Futura, Plak is a sans serif design. But its unique qualities include its heaviness, and its un-geometric lowercase a.""

Docarium is a geometric modern minimalist sans serif display font. Wide and bold design gives this typeface a strong and dominant feel. Access the alternate glyphs by simply using uppercase and lowercase. Perfect usage includes logo, poster, display, headline, t-shirt design and many more.

Lino Stamp is a geometrical, sans-serif typeface inspired by Futura Bold Condensed. To produce it, letters were carved into linoleum, inked and impressed on paper – giving a worn and distressed finish. Lino Stamp works particularly well for headings, short paragraphs and scrapbook-style designs.

Secreta is a modern typeface with a geometric touch using "CAP" modes. It comes in 4 weights: Light Regular, Bold and Extended Bold. Each weight includes extended language support. Perfectly suitable for graphic design and any display use for web design, signage, corporate and editorial.

Aneba Neue is refreshed version of my old type family. It's a geometric sans serif typeface with a clean feel. The low contrast and high x height is perfect for headlines and display purposes. Aneba Neue contains 5 weights in two different styles - Bold & Slanted.

This decorative, headline or logotype geometric font consists entirely of lowercase letters. The glyphs of uppercase are rounder than their lowercase counterparts, allowing playful interaction within words, contrasting round and square shapes. The font is the result of a new identity development for Paragraph.

Vernox is a geometric sans serif font inspired by Swiss design. You can completely align the grid to a grid. It is intended for small pieces of text such as titles and qoutes. Vernox comes with 2 weights. It makes perfect for all creative projects.

Blox is a bold, retro, experimental display typeface designed by Superfried. With a simple geometric structure, tight spacing and cuts, Blox is very distinct with high impact. Available in two styles, vertical or horizontal, Blox has been featured on the Behance curated typographic gallery TypographyServed.com.

Multiverse is a display typeface designed to combine retro and futuristic styles into one package. Its geometric characters intertwine in unique ways that can support a high-tech context, but its curves and boldness echo the sci-fi of the 70's and 80's.

The inspiration for designing this font was our company logo, that we created first. The design is influenced by a typeface called Din. The main characteristic and features are clean, minimalistic, geometric. Young playful companies and clients could definitely use this font for their branding.

Newlook is a display font drawn with geometric shapes and high contrast. The stylistic set 01 shows capital letters using heights from descenders to ascenders and x height which gives a crazy dancing look. Perfect for display, poster, magazine etc… Support all latin languages.

Clean and geometric deco sans typefaces have been used in a range of scientific publications, corporate logotypes, and beauty products over the years. However, a typeface of this style has yet to have an expansive range of widths and weights to become a design workhorse, until now. The Sunblock family finds its origin of inspiration in the Coppertone sunscreen company logo, and from there expands to type megafamily. Sunblock celebrates the rounded geometric forms of deco and bauhaus lettering through a compressed lens, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherited its soothing tone from the limited character logotype that inspired it, and goes on to include a lowercase, small caps, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers. Here's what's included with the Sunblock Collection bundle: 643 glyphs per style - including Capitals, Lowercase, Numerals, Punctuation and an extensive character set that covers multilingual support of latin based languages. (see the 7th graphic for a preview of the characters included) 21 fonts in 5 width subfamilies: Ultra Condensed, Extra Condensed, Condensed, Semi Condensed, & Standard. 5 weights per subfamily (except Ultra Condensed): Thin, Light, Regular, Bold, & Black. Fonts are provided in both TTF & OTF formats. The TTF format is the standard go to for most users, although the OTF and TTF function exactly the same. Here's why the Sunblock Collection is for you: You're in need of a deco geometric font family with a big range of weights and widths You're love that Coppertone letter styling, and want to design anything within that genre You're looking for an alternative to Chalet Comprime with a more versatile range of styles You're looking to start up your own derivative Sunscreen product line You just like to collect quality fonts to add to your design arsenal

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

DC Inflate is an uppercase, bold, rounded display typeface. Ideal for logo design, big, fun and impactful titles. It supports the Western European character set and it contains 215 glyphs.

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Twentytwelve typefaces are the outcome of my project at the Jan van Eyck Academie in 2012. There're two sets of numbers: lowercase proportional and uppercase tabular (OpenType Stylistic Set 1).

Malnor Sans is a normal sans serif family of 18 fonts. With modern style or neo-grotesque, Malnor sans has balanced proportions in every letter, and it's clean, minimal and cool. There are several alternative letters that can be used in both upright and oblique styles. Single story 'a' can give a more geometric impression, even though it is not purely geometric. There is also an alternative double story 'a' with a tail, a double story 'g' and an alternative 'l' that can be applied together via the 'salt' or 'stylistic sets' features for a slightly warmer feel. Malnor Sans currently has around 900 glyphs, including diacritical marks, that support a broad Latin-based language.

Aquus is a contemporary all-caps display font that refines the elegance of a classic Didone with experimental interventions. Geometric elements and subtle details are found in its letters, many of which connect to ligatures. Most alternate glyphs can be switched automatically by use of the Stylistic Set function in OpenType-supporting applications, others you can access manually via the glyphs palette. You may try Aquus Linearis as a fashionable outline variant, which reveals its beauty especially when combined with imagery. Use them best for concise strings of characters, such as logotypes, packaging or magazine titles. Aquus Simplex is their sober companion, based on the same letterforms, minus the geometric ornaments and conjunctions.

Cephalonia is a geometric sans-serif with a unique set of alternates that draw their inspiration from classical greek engravings. The crossbars in the alt characters O, E, F and D are the most notable examples of this greek influence. The landscape of Greece and in particular its islands were the inspiration behind the angular A, H and G, which conjure images of rolling hills and waves. Cephalonia's alternate Q and ampersand are completely original designs. Cephalonia combines the simplicity and elegance of the most famous geometric sans-serifs while adding original embellishments that make it something new and exciting. The end result is a typeface that can evoke a classic feeling while simultaneously holding an edgy contemporary feel.

Lab Slab Pro is a geometric slab typeface with a technological and minimalist look and is suitable for use in large sizes. It has eight versatile weights, (from Thin to Black) including true italics for each one, and a wide range of stylish alternate characters to improve its use in different graphic contexts. The name of this typeface was inspired by an experiment, mixing a structure with calligraphic influences and completely geometrical and structured drawings. Lab Slab Pro has a wide range of OpenType® features such as: small caps, old style/titling and small caps figures, fractions, superior and inferior scripts, scientific components and ligatures. Lab Slab Pro is Lab's best and most powerful mutation designed by Tiponautas.

Aurore Grotesque is an elegant, robust geometric sans for both text and headline. It has a classic European heritage that references the posters of Cassandre and the modern sans of Paul Renner or Karl Gustav Möhring, but is entirely new and does not slavishly follow any historical reference. The low lower-case x-height gives it character and definition in running text, while the capitals-only Titling variant lends weight and punch to headlines. The full range of weights, each with matching italics, make it perfect for brochures, magazines, advertising, web, app and corporate uses. Includes lining, old-style and tabular numerals, arrows, stylised geometric alternates, and a full international character set.

SK Synonym Grotesk is a geometric neo-grotesk typeface, which was developed under the influence of Swiss type design and adapt to modern realities. Its sturdy and simple structure is characterized by angular joints that accent details of the letters. The font design uses a strict geometric and stable construction it's combining with organic and lively forms, it creates an unusual attractive aesthetic of the character set. SK Synonym Grotesk consist of a variety of tools for various design needs, including OpenType alternatives and a wide range of styles from Thin to Black. This typeface is multilingual, supports more than 40 languages including Extended Latin and Cyrillic sets and contains more than 450 characters.